- 积分
- 101034
- 经验
- 32261 点
- 热情
- 19845 点
- 魅力
- 9364 点
- 信誉
- 15171 度
- 金币
- 3858 枚
- 钻石
- 3875 颗
- 蓝光币
- 0 ¥

Post Share
- 金币
- 3858 枚
- 体力
- 29499 点

|
A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.
0 v3 E% D/ o% m; t; I+ Z2 S+ ~" P; d
* S8 j8 k8 o2 X8 G3 t7 c! J
4 Z1 L$ C6 i& f. \( ]# M◎译 名 峡谷回音: z" P9 ~3 P7 R; K3 k2 U" w% r
◎片 名 Echo In the Canyon
: F& C. U) S `◎年 代 20182 G3 Z# H% X/ M0 U1 D; `
◎产 地 美国2 G& a$ f8 ]' w; N% g
◎类 别 纪录片/音乐; `7 y( A1 \. m0 Z3 I
◎语 言 英语- ?- Q* @/ ]& u) ~2 `: j
◎上映日期 2018-09-20(洛杉矶电影节)/2019-05-24(美国)
% r$ s" Q6 T0 Y8 B7 s3 y◎IMDb评分 6.9/10 from 2,737 users
7 @6 L( Q' b. U$ E( T◎IMDb链接 https://www.imdb.com/title/tt8884430/5 Q9 ~" n: }& v x; N* l/ Q$ D& S
◎豆瓣评分 7.9/10 from 86 users
3 _4 M9 Q, O& l4 X8 C◎豆瓣链接 https://movie.douban.com/subject/33415890/
* O3 o; k4 f9 J) w2 J) @◎文件格式 x264 + DTS
1 g1 |3 j* u# R! c3 K& c$ u◎视频尺寸 1920 x 1080* L, Y) b7 O' m/ s3 y- S1 V
◎文件大小 1DVD 21.08 GiB. k/ w- p7 V- s2 C7 L( x
◎片 长 1 h 22 min |* Z( Y$ k! h! }& B! s5 `) \+ W
◎导 演 Andrew Slater) u: A+ Q- W6 B" D
◎编 剧 Eric Barrett8 q( R- B' q0 u7 R, g( Z6 W
Andrew Slater
7 g+ V* I$ a1 T1 ^% s7 V" i( f◎主 演 洛乌·阿德勒 Lou Adler+ ]# \( M. F' [# }
贝克 Beck
4 `! a7 `7 s A% {. { Justine Bennett
: ]7 a) z, f: U% V5 ~. K! _$ K( o 杰克逊·布朗恩 Jackson Browne' ^6 _4 r( y/ ^# D( e# w0 Q
Jade Castrinos& {; H: H& n4 S& m: C: N
大卫·克罗斯比 David Crosby
5 f9 J! b2 R$ ]+ P 雅戈布·迪伦 Jakob Dylan
) b/ Q U2 Q$ l6 @ 诺拉·琼斯 Norah Jones
: i! N' w: e! z$ P* Q3 U5 ] 罗杰·麦吉恩 Roger McGuinn3 M* e( K: l, ^
Graham Nash
5 }; B/ n0 P/ k$ }; S& [# x0 _ Fernando Perdomo6 M' i. D2 }. V# v: U. p
汤姆·佩蒂 Tom Petty. n% Y/ {9 N: R* f
米雪·菲利普斯 Michelle Phillips& ]* V; Y* |7 A5 w2 W' M% G. O
猫女魔力 Cat Power; L ^+ o- U% G' r Q5 _
John Sebastian- [+ @) w0 ^( F! p: V% E
瑞金娜·斯派克特 Regina Spektor: a6 m' I" v ?2 u% s- b, u
林哥·斯塔尔 Ringo Starr: l6 C1 M9 A# h% W
Stephen Stills# d5 d! i: B& K W
Matt Tecu
f% D1 ?6 q1 v# {. H3 o; n Brian Wilson3 R8 F, w; \* d9 E
. S: o/ B, [/ D \1 |9 C
◎标 签 纪录片 | 美国 | 2010s* t3 k( Q: l% q0 t a Q% |. z
6 C d D" [9 T$ ]
◎简 介& G$ ^/ V+ ]- _( m, a' \
, p" t5 u6 Z+ S# V
聚焦具有历史意义的洛杉矶Laurel Canyon,这里诞生了一些标志性音乐团体,如飞鸟乐队、海滩男孩、水牛春田以及爸爸妈妈乐队。( C: a( c+ f3 I
6 L) a$ l v, q3 F2 D A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.
" E: f+ f4 L+ h7 ^0 g6 C3 v: u5 C
' w) Y: p* G0 c" G   Video3 F0 X" a4 {) q0 @ W
ID : 1
$ b! I( m8 g! K+ t$ G7 f6 }Format : AVC
8 U# Q) x/ j2 ^! QFormat/Info : Advanced Video Codec1 X6 _' ?* m4 \) ~3 }% v8 ^
Format profile : High@L4.1
% H8 f! ?+ H$ C0 MFormat settings : CABAC / 4 Ref Frames: L1 y1 V) G ?9 K
Format settings, CABAC : Yes, A( ]1 X" l6 [6 G% y9 i' Y: _* H
Format settings, Reference frames : 4 frames! V/ l8 U3 a* X( T; x1 l
Format settings, GOP : M=3, N=12
6 ~' e: u3 V5 H; hCodec ID : V_MPEG4/ISO/AVC2 l ]8 R& }, H. n' O
Duration : 1 h 22 min
6 n! y, J7 V/ e4 N' Q8 ]. @Bit rate mode : Variable. p* U" c) i3 _# }0 I
Bit rate : 30.2 Mb/s
* b6 m* c! Y/ S) T* U! l: BMaximum bit rate : 33.0 Mb/s2 e/ x& L7 Y! U' W. D! ^ }0 r
Width : 1 920 pixels, ~2 d2 _$ b$ r. D
Height : 1 080 pixels/ D5 f; C) M- A% P3 B6 U" t
Display aspect ratio : 16:95 V8 H r4 w; F" w. m
Frame rate mode : Constant' l" Y6 ~- E8 C- B r
Frame rate : 23.976 (24000/1001) FPS+ B7 U9 w$ U `; ]9 k ^5 r- ~
Standard : NTSC$ ]) {8 D) D2 _0 w0 ] H
Color space : YUV
3 w4 e" I- S, P4 m: lChroma subsampling : 4:2:0
- [- _3 B& W$ v6 `3 |5 I) ^Bit depth : 8 bits
b" K Q6 k4 L9 dScan type : Progressive* S, p+ c! ^. M( ?& O
Bits/(Pixel*Frame) : 0.608
1 }/ \* U/ H0 }4 Z8 u5 l, TStream size : 17.4 GiB (82%)
7 E2 K; w" T' M; [, lTitle : Echo.in.the.Canyon.2018.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
5 j4 B% _) a: MLanguage : English0 f! [) C- A7 {# ~% z( i3 d# p
Default : No
" |! I9 o% B* J, S7 v |Forced : No
$ Q$ @! `. e& z0 }Color range : Limited
$ {6 @8 O2 Z: Z/ u6 t+ _Color primaries : BT.709
- J2 x, R: B& T% p8 N9 a' o0 UTransfer characteristics : BT.709# v. n" D/ T3 L& w
Matrix coefficients : BT.7099 a" ]5 F* ?" ^: p* E. s R2 i6 e
# z. I; w" w1 K3 A/ P3 | ?Audio #1
2 X! u$ y* J& x1 d) f! [; DID : 2$ `# V. a0 J: y" K' M! p- ~
Format : DTS XLL
/ I& g$ Z; j: K% l3 O$ uFormat/Info : Digital Theater Systems, s$ F8 R$ R" A% X$ p
Commercial name : DTS-HD Master Audio) Q& [" [' t; q. ]8 T1 d1 k# ?
Codec ID : A_DTS8 s! g% s" r7 C6 |- ]! r, p+ F- s+ W0 D
Duration : 1 h 22 min
; X; E$ c8 x& I5 bBit rate mode : Variable; @3 I! f# z0 S8 b7 G
Bit rate : 4 082 kb/s! Z, |. H7 [, t0 ?2 A
Channel(s) : 6 channels" w E6 s' Z5 e% X K9 T( h
Channel layout : C L R Ls Rs LFE3 G9 G: L1 \8 s# I
Sampling rate : 48.0 kHz
+ K* ?) \0 _4 fFrame rate : 93.750 FPS (512 SPF)
; N, {( G4 w3 n; q7 J/ h( mBit depth : 24 bits
8 [0 p S+ K& R4 `8 LCompression mode : Lossless K8 O' y9 q8 _3 }% R
Stream size : 2.35 GiB (11%)
, Y7 z8 ?2 \! r% z7 {Title : Echo.in.the.Canyon.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
) z; i% N! [5 x6 \& N: K) XLanguage : English
8 `' x( h( X( S1 s4 |+ UDefault : Yes0 W# z. q. I2 l3 y$ ?
Forced : No
$ a1 d* d3 m4 @0 M, K
) U+ I1 x# q6 N2 tAudio #2
$ f. l: o5 P! ?) jID : 3
' g' t) m) ^. o& ?; yFormat : PCM
6 r( L r! x5 C# w! w1 I4 ?Format settings : Little / Signed
4 {; {- P, a% l, y5 vCodec ID : A_PCM/INT/LIT
$ ~) E3 n0 {; E% d8 ]' t+ x; mDuration : 1 h 22 min0 U; X. Y$ l7 ^2 [. p/ ^3 v5 ~7 ?/ z. i
Bit rate mode : Constant' x) A) ]) u# q ]8 p @
Bit rate : 2 304 kb/s3 J, ~, X, S3 k
Channel(s) : 2 channels
3 C# A6 c: b$ @4 g/ B) E5 c; t9 y- X. QSampling rate : 48.0 kHz
: q8 {; j6 `5 }' g; HFrame rate : 30.000 FPS (1600 SPF)
6 C2 U1 b0 _/ f( N' gBit depth : 24 bits3 k. p( t$ [: c1 M6 @2 Y$ ^1 T8 j
Stream size : 1.32 GiB (6%)) W% L) t4 y, F- ~* M: u
Title : Echo.in.the.Canyon.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
; z' N9 b( } \0 Q& v2 OLanguage : English
- `& p, I0 J2 k+ xDefault : No9 |1 E( K- v# o( h3 R" q2 [
Forced : No4 C+ {1 [% A& g2 z! a
- Y+ R" p2 I( c+ k `
Text4 [0 x' e# U- V7 {" t" G
ID : 4$ i& M8 l+ M _* m; W; P
Format : PGS% p4 w& O8 p+ d# Y r
Muxing mode : zlib
5 p6 Q+ t7 _* T/ \ U5 lCodec ID : S_HDMV/PGS& z C1 U' ?( j8 }( I) {/ o
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs2 g9 @( Z$ w Q# F- C) w
Duration : 1 h 20 min' _/ M- }$ m8 G
Bit rate : 115 kb/s6 ?' c! |7 b! j- d; t
Count of elements : 1914
- P6 ^. c X& w/ U) F$ F2 ^4 C6 j- }Stream size : 66.4 MiB (0%)
9 a' {7 o6 `" H+ W3 J, Z* c: [Title : English-PGS
* A8 \. v1 o- {" X; i2 ~+ YLanguage : English' L( k3 I, ^$ c' U
Default : Yes
9 s8 `9 ?6 U; b0 d1 X+ S+ c- T5 \Forced : No
) F' [6 g: K3 z6 A5 Q, m+ I0 ?$ ~7 `( Q) Q; J
Menu
* A. u, E Z9 u+ A& J00:00:00.000 : en:Chapter 014 _5 A4 M* ^. k3 d6 [( R$ V
00:06:40.733 : en:Chapter 02
$ f* u( I5 v7 l9 @: }00:14:11.642 : en:Chapter 030 d I6 h7 @/ a5 v
00:21:55.355 : en:Chapter 04, T" F6 x0 \6 y$ f9 w2 |
00:27:13.340 : en:Chapter 054 r2 ? J% r) o5 K T: x& H
00:33:24.043 : en:Chapter 06
; ]5 U2 ^" k7 R7 g5 c00:41:22.021 : en:Chapter 07
6 f# f8 {- x8 d k$ V) [2 o3 N+ r00:49:34.096 : en:Chapter 08
4 u4 z) M3 a; h* U* |7 f8 G n2 A00:56:20.877 : en:Chapter 099 ] S; N! U+ o* D$ f9 G) d- S( B
01:02:58.775 : en:Chapter 100 q8 A' E) k! }+ r8 U8 q3 O1 f
01:10:00.362 : en:Chapter 11
; Y( M5 U7 }& `- ~/ d; G' |01:19:29.347 : en:Chapter 12 Echo in the Canyon Blu-ray, Video Quality 9 j# @) d( z, H& x
" v( V& L3 _4 Z+ O' S; Y
# G! i1 q! h8 H* EEcho in the Canyon is presented on Blu-ray courtesy of Greenwich with an AVC encoded 1080p transfer in 1.78:1 (some archival video has different aspect ratios). This is a nicely sharp and well detailed looking presentation for the most part, with generally well above average detail and fine detail levels, often captured in close-ups or closer midrange shots, where crags in faces and patterns in fabric look precise. There's some kind of peculiar yellow coloring to a lot of the Petty material for some reason. Some of the outdoor footage is so sunlit that contrast is a little blanched, and some of the performance footage has very minor issues with shadow detail.% J. ^& M" |. v3 ^
8 g% | y0 \: D% ?. d8 n
Echo in the Canyon Blu-ray, Audio Quality
9 b2 B% F' I: R- U; _1 @+ ?
: B) R# Z0 [. ]: T2 J3 t7 Y# a
& K; \9 j1 F( O6 a6 W+ l5 R4 }Echo in the Canyon features both DTS-HD Master Audio 5.1 and LPCM 2.0 mixes, but truth be told, aside from the excerpts of the live performance promoting the soundtrack and documentary, there's little that the stereo track doesn't cleanly and clearly offer the listener. The surround track does open up the sound sporadically on some of the archival audio, but a lot of this piece is simply interviews conducted by Dylan, and as such the stereo track probably suffices perfectly well.
1 U2 n2 [4 H6 m0 ?0 n A7 K |
|