- 积分
- 64147
- 经验
- 16551 点
- 热情
- 11188 点
- 魅力
- 5337 点
- 信誉
- 14600 度
- 金币
- 570 枚
- 钻石
- 451 颗
- 蓝光币
- 10 ¥
Post Share
- 金币
- 570 枚
- 体力
- 13292 点
|
A gripping story of a three-month-long journey that renowned Polish reporter Ryszard Kapuscinski took across Angola, ravaged by a war in which the front lines shifted like a kaleidoscope, from one day to the next.; ^3 ]7 P) d! T: M
$ R0 q' G( t* U6 R8 J& |1 L: @: e3 p2 Y& `
$ d- \: A3 m; I◎译 名 人生的另一天/战地备忘(港)/革命前夕的日常风景(台)/再活一天- c5 h9 ~" ~# J7 F% u, ~8 @/ c7 g3 l
◎片 名 Un día más con vida / Another Day of Life / Jeszcze dzień życia
5 A5 ]* K0 v' ?1 ?; S" b6 M◎年 代 2018) d% e9 r. E+ e9 d
◎产 地 西班牙/波兰/比利时/德国/法国/匈牙利
9 U& S5 y. J/ l* q- f◎类 别 动画/传记" v$ I$ x$ \5 ^/ E! d; x- N
◎语 言 英语/葡萄牙语/波兰语/西班牙语
: u" M$ k0 `3 l* {2 V◎上映日期 2018-05-11(戛纳电影节)/2018-10-26(西班牙)7 {- w% e& o! g
◎IMDb评分 7.3/10 from 1,910 users
: S4 Y7 a$ ]9 ^- u# a◎IMDb链接 https://www.imdb.com/title/tt2967856/
4 i) U6 K+ d2 _) Y$ e. N3 L7 m◎豆瓣评分 7.7/10 from 943 users
5 V2 G7 q" @4 Z2 V/ w' o◎豆瓣链接 https://movie.douban.com/subject/24757622/
& i5 ~# Q# V! X2 q5 }$ {9 R◎文件格式 x264 + DTS- c. T( s9 _' Q c7 x: F8 U7 S
◎视频尺寸 1920 x 1080$ g/ |' X4 z3 ~# W" O
◎文件大小 1DVD 29.23 GiB
6 q' W! T5 h! n. Q. R◎片 长 1:25:16.625 (h:m:s.ms)4 s: S- ^$ q" L) M/ I
◎导 演 劳尔·德·拉·富恩特 Raúl de la Fuente" W7 t6 A" F- N5 c( O3 w q
达米安·纽诺 Damian Nenow
0 ~3 L* v# ?' _* U9 \9 g8 X◎编 剧 劳尔·德·拉·富恩特 Raúl de la Fuente
8 B/ b1 D: E0 C% e1 ? Amaia Remirez
- Z7 h1 z! \; A& S 尼尔·约翰逊 Niall Johnson, U7 D1 A+ t8 O# y+ m6 u
David Weber% m* M. t* e7 G _- ?
达米安·纽诺 Damian Nenow
7 P% [% g# W$ E- W5 V S1 g2 F9 G 雷沙德·卡普钦斯基 Ryszard Kapuscinski$ x4 C5 e7 a9 I) B
◎主 演 米洛斯拉夫·哈尼斯泽斯基 Miroslaw Haniszewski
/ f. p5 F, O0 m. k, o Vergil J. Smith: S1 B. y! y; t; X. I6 A
托马斯·兹代克 Tomasz Zietek) n+ |' L3 o; U7 T$ o" W' B3 p
欧嘉·博拉茨 Olga Boladz
: i3 x. J) _6 z7 S 拉斐尔·福达莱 Rafal Fudalej8 z4 G! J1 G7 [) @ e! s( U$ e- P
Pawel Paczesny
7 O& E% `# f0 a7 M* `7 i Jakub Kamienski
B2 a4 Y2 x c& y6 E* N 凯瑞·莎勒 Kerry Shale3 p1 z- V Q% g% K2 @/ e
Daniel Flynn
; B0 m& F" ^3 {* ?4 o$ w5 R" K 优素福·凯尔科尔 Youssef Kerkour! i0 \6 C6 ~5 J' T
Lillie Flynn
, a, i. c- N7 J3 g1 ~9 Z 小田部阿基 Akie Kotabe# `# t9 ~" B* X \& j
Ben Elliot4 f5 E! v$ E& C' B, p& Q
艾玛·泰特 Emma Tate7 @6 R! D9 Z! r' v+ g
Jude Owusu4 N3 @, r; r% `! f9 @+ ?( E m
威廉·范德普耶 William Vanderpuye
/ o, z2 y4 p. A/ i0 ~ 保司福尔吐纳 Hoji Fortuna; K4 _ w7 B% u$ u% q# r* Q. ~3 _
约翰·霍林沃思 John Hollingworth8 G; A# e7 \8 r& m# d- _
2 ^5 U+ Z) m$ r5 E◎标 签 动画 | 战争 | 波兰 | 传记 | 纪录片 | 2018 | 西班牙 | 戛纳$ p( Q) A( k% l- ?. J/ J, G8 H& ^& @
& v7 v2 ^1 T! x3 ^
◎简 介5 f: D1 x% y* w
& a: z* i$ D& C 1975年,华沙。43岁的Kapuscinsk是一名出色的记者,经验丰富且满怀理想,是革命与人民利益的捍卫者。在波兰的新闻社,他请求上级派他前往非洲安哥拉。这个国家正陷入独立前夕的血腥内战。Kapuscinski由此踏上了一条直达战争核心的自杀式旅途。他再次直面战争的残酷,内心首次产生一种无力感。安哥拉给他带来了前所未有的改变:他在波兰是记者,从战场回来后却变成了作家。9 `4 G& S6 H u! J o
) _( W9 ?6 z) x+ D0 Y6 @ A gripping story of a three-month-long journey that renowned Polish reporter Ryszard Kapuscinski took across Angola ravaged by a war in which the front lines shifted like a kaleidoscope from one day to the next.
* N* _+ U3 J! `
1 l3 Z# v) r" T' x9 d1 N- N$ ~◎获奖情况. _1 d6 ~- T# c. |% D6 D. A+ f
' g. o. k- l6 Z/ `1 |
第31届欧洲电影奖(2018)9 R) y1 ]# T" w" e
最佳动画片) y( I8 O0 _( n; d
$ b, p a( @9 ?( y ?
第33届西班牙戈雅奖(2019)& t- Y" m7 `/ v, k
最佳动画片7 Y: e& A6 G. A5 j% T. ?8 e+ S# c( o
, @0 \% l3 Z5 t% T, c
第48届鹿特丹国际电影节(2019)/ a6 ]7 Y3 m n, Y# }) R
观众奖(提名) Raúl de la Fuente / 达米安·纽诺3 ` h* v$ h5 ]
) _. x( A- i' i. F) k. {1 p9 z
- DISC INFO:
, e i3 Z- ?: k% N4 R - # k" ~8 |6 e0 s# e1 [1 a
- Disc Title: Another.Day.of.Life.2018.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-YOL0W/ \! a! F: F% u+ X/ n6 n
- Disc Size: 31,384,790,744 bytes( G7 k7 |) l8 N2 Z# {9 g
- Protection: AACS
( i7 f0 Q& T( v, I3 F3 f' Y0 G' o& H - BDInfo: 0.7.5.7 (compatible layout created by DVDFab 11.0.7.2)
g* Y) B3 U% @& I' W
1 `5 T! O6 S1 R& k) ?! h% r- PLAYLIST REPORT:+ |' A" {* N) z. D8 D2 a Z
3 ?( L' D& v9 u% L7 m; T8 N- Name: 00002.MPLS 2 q( U6 F$ g4 w; L. V
- Length: 1:25:16.625 (h:m:s.ms)# ^0 {8 f& [8 T# w; L& Q- s8 N3 [% O
- Size: 25,572,777,984 bytes
W, I5 _+ Z0 L' g- g4 t6 G' } - Total Bitrate: 39.98 Mbps8 \$ G N" ?' ^6 x% k S/ u( a
1 h1 V+ G1 B9 F) ~2 w; T- Video:0 M+ B7 y2 l( a/ e
- / c; ]7 n+ D1 X( H( y: S
- Codec Bitrate Description
6 A# r# l' x% ]" Q - ----- ------- -----------
* S- k: G0 B* X) _ - MPEG-4 AVC Video 33999 kbps 1080p / 24 fps / 16:9 / High Profile 4.1
9 w# q& v+ {' B( ?5 h4 W
P' {/ ^* V' t8 P) w- AUDIO:7 k' @# h- g# L4 L& A, {% C
- 4 N. H9 C. \6 N/ s6 N" j3 H% Y
- Codec Language Bitrate Description * S" ?- k5 y: B7 `$ s& o @
- ----- -------- ------- -----------
4 w" Y3 F4 M# }$ m; y - DTS-HD Master Audio English 3912 kbps 5.1 / 48 kHz / 3912 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
$ f2 o) h0 f, ?5 t" j: m - 5 h4 d0 U5 M. ~" E T9 ?5 z6 K
- SUBTITLES:
( Q* m- w, i& L+ v - 3 @" K8 z, ^( c2 V, z% I. ?, d
- Codec Language Bitrate Description ! r; P, r5 @; C6 F
- ----- -------- ------- ----------- 9 z$ e% [7 [$ `$ b' \: \( {! `
- Presentation Graphics English 34.806 kbps , S9 ~3 Y, ~ |5 ?5 c" C
- Presentation Graphics Spanish 33.839 kbps
2 w5 @- E7 Y. Y- q% ]# n6 G/ n - Presentation Graphics French 32.379 kbps
复制代码 Another Day of Life Blu-ray, Video Quality % V a: L) p% A- M
+ c: j; c8 \$ a( M: x% i) E- d: G& y
0 V4 L8 k/ z Z7 ^The AVC encoded image (2.39:1 aspect ratio) presentation captures the precision of the animation, with textured artistry on display throughout the viewing experience. Live-action footage is detailed as well, with interview segments highlighting facial surfaces and Angolan visits carrying proper dimension. Colors are striking, delivering sharp primaries that communicate the violence of deep reds, while clothing and greenery secure more varied hues. Delineation is acceptable. Compression issues are mild but remain detectable, with banding a common sight.
+ W- E( n# s' h$ \8 N; }
/ F4 z8 q$ ~' HAnother Day of Life Blu-ray, Audio Quality 1 u0 N, K. f" b. {2 N' P5 T
$ ~. [# B1 b# {4 V& v8 o
2 ~" O! M6 ~$ Y G0 S6 uThe 5.1 DTS-HD MA sound mix is an active event, with surrounds utilized throughout, delivering compelling panning and separation effects, especially with gunfire. Intensity is common, but the more emotional movements of performance are preserved, as dialogue exchanges come through clearly. Scoring is comfortable, with strong instrumentation and position, adding to dramatic needs. Low-end handles with force as military machines roll into frame and explosions occur.
, G) a# \# }0 P |
|