- 积分
- 99530
- 经验
- 31910 点
- 热情
- 19611 点
- 魅力
- 9247 点
- 信誉
- 14975 度
- 金币
- 3664 枚
- 钻石
- 3679 颗
- 蓝光币
- 0 ¥
Post Share
- 金币
- 3664 枚
- 体力
- 29166 点
|
Five friends who reunite in an attempt to top their epic pub crawl from twenty years earlier unwittingly become humanity's only hope for survival.
( Q3 {. B: f: Q7 q; [9 K# |; Y; J/ m: q1 U: J
+ k, ? H2 H$ m4 V. v- l7 X
1 S; o- e* |, m6 c. p0 |5 \6 c◎译 名 世界尽头/世芥末日(台)/醉后末日(台)/醉爆末日党(港)/世界终极/世界终点
& q9 } B. p+ E9 W' \/ r7 ~◎片 名 The World's End; T; m, a, v; g* y5 D0 E& r0 V
◎年 代 2013, p/ c9 R, H Z& j
◎产 地 英国
$ Z b, m4 k' g+ y◎类 别 喜剧/动作/科幻
2 X7 B5 ~4 R: P" H* }◎语 言 英语
! Y7 Y% S/ ~( p8 W% Z# q+ q◎上映日期 2013-07-19(英国)
; R/ \. v' ]4 o◎IMDb评分 7.0/10 from 264,521 users
& n$ i* h% u5 ^6 K W- R◎IMDb链接 https://www.imdb.com/title/tt1213663/
: s. N- f4 B8 E! \1 Y+ v. c. U! ^! ^◎豆瓣评分 7.4/10 from 51,474 users* S. p* Q' U" H" |7 Q4 Y
◎豆瓣链接 https://movie.douban.com/subject/3026572/% @2 t, @% @; Z& C) ]. B A6 Z0 z
◎文件格式 x265 + DTS
! n6 f9 p3 f$ ^# f, G# C◎视频尺寸 3840 x 21604 u+ w3 V0 S. u
◎文件大小 1DVD 61.88 GiB
# D' J+ h* ~+ l; L/ R/ T◎片 长 1:49:03.703 (h:m:s.ms)6 O$ U$ O$ i* q2 ?9 b8 F$ n
◎导 演 埃德加·赖特 Edgar Wright
1 r. g* u# ?6 Q0 x0 z2 R. U◎编 剧 西蒙·佩吉 Simon Pegg
0 z7 S S- M4 {- M. i 埃德加·赖特 Edgar Wright
% _5 Q) M& M( Z2 x◎主 演 西蒙·佩吉 Simon Pegg+ O' X$ X3 y- J& f' Y( N
尼克·弗罗斯特 Nick Frost( b* ?3 S/ [7 p9 r" P
帕迪·康斯戴恩 Paddy Considine
z% T# Q9 W/ v* e& T3 H 马丁·弗瑞曼 Martin Freeman
9 ?$ M( A! e5 b 埃迪·马森 Eddie Marsan
$ W) D( p9 [( W8 A, y5 K+ T* N; X3 `$ n 罗莎蒙德·派克 Rosamund Pike7 v4 |2 @! X1 G/ [8 p2 e0 h
托马斯·洛 Thomas Law
5 c' L. U8 o/ m' d% o5 V% y Zachary Bailess
. v/ R9 x! G! y9 C6 Z7 s+ }; }+ h0 O Jasper Levine$ c6 [/ [2 \* D, b1 L- a8 Y0 B& d
James Tarpey
' R2 n5 [ Z% f: {1 V$ v4 ^% w Luke Bromley
5 l7 h) P9 f" N6 ` Sophie Evans* i9 ^; @8 x; ]) t9 Y
Samantha White$ s& I" ^1 Q7 v: v. Q" W: i( N
Rose Reynolds
% z' W& t' [( M x Richard Hadfield% V4 u" x! g" A/ _- \
Flora Slorach! B' F& m' H; G1 M7 G) x1 o& E8 v
Francesca Reidie" J D5 c6 d5 z2 Q
Charlotte Reidie s' i: _. c* ~. e. F! S* v
大卫·布拉德利 David Bradley
4 n' P/ d- i8 n& Y7 h 迈克尔·史麦利 Michael Smiley
# F" m' g. B+ z, p 皮尔斯·布鲁斯南 Pierce Brosnan
0 B& X) x: x& ` \
( Y9 {, V0 J- N! Y◎标 签 英国 | 喜剧 | 科幻 | SimonPegg | 英国电影 | 2013 | 黑色幽默 | EdgarWright
2 u& y+ V' c5 F+ `6 N5 ^3 A+ E0 k
◎简 介 ( e* X7 I5 q7 X/ @2 N
. C0 h. w5 t" ~) t5 b# M2 V 过度沉湎酒精、年届不惑的盖瑞·金(西蒙·佩吉 Simon Pegg 饰),突然间想起20年前青春时代一件引以为豪但未竟的浪荡事,于是相继找来如今已经有了各自家庭和事业的好伙伴奥利弗·张伯伦(马丁·弗瑞曼 Martin Freeman 饰)、彼得·佩吉(埃迪·马森 Eddie Marsan 饰)、史蒂文·普林斯(帕迪·康斯戴恩 Paddy Considine 饰)和安迪·奈特利(尼克·弗罗斯特 Nick Frost 饰)。他们相约返回故乡纽顿哈芬,试图再次找回通宵5人、12间酒吧、60杯啤酒的快乐时光。小镇一如既往,几乎没有什么变化,但是镇上的人似乎全然不记得这几个老男孩。
+ B8 q1 a: }. Z% r- |7 l$ A0 B' J/ ~7 }% e3 {9 P3 T* _9 W3 q* P
在盖瑞的引领下,起初一切还比较正常,可当夜幕降临之后,诡异事件交替上演,盖瑞等人发现,他们仿佛不知不觉步入某种超自然的圈套之中……
( C0 s( z( G8 r& e! P6 p. B( P" x/ h
20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind's. Reaching The World's End is the least of their worries.) [4 _/ C/ E5 P3 M v
4 j+ J1 y% T& X: J* w+ D2 s- `
◎获奖情况8 ~7 e9 R- I( m! F" M
% W7 {$ p8 d# Q# A! L+ _, ~
第19届美国评论家选择电影奖(2014)
+ |. _! t( C8 z7 I7 P* ~ 最佳喜剧片(提名)( z% n9 t" q g J
喜剧片最佳男主角(提名) 西蒙·佩吉4 O- M+ N1 i9 N# v% R5 I2 X
1 h7 D. b2 Z2 t* c* U 第4届豆瓣电影鑫像奖(2014)
: u" q) f3 [& v: f 鑫豆单元 最佳喜剧片(提名)$ W8 B2 f) }* x( u: _, G, a
0 u: s* W) O# ~# F5 X
- DISC INFO:
( \) |* n* |! a8 C
+ |; f3 `* M/ v; o4 a) H- Disc Title: The.Worlds.End.2013.2160p.BluRayCD.HEVC.DTS-X.7.1-BHD3 w8 K5 M! _/ z) T1 {) |
- Disc Size: 66,439,747,023 bytes
& g, `0 U: n6 B - Protection: AACS21 h7 F% h& r: e9 k S7 L A
- Extras: Ultra HD, BD-Java: h: x9 p9 B2 B$ t6 E
- BDInfo: 0.7.5.5 (compatible layout created by DVDFab 11.0.4.7)
; K' @$ `. N+ U
# s! b/ v8 N2 K r6 a" Q- F3 ]+ W7 G$ v- PLAYLIST REPORT:: H- q) J, B/ v% T
- % @" O3 R5 y2 p! d3 ~, x
- Name: 00800.MPLS ( F2 J1 S* z# Z. }6 |- P& e
- Length: 1:49:03.703 (h:m:s.ms)
4 _2 g/ x' o4 M9 d - Size: 62,518,013,952 bytes
1 r' z& }( B; |7 ^. b% _, `9 ?; O - Total Bitrate: 76.43 Mbps
# F2 l9 \- h" r6 g8 i3 R- b - ) L% z. i1 j) e( S! b
- Video:# ~- S F7 u& f* O. x
( ~* ]) N: `, m- Codec Bitrate Description 2 _' K; ^* [7 _- k. e- Q9 b: k+ L
- ----- ------- ----------- 7 a. H$ ?# D" M" c* e0 N
- MPEG-H HEVC Video 61650 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10+ v1 Profile B / BT.2020
6 D" n2 K$ n C& C4 k. h
" h; v4 i% l2 J2 R5 V2 f. e- AUDIO:- g; o# X$ K% `0 q) ?4 H
' X+ M- j4 F2 H1 m B- Codec Language Bitrate Description 8 ]' g+ }1 _% Y6 S! p
- ----- -------- ------- -----------
3 J; u! ?6 h- T0 F. u - DTS:X Master Audio English 6418 kbps 7.1-X / 48 kHz / 6418 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)8 P* a3 S, i6 O2 E3 [% C& E
- DTS Audio French 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit# Z9 l; m! v7 I3 e/ R1 q
- DTS Audio Spanish 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit h8 H% |9 x0 t; T
- DTS Audio Japanese 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
# h# ]* B6 m7 P+ o4 Z5 K; z. w4 q - DTS Audio Portuguese 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit2 h) M2 z, O" m+ v2 Z/ F
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
: S; N X: ^8 U6 K- S P$ Q - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround, p0 X# U$ r* m+ w7 Z s7 D/ c
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / Dolby Surround
4 [$ z- j0 [' h; c3 `% h - - @* H8 o: W( X+ V* y
- SUBTITLES:/ v: Z3 }# P0 W2 y, ~" i
- / k4 P% P0 g j0 A5 I* l, a, b2 Z
- Codec Language Bitrate Description
! s$ w7 r/ g( t1 Q/ p* t9 m - ----- -------- ------- -----------
# e6 i/ o; x8 F8 f4 `; E - Presentation Graphics English 53.992 kbps 0 z5 b; s6 _5 K. @$ g" B
- Presentation Graphics French 38.954 kbps 5 V ~0 }) e) t" G
- Presentation Graphics Spanish 46.92 kbps 8 X9 l# V+ u0 U$ p, X4 ], K
- Presentation Graphics Japanese 32.395 kbps $ D$ `/ N" h: s
- Presentation Graphics Portuguese 46.655 kbps - z( I0 z/ c7 _6 c J; e& C" h
- Presentation Graphics English 87.764 kbps 9 b, H* C) j4 Q+ W5 j. J! w& o
- Presentation Graphics French 73.239 kbps
3 j* B }- ?/ P M - Presentation Graphics Japanese 49.542 kbps
8 t7 P/ K. z8 O) v2 a- w2 u5 b0 o - Presentation Graphics English 75.436 kbps
. z9 c, y# c) \, r/ V5 s - Presentation Graphics French 67.853 kbps ; _" v: ?* R, e1 z" S
- Presentation Graphics Japanese 41.635 kbps
1 _* l- R$ Q A4 ^2 ] - Presentation Graphics English 82.277 kbps
$ A, S$ n& c+ c }& b3 w2 G - Presentation Graphics French 72.281 kbps
* A, h7 }' Y. |5 e7 N5 }5 T - Presentation Graphics Japanese 43.852 kbps * v# Q$ t( F' K8 O
- Presentation Graphics French 0.396 kbps , o% h6 G1 @' q
- Presentation Graphics Spanish 0.523 kbps 8 l. l# ]$ O# \$ K
- Presentation Graphics Japanese 0.984 kbps
. V2 k! E8 E" |- i - Presentation Graphics Portuguese 0.164 kbps
复制代码 The World's End 4K Blu-ray, Video Quality 4 T! t; o( S& P$ e, D; \& p7 e( C
& R$ i0 x5 H* P0 n) U2 x+ b a: g; J9 c) \0 b# x- t
The included screenshots are sourced from a 1080p Blu-ray disc.
0 U$ J3 c, g3 _" n0 K
& U6 i# ?. F+ m( CUniversal presents The World's End on UHD with a 2160p/HDR presentation. Per IMDB the movie was shot on film but finished at 2K. The resultant upscaled image is, texturally, not a drastic departure from the Blu-ray; the shift comes more in color under the HDR spectrum which revitalizes the image across the board. Contrast boosts, improved tonal nuance, and a general feel of healthier, deeper colors are apparent from the outset. The Blu-ray appears comparatively bright and flat across its color spectrum where the UHD offers a more solidified, stable, and sturdy presentation. Warm woods around bars appear more richly realized. Skin tones are fuller and healthier. Black level depth is improved. Whites are not wholly brilliant but there's an obvious increase to crispness and intensity. The blue android "blood" finds another gear in terms of color saturation and boldness. Indeed, colors enjoy a good, well-rounded presentation that's very complimentary to the movie's visual structure.* y6 l4 T6 s8 h [* n
4 l0 S; Y; w' D z
The 2160p resolution brings with it only modest improvements to overall clarity and sharpness. The picture is very healthy and filmic as a rule and looks quite nice throughout. Grain is well rendered and consistent in stability and density. Facial features are proven winners, revealing various pores, freckles, facial hairs, and other elements with sure-handed sharpness. Clothing lines appear nicely defined and various locales, both barroom interiors and various city exteriors, appear with agreeable levels of sharpness and intricacy. None of this is a major boost over the Blu- ray, however. The UHD offers subtle textural and sharpness refinements, not massive improvements in visual clarity. The image suffers from no serious signs of print deterioration or encode anomalies. This is a pleasing UHD in total that is much more a product of its greatly improved color depth than it is the finer textural improvements.: n; I, g; P* c
0 m7 D w& W6 N5 n/ `/ c5 L4 S9 QThe World's End 4K Blu-ray, Audio Quality " I- c9 |, \' b8 ?, K# u0 o
! [' k, \. m3 v) I* ]0 ]% K2 w5 [
The World's End belches out a healthy, agreeable, expansive, and expressive DTS:X Master Audio soundtrack which is a positive upgrade from the Blu-ray's 5.1 lossless presentation. As the film starts, the presentation is sonically straightforward. It's not until the 37- minute mark when the movie takes a turn to reveal its true direction (feeling a bit like From Dusk Till Dawn in that regard, taking a sudden twist well away from the established first act) when Gary finds himself in an altercation with an android in one of the pub's bathrooms. Music intensifies, spacing explodes, and heft increases significantly. To this point, the track was comprised of light music and mild atmospherics in support of dialogue, which is clear and well prioritized for the duration. Certainly the track for the rest of the film has some moments of core dialogue and mild atmospherics away from action, but the track's true prowess presents in its states of heightened intensity, as various clashes with the android army around town and within pub walls stretch sound systems fairly far and deep. The track makes good, positive, obvious use of all channels, with the overheads acting more as a compliment rather than discrete elemental delivery vehicles, but the added saturation around the back and up top only adds to the overall intensity and atmosphere. Bass is never timid, either, kicking into gear as needed and delivering full and firm reports.
& R0 S8 y9 K6 k7 K# v3 T8 I |
|