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A man fakes his death to get back at the insurance company that denied an earlier claim./ r' U/ a: p! P
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◎译 名 亡命狂奔/奔跑的人+ w6 d. [4 W% A+ \6 x
◎片 名 The Running Man
* w- |: i9 A; X& m) `/ H- b◎年 代 1963. S5 q1 S1 N! Y n
◎产 地 英国
1 y" _2 ]5 g: A0 W◎类 别 剧情/犯罪. Q3 h& b4 d+ f4 m1 M
◎语 言 英语
( P3 c7 O! `& c+ [5 Y◎上映日期 1963
5 ^: Z- W! {1 d◎IMDb评分 6.6/10 from 1,198 users
9 A, Z( n( | o◎IMDb链接 https://www.imdb.com/title/tt0057463/
; ?5 h# O% f6 E: i5 }# \; y◎豆瓣评分 0/10 from 0 users
7 b! o' o5 r9 E- V8 ]" o/ x6 y◎豆瓣链接 https://movie.douban.com/subject/1299855/3 I/ [, Q6 e$ f# l3 q9 _
◎文件格式 x264 + LPCM
% z) [# J) v# f- p◎视频尺寸 1920 x 10809 m @# V2 D% I2 t2 O5 ?# x7 D# `
◎文件大小 1DVD 28.55 GiB0 H8 G* \, F: X- m5 g+ j
◎片 长 1 h 44 min
. V) K; f& N5 P- y; v◎导 演 卡罗尔·里德 Carol Reed
6 Z1 h" [/ M1 X+ }3 p$ `◎编 剧 谢利·史密斯 Shelley Smith
# a4 A* q; O/ G$ J9 V% x' S◎主 演 劳伦斯·哈维 Laurence Harvey3 \; e- K! A$ D4 y" K5 [
丽·莱米克 Lee Remick! }' H% W$ [. X) A6 x/ U" h
阿兰·贝茨 Alan Bates
, g$ I% x2 }7 }4 D5 ~2 p# g1 ` 罗杰·德尔珈朵 Roger Delgado5 K+ \* }0 M1 f" l; ?2 Z
Adriano Domínguez! P5 e1 i+ r9 [
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◎标 签 被忽视的片子 | 英国电影 | 卡罗尔·里德 | Z美国 | Carol_Reed | 1963 | 1960-1969; t2 a! c/ [- E: J
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◎简 介
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一名英国人对保险公司怀有怨恨,因为他的索赔不被允许,他伪造了自己的死亡,但很快就被一名保险调查员追捕。6 R. `# X% u9 u4 ~0 Y" P
* j: i3 G8 d8 v6 w. q' i An Englishman with a grudge against an insurance company for a disallowed claim fakes his own death, but is soon pursued by an insurance investigator.
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7 m* M) j1 ^& I 英国电影和电视艺术学院奖(1964;第17届)
% J# m5 B0 x8 U. ?; u 提名 ·电影奖-最佳英国摄影(彩色)罗伯特·克拉斯格尔 Robert Krasker2 B! x9 r9 V7 \7 d! O0 y
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+ Y# Q( i; K. h/ d+ }Display aspect ratio : 16:9
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0 V1 h& e" S: c( ^* GStream size : 25.8 GiB (90%)9 P9 u/ _+ Y; z3 j9 H
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- Q1 Y+ t& s7 A4 e' D5 UTitle : The.Running.Man.1963.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT% \, V( [" b! S" O
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% ]! n! o8 B7 _, f& mTitle : The.Running.Man.1963.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT
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Menu) j7 R N+ n- a0 J
00:00:00.125 : en:Chapter 01
1 K. Z2 H% g% Z% l& }: a& p" X00:07:17.437 : en:Chapter 02+ M. s5 n# g% b2 S8 H* R
00:16:04.338 : en:Chapter 03
5 p( M1 J8 g& k% \" z+ ?00:24:52.657 : en:Chapter 04
0 V5 v. t2 Z, z& X% H" O$ _00:35:40.847 : en:Chapter 05
! f) s$ M, ?1 R7 l1 f% q00:42:15.950 : en:Chapter 06
6 H6 H) N' m* X, T3 P! Y/ E6 |00:51:02.726 : en:Chapter 079 e1 a2 e4 g: v" a" s; I* O
01:00:30.376 : en:Chapter 08
* C" N) ?8 V! t$ q- R01:08:44.370 : en:Chapter 09( I5 l$ _. u. S' O N
01:16:22.744 : en:Chapter 10
6 l. l( m$ k$ C01:25:13.274 : en:Chapter 11) X- v, I! K8 ?
01:33:18.843 : en:Chapter 12 The Running Man Blu-ray, Video Quality
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The Running Man is presented on Blu-ray courtesy of Arrow Academy with an AVC encoded 1080p transfer in 2.40:1. Arrow's insert booklet provides only the following fairly generic verbiage on the transfer:The Running Man is presented in its original aspect ratio of 2.35:1 [sic] with mono sound. The HD master, transferred from the restored original film elements, was provided by Sony Pictures. Sony/Columbia has one of the more enviable reputations in curating their catalog for the digital and high definition ages, but the source element (I'm assuming an IP) has some recurrent damage in the form of numerous white flecks and specks which regularly dot the image. There are also noticeable variations in color temperature and densities. Those issues aside, this is often a rather sumptuous looking transfer, with a mostly healthy looking palette (flesh tones can occasionally look a bit on the brown side), and with some appealing detail levels throughout. The location photography boasts some nicely scenic locations which frequently look great, with vivid blue skies and lush green foliage. (Reed's Third Man cinematographer Robert Krasker was on hand for this film, and received a BAFTA nomination for his work.) The film does have quite a few opticals, including some less than believable effects work (most surrounding Rex's piloting adventures). Grain can understandably spike in some of these moments, but resolves naturally. The film also boasts a rather cool credits sequence designed by the venerable Maurice Binder.3 @1 R# q7 _) k. g5 L/ V* k
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The Running Man features a serviceable LPCM Mono track which capably supports the film's dialogue and effects, along with the score by William Alwyn. The track is just slightly boxy sounding at times, especially with regard to some of the location ambient environmental sounds, but there's no outright damage or distortion of any kind to report.
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