黄金三镖客 [蓝光原盘] The Good The Bad And The Ugly 1966 REMASTERED 1080p BluRaycd AVC DTS-HD MA 5.1-NOGRP 44.35GB

A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.


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& Q& X: ^- a$ n4 O◎译　　名　黄金三镖客/独行侠决斗地狱门(港)/黄昏三镖客(台)/善恶丑/好·坏·丑/好家伙，坏家伙，丑家伙
◎片　　名　Il buono, il brutto, il cattivo. / The Good, the Bad and the Ugly
◎年　　代　1966
◎产　　地　意大利/西班牙/西德
: L/ B/ w4 s9 \: g; [/ c◎类　　别　西部/冒险
3 ?% Y( H1 ^7 X, y% O$ Z1 P6 s◎语　　言　意大利语/英语
◎上映日期　1966-12-23(意大利)
# e- R2 d# v8 J2 k2 }" M◎IMDb评分  8.8/10 from 699,391 users
◎IMDb链接  https://www.imdb.com/title/tt0060196/
4 O; ?3 H( V& \9 n% w◎豆瓣评分　9.2/10 from 96,351 users
4 J: r1 Z$ C# A◎豆瓣链接　https://movie.douban.com/subject/1401118/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
" f' t* s% x' |6 v6 I" A4 `◎文件大小　1DVD 44.35 GiB
◎片　　长　2:42:20.564 (h:m:s.ms)
◎导　　演　赛尔乔·莱昂内 Sergio Leone
6 x# q8 D5 u( s) i◎编　　剧　阿杰诺雷·因克罗奇 Agenore Incrocci
' X; D- p2 U7 n& C. ^8 p# `　　　　　  富里奥·斯卡佩利 Furio Scarpelli
　　　　　  卢恰诺·温琴佐尼 Luciano Vincenzoni
% a6 j* ^  w5 d! @2 c　　　　　  赛尔乔·莱昂内 Sergio Leone
0 V/ O, `2 C& @4 ]2 W2 n◎主　　演　克林特·伊斯特伍德 Clint Eastwood
　　　　　  埃里·瓦拉赫 Eli Wallach
0 e$ `9 X  P; {2 n& E$ r3 q" L　　　　　  李·范·克里夫 Lee Van Cleef
& C9 ?4 `' Z$ ~* V　　　　　  阿尔多·久弗瑞 Aldo Giuffrè
0 F& i1 X8 y2 i) W* I) v* A5 ]　　　　　  路易吉·皮斯蒂利 Luigi Pistilli
- I- l; d( Z- U9 u: w" e　　　　　  Rada Rassimov
3 R7 R8 j' r) \+ R' r　　　　　  马里奥·布雷加 Mario Brega
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# _: A7 r1 s0 i* _2 Q, J◎标　　签　西部片 | 西部 | 经典 | 克林特·伊斯特伍德 | 意大利 | 黄金三镖客 | 美国 | 1966

◎简　　介     

　　故事发生在美国南北战争时期。图科（埃里·瓦拉赫 Eli Wallach 饰）是一个图财害命的江洋大盗，因此他被镇上悬赏通缉。布兰迪（克林特·伊斯特伍德 Clint Eastwood 饰）是一个除暴安良的牛仔，他无意中抓住了图科，但嫌赏金不够又掳走了他。在荒漠中，布兰迪惩罚图科让其自生自灭。但是诡诈的图科居然逃过了一劫，并纠集一些帮凶在客栈捉住了布兰迪。正当图科以牙还牙折磨布兰迪的时候，他劫持了一个名叫卡森的士兵。后者临死前留下了宝藏的秘密，图科和布兰迪分别获得了一半信息。与此同时，一个狡猾的杀手桑坦萨（李·范·克里夫 Lee Van Cleef 饰）也通过其他渠道发现了宝藏的秘密。于是，在寻宝的道路上，三个人使出浑身解数，上演了一场场对决的好戏……

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1. DISC INFO:
   
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3. Disc Title:     The.Good.The.Bad.And.The.Ugly.1966.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-NOGRP
   
4. Disc Size:      47,623,372,988 bytes
   
5. Protection:     AACS
   
6. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.2.6)
   
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11. Length:                 2:42:20.564 (h:m:s.ms)
    
12. Size:                   39,308,617,728 bytes
    
13. Total Bitrate:          32.28 Mbps
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19. MPEG-4 AVC Video        26737 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
    
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25. DTS-HD Master Audio             English         1863 kbps       5.1 / 48 kHz / 1863 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
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26. DTS-HD Master Audio             English         1561 kbps       2.0 / 48 kHz / 1561 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
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27. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
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33. Presentation Graphics           English         13.743 kbps  

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The Good, the Bad and the Ugly Blu-ray, Video Quality   
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. y0 N5 Z2 j: |5 p1 B; |. g' U+ C  ?9 fMGM's 1080p/AVC-encoded transfer of The Good, the Bad, and the Ugly is by no means perfect, and it pales in comparison to Mondo's Italian release of the film, but for U.S. viewers, this is the best we're going to get until someone ponies up the cash for a new remaster. The Good, the Bad and the Ugly rides off through the desert in dusty Technicolor hues, with the pale blue sky looming overhead. Black levels are mostly strong, giving the film a brawny dimensional presence, and there only a few scenes that look mildly washed out or crushed. MGM's transfer, which is based off a 2002 restoration, is not nearly as crisp as Mondo's, but the stubble on leathery faces is rendered fairly clearly, and textures, like cloth, show fine detail, all without the telltale signs of edge-enhancement. I should note though, that in several of the close-ups, the actors seem to step a bit too close to the lens and the focus becomes uncharacteristically soft. Additionally, some of Leone's staple wide shots also have a mild fuzziness. As The Good, the Bad and the Ugly is over forty years old, the print does show some expected wear and tear. White specks dot the screen fairly frequently, two or three hairs get stuck on the print, and at the 1:29:39 mark some strange yellow stains mar the image for several seconds. The thin, nearly unnoticeable layer of grain also testifies to some post-production tweaking, mostly in the form of DNR, but the scrubbing isn't as egregious here as it is in some other waxier, more smeary titles, like Patton, for instance, or The Sixth Sense. Still, if any DNR is a deal-breaker for you, you might want to sit this one out. Here's to hoping that MGM acquires Mondo's more-pristine transfer sometime in the near future and brings it stateside.

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While the film's visual presentation won me over at first glance, The Good, the Bad and the Ugly's DTS-HD MA 5.1 surround track is somewhat trickier to judge. During the restoration process, audio technicians took the original mono mix and expanded it to 5.1 channels, a difficult process considering that the sound effects and music were all contained on one track and were effectively inseparable. The end result is a listenable experience that nonetheless shows the dated tech of its source materials. Since all of the voices and sound effects were dubbed in after shooting, elements of the audio often have a canned and compressed range. Just listen to the wind whipping over the dust in the opening sequence, or the tinny patter as the Confederates pull out of town with their cannons in tow. High-end sounds, like the electric guitar in Ennio Morricone's influential score, are overly brash, and bass only gets a chance to rumble during cannon blasts and other sundry explosions. The track is expectedly front-heavy, with the rear channels used mostly for bleeding ambience and score. Voices are clear for the most part, though I often found myself cringing at some of the not-so-subtle ADR work. Still, I always feel a bit unfair putting older films to the test of my modern ears, and for its age and source materials, The Good, the Bad and the Ugly, while never wowing, sounds perfectly acceptable.
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