魔女嘉莉/凶灵/卡丽 [蓝光原盘] Carrie 1976 REMASTERED 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 74.05GB

A girl unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.
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◎译　　名　魔女嘉莉/凶灵(港)/卡丽/魔女佳丽
◎片　　名　Carrie / Керрі
◎年　　代　1976
◎产　　地　美国
, v9 C: Q! t! D3 J+ y1 h◎类　　别　剧情/悬疑/恐怖
◎语　　言　英语
◎上映日期　1976-11-16(美国)
4 M6 u2 I% y/ M$ w2 D6 G◎IMDb评分  7.4/10 from 206,156 users
9 ?; K7 v$ I8 v, m, H& s/ I* H◎IMDb链接  https://www.imdb.com/title/tt0074285/
; g1 ^6 M0 r/ |# a. E% l( ~◎豆瓣评分　7.6/10 from 37,022 users
◎豆瓣链接　https://movie.douban.com/subject/1292664/
◎文件格式　x264 + DTS
  Q# {3 B1 g6 J2 M3 Y. M◎视频尺寸　1920 x 1080
◎文件大小　1DVD 74.05 GiB
◎片　　长　1:38:09.884 (h:m:s.ms)
◎导　　演　布莱恩·德·帕尔玛 Brian De Palma
◎副  导  演　Dick Ziker
' ~# y# j3 s* `◎编　　剧　劳伦斯·D·科昂 Lawrence D. Cohen
# X5 `7 F3 {+ y　　　　  　斯蒂芬·金 Stephen King
& w7 q7 G: ^/ ]9 [1 R& r0 Z) c◎制  片  人　布莱恩·德·帕尔玛 Brian De Palma
◎音　　乐　恩尼奥·莫里康内 Ennio Morricone
  i# i+ g! Z1 s' O◎演　　员　茜茜·斯派塞克 Sissy Spacek
　　　　  　派珀·劳瑞 Piper Laurie
! W0 l6 z( x# n5 W　　　　  　艾米·欧文 Amy Irving
6 t; f; b& ]* Z9 Y. t　　　　  　威廉姆·卡特 William Katt
7 G7 h. y: E) t+ G1 M( w　　　　  　贝蒂·巴克利 Betty Buckley
: A+ M; j- l: w0 w　　　　  　约翰·特拉沃尔塔 John Travolta
　　　　  　南茜·艾伦 Nancy Allen
. C0 _( e$ O/ U. d/ _( w5 S& O- q　　　　  　P·J·索尔丝 P.J. Soles
) H; u. [* o# L8 a% [　　　　  　Mike Towers
　　　　  　布莱恩·德·帕尔玛 Brian De Palma
　　　　  　恩尼奥·莫里康内 Ennio Morricone
　　　　  　皮诺·多纳乔 Pino Donaggio
　　　　  　Mario Tosi
　　　　  　罗伯特·古尔德 Robert Gould
& ?: g9 o) ]" e# C& j　　　　  　杰克·菲斯克 Jack Fisk
　　　　  　罗珊娜·诺顿 Rosanna Norton

& L" O. _9 B& C- l# X◎标　　签　惊悚 | 恐怖 | 美国 | 美国电影 | 青春 | StephenKing | 1976 | 恐怖片

◎简　　介   

　　外表平凡性格内向的嘉利·怀特（茜茜·斯派塞克 Sissy Spacek 饰）一直都是班上默默无闻的丑小鸭，她古怪的性格和沉迷于宗教崇拜的母亲更为她遭受同学的欺凌创造了得天独厚的条件。尽管现实残酷，但在校园里，依然有人默默的关心着嘉利，这使得嘉利树立了信心想要融入校园生活中去 。三年一度的毕业晚会要开始了，尽管母亲玛格丽特·怀特（派珀·劳瑞 Piper Laurie 饰）极力反对，但嘉利下定决心要在舞会上夺得“舞会王后”的头筹一改往日抑郁的形象。可是，一些人总是不愿意放过她，舞会当晚，头戴王冠的嘉利在众目睽睽之下全身淋满了猪血，愤怒激活了她体内的女巫血统，她要使用她的能力，将整个会场变成人间地狱。
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" ^, I' U4 N. O　　本片改编自史蒂芬·金（Stephen King）的同名小说，不仅成为了青春校园恐怖小说的鼻祖，也为日后层出不穷的同类题材电影开出了一条道路。
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　　Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.
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◎获奖情况　

  j1 e6 u5 v9 H- H! T. b　　第49届奥斯卡金像奖  (1977)
" B- p# {& i( @! u　　最佳女主角(提名) 茜茜·斯派塞克
1 D& R# ^) V* A! b6 h5 ^1 R! M　　最佳女配角(提名) 派珀·劳瑞

1. Carrie.1976.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT 74.05 GB
   
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DISC1:
) g6 \! ?9 V0 N, f7 {0 p' _. K• NEW 4K Scan Of The Original Negative
! j' ]" A! F( j. s. ?( w7 s6 a• Original Theatrical Trailer (HD)
• Carrie Franchise Trailer Gallery

DISC2:
• NEW More Acting Carrie – featuring interviews with Nancy Allen, Betty Buckley, William Katt, Piper Laurie, Edie McClurg and P.J. Soles (20 minutes)
! S! y  e# L+ `% Z" Z5 N• NEW Writing Carrie – an interview with screenwriter Lawrence Cohen (29 minutes)
• NEW Cutting Carrie – an interview with editor Paul Hirsch (25 minutes)
  G7 V2 U. ~2 V9 s2 N' o• NEW Shooting Carrie – an interview with director of photography Mario Tosi (15 minutes)
0 `8 x4 r4 z5 a) ]3 ?  b• NEW Casting Carrie –an interview with casting director Harriet B. Helberg (16 minutes)
* A- f# @" Q9 H' M5 J  B  U• NEW Bucket of Blood – a new interview with composer Pino Donaggio (24 minutes)
• NEW Horror\'s Hallowed Grounds – Revisiting The Film\'s Original Locations (11 minutes)
• Acting Carrie – Interviews With Actors Sissy Spacek, Amy Irving, Betty Buckley, Nancy Allen, William Katt, Piper Laurie, Priscilla Pointer and P.J. Soles And Art Director Jack Fisk And Director Brian De Palma (43 minutes)
• Visualizing Carrie – Interviews With Brian De Palma, Jack Fisk, Lawrence D. Cohen, Paul Hirsch (41 minutes)
" W; U6 |0 G+ B1 p• A Look At \"Carrie: The Musical\" (6 minutes)
• TV Spots
( c* d; G- ]0 b4 A" C; z; o9 I• Radio Spots
• Still Gallery – Rare Behind-The-Scenes Photos, Posters And Lobby Cards
5 ~* @* i$ ~. d* u3 D) w6 o5 H• Stephen King And The Evolution Of Carrie Text Gallery

Carrie Blu-ray, Video Quality   


MGM presents Carrie on Blu-ray with an underwhelming 1080p, MPEG-2 encoded transfer and framed inside a 1.85:1 window. Blu-ray fans uninterested in transfers that feature heavy grain fields and excessive noise will want to avoid this film completely. Grain is ever-present, clearly noticeable in every scene, and serves as the transfer's most noticeable characteristic. Some scenes do clear up a bit, the outdoor shot of Carrie walking home after her dismissal from school early in the film serving as one example. The transfer also appears generally dim and dull, with faded colors, minimal detail, and little in the way of absolute clarity. Blacks are also less-than-stellar, generally ranging between acceptably dark and stable to a medium shade of gray. The film also sees a tremendous amount of overblown whites and a glow about much of the transfer, but these characteristics, like the grain, seem inherent to the source. The prom scenes feature a rather harsh red-tinted lighting scheme that dominates the sequence and compliments very well what is to come for Carrie as the night wears on. Carrie does enjoy mostly stable-looking flesh tones. No doubt Carrie's transfer will be a source of contention amongst Blu-ray fans as they try to balance source material and director intent with the film's Blu-ray presentation. It's likely that the film will never look much better than it does here.
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$ |) [+ S( k9 H8 b1 Q2 oCarrie Blu-ray, Audio Quality   
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Carrie fails to ignite Blu-ray despite the inclusion of a DTS-HD MA 5.1 lossless mix, presented in conjunction with the film's monaural audio track. This presentation is front heavy, sometimes sounding detached from the picture. Music plays with a bit of a harsh edge, as do the many screams heard in the film. The track barely sees an improvement over the mono offering; it certainly doesn't spread far from the center channel and offers minimal improvement in clarity. Some rock music played at the prom offers slightly more clarity and realism than does the music heard previous; it delivers some nice lows and spreads out a bit further from the center than do the track's other elements. Only near the end of the film does the track manage to place discrete effects all around the soundstage. It picks up in intensity over the last 20 minutes, sounding fuller and more aggressive than it did before. Of course, this segment offers the only true "action" moments in the film that call for more aggressive use of sound. Dialogue is adequately delivered with no distortions or difficulties with discernment and is the highlight of the track. Carrie isn't meant to sound like the latest and greatest Action movie, and like the video, it's likely presented here about as well as it ever will be.
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