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A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.: l! \. z# F. T' T5 _; G; y2 h& m
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◎译 名 峡谷回音% V0 L# n1 H/ c8 \: I
◎片 名 Echo In the Canyon
. y$ j" ]2 K) u) r. a4 B* C K6 C◎年 代 2018# R6 ?, |, s( V# K$ h
◎产 地 美国0 h$ h6 s- M6 k$ u
◎类 别 纪录片/音乐% N( F; F7 t. X7 q+ T( ]: Q- N# n
◎语 言 英语3 A, Z+ ]: t4 Z, J1 z6 o
◎上映日期 2018-09-20(洛杉矶电影节)/2019-05-24(美国)
$ z% P2 \8 D# ~2 g" J& S* @◎IMDb评分 6.9/10 from 2,737 users
& c- P1 r; {2 r# a6 v◎IMDb链接 https://www.imdb.com/title/tt8884430/
4 U5 n: J3 A6 O) e& E Z◎豆瓣评分 7.9/10 from 86 users
I/ N# V6 ?4 o, d/ K6 b7 j# C' P◎豆瓣链接 https://movie.douban.com/subject/33415890/; e8 i# ]3 _ Y
◎文件格式 x264 + DTS
9 Y9 E8 c2 `0 N M, U$ M, H◎视频尺寸 1920 x 1080$ |6 d; m$ _; X4 K# u$ @0 L
◎文件大小 1DVD 21.08 GiB
) j# L! R2 Z0 Y/ }* a◎片 长 1 h 22 min+ v+ `2 J# Q; Q+ G4 m9 L5 c y
◎导 演 Andrew Slater* L( D" u! i4 \6 ~
◎编 剧 Eric Barrett' P! U% n' V; a6 q- D( q3 H
Andrew Slater* i/ t$ t: r( T. J' L
◎主 演 洛乌·阿德勒 Lou Adler8 E& w- Z2 {/ s: b) a: o
贝克 Beck7 X0 C y c, U0 Z6 J
Justine Bennett
9 J% S# e" w8 D 杰克逊·布朗恩 Jackson Browne+ r+ f7 R3 \! i' ]7 U" T }
Jade Castrinos+ j7 u. ^4 c$ T. W9 M
大卫·克罗斯比 David Crosby0 E D i+ _8 O
雅戈布·迪伦 Jakob Dylan7 g& j/ P/ h! `/ P
诺拉·琼斯 Norah Jones
" g1 q( h% J. m$ i8 R 罗杰·麦吉恩 Roger McGuinn
6 e7 ?6 d% e4 z. U Graham Nash
7 A2 K7 |# Z$ W# @& M, Y4 s Fernando Perdomo" g( h/ X( j5 S5 }0 g% I7 v, S8 O
汤姆·佩蒂 Tom Petty, l2 S4 ~( ?5 m8 H1 e
米雪·菲利普斯 Michelle Phillips
7 R8 K7 n5 Q1 g5 I: v4 ~% U 猫女魔力 Cat Power
* [1 J; I% @; @! ^( i z John Sebastian$ N8 B$ c5 [0 {$ z) o m
瑞金娜·斯派克特 Regina Spektor+ a- {- \7 [6 A2 B; U
林哥·斯塔尔 Ringo Starr
t% f" |9 N+ x2 | H# t% T' C Stephen Stills
; M( x4 w, E$ m$ r b+ M Matt Tecu% f! e4 _ I, d
Brian Wilson) C" M6 ?$ ^ a1 w' a* \( A7 q3 D
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◎标 签 纪录片 | 美国 | 2010s
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8 L5 _5 Y9 |! ~; R! R! B0 O◎简 介
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聚焦具有历史意义的洛杉矶Laurel Canyon,这里诞生了一些标志性音乐团体,如飞鸟乐队、海滩男孩、水牛春田以及爸爸妈妈乐队。. A3 R; d; @& v3 B
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A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.
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Video9 j, y+ A7 A/ ?6 H6 a7 r0 J
ID : 1
' ^1 z' Y0 Q; i9 K. P( @* d4 gFormat : AVC
% [# n2 B! a( t0 _Format/Info : Advanced Video Codec
. R! _& h; R% k, m6 `& ?3 }1 g0 cFormat profile : High@L4.1; E, g/ }3 Y0 S
Format settings : CABAC / 4 Ref Frames9 e$ b5 f6 p: J- A3 x9 E
Format settings, CABAC : Yes& l- r( `: I0 {9 |! ]) x
Format settings, Reference frames : 4 frames3 [. S9 c/ ]' Y, h
Format settings, GOP : M=3, N=12' i9 M' D4 _0 I, I3 @* D' g
Codec ID : V_MPEG4/ISO/AVC0 E* m+ F" `8 w" b
Duration : 1 h 22 min
; a$ @( g; n' S! l. sBit rate mode : Variable" H1 h0 A) o2 M A; l
Bit rate : 30.2 Mb/s
+ r1 f( l% D0 cMaximum bit rate : 33.0 Mb/s% a, k D) ^( d3 x3 J; S
Width : 1 920 pixels
8 m- T- n Q ?5 i1 `. }Height : 1 080 pixels1 T1 {& P. ] |
Display aspect ratio : 16:9
" c; U4 `- ^* P" R3 Z* b0 PFrame rate mode : Constant8 K, ^/ a _9 s
Frame rate : 23.976 (24000/1001) FPS2 i+ [1 F6 Y U: i- O0 U. w
Standard : NTSC$ Q: X+ L" x4 Z( j0 ^
Color space : YUV& d6 X/ Q* U9 {* p! P; z
Chroma subsampling : 4:2:0- N4 t$ `; l i/ |# N
Bit depth : 8 bits' r8 |: ]4 G1 r* Y* p- N8 ~. t8 ]
Scan type : Progressive: X, y" w3 y K$ f8 F: n
Bits/(Pixel*Frame) : 0.608' T! m! I9 i* ]1 s9 i9 Q
Stream size : 17.4 GiB (82%)
8 r$ d' w4 ?7 ~$ n1 aTitle : Echo.in.the.Canyon.2018.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT/ x2 x# M! J) w a. Q0 F" f
Language : English- s0 Y- |( w: L% [
Default : No" j; ?( ]& v0 r* z2 n N
Forced : No+ T. V. J& _9 K7 n
Color range : Limited/ D3 m' Q. n: E0 z/ |( R
Color primaries : BT.7091 d9 o+ c; Z! ^- o d* L
Transfer characteristics : BT.709
' E3 W, `# P' w+ ~7 g$ |( ?Matrix coefficients : BT.709
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Audio #1
; d) T ^, s# d1 F+ SID : 2
# |, N9 P* ?: \) l* LFormat : DTS XLL
( _8 H4 }$ i( V. jFormat/Info : Digital Theater Systems& }& T1 o: `: ~2 F6 x, x
Commercial name : DTS-HD Master Audio
% J7 }# p3 D7 ~& A1 ~6 PCodec ID : A_DTS
% P+ v( a) z' _Duration : 1 h 22 min
: D* {0 A) L8 {2 dBit rate mode : Variable
% H9 Q. ]8 `+ \Bit rate : 4 082 kb/s
! a. z; R/ o" ]' K. w) m9 Z! J6 Y- _. zChannel(s) : 6 channels4 a4 f, e/ _# D5 ^8 u( g& i7 m
Channel layout : C L R Ls Rs LFE" r' `+ d1 R; }! b3 Y/ ?. a
Sampling rate : 48.0 kHz2 t* x! W; [3 e9 g/ S. g
Frame rate : 93.750 FPS (512 SPF); ]' @. [% ~# B* t5 |# [
Bit depth : 24 bits t1 D. X+ b* Z' z
Compression mode : Lossless
8 I7 p; A7 V5 g. SStream size : 2.35 GiB (11%)
: \0 w; o' _( U! a. \+ w. t' f. ]* rTitle : Echo.in.the.Canyon.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT7 R0 @1 M3 d# [; J, ~5 O
Language : English8 y+ G- t4 c0 L1 H4 W( j x# U
Default : Yes" W/ `- Y: V4 o. @
Forced : No
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5 }* w3 k6 m; L9 ]Audio #2+ s8 ^: S& W* W. T
ID : 3- J7 E( C, m) q
Format : PCM9 [' Q7 h$ _* { c. H7 u
Format settings : Little / Signed
( a, y% m4 ~4 z) xCodec ID : A_PCM/INT/LIT
8 J. o; E* U! wDuration : 1 h 22 min) ]! w& P7 E, u2 ?# q, U
Bit rate mode : Constant
; [7 M. t5 E( |- w! P! K$ FBit rate : 2 304 kb/s( w1 \! f) L4 _+ M
Channel(s) : 2 channels
* N% O0 G4 S0 s' ^Sampling rate : 48.0 kHz
1 U# o$ f' t' O" H( N, l0 N9 kFrame rate : 30.000 FPS (1600 SPF)* s, P+ y" g& ~4 ~5 h
Bit depth : 24 bits
3 l g$ Z O$ `; k( |Stream size : 1.32 GiB (6%)
1 P2 b% d' \7 f2 B+ [/ x3 W5 QTitle : Echo.in.the.Canyon.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
+ g) J1 ?. C) v% |. n( o6 R$ ULanguage : English
, `! G: f' `6 b& W) ^6 I8 `Default : No0 S( @' W- `; w# }
Forced : No
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Text
% ]! m7 F" @ u4 y* V [0 c1 oID : 4+ b7 c9 K! h) c9 C1 `4 n0 \
Format : PGS& z7 {( w3 s+ t( q
Muxing mode : zlib( u z, V6 u4 v- j Q
Codec ID : S_HDMV/PGS
/ @& _+ N7 O% Q3 f) W& TCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs1 _ Z7 b( N9 Z* r+ O' }& k
Duration : 1 h 20 min6 [8 I8 k2 s5 G" L J
Bit rate : 115 kb/s+ `: u1 n; w" I( i! N+ \+ u8 Y* L
Count of elements : 1914- r7 | T9 q1 w4 I
Stream size : 66.4 MiB (0%)
' f6 L+ c( i7 {6 Y$ L- J4 CTitle : English-PGS M. ~# b: p& G: x
Language : English
4 u# Y( @/ n, M, q9 BDefault : Yes) Z" Y1 d1 q% f
Forced : No
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8 E7 @9 \ a# Z9 n$ ~8 bMenu% R$ V+ B. x2 E1 m, j
00:00:00.000 : en:Chapter 019 X% D* _3 V3 t, [& J2 P
00:06:40.733 : en:Chapter 02
2 ?/ w/ Q% d z8 O3 U, s00:14:11.642 : en:Chapter 03, n0 l1 d# N% z) B
00:21:55.355 : en:Chapter 04
) n' q- a5 i* Y o) D$ v0 R& }! {00:27:13.340 : en:Chapter 05
. `7 N3 K5 c6 \/ v2 K( g# X00:33:24.043 : en:Chapter 06; ]: w! B* x" D- w8 i6 V
00:41:22.021 : en:Chapter 07
+ G; l3 Z H( ^' v$ u2 D3 V( g$ _( R$ [* a00:49:34.096 : en:Chapter 08% r$ m* G3 F0 W5 S9 Y! H8 T
00:56:20.877 : en:Chapter 09
: M% d$ a8 j, [/ [: f. u9 R01:02:58.775 : en:Chapter 10
! l2 r( d$ \# G' K, r& C01:10:00.362 : en:Chapter 11
8 K9 g/ G: ^" d/ ^; W& @01:19:29.347 : en:Chapter 12 Echo in the Canyon Blu-ray, Video Quality
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. ^+ {) g- L$ ]Echo in the Canyon is presented on Blu-ray courtesy of Greenwich with an AVC encoded 1080p transfer in 1.78:1 (some archival video has different aspect ratios). This is a nicely sharp and well detailed looking presentation for the most part, with generally well above average detail and fine detail levels, often captured in close-ups or closer midrange shots, where crags in faces and patterns in fabric look precise. There's some kind of peculiar yellow coloring to a lot of the Petty material for some reason. Some of the outdoor footage is so sunlit that contrast is a little blanched, and some of the performance footage has very minor issues with shadow detail.
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Echo in the Canyon Blu-ray, Audio Quality
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Echo in the Canyon features both DTS-HD Master Audio 5.1 and LPCM 2.0 mixes, but truth be told, aside from the excerpts of the live performance promoting the soundtrack and documentary, there's little that the stereo track doesn't cleanly and clearly offer the listener. The surround track does open up the sound sporadically on some of the archival audio, but a lot of this piece is simply interviews conducted by Dylan, and as such the stereo track probably suffices perfectly well.
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