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A coffin-dragging gunslinger and a half-breed prostitute become embroiled in a bitter feud between a Klan of Southern racists and a band of Mexican Revolutionaries.
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◎译 名 姜戈/迪亚戈
4 B+ u/ d* P3 o◎片 名 Django
" p( L: z; d6 |◎年 代 1966# B7 b! [7 H8 Z& {! u: r
◎产 地 意大利/西班牙
0 p6 N4 E: t1 b" }6 [0 k◎类 别 西部
) Y! F" X+ G* a/ z6 M% u◎语 言 意大利语9 `8 a. c; u1 G7 x& z7 y
◎上映日期 1966-11-02
' {0 F+ p Y& P◎IMDb评分 7.2/10 from 25,573 users
; q: ` _- u& M8 r1 Q4 a# l) i3 {◎IMDb链接 https://www.imdb.com/title/tt0060315/
) O+ X5 h! T8 X) `1 r p1 W; r/ T) `◎豆瓣评分 7.6/10 from 3,506 users
. z9 S* v9 Q8 @) h◎豆瓣链接 https://movie.douban.com/subject/1963163// G2 _. ~! T4 F- [/ [1 T
◎文件格式 x264 + DTS & g4 X& e7 S7 @3 E# L) V
◎视频尺寸 1920 x 1080. y& b# O1 B. M
◎文件大小 1DVD 43.96 GiB2 e- s1 y0 E9 o$ {4 V& c- b* {" R
◎片 长 1:31:44.665 (h:m:s.ms)- {* A/ v |" B* P9 x2 e- d$ q
◎导 演 赛尔乔·科尔布奇 Sergio Corbucci
8 [8 w5 l; M7 [9 V {5 o◎编 剧 赛尔乔·科尔布奇 Sergio Corbucci
% g/ K9 s9 G4 @/ {* F 布鲁诺·科尔布奇 Bruno Corbucci6 e" V9 I1 T3 q* U1 |/ K
◎主 演 弗兰科·内罗 Franco Nero
, a v# m2 [, u a 何塞·博达洛 José Bódalo: |7 e( q! {; F, o- ?0 j. d8 R2 e
洛雷达娜·努斯齐亚克 Loredana Nusciak
* ~, k5 r W, q3 C2 r2 g2 w 安赫尔·阿尔瓦雷斯 Ángel Álvarez3 M, O. U, r# P* v
吉诺·佩尔尼切 Gino Pernice% j6 \' z- Q/ z @& K
Simón Arriaga
$ |+ ]# J0 U0 d9 C/ T z Giovanni Ivan Scratuglia5 {2 Z+ G& u8 z1 _
Remo De Angelis
. R( R8 Y$ K3 i* o5 S/ J Rafael Albaicín4 I1 Q/ T0 {* m# ?' O5 `
José Canalejas* f3 K9 L! |& ?, H; |' P; i$ t5 h
爱德华多·法哈多 Eduardo Fajardo( p6 k* B5 w' r/ S
6 G6 h8 ~! e; K6 K9 e8 D: v◎标 签 意大利 | 西部片 | 西部 | 1966 | 意大利电影 | 塞吉奥·科布奇 | 1960s | SergioCorbucci! `; ]* ] L, g# K+ P4 s# A$ h
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◎简 介 : a0 z# \6 U8 M; `3 D, ~- m
# R, e+ C' \5 m+ n, @% P 荒凉的旷野,一群暴虐的劫匪正在鞭挞一位美丽的姑娘玛丽亚(萝蕾丹娜·卡波莱特 Loredana Cappelletti饰)。幸得迪亚戈(弗兰科·尼罗 Franco Nero饰)的解救。他神秘而冷峻,拖着一副棺材漫步在泥泞的荒野上。迪亚戈带着玛丽亚来到荒凉的小镇,人们对他的到来充满好奇,更对这副棺材里隐藏的秘密而惶惶不安。
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) H5 b* j. f: t 本片作为意大利西部片的经典暴力之作,曾在世界多国遭到禁映。2012年,鬼才导演昆汀·塔伦蒂诺拍摄的《被解放的姜戈》,向此片致敬。
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Django is a lone stranger who roams the West dragging a coffin filled with chaos towards a destiny ruled by vengeance. Co-writer/director Sergio Corbucci packs his landmark classic with indelible images, unforgettable performances and some of the most shocking brutality of any 'Spaghetti Western' ever made. This is the still-controversial epic that defined a genre, launched a phenomenon and inspired over 50 unofficial sequels.4 i1 B' k) C; @0 W
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- Disc Title: Django.1966.ITALIAN.ARROW.1080p.BluRayCD.AVC.DTS-HD.MA.1.0-FGT* G# Z9 M4 x. s. P* D. d/ d
- Disc Size: 47,203,623,351 bytes; z# [7 a; M4 y) z0 k
- Protection: AACS9 [0 f, T; U C4 S- R3 t k
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.3.1)- Z- r! J% r* x) [+ ~
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$ P8 X$ o4 N2 X6 O" p5 [5 `9 g - Length: 1:31:44.665 (h:m:s.ms)
4 D( J" S" b% p& u4 x0 r - Size: 27,088,472,064 bytes
5 f3 I b8 J* y, x" x e - Total Bitrate: 39.37 Mbps
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% W; E+ j2 g) n6 L- All Angles Length: 1:36:29.909 (h:m:s.ms); n; d8 I: _8 g* q- B
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1 @4 O8 `$ X5 R3 b) M$ x; z- Video:
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6 L# g. B+ T+ y- Codec Bitrate Description . S; D# }7 J/ x6 {5 A& s0 L
- ----- ------- ----------- 3 e! f& H8 D, V: [
- MPEG-4 AVC Video 34986 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
1 k1 o* x6 k# w5 ]- w - MPEG-4 AVC Video (1) 1796 (34669) kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1" ]7 d3 e! F& G) P4 U. q
9 C2 ?( T# g" e! b! a$ ]- AUDIO:
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- ----- -------- ------- ----------- ! p$ D& U' K+ m
- DTS-HD Master Audio English 1061 kbps 1.0 / 48 kHz / 1061 kbps / 24-bit (DTS Core: 1.0 / 48 kHz / 768 kbps / 24-bit); e- o$ ]5 p' x& y- M! s$ i
- DTS-HD Master Audio Italian 1070 kbps 1.0 / 48 kHz / 1070 kbps / 24-bit (DTS Core: 1.0 / 48 kHz / 768 kbps / 24-bit)
4 D4 }9 X2 Y O& S - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
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- SUBTITLES:& I' z( O* l+ T9 o$ u! V
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- Presentation Graphics English 23.686 kbps 0 M2 o' [; ~( y7 X6 K& q
- Presentation Graphics English 16.311 kbps
复制代码 Django Blu-ray, Video Quality ' S; H+ p5 G$ }+ U1 M, `2 P) ?( I) i
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- X5 y7 @% M" F% q( M* S. `Before Django begins, Blue Underground advises viewers that the print used for this Blu- ray release was "transferred from its original camera negative, which contained some intermittent age-related damage." Nevertheless, this 1080p transfer, housed within its original 1.66:1 aspect ratio -- placing slight black bars on either side of the 1.78:1 high definition display -- looks marvelous, all things considered. Django most predominantly retains a fairly thick layer of grain that gives the picture a gritty, rough texture, and underneath lies a fair sense of depth and plenty of striking details. Dirt, sweat, blood, grime, pores, and stubble on faces; the wear-and-tear on leather bandoliers, belts, and holsters; and other assorted objects throughout often look downright fantastic. Colors are well-rendered, too, though Django sports a generally brown and gray tone about it. The interior of the brothel generally sees the most vibrant colors in the girls' makeup and bright clothes, with each hue -- from bright red to the dusty, scratched, and worn brown wooden floors -- looking splendid. For the most part, blacks and flesh tones appear stable and honest. Still, the image features some problem spots. Several shots look terribly out of focus and there's plenty of flickering and odd jitters, but beyond these -- and they're absent far more than they're present -- Django looks excellent. Blue Underground has done a great job with this one, even through some intermittent warts that don't too terribly degrade from the viewing experience.
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, K0 x( @8 g- a3 sDjango Blu-ray, Audio Quality
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Django shoots up Blu-ray with a pair of paltry DTS-HD MA 1.0 soundtracks, one in Italian, the other in dubbed-over English. Of note is that watching Django in Italian with English subtitles and re-watching it with the English audio track can yield a slightly different experience; randomly switching between the two tracks throughout the movie, it becomes clear that the English subtitles often fail to say the same thing as the voiceover, and sometimes to such a degree that the entire feel of a line or scene can be altered. Nevertheless, neither track proves to be all that spectacular, but the English track seems to offer a slightly fuller, richer, and louder experience when compared to the Italian track at the same reference volume level. Still, most purists will likely choose the Italian track with English subtitles in tow, and whatever slight improvements the English track might feature are negligible at best. The fact of the matter is that both tracks demonstrate a lack of range, power, and clarity, but considering that this is a budget 44-year-old Spaghetti Western, either mix works well enough and they even add a bit of old-time charm to the experience. Still, gunshots are downright puny, whether single shots from revolvers or the rapid-fire expenditure of rounds from the film's famed Gatling gun. Music is cramped and environmental sounds are limited to the center, par for the course for an aging mono track. Fortunately, dialogue reproduction is fine. Django would probably benefit from a more aggressive multichannel track, but kudos to Blue Underground for leaving it alone and allowing fans to hear it as it was intended.
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