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A struggling rancher agrees to hold a captured outlaw, who's awaiting a train to go to court in Yuma.
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) \( n+ R- v$ E( {◎译 名 决战犹马镇/决斗尤马镇/决战3:10/3:10去犹马镇
3 r# g! [# D5 U◎片 名 3:10 to Yuma / Three Ten to Yuma
8 h8 J4 [8 j( }/ r7 t◎年 代 2007
, X2 A+ \' B' n. C% H- j1 k◎产 地 美国5 x4 r* _3 i [. ~% S2 @9 I
◎类 别 剧情/动作/犯罪/西部3 ]- p% }4 O0 a# n7 |! w
◎语 言 英语
, N" y& l8 _$ ]! b& Y4 q/ d6 B◎上映日期 2007-09-07(美国)0 [. X5 O b) r; k
◎IMDb评分 7.7/10 from 290,698 users
4 E* w1 ~' b" z◎IMDb链接 https://www.imdb.com/title/tt0381849/
7 J* r, h& a! M4 E( a7 j◎豆瓣评分 8.0/10 from 33,886 users) c# o/ f# D# J6 H3 z' q( A. g% V
◎豆瓣链接 https://movie.douban.com/subject/1793904/' q, ~6 R8 a6 ^; W
◎文件格式 x265 + DTS 5 [6 C1 L; E, n& p3 D* J
◎视频尺寸 3840 x 21604 o% F8 V0 ~4 D$ M
◎文件大小 1DVD 90.46 GiB
: t; Y& F. t2 a: y" O◎片 长 2:02:25.463 (h:m:s.ms); G8 R2 K* z2 y7 X j8 G
◎导 演 詹姆斯·曼高德 James Mangold
2 r! K. F4 i% z0 Y8 k. u. Y+ v◎编 剧 哈尔斯泰德·萨利文 Halsted Sullivan% K5 s9 Y; U2 ^3 `* q4 o2 W; d
迈克尔·布拉德特 Michael Brandt8 d' e4 L5 B# q! U, z- i& V
◎主 演 罗素·克劳 Russell Crowe$ e5 h# s6 f# t# ?( p( ]
克里斯蒂安·贝尔 Christian Bale
( T: m- H! |1 P7 u& `. @+ ]! d 罗根·勒曼 Logan Lerman
* u2 Y& I8 l" g* Y/ y3 u, p 达拉斯·罗伯特斯 Dallas Roberts
2 E/ p( d& w/ p" G1 f 本·福斯特 Ben Foster
0 g& l4 H- Y1 @! i- w- t 彼得·方达 Peter Fonda
) |0 J8 t( K `2 G 凡妮莎·肖 Vinessa Shaw; C" M& Y* |" D5 _6 z
艾伦·图代克 Alan Tudyk
/ O) r. x3 y5 [1 ?0 O6 g 卢斯·雷恩斯 Luce Rains/ g d* y0 c, `: e' z& q: n
格瑞辰·摩尔 Gretchen Mol
0 j) P' b# g% ^# e4 u( {0 [2 u% ^; S/ P 约翰尼·威特沃斯 Johnny Whitworth
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◎简 介
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丹·埃文斯(克里斯汀·贝尔 饰)在南北战争断了一条腿,得到政府小小的补偿,他和妻子艾丽丝还有两个儿子在亚利桑那的农场居住。然而,恶劣的气候和腐败之风却让丹负债累累,一些人想在建造铁路上获得暴利,他们想尽办法赶走埃文斯一家,家人开始质疑丹的能力。
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) _7 \8 k9 [! P& O$ N 就在此时,西部声名狼藉罪犯 宾·维德(罗素·克劳 饰)被捕获。他曾带领着副手查理·普林斯(本·福斯特 饰)和一帮手下驰骋荒野,劫得大量财物并犯下无数命案。被逮捕的宾·维德将由押送队带到康坦森镇,搭上火车他会被送到亚利桑那州的犹马镇,在那里接受联邦法庭的公开审判。
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为了拯救农场和家人,丹自愿参加了押送队,但即使被束缚,宾·维德仍然是危险的。在旅程中,押送队不断折损。当火车到来之时,一切会发生什么改变?
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1 v7 _" N/ c+ j$ _# i' T7 v4 m4 N. | A small-time rancher agrees to hold a captured outlaw who's awaiting a train to go to court in Yuma. A battle of wills ensues as the outlaw tries to psych out the rancher.
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' }' F, W1 [1 B9 q" |◎获奖情况
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第80届奥斯卡金像奖 (2008)2 J1 a% h, c/ S( s1 v4 f" t+ [! R
最佳混音(提名) David Giammarco / Jim Stuebe / 保罗·马瑟
! }% F% ?5 O; z" q& i 最佳原创配乐(提名) 马可·贝尔崔米
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- DISC INFO:
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0 L2 L+ I1 N5 L( v X- Disc Title: 3.10.to.Yuma.2007.2160p.BluRayCD.HEVC.DTS-X.7.1-SUPERSIZE
- o2 t. q1 P p# I" b( { - Disc Size: 97,135,459,020 bytes7 ?5 Q) z; n0 s
- Protection: AACS27 B% t5 _* i6 z; e5 [( T4 e
- BD-Java: Yes2 b; ^) L d% k3 [6 o- {
- Extras: Ultra HD" ?* e' N0 U3 V# |+ M" y
- BDInfo: 0.5.8.7 (compatible layout created by DVDFab 10.0.7.3): o/ O- x3 z7 l' i
{- j- h" c" R% _7 s- PLAYLIST REPORT:
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: _2 U2 S( l0 U# `0 v- Name: 00000.MPLS
3 ~7 r# \0 l8 S$ c ~1 E) ? - Length: 2:02:25.463 (h:m:s.ms)* G1 Y6 V& J8 Y4 l6 c! c! `
- Size: 84,072,026,112 bytes0 b; V( R) U- X3 U
- Total Bitrate: 91.56 Mbps
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+ j) o; C7 E7 H1 p% v# G1 X. k/ g7 m- Video:
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! b7 Q% C6 Q7 a5 c7 y* ?: W4 S - MPEG-H HEVC Video 79677 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /0 c% {* R9 o. }$ e2 X
3 `9 M& J5 @9 `! a- AUDIO:% G; w D5 ^: k/ m/ |
* k# J$ |7 i" J! a* s! y( j- Codec Language Bitrate Description
( h/ O* v+ W8 S$ z - ----- -------- ------- -----------
8 p) z# e$ G e" ? - DTS:X/DTS-HD Master Audio English 6290 kbps 7.1-X / 48 kHz / 6290 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
9 E( G+ Z# S$ b - Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps / Dolby Surround* W1 [4 q Q. e4 Q7 Z
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps2 N- ~" l j9 E
- Dolby Digital Audio French 224 kbps 2.0 / 48 kHz / 224 kbps / Dolby Surround. L$ Z) u7 P0 m
- Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps / Dolby Surround7 E$ w; z2 ?) i4 ~0 [9 ~7 h7 F
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- SUBTITLES:
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- Presentation Graphics English 38.583 kbps ) K# s9 q3 w5 W) K
- Presentation Graphics English 23.065 kbps . y. r" ?( o2 \; X- d/ \5 \
- Presentation Graphics Spanish 34.508 kbps
复制代码 3:10 to Yuma 4K Blu-ray, Video Quality ! X" \; {# G% N* I
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Note: The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date. |! Z1 J" y$ a1 \" h( j4 Z
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3:10 to Yuma is presented on 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.40:1. It's kind of fun going back to read Martin Liebman's 3:10 to Yuma Blu-ray review from rather early in the Blu-ray format, where Marty was seemingly giddy with excitement over the quality of the original Blu-ray's video and audio technical merits. I'm not quite so enamored of the video presentation in 1080p as Marty was (which may be due as much to the passage of time and experience as anything), hence my somewhat lower score for the 1080p version, but one way or the other, the 4K UHD presentation is often quite striking, with a somewhat warmer overall color temperature and some agreeable upticks in fine detail in any number of elements from facial pores to the texture of the wood paneling in the Evans' cabin. Several darker scenes, including the opening, and the really interesting kind of orange drenched scene where Wade is brought back to the Evans home for a while, have noticeable if subtle new information in shadow detail and definition. Grain resolves naturally for the most part, but can look just a trifle noisy at times against some of the vast vistas, especially the more brightly blue skies that are on display throughout the film.
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3:10 to Yuma 4K Blu-ray, Audio Quality
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$ w7 ~* O7 }! [. I4 AMarty was pretty delighted with the Blu-ray LPCM 7.1 track, and my reaction to this 4K UHD disc's DTS:X audio is just as over the top. This is one of the more enjoyable immersive listening experiences I've had recently, starting the rustle of winds and, ultimately, fire in the opening scenes, and then of course the repeated use of gunfire throughout the film, often quite dramatically placed in the soundfield to the point that you might feel like ducking once or twice. Everything from cattle stampeding to the clatter of a stagecoach madly bouncing across the prairie to (later in the film) the huff and puff of a locomotive is presented with startling clarity and really wonderfully done discrete channelization. Dialogue is always clear as a bell and well prioritized, and the film's kind of jangly score is also rendered beautifully.6 O/ b7 W4 ]/ O( {
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