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An N.Y.C. film school student accepts a job with a local mobster who resembles a famous cinema godfather and who takes the young man under his wing, after demanding total loyalty.' U8 J) u9 ^8 C6 i; y
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" a% L5 }0 A% h+ \0 _% q◎译 名 新鲜人/一年级新生/新手/蜥蜴教父( o* V, Y4 `5 {! b4 k( g! i7 Z
◎片 名 The Freshman- r3 b$ }; T. y8 H0 i
◎年 代 1990. _8 K6 O8 U& m' N1 E# B
◎产 地 美国
7 B5 v: ~3 z) g9 O1 f0 K. h, m◎类 别 喜剧/犯罪
* e( y. L2 Q- E◎语 言 英语$ ]% C/ n" K2 h( c
◎上映日期 1990-07-201 N' m0 H2 w6 ]+ x, J% @0 Y
◎IMDb评分 6.4/10 from 18,721 users
6 q8 z- r5 a! R, h P D0 N◎IMDb链接 https://www.imdb.com/title/tt0099615/
! P' e( o4 Q" @◎豆瓣评分 6.5/10 from 161 users
) |% w: M1 C6 W. B) d) e◎豆瓣链接 https://movie.douban.com/subject/1292758/
* ?0 p9 Q) s: K9 ?6 N7 S( N◎文件格式 x264 + DTS& p$ E! c! H: b
◎视频尺寸 1920 x 1080: q2 ~! }; T2 M9 K: @1 o: K$ Y
◎文件大小 1DVD 19.05 GiB
2 a) I. p# {4 s( d◎片 长 1 h 42 min
+ j. d( y( `* I6 F' y( W◎导 演 安德鲁·伯格曼 Andrew Bergman
# a& {3 v9 m, |7 `4 A8 S◎编 剧 安德鲁·伯格曼 Andrew Bergman
# D _) L H9 r7 y& c5 }) F◎主 演 马龙·白兰度 Marlon Brando
; O- t! Z3 b( H* z 马修·布罗德里克 Matthew Broderick
& Y9 n- t$ ^. [' ~' ]; l! R 布鲁诺·柯比 Bruno Kirby# d2 @8 G' O( q2 v( ?7 B$ f
佩内洛普·安·米勒 Penelope Ann Miller
$ j; n4 [4 A9 A) V Wendy Dickson
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◎标 签 美国 | MarlonBrando | 犯罪 | 美国电影 | 1990 | MatthewBroderick | 马龙·白兰度 | 马龙.白兰度
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◎简 介
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克拉克(马修柏德利,「酷斯拉」)是纽约电影学院的新鲜人,但他还没开始享受大学生涯就被人骗走了行李和所有财物,正当他走投无路之时,竟意外遇上偷走他财物的混混。为弥补克拉克的损失,那混混为克拉克引荐其叔父萨巴提尼(奥斯卡影帝马龙白兰度,「现代启示录」),希望他能帮克拉克安插个工作。虽然萨巴提尼所从事的〃进口生意〃颇受人质疑,他后来却成了克拉克的良师,教了他许多待人处事的经验。马龙白兰度在本片一反以往的作风改走喜剧路线,和他在其代表作「教父」中柯里昂家族的教父形象大相迳庭。7 S3 S& a( }/ O7 O' n$ |
* r1 t" x" t8 i4 p$ w$ J3 H Clark Kellogg is a young man starting his first year at film school in New York City. After a small time crook steals all his belongings, Clark meets Carmine "Jimmy the Toucan" Sabatini, an "importer" bearing a startling resemblance to a certain cinematic godfather.: }5 v8 D( E" t* k: T: B
! n+ P1 v3 F( E( }7 aVideo/ k+ r5 ^ c5 p2 K$ I! S( x1 H
ID : 1
_, m- E( N& D% s2 I# wID in the original source medium : 4113 (0x1011)- W: O5 O- Q8 j' g
Format : AVC0 M" _' ^% O; [4 q( M3 G$ j
Format/Info : Advanced Video Codec
& K* J6 o% k, S6 {Format profile : High@L4.1
( y6 N4 V. N0 f4 C1 q5 iFormat settings : CABAC / 4 Ref Frames3 z* V8 p2 {0 n" s$ s
Format settings, CABAC : Yes5 a- J# } u q5 e
Format settings, Reference frames : 4 frames) W( n5 z1 W! k: ]" P
Codec ID : V_MPEG4/ISO/AVC/ Y. @* y4 \+ g/ t; [
Duration : 1 h 42 min
2 z. E4 A3 O2 n5 T1 I1 cBit rate mode : Variable9 }, H& Q, F/ B4 L
Bit rate : 25.0 Mb/s
$ R4 ~( R$ \* f5 w' sMaximum bit rate : 30.0 Mb/s O+ @6 [, k1 a8 S. M
Width : 1 920 pixels j" o- @/ o( F2 u% o! R
Height : 1 080 pixels8 B5 p& R/ F0 D) {1 D, q% b
Display aspect ratio : 16:99 H" ~; I" Y4 M& j
Frame rate mode : Constant
* \6 o8 b+ w1 k* q/ l4 JFrame rate : 23.976 (24000/1001/37687) FPS
. ~9 `" H- j g2 |, M. y# x+ |Standard : NTSC/ Y9 R' V" N7 b/ {& J
Color space : YUV0 f+ }% G7 a: J5 y; L* a
Chroma subsampling : 4:2:0
) A; t. A& V5 c, w9 n5 |Bit depth : 8 bits
) u0 g' c% `! V" c% |8 _/ _: Y& XScan type : Progressive/ Y8 Z. G9 z, c. i
Bits/(Pixel*Frame) : 0.503: z+ Z& v5 R" @% B
Stream size : 17.9 GiB (94%)) n! X9 d. m2 h2 H* x: Q7 E
Title : The.Freshman.1990.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT
1 B4 d$ Y3 U0 n: a, N6 FLanguage : English
8 f8 }2 v, |4 [3 P. ?2 \Default : No
: ]- r( R1 S# y+ sForced : No" b2 D' X- H2 f
Color range : Limited
- A5 q7 x0 U' z7 Z7 i4 ]9 } `$ gColor primaries : BT.709
1 ?$ K* Y: I* k' RTransfer characteristics : BT.709
# O4 T- b0 X9 z. y2 U( r! @3 lMatrix coefficients : BT.7099 v8 n5 B. N$ j0 c: Z$ }' k
Original source medium : Blu-ray/ c* {0 K( z/ g- p
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Audio% ~' r. w/ o0 H4 n( A" P
ID : 20 h7 y. U$ c' h3 c
ID in the original source medium : 4352 (0x1100)
) f; |! y P# P& k$ |4 o! z }8 KFormat : DTS XLL
& s5 V# G0 b) o% J; r1 s& N" a, D* `Format/Info : Digital Theater Systems
6 e2 y7 e: O- i7 m* pCommercial name : DTS-HD Master Audio+ U" m( u0 X( ^2 ]: }" S
Codec ID : A_DTS
' `7 O' l9 r& U/ F# @$ D# u/ ADuration : 1 h 42 min
# r! z6 O* @) ?# K EBit rate mode : Variable K% `% J( Q3 f2 ?+ w3 N5 r ]
Bit rate : 1 564 kb/s
( E* u7 B9 ^- y1 l9 ^6 n- UChannel(s) : 2 channels
$ Z" X! [- b3 m# sChannel layout : L R2 H8 [! u& o9 Z$ W
Sampling rate : 48.0 kHz# J: T) T) c0 L6 y& J
Frame rate : 93.750 FPS (512 SPF)
) P( q' y; o) QBit depth : 24 bits
. c; C9 T# i4 X. QCompression mode : Lossless1 ^0 W. W. O" b$ F. ~2 Y: r
Stream size : 1.12 GiB (6%)/ C4 d% R: {6 q8 u1 I. v: ]8 Y
Title : The.Freshman.1990.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT+ {# B! O) Y4 q6 t8 E9 P" N# V
Language : English: T( D, S/ N# l
Default : Yes
5 v J1 \$ W: K# B4 {( QForced : No
; f% b8 z/ x. R1 f# dOriginal source medium : Blu-ray
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Text #1
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Format : UTF-8
{% s+ W0 \. I- t8 ~- aCodec ID : S_TEXT/UTF8 w+ Z8 ?& ?; I% J
Codec ID/Info : UTF-8 Plain Text
: Y9 c; R7 U6 J7 R5 M+ hDuration : 1 h 37 min
% A3 b* R. O4 y2 e7 r6 c# C6 YBit rate : 67 b/s; `+ _' c6 l1 [- `# Z
Count of elements : 1757& p# ~& J0 x. h- H" q, x* X9 L
Stream size : 47.8 KiB (0%)
- F Z6 @) P9 x' P4 CTitle : English-SRT
# w* I9 D8 @# `6 VLanguage : English! N1 u; X M) g* }3 d& ]. s, k
Default : Yes/ n5 _0 o- Y' Q) L
Forced : No
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Text #2
! @' \! e# U& p$ s' TID : 4. c- q- g5 C( p& I) w, v
ID in the original source medium : 4608 (0x1200)
, \$ P: n9 P3 d# KFormat : PGS9 L+ S% `: R. L. O$ B1 k- m
Muxing mode : zlib
9 ^1 U! E2 k. _1 RCodec ID : S_HDMV/PGS
0 v+ B" r7 I! l- [; `Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs3 @/ Q" o7 w" N3 ]/ W. ]
Duration : 1 h 39 min
3 ]# ^# ~+ ~' s8 g1 ~Bit rate : 28.5 kb/s
' T" h* t7 h! m' jCount of elements : 3761
% \ K+ K. {2 o* S3 {: H8 JStream size : 20.2 MiB (0%)
0 o# b+ o d' I' gTitle : English-PGS
8 w% b- ] `4 Z2 F3 k9 wLanguage : English
5 I7 ~& m0 O7 b$ ^& K! L4 fDefault : No
& ^1 |! P( V+ o, y1 }5 ZForced : No
& l4 ^) L6 \, P6 KOriginal source medium : Blu-ray9 X0 D' \+ x5 [! P5 x
5 x p& ~/ R( k) n+ S* QMenu- C0 Y5 f$ P z; l: e- ^
00:00:00.000 : en:Chapter 015 I2 L$ M. f) k# D3 w2 _! q
00:09:34.865 : en:Chapter 02
& r& D" D6 V& v, C00:15:20.920 : en:Chapter 03
% ? H% j+ t% `00:27:51.252 : en:Chapter 04( s8 P1 ~8 T V$ ]7 Z
00:35:01.390 : en:Chapter 058 G7 e4 a3 k i# ]( {! c+ s, J
00:49:45.899 : en:Chapter 060 K* g1 b5 G S' s
01:00:28.916 : en:Chapter 07
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01:19:15.333 : en:Chapter 09
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5 {8 u/ o: c9 a01:38:14.847 : en:Chapter 11 The Freshman Blu-ray, Video Quality
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Mill Creek enrolls The Freshman onto Blu-ray and it's clear the studio has cut classes and all but failed to crack the textbook. The picture worries from the outset. The imagery under the opening titles is miserable: flat, soft, heavily compressed, and poorly detailed. Unfortunately, that's the story for the duration. This is easily one of the worst transfers for a good movie ever to be found on a Blu-ray disc and an inauspicious start for the 2021 catalogue output. To be sure, there are some scenes that fare a bit better. When Clark meets Carmine for the first time, there's a mild uptick in stability and sharpness but it's small and such moments are fleeting. The compression issues really kill this one, along with a fairly dull color palette that struggles to offer any real vibrancy and saturation. Textural clarity is hardly revealing, favoring a flatness and a structural fatigue. It's often barely coherent, barely holding together as macroblocking infiltrates every background and the core picture quality struggles to escape a standard definition look. What a disappointment; The Freshman deserves much better.# e" u$ h: X4 J- k
, s( w# f. q2 ?# n) G5 uThe Freshman Blu-ray, Audio Quality . J+ F; ~2 k2 N6 e* z9 k
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$ @% p$ `4 D& n" L! V3 n4 D" dThe Freshman's DTS-HD Master Audio 2.0 lossless soundtrack proves capable of carrying the film's sonic needs, most of which are undemanding. The film opens with a couple of surprisingly deep and detailed gunshots which represent the most aggressive sounds the film has on offer. A few quasi-"action" scenes deliver some lighter output, often underneath score, which is plenty wide and nicely detailed. City ambience and light background sounds inside the coffee shop where Clark meets with Carmine are pleasantly rich and realistic though not quite so filling as they might have been with a larger channel output at the track's disposal. Dialogue drives much of the film. It's clear and detailed with fine front-center imaging the norm. X" E2 U) G& }5 Y
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