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A frustrated writer struggles to keep his family alive when a series of global catastrophes threatens to annihilate mankind.
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4 @$ h& u7 C& R7 F7 b$ n4 X/ N' i, U◎译 名 2012/2012末日预言(港)/2012世界末日/2012地球毁灭2 j ~- @; w; _& M
◎片 名 2012 / Farewell Atlantis / 2012 3D
; A- {! ~4 a3 ^◎年 代 2009
+ v; E. Q2 G) r$ X◎产 地 美国/加拿大5 Q) m) J k B1 t& o% Y4 o
◎类 别 动作/科幻/冒险/灾难
6 W8 I% i/ }1 f; s- ~- x◎语 言 英语/法语/藏语/汉语普通话/俄语/印地语/葡萄牙语/拉丁语/意大利语
+ h2 _6 G! X/ v" V/ X& Q6 L◎上映日期 2009-11-13(中国大陆/美国)/2012-11-20(中国大陆 3D)6 q% S% K: F4 \% F6 I+ D, p
◎IMDb评分 5.8/10 from 352,666 users: }% a: @" i5 B4 V6 c
◎IMDb链接 https://www.imdb.com/title/tt1190080/2 X6 V4 d& r' [7 t. |
◎豆瓣评分 7.9/10 from 475,803 users
& r$ B: l; l3 C$ Q$ j. F2 [+ G◎豆瓣链接 https://movie.douban.com/subject/3005875// r0 S4 e& Y1 z4 A5 x4 }
◎文件格式 x265 + TrueHD $ v$ c9 j0 x7 [2 C$ r
◎视频尺寸 3840 x 21604 l7 P& _ U. N+ T7 |
◎文件大小 1DVD 87.07 GiB
: n2 a& E0 \4 C; p0 i* u# l◎片 长 2:37:50.460 (h:m:s.ms)
, M1 F( T/ Z& r) f◎导 演 罗兰·艾默里奇 Roland Emmerich( Z& J- B3 g7 a
◎编 剧 罗兰·艾默里奇 Roland Emmerich
3 z; f0 {4 E; S& l- n4 `* ] 哈洛德·克卢瑟 Harald Kloser
" o6 R9 X" t6 E, Q* s9 L◎主 演 约翰·库萨克 John Cusack9 u% N4 E3 F9 j9 e9 H
阿曼达·皮特 Amanda Peet
0 }5 j! M/ {9 W# X1 A6 W 切瓦特·埃加福 Chiwetel Ejiofor
$ V7 g9 d7 m3 o, N q2 A 坦迪·牛顿 Thandie Newton
; m" d5 r2 D/ j( a; ] 奥利弗·普莱特 Oliver Platt0 F2 A& U: v" R! w
汤姆·麦卡锡 Tom McCarthy
2 P2 Y3 y1 i5 L 伍迪·哈里森 Woody Harrelson7 V3 i0 T" b' ?+ v$ Z4 S4 ^% C
丹尼·格洛弗 Danny Glover
3 m+ c3 s8 `7 W ^8 ~, S2 H 连姆·詹姆斯 Liam James: P% [" F, n3 @* K. ?/ L
摩根·莉莉 Morgan Lily! N; G0 i! J* V7 Y3 a
扎特科·巴瑞克 Zlatko Buric1 T( [4 k4 j, ?/ M$ r) u. E: s. ]$ p2 p
毕崔斯·罗森 Beatrice Rosen
* |4 h- y$ X! o6 K 乔翰·厄布 Johann Urb% W+ Y5 i# q( `4 f% n/ a4 r' m4 i
约翰·比灵斯列 John Billingsley
) G W$ P5 o7 y* K+ H6 g+ y7 E2 I% o6 W 黄经汉 Chin Han3 Y) d- c" e9 n6 S- {
周逸之 Osric Chau
" ?6 L9 ], O. \9 V8 N. V 张铮 Tseng Chang }. p9 L# I; H
卢燕 Lisa Lu5 S1 A' e" t. ]7 G9 v3 O, M# T% N. ?
布鲁·曼库马 Blu Mankuma; E4 o6 g/ D9 ?; {4 Z
乔治·席格 George Segal
$ a! y# ]9 q; _7 \7 @# X 帕特里克·波查 Patrick Bauchau
- x$ n2 S* l/ n2 }; L 吉米·米斯特雷 Jimi Mistry
8 D/ n7 d3 x. {3 _ 瑞安·麦克唐纳德 Ryan McDonald$ o5 X2 s3 c, S6 V
玛丽莲·江恩 Merrilyn Gann
" B( A* m" R9 Z6 z2 L 区亨利 Henry O4 [% l. z0 {8 h, X
帕特里克·吉尔莫 Patrick Gilmore; I: Y+ m0 _7 W2 k2 P
韦弗·里库克 Viv Leacock9 V9 k% ^, J+ t* p y
多隆·贝尔 Doron Bell
7 J( z: S2 F# k; C3 U! m 大卫·奥斯 David Orth
- R2 S) Q8 a6 P- G, [ 泰·奥尔森 Ty Olsson V% W) _' K# X: z* u5 V, k8 x+ T. P0 A
BJ·哈里森 BJ Harrison
# ^0 G+ {3 ]1 r 卡琳·考诺娃 Karin Konoval9 O0 h6 d( M: w+ z
杰拉德·普伦科特 Gerard Plunkett
1 R/ ]$ S% ~* [9 q 伊芙·哈洛 Eve Harlow
5 G x |. U2 w3 o7 {6 @ 肖恩·泰森 Sean Tyson2 r) D, \ @" q2 V" d1 N1 @# ?
迈克尔·巴佛 Michael Buffer7 [/ G; }# M$ h9 h5 n: p/ D4 `
达伦·A·赫伯特 Daren A. Herbert9 V& h/ S0 z! J/ \0 ^! [$ }) ~4 T5 P
朱迪·汤普森 Jody Thompson M u# k$ {; |$ `, h
坦娅·钱普 Tanya Champoux6 C! W- Y" @5 j/ K9 u7 p! q+ U5 h
弗兰克·C·特纳 Frank C. Turner) J" H9 {. [7 F& ?: T+ |
拉腊·萨迪克 Laara Sadiq3 o* k# p4 b$ K4 A
吉莲·芭伯 Gillian Barber
3 g, U; A) R5 |+ H! D4 [- W w" U, n 贝薇莉·埃利奥特 Beverley Elliott4 ]1 c! V4 O, o7 G& }1 O/ w
阿加·达什 Agam Darshi8 W/ d! D u! A! d8 M: x
拉吉·拉尔 Raj Lal9 o1 r0 m7 E) N$ U8 S/ Q; u
杰克博·布莱尔 Jacob Blair
1 `6 ]; W- F0 `. V3 u 安娜-梅劳特里奇 Anna Mae Routledge, b' y [: ?4 w6 h
艾迪·哈塞尔 Eddie Hassell2 W8 q$ F+ V) p8 a5 Y+ M/ r& O
亚历桑德拉·卡斯蒂略 Alexandra Castillo f8 {4 b' ~ x, K- x
李利强 Leo Li Chiang; k5 ?+ z3 D& R9 V7 f
杰夫·古斯塔夫森 Geoff Gustafson
5 i+ B" P# V2 e* ^ 艾力克斯·萨哈拉 Alex Zahara* |+ k- U3 t# B1 W$ B: _! U
杰森·格里菲斯 Jason Griffith
: k$ w4 z# v! `$ @7 n, J/ I 吉尔·莫里森 Jill Morrison
$ @0 p: u/ H2 G2 J: F+ V2 g, U 姜广涛 Guangtao Jiang3 P; }* I2 Q. k6 g' Q3 V2 }
张杰 Jie Zhang* l! Y1 @2 ?- m4 \, R
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◎标 签 灾难 | 美国 | 震撼 | 人性 | 2009 | 亲情 | 感动 | 动作, @ J9 V' n9 k6 a# @! u' U
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5 V. O& j* ~' i# D# d) e 太阳活动异常,地球内部的能量平衡系统面临崩溃,玛雅人的预言即将实现,人类将遭遇灭顶之灾。各国政府已经联手开始秘密制造方舟,希望能躲过这一浩劫。以写科幻小说谋生的杰克逊(约翰·库萨克 John Cusack 饰)在带孩子们到黄石公园渡周末时发生一连串怪事,而且遇到了神经兮兮的查理(伍迪·哈里森 Woody Harrelson 饰),查理告诉他世界末日即将来临。伴随着火山爆发,强烈地震以及海啸,杰克逊带领自己的家人驾驶一架临时租来的飞机冲出被死神阴霾瞬间笼罩的城市上空,开始寻找查理口中各国政府正在联合秘密制造的方舟。在生死攸关的时刻,一些伟大的鬼魂将脱颖而出,而一些自私的心灵将无所遁形,当千千万万个生灵通过各种方法来到方舟制造基地之时,方舟有限的容纳数量引发前所未有的恐慌。最终,仅存的人们用互爱和对生命的尊重渡过了难关。+ K2 K1 S! E7 V; R
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本片被称为《后天》的升级版,投资超过2亿美元,是灾难片大师罗兰·艾默里奇(Roland Emmerich)的最新力作。$ i9 w+ t5 R4 \4 M/ P7 ^, W
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Centuries ago, the Mayans left us their calendar, with a clear end date and all that it implies. By 2012, we'll know -- we were warned.
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◎获奖情况
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1 a" f* U8 ]/ Y7 \. F4 _! m% Y 第14届圣地亚哥影评人协会奖(2009)3 |/ B, {2 s9 w" [# C
年度劳模 伍迪·哈里森/ ~% z. f& n$ x9 G1 [* i0 a* c
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第12届美国青少年选择奖(2010) a5 `; _% A' }1 X
最佳科幻电影(提名)& I; Y7 B; a; O/ m: n- E
最佳科幻电影男演员(提名) 约翰·库萨克
- u2 u( t' o& Y" H& z 最佳科幻电影女演员(提名) 阿曼达·皮特
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- DISC INFO:1 d7 z3 M& d( W; L" F. W* ?$ ?
8 t+ r! N7 e# V3 M- s- Disc Title: 2012.2009.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-EATDIK
9 ?0 @3 H" C7 E/ r" X! A - Disc Size: 93,469,213,833 bytes* w7 M6 e) K7 A1 F$ f
- Protection: AACS2
& H8 H5 ~" e4 R' { - Extras: Ultra HD, BD-Java
& R9 z# b# w2 S# p3 v2 X$ K) v - BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.1.5)
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3 h- v% A! G; G/ M+ q4 P% T) R4 ^- Name: 00001.MPLS $ S9 r9 U( C m( Y% p0 n7 T. q8 E$ L) y
- Length: 2:37:50.460 (h:m:s.ms); q5 |$ M5 X m- u) A) K% F
- Size: 85,553,565,696 bytes
( ?$ V' w. K/ r - Total Bitrate: 72.27 Mbps
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- Video:3 r5 m+ T D i2 o' r) }
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- Codec Bitrate Description
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- MPEG-H HEVC Video 49307 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / HDR10 / BT.20201 R# ?3 E0 G6 @0 |/ P% R
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- AUDIO:
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Y* a2 I) N3 @; y- Codec Language Bitrate Description , B& f5 d4 E8 T3 M
- ----- -------- ------- ----------- 9 O0 ?& Z5 E' f' k I( S
- Dolby TrueHD/Atmos Audio English 5500 kbps 7.1+11 objects / 48 kHz / 4860 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps): [* H8 _$ G. `" A" _6 ^& ~ M
- DTS-HD Master Audio English 2326 kbps 5.1 / 48 kHz / 2326 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)+ @* @* d0 c( U" f% f! f
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
. X/ \' K, Z) p: p) C - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
* O/ c. r: _ i4 C4 y' k+ k - Dolby Digital Audio Catalan 640 kbps 5.1 / 48 kHz / 640 kbps- h8 G$ Y5 Y7 V7 B0 q
- Dolby Digital Audio Czech 640 kbps 5.1 / 48 kHz / 640 kbps2 {/ C. e, P6 @
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps2 Y1 a- u# e: {" i% L- s {
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
$ h& O" M) N7 M4 r - Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps8 h0 K5 `- G& U' p) R
- Dolby Digital Audio Hindi 640 kbps 5.1 / 48 kHz / 640 kbps' S$ j1 \, \ j9 `+ S+ M
- Dolby Digital Audio Hungarian 640 kbps 5.1 / 48 kHz / 640 kbps8 ~1 I% E1 G$ x0 n) w
- Dolby Digital Audio Italian 640 kbps 5.1 / 48 kHz / 640 kbps
3 t8 d W! m& }- Q0 P2 b - Dolby Digital Audio Japanese 640 kbps 5.1 / 48 kHz / 640 kbps
9 o; Z/ u* R" ^, u - Dolby Digital Audio Polish 640 kbps 5.1 / 48 kHz / 640 kbps
) N/ j* \! h ]! F - Dolby Digital Audio Portuguese 640 kbps 5.1 / 48 kHz / 640 kbps
h9 i7 l6 H: ]& W - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
8 t% s1 g0 r( T4 P- e# N - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps: n. u9 W0 r- R( M
- Dolby Digital Audio Thai 640 kbps 5.1 / 48 kHz / 640 kbps1 H& ]* |& {' ^& L! A
- Dolby Digital Audio Turkish 640 kbps 5.1 / 48 kHz / 640 kbps9 a3 ^ l/ z# s( o5 u" `
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- SUBTITLES:
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0 I0 ?% t! {8 b- Codec Language Bitrate Description
% Z( z; T1 N! C$ U' @ - ----- -------- ------- ----------- 2 G$ K% i! \5 z9 j$ K
- Presentation Graphics English 37.653 kbps ; ~5 s) c8 W3 A% U
- Presentation Graphics English 31.777 kbps ' w8 Y) @" P$ E ~- C j7 S
- Presentation Graphics English 37.659 kbps + p7 |2 @- I( c
- Presentation Graphics English 31.787 kbps
; b" b8 y. ~3 K; i* J - Presentation Graphics Arabic 16.571 kbps
$ \0 J" A+ M# A, R" W5 { - Presentation Graphics Chinese 30.633 kbps ; j/ v; ~- Y( S- d9 j
- Presentation Graphics Chinese 27.911 kbps
, t7 L+ {) b7 \: z - Presentation Graphics Czech 24.653 kbps : P0 P0 t6 f/ p- |! Z
- Presentation Graphics Danish 27.575 kbps
9 J3 l! o, o, S - Presentation Graphics Dutch 30.778 kbps
3 Y0 |" n" o0 N, j - Presentation Graphics Estonian 31.553 kbps 9 ?) m7 L" u2 L8 Q
- Presentation Graphics Finnish 26.206 kbps 8 M( O$ S0 h8 I5 L
- Presentation Graphics French 24.652 kbps . h8 d- F& `' i) J) o3 j1 y
- Presentation Graphics German 30.201 kbps
# W5 j. u! c$ D) {( \4 o q2 { - Presentation Graphics Greek 32.179 kbps
8 `7 G% I5 o: h9 e - Presentation Graphics Hungarian 26.675 kbps
Z' [7 ^- r6 Q+ F. X$ @ - Presentation Graphics Italian 28.156 kbps
8 O4 H4 d/ B/ z; o& h3 N! Z - Presentation Graphics Japanese 25.316 kbps
7 Y2 v7 y. I' i; y7 S - Presentation Graphics Korean 18.481 kbps
& f( i( f' k# T! L2 f" t. V$ g - Presentation Graphics Lithuanian 36.196 kbps
6 g q9 J/ E$ V2 P; n* y8 S9 V - Presentation Graphics Norwegian 24.935 kbps q1 J. W! q% T1 i* @4 I: n, i9 V
- Presentation Graphics Polish 28.676 kbps
8 T" L. Y7 a1 ]- p0 ]* C1 ^; E - Presentation Graphics Portuguese 27.617 kbps
9 t7 I. D5 ?4 d+ Z - Presentation Graphics Russian 32.836 kbps
- q h: W6 u% J! c4 M - Presentation Graphics Spanish 27.617 kbps
, z& w+ [5 V7 U - Presentation Graphics Spanish 30.834 kbps
3 @4 A$ u" L1 C$ E% O - Presentation Graphics Swedish 27.472 kbps ( m# U" ?8 z/ B+ X. q
- Presentation Graphics Thai 27.417 kbps
8 w+ }: A- I- A* D( i - Presentation Graphics Turkish 33.233 kbps * @* F4 ]% k5 j. P
- Presentation Graphics Catalan 1.4 kbps
p3 ?1 z M8 j6 n4 G4 T& } - Presentation Graphics French 0.994 kbps , g8 q9 y/ y. k1 X% X
- Presentation Graphics Japanese 1.96 kbps
复制代码 2012 4K Blu-ray, Video Quality 2 j3 g8 g2 G6 ^- S6 D K1 I. j
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The included screenshots are sourced from a 1080p Blu-ray disc. Y" }6 ]1 ~' s1 |# U' ^
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In terms of absolute UHD excellence 2012 does not reach the format's pinnacle, but Sony has nevertheless delivered another very strong, highly capable UHD that amplifies the material for home viewing. The 2160p resolution and the HDR color spectrum both do their thing to make for a more satisfying and complete watch. The HDR colors make the biggest difference and the changes are readily apparent in direct comparison with the Blu-ray. Color temperature is oftentimes dramatically altered, bringing a firmer, darker, deeper spectrum to the screen. This is not a fundamental changing of the guard but still a significant alteration to tonal output. Color depth is the big takeaway here as the full array finds more realistic output with improved saturation, more readily apparent nuance in both gradations and large splash output, even in the dense and complex visual effects where even flashing lights or fires seen at great distance and dwarfed by surrounding chaos present with ample color output and accuracy. High intensity explosions burst with excellent luminance and color punch to burning reds and oranges. Blacks are much deeper, too, and this is a fairly dark movie as it is so low light elements are only rendered more dense and enveloping. Meanwhile, flesh tones are solid within any scene's lighting parameters.
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: c& L0 \* J& u) o$ r4 Q* f+ s+ LPicture clarity is improved as well. The image is very clean and efficient. Grain is actually a little less amplified compared to the Blu-ray but still consistent and flattering, though certainly the screen can often be so densely packed with digital effects that it's not always so obvious save for stable close-ups or any scene that is not as much a product of digital amplification as it is real life footage. Detail uptick is obvious, too. There's quite a significant boost to fine object sharpness in play, including grasses and trees in outdoor scenes around Yellowstone (which look comparatively smeary on the Blu-ray) but also on core facial features where pores and hairs and all of the usual suspects enjoy well improved textural yield. The picture is free of print wear and encode artifacts. This is a good UHD image. That said, the picture often looks flat and artificial, sometimes even too smooth, yet still very capable. It doesn't rival the format's best, largely due to the movie's innate appearance which often masks the more obvious textures in low light and digital wizardry, but fans will be pleased, overall, with Sony's workmanship on this one.
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2012 4K Blu-ray, Audio Quality
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The Blu-ray's 5.1 lossless soundtrack was legendary, but Sony's Dolby Atmos track improves on it a great deal. While the core excellence for clarity and intensity remain, the added channels are a major help in more fully immersing the listener in the movie. Rainfall in the opening moments is full and filling with tangible immersion and overhead content. The rattling elevator to follow likewise bumps and creaks all around the listener. Steam releases behind and above the listener. Voices lightly reverberate around the stage. The location opens up with seamless spacing and definition. A helicopter flyover at the 18-minute mark offers more impressive overhead content, but the track, of course, lives and dies by the action scenes. Not only do they live, they thrive. The sense of pinpoint placement precision simply cannot be beat as buildings collapse, music swells, and the end of days din envelops the listener with awesome stage command. The feel for accuracy to every example of chaos is uncanny; listeners are effortlessly and fully transported into a speeding limo or a plane zigging and zagging around, above, and below debris of all shapes and sizes. The track is best described as "controlled chaos." With its spatial supremacy, unbeatable clarity, and unstoppable low end add, every such scene is a treat. Add in faultless dialogue reproduction and there's nothing more to say. It's perfect and this is the way Popcorn movie soundtracks should be.
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