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Rob, a record store owner and compulsive list maker, recounts his top five breakups, including the one in progress.# U& p9 c7 B& H* ?- j& d7 X
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◎译 名 失恋排行榜/高保真/高度忠诚2 N! @; l+ D( z( j' `* `" y
◎片 名 High Fidelity+ f: j) p0 w- p/ P6 z
◎年 代 2000
. _' C8 F+ _- {' Z◎产 地 英国/美国( M O, V& p2 C: A
◎类 别 剧情/喜剧/爱情/音乐
' s- b* b6 d! T' t% V◎语 言 英语/丹麦语6 v9 R% u8 H; {8 v6 w
◎上映日期 2000-03-31(美国)/2000-03-28/ g, _! @9 K& ?9 X
◎IMDb评分 7.5/10 from 172,335 users
: S4 K- O8 u' B' }( f' F J◎IMDb链接 https://www.imdb.com/title/tt0146882/* ^% i- |. g+ ?7 B% F/ s
◎豆瓣评分 7.3/10 from 7,027 users
. j8 S( t. V7 G* o$ B◎豆瓣链接 https://movie.douban.com/subject/1299786/9 E: j/ M. \6 ?/ U! j. I1 r
◎文件格式 x264 + DTS# Y1 \, N2 H3 k# [
◎视频尺寸 1920 x 1080$ i' z/ J' f8 L* r# L# |( u
◎文件大小 1DVD 30.63 GiB- v ^! }5 \8 P
◎片 长 1:53:40.271 (h:m:s.ms)
4 m* u; K$ d3 N, W% _◎导 演 斯蒂芬·弗雷斯 Stephen Frears. |1 o' D( t- p i
◎编 剧 斯蒂夫·平克 Steve Pink 6 P p) u: O) {% D& x% e9 I2 F, p
约翰·库萨克 John Cusack
, r; g' m$ x+ G( t/ `3 z( _ 尼克·霍恩比 Nick Hornby % H. A- n" e) ?5 h" T
D·V·德文森蒂斯 D.V. DeVincentis + }; x! Y7 F7 ~7 r6 n3 g" x+ p
斯科特·罗森伯格 Scott Rosenberg, ^9 k/ ]( ]( P- N
◎主 演 约翰·库萨克 John Cusack
( @! N$ G# P$ V; i+ u 艾本·叶尤 Iben Hjejle1 j$ {% a( D+ N: t. J* a9 b
托德·路易斯 Todd Louiso
4 C4 h# S# |+ |4 S 杰克·布莱克 Jack Black
, q8 \2 G% [7 }: M$ J# z- D1 P 凯瑟琳·泽塔-琼斯 Catherine Zeta-Jones
) a# V* }8 K5 N, e4 F& [& r3 B2 \) N 蒂姆·罗宾斯 Tim Robbins$ `0 V$ X$ O5 y! w3 W
莉莉·泰勒 Lili Taylor v8 X; |3 [8 O* x Y( W
克里斯·鲍尔 Chris Bauer
1 K# o5 M! i- [ Ben Carr Ben Carr
! w0 N. ]2 ^: N* b: Z( B5 |- y Damian Rogers Damian Rogers- [" f* }% P3 x& |7 P9 E
布鲁斯·斯普林斯汀 Bruce Springsteen
+ S% T) \& S6 ]' k6 h" o# P% i) i/ G 马修·奥尼尔 Matthew O'Neill" f' h- h5 Z. r0 w+ P
James Azrael James Azrael
3 k# F2 o. Y$ n3 l, D0 s 莉莎·博内特 Lisa Bonet
b+ p6 c: c8 p 苏茜·库萨克 Susie Cusack
& w6 H1 P( e# m" c9 {+ v( z& O 德雷克·贝尔 Drake Bell/ F2 G! z5 }, K. S; D
琼·库萨克 Joan Cusack: T: A# v& J5 F0 X9 r
乔丽·卡特 Joelle Carter
0 D& f. u' F3 Z, S; O. O* e. C( P# k6 L 娜塔莎·格雷格逊·瓦格纳 Natasha Gregson Wagner
1 ~+ U7 \/ Y" }; i) o 亚伦·希梅尔斯坦 Aaron Himelstein: ~( g- D) \* x2 k4 z
斯科特·A·马丁 Scott A. Martin1 y3 i1 Y. \5 G8 n# N
莎拉·吉尔伯特 Sara Gilbert$ w3 o& _. P d
哈罗德·雷米斯 Harold Ramis
, O7 g J+ p' x) T" T; x) S 迪克·库萨克 Dick Cusack7 e" i3 m1 i# }% N9 |* h
Rich Talarico Rich Talarico
7 d) U* A1 ], X: ^: u/ b3 V 艾利克斯·迪塞尔 Alex Désert
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◎标 签 美国 | 爱情 | 音乐 | JohnCusack | 喜剧 | 美国电影 | 2000 | 英国- j5 b% T# }5 ~1 U
# |7 i$ v& N- w. E/ o& I◎简 介 b5 `* n' Y7 c4 ?; M0 L# I
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罗伯(约翰·库萨克 John Cusack 饰)是个音乐狂热爱好者,他经营着一家唱片店,店里的两名店员迪克和伯利都是音乐爱好者。一天,罗伯的女友罗拉(艾本·叶尤 Iben Hjejle 饰)跟他提出分手,他甚至搞不清楚原因。为此他做起自己的“失恋排行榜”,回顾一路以来失败的恋爱。他发现自己总是充当被甩的一方,于是他决定重新联系这些前女友,询问她们当初选择分手的原因。
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与此同时,罗拉因为要搬出罗伯的住处而与他一直保持着联系。一次,罗伯从罗拉的朋友口中得知,罗拉居然开始和住在自家楼上的伊安(蒂姆·罗宾斯 Tim Robbins 饰)约会。这让罗伯大受打击,他开始不停地打电话骚扰罗拉和伊安,在他们楼下徘徊。终于有一天,转机到了,罗拉告诉罗伯,她父亲去世了……
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; p( c# ]( ?/ w5 }4 W' y3 ]9 K: W9 F1 O Rob Gordon is the owner of a semi-failing record store in Chicago where he sells music the old fashioned way- on vinyl. He's a self-professed music junkie who spends his days at Championship Vinyl with his two employees Dick and Barry. Although they have an encyclopedic knowledge of pop music and are consumed with the music scene and creating their all-time favorite top-five lists of subject specific songs, it's of no help to Rob whose needle skips the love groove when his long-time girlfriend Laura walks out on him. As Rob examines his failed attempts at romance and happiness the process finds him being dragged kicking and screaming into adulthood.; y6 J* Q- |5 X' `. q* z& P
$ X$ ^& V' I# _ P◎获奖情况
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) z. t: H/ ]' h# T% U4 r0 c 第58届金球奖 (2001)8 }$ t$ ~4 U: h. m
电影类音乐/喜剧片最佳男主角(提名) 约翰·库萨克
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第54届英国电影学院奖 (2001)" k7 Y/ B0 h0 H. J# c. k. D% a
电影奖最佳改编剧本(提名) 斯科特·罗森伯格/斯蒂夫·平克/D·V·德文森蒂斯/约翰·库萨克( V% _( g4 a: C1 S) d+ {& c+ s; O
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第1届美国电影学会奖 (2000)
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- DISC INFO:) J$ _# P! F6 i! n
; M% g7 I6 d9 g" P6 m6 G- Disc Title: High.Fidelity.2000.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
]* Y- g" _" u! q) h$ n; ?$ Q - Disc Size: 32,883,635,499 bytes0 C6 c" i# ~( ^6 v/ `
- Protection: AACS- p ?! I5 r& }6 e
- BD-Java: Yes4 {& C$ F9 v9 [/ `! {
- BDInfo: 0.5.86 u$ }$ X& l# X* V, a
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- PLAYLIST REPORT:+ I3 E% @, ?7 R4 `) c( v
- $ K$ u! c) E) w& i! h9 O3 r, Y
- Name: 00800.MPLS
4 P9 t" q* O- `* G: |* w - Length: 1:53:40.271 (h:m:s.ms)# t6 {# H$ G4 C$ b& B0 ~
- Size: 28,694,974,464 bytes+ P7 j1 w R* g8 |" H6 ]
- Total Bitrate: 33.66 Mbps
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* t7 N- U! J2 a7 O1 g- Video:0 F. F4 y$ d1 q! ^/ z7 d* u" K4 b0 m
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- Codec Bitrate Description
: s2 h0 w' w ~4 S. r8 O - ----- ------- -----------
" ^5 u: z' \/ w+ W, R% E - MPEG-4 AVC Video 25857 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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/ L2 c* q/ ^7 ?1 s' S# n; a- AUDIO:
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- Codec Language Bitrate Description
~, N& i* d0 x7 d- l7 [ - ----- -------- ------- -----------
5 Y" k- l1 ^2 k/ T& R. d8 E - DTS-HD Master Audio English 4170 kbps 5.1 / 48 kHz / 4170 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)& N* r. c9 _$ n. _, @. u9 `- {& Y
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps) }+ V3 x' ]& a y7 d o
- Dolby Digital Audio Spanish 320 kbps 2.0 / 48 kHz / 320 kbps / Dolby Surround
* @8 Q- p( m# H M - Dolby Digital Audio Portuguese 640 kbps 5.1 / 48 kHz / 640 kbps7 L n9 Y X" k$ ?0 f% G* p
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- SUBTITLES:
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7 I% b% U2 M" G8 z- Codec Language Bitrate Description ! k) X# I3 e f J6 }# Z" X/ J' E$ B
- ----- -------- ------- ----------- 1 c* ?% p5 K) u1 f4 L; s' N$ S
- Presentation Graphics English 53.839 kbps " F5 _7 v/ U- U- @3 \+ v
- Presentation Graphics Spanish 40.723 kbps ! v" t; \/ L; g1 ~7 y- b9 m* c/ m; x
- Presentation Graphics Portuguese 41.245 kbps
2 E1 y; s# |! C( V - Presentation Graphics French 35.566 kbps
9 s+ C5 W8 p9 b+ F/ p* C( L - Presentation Graphics French 0.098 kbps
复制代码 High Fidelity Blu-ray, Video Quality
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High Fidelity's hit or miss 1080p/AVC-encoded video transfer, on the other hand, doesn't hold up so well. Filmic softness is one thing; scrubbed and filtered source materials are something else entirely. Oh, grain is still present (although it sometimes takes on the consistency of mashed potatoes) and many a closeup looks terrific, carefully preserved textures and all. It's the film's midrange shots that seem to be the source of most of the encode's woes. Grain and fine details tend to become muddled, brief but thankfully negligible bursts of artifacting enter the fray, minor macroblocking haunts oversaturated faces (skip to 33:41), slightly unnatural skintones and crush are minor but ongoing problems, and delineation and black levels aren't always as revealing or satisfying as they could be. That said, High Fidelity fares better than Grosse Pointe Blank in some regards. It isn't littered with thick edge halos like Blank, its colors are occasionally truer and more lifelike, and its contrast is more well-balanced. Like Grosse Point Blank, though, it's clear High Fidelity's transfer wasn't minted from a new master but rather one that shows signs of age. That's not to say the image resembles its DVD counterpart, mind you. Far from it. Videophiles would just be wise to lower their expectations. This may be the best the film has looked since its theatrical release, but it would be easier to compile a list of the presentation's "Top Five Disappointments" than its "Top Five Upgrades," and that sort of says it all.
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High Fidelity Blu-ray, Audio Quality 9 j) `% K2 c. h
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3 M$ y9 a6 R; \1 H% ZHigh Fidelity's DTS-HD Master Audio 5.1 surround track spreads every last pop hit, indie fave and underground anthem in its arsenal throughout the soundfield, drawing the listener in with full, robust renditions of its mix tape soundtrack. The rest of the soundscape, though... well, that's another story. There's nothing wrong per se -- dialogue is clean and clear, LFE output is strong and attentive, and the rear speakers rarely grow quiet -- but the film is surprisingly front heavy on the whole. Street noise, store chatter, and rustling record sleeves are a part of the experience, but tend to clump in the front speakers rather than extending across the entire soundfield. Subdued emotional scenes are even flatter, despite offering up some nice interior acoustics here and there. There's little difference between Rob's apartment and his office, much less his store and a restaurant. The film's original sound design is presumably the culprit, but that doesn't really help when the music dies down and takes much of the soundscape with it. High Fidelity still sounds better than ever. Its lossless track just isn't as enveloping as most fans will probably be expecting.
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