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After a young man is murdered, his spirit stays behind to warn his lover of impending danger, with the help of a reluctant psychic.
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◎译 名 人鬼情未了/幽灵/生死第六感/第六感生死恋(台)
0 L# [1 o" t8 o" t6 B◎片 名 Ghost
3 y; O5 B6 S( M5 R% w2 D◎年 代 1990
4 Z* Y# O& ~" U0 v. \% `# h◎产 地 美国6 K$ G$ ~* K' d% S7 g3 r6 |
◎类 别 剧情/爱情/奇幻
3 g& V" r9 H5 H* W◎语 言 英语
4 o* `) s9 M2 O/ I. Q◎上映日期 1990-07-13% g! Z& Y G8 _5 p
◎IMDb评分 7.1/10 from 195,666 users% o$ n! o7 _4 m+ O' ?% I* @
◎IMDb链接 https://www.imdb.com/title/tt0099653// o: o# N% ^- u5 b( A- k& _" N
◎豆瓣评分 8.2/10 from 184,896 users) j f- `8 B8 {- E
◎豆瓣链接 https://movie.douban.com/subject/1293203/
6 k, c- f( d& a$ i$ P7 D◎文件格式 x264 + TrueHD
4 z M Q9 C" i0 ]9 Y- j& Z5 v◎视频尺寸 1920 x 1080
3 m* s; H1 b8 Y/ D% @0 F◎文件大小 1DVD 37.12 GiB. U. V& E9 N- u z" E
◎片 长 2:06:37.423 (h:m:s.ms): _/ _9 j# k4 U8 E, t, |2 I0 g0 j3 |
◎导 演 杰瑞·扎克 Jerry Zucker
' M) \/ e$ a( ?, V6 v& z◎编 剧 布鲁斯·乔尔·鲁宾 Bruce Joel Rubin# k J; J+ K, `6 u5 |( u" u0 S
◎主 演 帕特里克·斯威兹 Patrick Swayze F! K6 R. k5 e* r
黛米·摩尔 Demi Moore
; D$ |* [: n" e0 T* R# X 托尼·戈德温 Tony Goldwyn- _; k/ z2 p) c
乌比·戈德堡 Whoopi Goldberg
& I& z2 m' U6 I* O+ v( }1 Q- T 斯蒂芬·鲁特 Stephen Root$ [1 ^4 A! W7 o) C
文森特·斯卡维利 Vincent Schiavelli3 S5 r$ e' c/ D- d0 [* Z/ L6 l! O
菲尔·利兹 Phil Leeds- y& m( e. _/ H4 B5 n. J- I: U
/ S3 W% c& L% s* T% i/ z, o◎标 签 爱情 | 经典 | 美国 | 人鬼情未了 | 美国电影 | 1990 | 电影 | love
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8 a6 c& b- [7 w$ [7 N2 [- A◎简 介
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年轻的银行职员萨姆(帕特里克·斯威兹)与未婚妻美莉(黛咪·摩尔)相爱极深,在朋友卡尔(托尼·戈德温)的热情帮助下,他们搬进一幢漂亮的公寓,做着结婚前的准备。某晚看戏归来时,他们遭遇持枪歹徒,与歹徒搏斗时,萨姆不幸中枪身亡,美莉悲痛欲绝。
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萨姆变作幽灵,发现卡尔是导致他死亡的幕后策划,而为了窃取银行里的巨款,他又对美莉展开追求,以便获得萨姆所掌握的密码。为了保护美莉,萨姆常常游荡于她的周围,并渐渐地学会了如何使用力量,但他苦于无法同美莉交流。在能与幽灵沟通的灵媒奥塔的帮助下,他与美莉取得联系,但美莉起初并不相信,直到事实令她感受到萨姆的存在,可是,深深相爱的两人仍无法直接接触和交流。
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5 [, j9 n8 W5 X7 v2 e After a man is shot and dies, he -- as a ghost -- teams with a psychic to uncover the truth behind his murder, and to save his sweetheart from a similar fate.
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◎获奖情况 ! C: t9 S$ P! A' W+ U4 C: y
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第63届奥斯卡金像奖(1991)
. ]( o) v4 O0 @3 } 最佳影片(提名) 丽萨·韦恩斯坦' y- F* {* m. R k, f0 J5 p% n5 L+ r
最佳女配角 乌比·戈德堡
( P y+ D" L% y8 l' Z7 G7 a5 o 最佳原创剧本 布鲁斯·乔尔·鲁宾
* V& H- E8 J" Z% a* O4 k# Y! L 最佳剪辑(提名) 沃尔特·默奇- Y1 @7 R2 ?1 n8 F* g
最佳原创配乐(提名) 莫里斯·雅尔
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& v$ F1 m# w/ T7 E# k 第14届日本电影学院奖(1991)
' T0 F5 K3 ~$ Q3 P, [0 R 最佳外语片(提名)
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- DISC INFO:# n v* M5 K9 b
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- Disc Title: Ghost.1990.REMASTERED.1080p.BluRayCD.AVC.TrueHD.5.1-KiFFLOM5 K* x4 S8 F+ P: P3 Z- v- T; q
- Disc Size: 39,860,932,452 bytes7 o( N6 X( `! S5 S8 a
- Protection: AACS* b# f( u S* ~ b: S
- Extras: BD-Java% n% u. I4 X; T, H0 E
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.1.1)
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! [7 F6 L0 o" _9 K3 k. x- j+ z- PLAYLIST REPORT:# e1 m3 g0 ^0 N
# ]- Q8 X- e# K7 |- Name: 00800.MPLS ' P. h) x0 v7 Y/ x
- Length: 2:06:37.423 (h:m:s.ms)% ]- z# W5 Y8 b# i2 r
- Size: 36,351,436,800 bytes
5 ?- R4 I4 |+ b - Total Bitrate: 38.28 Mbps9 X) p! o6 P. [
1 m9 D5 b! O q! e( k# Z7 E6 N- Video:
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- Codec Bitrate Description 7 d, V+ V* @) A0 o3 n
- ----- ------- -----------
' d7 E1 C( @! _$ q - MPEG-4 AVC Video 28997 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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. H% R* o7 y% ?5 ]( t- AUDIO:
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- Codec Language Bitrate Description ! X" t* V" ?$ u, B( x& G
- ----- -------- ------- ----------- 4 {, E) L- t1 U& { _, S
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps" f: \( d& o: m' P$ w
- Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps' N O% C2 C1 V+ c( M3 ^# c# o
- Dolby Digital Audio Japanese 224 kbps 2.0 / 48 kHz / 224 kbps) \4 L' W( |, o T, [' F6 B) Z
- Dolby TrueHD Audio English 3788 kbps 5.1 / 48 kHz / 3148 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)# ]$ ?( \2 ?9 ?& U8 P7 m
- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
# X& w$ Q; K( ?9 P' _% n; E - Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
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/ N' p: F* d1 ]& s) c: O# s- SUBTITLES:6 W2 p, A7 i* j" x4 ?7 R* c) h
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- Codec Language Bitrate Description & P: o! }7 y9 w: u. b1 W8 s7 [
- ----- -------- ------- -----------
, z# O2 ` T& [: G) W - Presentation Graphics English 33.402 kbps
' z& m* @7 J+ _; T3 M3 I - Presentation Graphics English 36.19 kbps : n: O B" u; L) a( B4 L
- Presentation Graphics French 22.249 kbps * Q4 s, W$ Q% z$ T. _
- Presentation Graphics German 23.745 kbps
* t. k* Y1 r5 S h, \4 q2 r - Presentation Graphics Japanese 18.437 kbps
+ [3 H) p0 v" N7 b) _6 g - Presentation Graphics Japanese 0.401 kbps - A1 j5 t7 i3 c' i7 @
- Presentation Graphics English 61.111 kbps # [8 ]& Y6 W# K8 k& s( |# c' |
- Presentation Graphics French 46.03 kbps 4 S$ v. k; I0 W9 x# g
- Presentation Graphics German 44.191 kbps / G1 |- t2 ^1 ~6 B8 B( H
- Presentation Graphics Japanese 34.992 kbps
复制代码 Ghost Blu-ray, Video Quality / L/ n+ W2 }6 n/ C" K* p7 \# R9 ]
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% [) z9 g$ `0 M! |6 {Presented in 1080p utilizing the AVC codec (at an average bitrate of 33Mbps), Ghost looks the best it ever has and probably ever will. Fine object detail rarely approaches the levels we've seen on the best Blu-ray has to offer, but considering the film is rapidly approaching it's twentieth anniversary, I was pleasantly surprised with the level of clarity on display. Facial textures aren't readily apparent in most close-ups and distance shots of the city streets look somewhat less distinct, but I was happy to see a fine level of film grain throughout the production, which confirms a lack of DNR application in the preparation of the transfer. Colors appear entirely natural, as we witness the drab, dingy characteristics of the New York streets, or the warm glow of Molly's studio loft. Continuing the trend of positives, black levels are appropriately deep during daytime and nighttime sequences, allowing contrast to display excellent differentiation between the dark and light areas of the screen, and I never detected the presence of edge halos or digital artifacting.
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Despite the strengths of the transfer, there are two items that don't hold up entirely well. First, the few scenes that contain superimposed "ghosts" walking around in the real world possess outlines that don't look all that impressive in 1080p. This is merely a limitation in the effects available back in 1990, and not related to the transfer, but it still reflects a byproduct of making the jump to high-definition. Second, I noticed two scenes where the picture exhibited some jittering as the camera panned. If you watch the office sequence around the six minute mark, or the beginning of the funeral scene, you'll notice the effect I'm talking about (though it's worth noting it was only a minor distraction in my opinion).5 _5 } _! S$ R% V# B/ [
5 [; K: z9 g LGhost Blu-ray, Audio Quality - t. n) M2 E) {
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The primary audio offering on the disc is a Dolby TrueHD 5.1 track in the native language of English. This isn't exactly a hyperactive film, but the audio track still contains some interesting elements. The subway scene early in the film is a perfect opportunity to hear how proficient the audio experience can occasionally be, but you shouldn't expect the track to offer much more than crisp dialogue, well-balanced music, and several fleeting examples of rear surround effects. We all know apples don't develop into oranges over the course of 19 years, so fans shouldn't expect the audio experience to be a complete revelation with the transition to lossless audio. If you can accept the dated sound of the musical score and effects, you'll love the overall audio experience ("Unchained Melody" by the Righteous Brothers never sounded this good).
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