电锯惊魂1/恐惧斗室 [4K蓝光原盘] Saw 2004 2160p BluRaycd HEVC TrueHD 7.1 Atmos-EATDIK 74.76GB

Two strangers awaken in a room with no recollection of how they got there, and soon discover they're pawns in a deadly game perpetrated by a notorious serial killer.

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◎译　　名　电锯惊魂/恐惧斗室(港)/夺魂锯(台)/你死我活/链锯惊魂
) F/ j4 U* M7 V8 z1 k◎片　　名　Saw
, Q, W  s+ m3 j7 n◎年　　代　2004
◎产　　地　美国
) u& e" }4 N. ~7 o9 A◎类　　别　悬疑/惊悚/恐怖
◎语　　言　英语
◎上映日期　2004-01-19(圣丹斯电影节)/2004-10-29(美国)
◎IMDb评分  7.6/10 from 384,272 users
◎IMDb链接  https://www.imdb.com/title/tt0387564/
( `. b* i( s  k+ t3 {7 l! w) j◎豆瓣评分　8.7/10 from 421,808 users
9 ]; s4 I9 ~$ H1 S$ }0 I& p* K◎豆瓣链接　https://movie.douban.com/subject/1417598/
- E& _( E0 K1 {& I' O. x◎文件格式　x265 + TrueHD
◎视频尺寸　3840 x 2160
: F. [: J, C+ V" e5 p* q+ W◎文件大小　1DVD 74.76 GiB
) [* p8 K1 l* Y; L◎片　　长　1:42:51.999 (h:m:s.ms)
/ D3 i; a$ O/ C◎导　　演　温子仁 James Wan
◎编　　剧　温子仁 James Wan
　　　　　  雷·沃纳尔 Leigh Whannell
◎主　　演　雷·沃纳尔 Leigh Whannell
　　　　　  加利·艾尔维斯 Cary Elwes
　　　　　  丹尼·格洛弗 Danny Glover
　　　　　  肯·梁 Ken Leung
. K1 @# a" V" ^0 K　　　　　  迪娜·迈耶 Dina Meyer
　　　　　  迈克·巴特斯 Mike Butters
　　　　　  保罗·古德勒支 Paul Gutrecht
　　　　　  迈克尔·爱默生 Michael Emerson
　　　　　  本尼托·马丁内斯 Benito Martinez
　　　　　  肖妮·史密斯 Shawnee Smith
　　　　　  麦肯兹·韦加 Makenzie Vega
1 q. b" N. b7 W7 s0 y　　　　　  莫妮卡·波特 Monica Potter
/ [9 t5 H) e  R* u　　　　　  耐德·巴拉米 Ned Bellamy
　　　　　  亚丽姗卓·全 Alexandra Bokyun Chun
/ m: |; n* |0 u- P　　　　　  托宾·贝尔 Tobin Bell
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标　　签　惊悚 | 血腥 | 可骇 | 悬疑 | 电锯惊魂 | 美国 | 犯罪 | 暴力

◎简　　介

　　一觉醒来的亚当（雷·沃纳尔 Leigh Whannell饰）发现自己被困在一个废弃的厕所里。他的对面是同样命运的劳伦斯（加利·艾尔维斯 Cary Elwes 饰）——他们被人用铁链绑住了腿，并吃惊发现二人中间横亘着一个恐怖的死人。死人鲜血淋漓，左手拿录放机右手拿枪。

' D1 z! s" |  R* J. w1 E. J) C　　亚 当兜里被人放进来一盘磁带，他赶紧放到录放机里。磁带里说，劳伦斯必须在今晚6点前杀死亚当，否则二人将同归于尽，劳伦斯的家人也不能幸免。而面前死人流出来的血，剧毒无比。

　　一个血腥的死亡游戏开始了。在剩下不多的时间里，他们必须找到线索，逃出地狱。在最后关头，当他们以为重见天日的时候，新一轮的噩梦才刚刚开始。

　　Obsessed with teaching his victims the value of life, a deranged, sadistic serial killer abducts the morally wayward. Once captured, they must face impossible choices in a horrific game of survival. The victims must fight to win their lives back or die trying...

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$ u6 o: j1 `2 @' k  X; k　　第14届MTV电影奖(2005)
1 X0 U. I* c2 ?, z3 Z( o+ K. I# g　　MTV电影奖 最佳惊恐戏表演(提名) 加利·艾尔维斯
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1. DISC INFO:
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3. Disc Title:     Saw.2004.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-EATDIK
   
4. Disc Size:      80,252,142,899 bytes
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5. Protection:     AACS2
   
6. Extras:         Ultra HD, BD-Java
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.2.6)
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14. Total Bitrate:          88.38 Mbps
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29. Dolby TrueHD/Atmos Audio        English         4599 kbps       7.1+15 objects / 48 kHz / 3959 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
    
30. Dolby Digital Audio             English         224 kbps        2.0 / 48 kHz / 224 kbps
    
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38. Presentation Graphics           English         27.735 kbps                    
    
39. Presentation Graphics           Spanish         23.472 kbps

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Saw 4K Blu-ray, Video Quality   
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* y$ @$ U* w. }, O- L5 B: a; @2 BNote: Screenshots are sourced from the 1080 Blu-ray.
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Saw is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 1.85:1 (it's worth noting that the old Lionsgate 1080 Blu- ray was in 1.78:1). Since this release also includes a 1080 version which is different from the original Blu-ray release from Lionsgate, I'll attempt to address both transfers. As can be made out by comparing selected screenshots, this 1080 version is at times noticeably if still kind of subtly brighter and less skewed toward blue than the old Lionsgate release (compare the first screenshot in this review with the first screenshot in Marty's review to see just one example of what I'm talking about), though that said, there are still obviously a prevalence of blue tones throughout both the 1080 and 2160 presentations, especially in the "prisoner" scenes, but also with regard to some of the hospital material told via flashback. And in fact the 2160 version did look a bit more blue to my eyes than the 1080 version, though still not quite as cool as the original 1080 release. Conversely, however, select scenes look a bit darker and better suffused than the original 1080 version (see the screenshot of Danny Glover looking toward the left in both reviews). That Glover screenshot brings up another interesting difference, in that the almost sickly green tones that are also frequently utilized in the film attain a slightly garish, yellowed quality now, something that's especially evident in the 2160 version. The palette continues to show variances from the first Blu-ray release, and may really show its full colors in more ways than one in some of the more naturally lit and graded scenes, as in some of the home scenes with the Elwes character and his family. Kind of funnily, despite a number of pretty aggressive grading choices, blood reds still maintain visceral levels of vividness throughout the presentation. Marty was less than enthusiastic about the old Lionsgate disc's overall video quality, but mentioned a lack of shadow detail and inadequate blacks hounding that release, and in my estimation, both of those aspects are markedly improved in both the 1080 and 2160 versions included in this release. The uptick in shadow detail in the 4K UHD version in particular is fairly remarkable at times, with, for example, at least marginally more discernable information in the frame in the very opening scene in the bathtub. Despite an obviously very gritty looking grainfield (which has just hints of a blue pixellated quality at times), detail levels are surprisingly fulsome, once again noticeably improved in the 4K UHD version. Fine detail on textures, even including supposedly "smooth" items like the ankle clasps the two focal characters are burdened with, is typically excellent.
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6 K% y$ x. \+ |& z' \Saw 4K Blu-ray, Audio Quality   

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Both the 1080 and 2160 discs in this release offer a fantastic sounding Dolby Atmos track. From virtually the get go, with the gurgling water noises and slight silvery effect that wafts through the soundstage, this is a dynamic and spookily immersive track. There are a number of great moments where the Atmos channels definitely add to the almost delirious feeling of the story, with two real standouts being the "Paul" sequence (the guy in the razor wire) and the "Amanda" sequence (the girl in the jaw contraption). The Amanda sequence in particular offers a swirling array of effects that seems to float (albeit aggressively) up and around the listener. There's also some good directionality in dialogue scenes, as in Elwes' first line nicely emanating from the rear channels. Even simple effects like the squeak of the tricycle attain a nice level of creepiness. Dialogue is rendered cleanly and clearly throughout this problem free track. Optional English, English SDH and Spanish subtitles are available.


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