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A pair of underachieving cops are sent back to a local high school to blend in and bring down a synthetic drug ring.# P! j9 ?0 v- V0 s
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: X/ E% e) c* R◎译 名 龙虎少年队/逃学黐孖咇(港): I1 V% V7 x l1 U, w7 Y* c. [6 u/ z
◎片 名 21 Jump Street
4 |9 X5 S1 c, [, ^◎年 代 2012
; e1 `# P$ n1 w◎产 地 美国
, m$ v4 ` t2 `. i. p* J p◎类 别 喜剧/动作/犯罪; I K- w$ O1 @6 b. p) ?' q
◎语 言 英语 b2 j7 q* t' t( ?, A
◎上映日期 2012-03-16(美国)
1 g& {1 s2 J9 D+ h- y3 A+ |- }- u/ [◎IMDb评分 7.2/10 from 510,962 users
) y; \6 p" V- g' ~& F0 D7 e. R◎IMDb链接 https://www.imdb.com/title/tt1232829/& z" V1 }* v5 V8 f# E% z
◎豆瓣评分 6.9/10 from 31,127 users
# V+ a) c8 Q$ T* f8 I O◎豆瓣链接 https://movie.douban.com/subject/3072889// J$ Y7 R) K& P8 m
◎文件格式 x264 + TrueHD
" `, C2 }: F6 w; \- I3 o◎视频尺寸 3840 x 2160
* X% Q) b, j" i◎文件大小 1DVD 56.28 GiB
2 W* e1 G8 O0 \0 @; b6 p/ P5 k◎片 长 1:49:36.569 (h:m:s.ms)
! d2 A9 p1 K" ?) Z" o. ~◎导 演 菲尔·罗德 Phil Lord ~# G7 G8 U1 E+ ]% ?6 t2 u
克里斯托弗·米勒 Christopher Miller, M( I& l3 Y- P
◎主 演 乔纳·希尔 Jonah Hill+ o' {7 B# v9 u1 s, U! `7 L
查宁·塔图姆 Channing Tatum* b8 C U- e3 ]/ I5 `; E5 d
约翰尼·西蒙斯 Johnny Simmons" [" t$ D- i% x! @6 `: z' [8 @
戴夫·弗兰科 Dave Franco
% ]" U: }4 P0 Q3 H8 i& D$ } 罗伯·里格尔 Rob Riggle
: x0 c# ~( m$ f( [! E9 c 德雷·戴维斯 DeRay Davis2 I4 d8 O5 n3 p$ C% X0 R
艾丽·坎伯尔 Ellie Kemper
. u' q# X4 Z! K3 h 艾斯·库珀 Ice Cube
# z! F4 ]+ [1 k. d V# K+ F 布丽·拉尔森 Brie Larson
1 g$ C, I7 R x( a 约翰尼·德普 Johnny Depp# ~, b% n/ `( t8 F/ Y% S2 Z
达科塔·约翰逊 Dakota Johnson. D- B* R$ g, H9 i! a+ s" [! g2 g
6 Y6 H6 w/ h3 J+ m- ]! L( v1 f◎标 签 喜剧 | 美国 | 动作 | 搞笑 | 2014 | 犯罪 | 好基友 | 校园
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1 A1 O0 ]7 y) @◎简 介
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) K) i& q1 E& c J; M0 W Morton Schmidt(乔纳·希尔 Jonah Hill 饰)和Greg Jenko(查宁·塔图姆 Channing Tatum 饰)两人是同学,后来又在警校相逢,两人互相帮忙,终于顺利从警校毕业,成为了好搭档。无奈两人只能当交警,抓抓小混混。后来他们加入了警方的卧底缉毒组织“21 Jump Street”,队长Dickon(艾斯·库珀 Ice Cube 饰)告诉他们,他们的任务是重回高中当卧底,找到那个向学生提供毒品的人。在学校里,他们了解到,学生们的毒品是从一个叫Eric(戴夫·弗兰科 Dave Franco 饰)的人手里来的,但案件并没有这么简单。同时,Schmidt也喜欢上Eric的一个朋友Molly,Jenko的化学老师似乎也对他挺感兴趣的。到底两人在学校的卧底调查会有怎样的结果?
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) c" r" f, y# Y4 v 本片改编自同名电视剧。 : Q' U- m5 c$ P# U, H* |
/ t, M1 p; [, q3 Z5 l% e A pair of underachieving cops are sent back to a local high school to blend in and bring down a synthetic drug ring.+ P8 { Q0 U4 @& |
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◎获奖情况# c* y3 N- f* I/ z# Z
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第21届MTV电影奖 (2012)7 L# p7 a, P' X8 ^
MTV电影奖 最佳打斗(提名) 查宁·塔图姆 / 乔纳·希尔5 I: W2 M# k) I3 ~6 W& j
MTV电影奖 最佳喜剧表演(提名) 乔纳·希尔
, R/ s }% M2 v- P0 K: H MTV电影奖 最佳银幕形象转变(提名) 约翰尼·德普1 ?2 V2 y/ x5 e
MTV电影奖 最佳音乐; s% g; Z" k. n; f1 x3 J) W
MTV电影奖 最佳卡司阵容(提名)+ r0 _ g$ M4 U; j9 }+ a+ C
MTV电影奖 最佳英雄形象(提名) 查宁·塔图姆
; T! f* I9 \' g) Y3 J. X MTV电影奖 最虐心的表演(提名) 罗伯·里格尔 / 乔纳·希尔/ t& X! x) P, V! s/ i8 o" g4 Y: v" I
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第18届美国评论家选择电影奖 (2013)
6 J- c% g3 C% h 最佳喜剧片(提名)$ q Z8 Q4 o) s9 @4 M( e3 \( l
喜剧片最佳男主角(提名) 查宁·塔图姆0 b" S3 `/ z0 E ~, @# ]
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第14届美国青少年选择奖 (2012)
# o" a- ]& G% j) n 最佳喜剧片( ^- A }9 I- F+ }$ }) T: h
最佳喜剧片男演员 查宁·塔图姆
" p8 ~4 l6 n/ f, J 最佳喜剧片男演员(提名) 乔纳·希尔
4 D& h& f0 g, Z, C' ^2 r 最佳银幕拍档(提名) 查宁·塔图姆 / 乔纳·希尔
9 ~! T4 T, e! i 最佳电影打斗(提名) 查宁·塔图姆 / 乔纳·希尔
" o5 `7 F. E4 _4 g# } Choice Movie: Hissy Fit(提名) 查宁·塔图姆 / 乔纳·希尔, K7 c4 W6 v: U/ o5 J
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- DISC INFO:
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- Disc Title: 21.Jump.Street.2012.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-EATDIK
/ G7 I: z5 o! d7 ]0 g. l - Disc Size: 60,416,511,419 bytes I4 m0 D I6 R, Q& q- Z
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0 Q2 {* V! R0 G: n* T/ ^ - Extras: Ultra HD, BD-Java
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/ m; s# b' h# [& [) d* r - Length: 1:49:36.569 (h:m:s.ms)2 C+ A" ^6 h$ r
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4 X( W7 P& Y: f) f - Total Bitrate: 71.17 Mbps
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- Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
8 m6 H; m2 k8 O4 l* p0 Q& U' } - Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps: ~" U7 t) n0 z! n0 W. J U+ j
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- Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps P+ h$ n3 L: Q0 z w5 }! z
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$ t7 R4 R# n; E% J( K' _, V - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps% ]% e( I& X3 Z9 C. E
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4 s( _! s. m# D. T% j8 ^ - Dolby Digital Audio Turkish 448 kbps 5.1 / 48 kHz / 448 kbps
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复制代码 21 Jump Street 4K Blu-ray, Video Quality - B( F- h/ Z+ F/ Z4 }3 l6 c
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The included screenshots are sourced from a 1080p Blu-ray disc.
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Per IMDB 21 Jump Street was finished at 2K. The 2160p resolution is not transformative for the movie. There's certainly a series of fine point textural gains throughout -- the picture is a bit sharper here, a little more revealing there -- but there's no night-and-day dramatic contrast between the UHD and the Blu-ray in that area. Little things like facial hair finds superior definition, fine object detail like clothing lines and police badges and patches show a little more clarity, pores are a bit sharper, but don't expect to find a major overhaul to any one component or to the broader textural arena. It's better, just not to the level that makes a monumental difference.
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The big gain instead comes via the HDR color spectrum. The new grading brings newfound vibrancy to the movie. Gone is the Blu-ray's flat, dull, and creamy appearance. Here, brightness is greatly improved and much more attention is given to boosting highlights. Whites enjoy a drastic improvement, transforming from pasty to pure, finding a new level of brilliance and luminance, a vast improvement over the Blu-ray's uninspired output. Flesh tones are healthier here, too, finding more life while blacks are superb, enjoying perfect depth and shadow detail. Bold tones abound, beginning with the opening titles which offer a thoroughly reformed feel for depth and brilliance while louder tones throughout the film -- so many reds, blues, greens, and the like -- enjoy superior brilliance and contrast.# G2 @' @$ O7 e, M M# _3 S
2 s' j, n, G# V& Q( zSeveral lower light scenes, for example at the 20-minute mark, show some noise, but it's not at all pervasive throughout the film. There are no other source or encode maladies of note, either. This UHD is clean, efficient, attractive, and bolstered by a transformative HDR color output. This is a solid upgrade from the Blu-ray, even if the majority stems from the HDR color grading.
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0 `) f5 C- s' n+ y5 t P: b4 @3 X6 l21 Jump Street 4K Blu-ray, Audio Quality ; } ?. Y D# S, C6 o, z) t$ z% L
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21 Jump Street's Dolby Atmos soundtrack only builds on the Blu-ray's 5.1 lossless presentation. This track is expressive and exuberant as it expands channels and enhances the film's sound elements. Action scenes are obviously the highlight, exploding through the speakers with force and clarity to match. Surround engagement is steady while flow through the stage is seamless. The overheads don't offer much in the way of discrete support, but they do fold in elements, including music, for a more broadly engaging listening experience. Musical clarity is tight, spread along the front is wide and full, and the back channel wrap is perfectly balanced. Atmospheric supports are many and come frequently, again making fine, seamless use of the entire stage and seamlessly drawing the listener into the moment. Dialogue is clear and well prioritized as it emanates from a natural front channel position.
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