闪电舞/闪舞/劲舞 [蓝光原盘 重制版] Flashdance 1983 REMASTERED 1080p BluRaycd AVC DTS-HD MA 5.1-KiFFLOM 29.87GB

A Pittsburgh woman with two jobs as a welder and an exotic dancer wants to get into ballet school.



◎译　　名　闪电舞/闪舞/劲舞
◎片　　名　Flashdance
% I5 E' d! I* K: C- d2 j◎年　　代　1983
◎产　　地　美国
◎类　　别　剧情/爱情/音乐
◎语　　言　英语
◎上映日期　1983-04-15(美国)
9 I4 e  ?( G5 y2 T) V6 m◎IMDb评分  6.2/10 from 49,092 users
1 ~8 r, [- _1 P: T3 b◎IMDb链接  https://www.imdb.com/title/tt0085549/
0 y8 u/ O' z. R9 M' |2 Z◎豆瓣评分　7.7/10 from 1912 users
◎豆瓣链接　https://movie.douban.com/subject/1294360/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
; Z8 v+ B7 l+ O' @! P4 M( ]3 i◎文件大小　1DVD 29.87 GiB
◎片　　长　1:34:41.842 (h:m:s.ms)
◎导　　演　阿德里安·莱恩 Adrian Lyne
◎编　　剧　乔·埃泽特哈斯 Joe Eszterhas
　　　　　  Thomas Hedley
◎主　　演　詹妮弗·比尔斯 Jennifer Beals
　　　　　  迈克尔·诺里 Michael Nouri
9 h5 z9 d$ r+ T　　　　　  莉利亚·斯卡瓦 Lilia Skala
0 |2 f# h" k3 i- {2 W7 @　　　　　  桑妮·约翰逊 Sunny Johnson
　　　　　  凯尔·T·赫夫纳 Kyle T. Heffner

◎标　　签　歌舞 | 美国 | JenniferBeals | 舞蹈 | 励志 | 美国电影 | 1983 | 音乐

◎简　　介     
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　　18岁的亚莉克欧文斯对舞蹈有一份狂爱，由于现实生活的压力，白天在一家铁工厂担任焊工，晚上在当地一家酒吧演出，全片刻画亚莉克追求理想、独立与爱情的奋斗过程。 主题曲由艾伦卡拉主唱，支支动听，舞曲风靡全球。
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! O7 i. t9 k% i4 \ 　　Alex Owens is a female dynamo: steel worker by day, exotic dancer by night. Her dream is to get into a real dance company, though, and with encouragement from her boss/boyfriend, she may get her chance. The city of Pittsburgh co-stars. What a feeling!

8 N( A0 \& E+ a* ]* x' }3 p◎获奖情况  

" s. Q: T# U8 Q$ c% L3 D; `! l　　第56届奥斯卡金像奖(1984)
　　最佳摄影(提名) Donald Peterman
　　最佳剪辑(提名) Bud S. Smith / Walt Mulconery
$ @1 E7 x) B+ U, p　　最佳原创歌曲 Keith Forsey / 乔治·莫罗德 / 艾瑞尼·卡拉
  B0 p! k, f/ i. _8 t0 L　　最佳原创歌曲(提名) Michael Sembello / Dennis Matkosky
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; k  k' m# x1 |6 d0 r　　第8届报知映画赏(1983)
0 O0 L: k5 r5 P; ?　　海外作品奖 阿德里安·莱恩
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3. Disc Title:     Flashdance.1983.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-KiFFLOM
   
4. Disc Size:      32,072,361,724 bytes
   
5. Protection:     AACS
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6. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.3.2)
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10. Name:                   00011.MPLS  
    
11. Length:                 1:34:41.842 (h:m:s.ms)
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12. Size:                   25,859,887,104 bytes
    
13. Total Bitrate:          36.41 Mbps
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19. MPEG-4 AVC Video        29995 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
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25. DTS-HD Master Audio             English         3607 kbps       5.1 / 48 kHz / 3607 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    
26. Dolby Digital Audio             English         640 kbps        5.1 / 48 kHz / 640 kbps
    
27. Dolby Digital Audio             French          224 kbps        2.0 / 48 kHz / 224 kbps / Dolby Surround
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33. Presentation Graphics           English         21.538 kbps                    
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34. Presentation Graphics           English         32.046 kbps                    
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35. Presentation Graphics           French          20.422 kbps

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Flashdance Blu-ray, Video Quality   
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. @1 ^0 _; e9 {- wContinuing the theme of contrasts, Lyne and cinematographer Don Peterman (Men in Black) shot a movie about artistic aspiration in the gritty urban style pioneered by Lyne's countryman Alan Parker for Fame (1980). Lyne then softened the imagery by dispersing smoke into the air in almost every shot such that, according to editor Bud Smith, there were always a few takes that couldn't be used because the actors were obscured. (Midway through production, the studio panicked and ordered that no more smoke be used, and Lyne posted an assistant to watch for the approach of any studio people, so that the smoke machine could be hidden before they arrived.) The result is an often soft, delicately colored image of a type that has gone almost entirely out of fashion in today's world of digital photography and post-production.
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3 Z6 h; f1 t: ]/ ~  Y/ E" kParamount/Warner's 1080p, AVC-encoded Blu-ray is a superb rendition of Lyne's and Peterman's vision, as it was seen by audiences in 1983. The grain and texture of the imagery have been retained without diminishment, but they never become obtrusive (unless one is allergic to even a hint of grain). No attempt has been made to compensate for the original photography's softness with digital tools, which is the correct choice, because the image has fine detail that artificial sharpening or excessive contrast could easily overwhelm. Besides, Lyne and Peterman carefully designed Flashdance for visual contrast between the muted everyday world and the garishly "hyper-real" stage show at Mawby's, with its intense colors and bright lights. A Blu-ray treatment that failed to render both ends of this contrast accurately would not do justice to the film. This Blu-ray does.
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# c4 w! u/ {, N7 z  \Blacks are deep and accurate, and shadow detail is properly rendered in places where you're supposed to see it. Minutia of hair, faces, costumes and the rusting Pittsburgh cityscape are readily discernible, even if they don't pop off the screen in every scene (they're not supposed to). The average bitrate of 26.44 Mbps is sufficient for the rapid dancing scenes, primarily because there are more than a few episodes of simple, quiet conversations in between. In any case, I saw no compression artifacts.

Flashdance Blu-ray, Audio Quality   


$ `, P4 J, F( x5 n4 r6 OFlashdance was released in Dolby Surround and has been remixed for 5.1, which is here presented in lossless DTS-HD MA 5.1. As is typical of Paramount's remixes, the approach is conservative and does not attempt to create gimmicky rear channel effects where none are warranted. The stereo separation in the original mix was often effective in placing sounds of such locations as the steel mill to the left or right of characters, and those effects have been preserved. Otherwise, the chief beneficiary of the lossless multi-channel treatment is the historic soundtrack. The songs sound airier and more "opened up" than I have ever heard them before, from the moment Irene Cara's voice comes in over the opening titles. The dialogue is occasionally overwhelmed by Giorgio Moroder's instrumental score, but this has always been the case with Flashdance. The sound mixers understood what was important, and dialogue took a backseat to the beat.

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