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[蓝光原盘] 峡谷回音 [REMUX无损版] Echo in the Canyon 2018 1080p BluRaycd REMUX AVC DTS-HD MA 5.1-FGT 21.08GB

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黄金嫖客 发表于 2021-6-27 23:40:04 | 显示全部楼层 |阅读模式
A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic music groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.  i2 y% X+ k2 }: c& `

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◎译  名 峡谷回音5 U! T( J! c7 L# y$ N& }
◎片  名 Echo In the Canyon
7 b' @1 J! ]! P4 v◎年  代 2018
) l* @  s% F' {4 B◎产  地 美国( m# l6 r6 I2 ~0 R
◎类  别 纪录片/音乐; ]/ K" [, N* C2 y2 d8 E
◎语  言 英语; r! t- \% d: ~! O, {
◎上映日期 2018-09-20(洛杉矶电影节)/2019-05-24(美国)7 Q* o; w; x3 L0 Z4 m2 [
◎IMDb评分  6.9/10 from 2,737 users# c4 b! V* `! I) d0 b8 F
◎IMDb链接  https://www.imdb.com/title/tt8884430/
0 X: B" A2 y# ]' M% |4 U◎豆瓣评分 7.9/10 from 86 users1 l( y2 l/ T2 C; q. ^! t
◎豆瓣链接 https://movie.douban.com/subject/33415890/
; R! f( t, o7 ~9 {/ O- l& Q1 I1 O◎文件格式 x264 + DTS* g5 J( e% T' C: b/ p/ F
◎视频尺寸 1920 x 1080
6 L) F# e( d. w) s8 N! B8 Z! Y+ H◎文件大小 1DVD 21.08 GiB3 ~0 {9 A$ s% T/ o+ t! P
◎片  长 1 h 22 min
3 Z% M+ s: g0 o7 |4 X◎导  演 Andrew Slater
. h, r+ b! C: T* S" k" U◎编  剧 Eric Barrett
3 |) b6 C5 c9 T- J1 v       Andrew Slater
- w5 \  _- g- {. p◎主  演 洛乌·阿德勒 Lou Adler
  X8 u+ c2 }  a       贝克 Beck% |+ `+ c) g% @# V' w
       Justine Bennett
. u, u2 q# U# d( h, r       杰克逊·布朗恩 Jackson Browne! U9 _' a* Z; l& s
       Jade Castrinos. I  D- X7 Y" N- m0 R: F1 F1 Z3 i, G
       大卫·克罗斯比 David Crosby
. D5 I% {6 f7 e# D" k- r4 f       雅戈布·迪伦 Jakob Dylan
# B% W( L, p& M$ c  _+ |) N4 ~       诺拉·琼斯 Norah Jones( i" G, m% g) }, I
       罗杰·麦吉恩 Roger McGuinn
8 F" b/ F. ^2 @8 q       Graham Nash
5 Q' I- Q% b* O6 B/ b4 X       Fernando Perdomo
# P: W* C7 ?+ |" U6 d4 L3 |# O       汤姆·佩蒂 Tom Petty
: T' X" m: R7 w( T8 e       米雪·菲利普斯 Michelle Phillips
; I5 g: p! P9 Z+ Y- z' ]/ w       猫女魔力 Cat Power. g5 D' B2 n4 s- P3 s5 J: o
       John Sebastian) r( Q: i% m* B; ]3 S
       瑞金娜·斯派克特 Regina Spektor/ z+ b5 W7 s( P4 D* j/ q/ e; q8 f
       林哥·斯塔尔 Ringo Starr$ j- ^. B1 Q$ c( |
       Stephen Stills, M+ M$ n2 M0 v8 f4 M7 h; w
       Matt Tecu# K" \) ]$ M- J, Z$ {
       Brian Wilson3 n' y- [& }  q5 X, ~4 Q
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◎标  签 纪录片 | 美国 | 2010s2 o3 q% U0 o3 O$ g0 \4 r

5 F5 [" }/ ^) o◎简  介
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  聚焦具有历史意义的洛杉矶Laurel Canyon,这里诞生了一些标志性音乐团体,如飞鸟乐队、海滩男孩、水牛春田以及爸爸妈妈乐队。- Z8 p/ J3 }) a7 P
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  A look at the roots of the historic music scene in L.A.'s Laurel Canyon featuring the music of iconic groups such as The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas.! p9 Q5 k, v  C0 N8 R. E

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Video9 ^5 R& J+ Z! r8 \/ J( N8 D
ID : 1
( q' w4 |4 T( U" ?Format : AVC1 \. w# j$ [, A* F( K6 c( \
Format/Info : Advanced Video Codec
% ^! e1 t8 b  ]) v8 r! oFormat profile : High@L4.1
  k+ |) \1 o0 D2 T! ^0 F2 \Format settings : CABAC / 4 Ref Frames- }7 f) V$ v, E
Format settings, CABAC : Yes
9 p; Z5 V- {0 f" fFormat settings, Reference frames : 4 frames3 j: o4 [/ n  T
Format settings, GOP : M=3, N=12
8 o& w3 u) l! Q' R; GCodec ID : V_MPEG4/ISO/AVC9 p0 F# j$ n) @* y$ o2 J
Duration : 1 h 22 min8 V: y! D1 v; K/ d2 d
Bit rate mode : Variable
( |4 i9 e6 G# dBit rate : 30.2 Mb/s: k5 S; T3 c8 G: W- o' c; ?! r! F
Maximum bit rate : 33.0 Mb/s
+ h! y6 G/ s7 S1 @+ c9 X* IWidth : 1 920 pixels1 i3 M+ B5 G  o$ j  ]4 x- H" z
Height : 1 080 pixels
! R3 V5 P' ?3 D/ d  `$ mDisplay aspect ratio : 16:96 K5 ]; x0 _' ~2 ^9 H
Frame rate mode : Constant
5 {5 S* {1 p3 Q, p- bFrame rate : 23.976 (24000/1001) FPS& |2 O# V) F) f( h9 N! g$ R
Standard : NTSC
3 ~8 I2 m5 }  E/ cColor space : YUV2 E( |$ x8 m! k
Chroma subsampling : 4:2:0
( p0 S: I8 u! V3 W( d, V" mBit depth : 8 bits: F  ?" v! X9 y1 H! J# t3 }) V
Scan type : Progressive, @3 O( K6 L. a; _7 r& o* j
Bits/(Pixel*Frame) : 0.608, R9 T- J. E% H
Stream size : 17.4 GiB (82%)
( J6 p3 h1 O4 o% D/ q$ c* [Title : Echo.in.the.Canyon.2018.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT( u: ?; N9 O( r& A
Language : English
2 W) F0 B0 f$ w2 B4 v1 [Default : No
' d" m% f5 g4 k2 b; b  b% bForced : No* P8 a$ e0 p6 j: N3 E% [
Color range : Limited7 j0 Y" s; _4 M! Z( S4 x
Color primaries : BT.709& [: G! d% z0 x# I
Transfer characteristics : BT.709  C: I8 Q0 a+ I, S  _
Matrix coefficients : BT.7094 K+ W: X6 B; z( {) w0 a" f

9 i' h  n" M* j) C1 LAudio #15 _: A" N6 W5 b4 C1 p
ID : 2
* ~: z8 |" {' X' Y6 @0 PFormat : DTS XLL
' }, N# n- F) D& |# S' mFormat/Info : Digital Theater Systems
; w- R" T1 t0 f& \9 oCommercial name : DTS-HD Master Audio! K4 W  o% b& X  I$ Y  p
Codec ID : A_DTS
/ s. @+ Z" n/ p3 |- o( J: Z: _$ jDuration : 1 h 22 min! K0 h4 l2 ^+ [3 [8 @; Q
Bit rate mode : Variable: |  T& j3 G3 B, N7 Z0 g
Bit rate : 4 082 kb/s% B+ `+ x) I* `4 r' X3 z( a
Channel(s) : 6 channels
  r9 Z+ K& t) R  rChannel layout : C L R Ls Rs LFE
& C, J; n/ [: r, x9 P0 F) C4 xSampling rate : 48.0 kHz
. |$ F# ^1 ~5 O6 [5 z6 p/ ^. pFrame rate : 93.750 FPS (512 SPF)
; d+ q# x4 Y" T$ h. `9 h& XBit depth : 24 bits) T& i; x# A: }2 s4 D/ _
Compression mode : Lossless
9 F2 O, i* e& O+ H1 U7 |5 d- ~Stream size : 2.35 GiB (11%)
+ M$ X3 Y6 ]+ V1 J  s' W" ^Title : Echo.in.the.Canyon.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
* x8 f+ n7 [( C7 g3 k9 @Language : English
1 L; S8 n: {# R1 P9 ^9 O7 fDefault : Yes7 Z" _$ V2 P3 ?0 ~
Forced : No5 b3 T4 l* e( e4 M2 [
2 i: U; T8 x+ |2 N- v# `
Audio #2. e/ ~/ r% r/ J+ G
ID : 30 F3 z6 S& {* @7 L  z
Format : PCM
+ W. x7 \" x. n) E* j9 |Format settings : Little / Signed/ y# Z9 l0 P* Y& `
Codec ID : A_PCM/INT/LIT
! x; ^& d7 _; J& s8 H* d- ?% FDuration : 1 h 22 min
, a6 ?, w  W( V' _. KBit rate mode : Constant; B. N# Y2 P% H& H" l0 Q8 e
Bit rate : 2 304 kb/s! J- S3 O. ~8 \! w7 H) D; t! x, Z
Channel(s) : 2 channels
) r7 v. I- G5 n+ S4 ~Sampling rate : 48.0 kHz; O  b9 |6 D- Y% b
Frame rate : 30.000 FPS (1600 SPF)( T* y  d0 z3 f: {3 W: T5 D
Bit depth : 24 bits
" J$ r% i9 q* g7 L0 EStream size : 1.32 GiB (6%): z2 G% V3 K1 Z$ P. D
Title : Echo.in.the.Canyon.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT/ Z8 K  Y/ ]0 G* J
Language : English
! B$ i5 j. Z$ J) yDefault : No
8 Z6 O, w5 i9 l8 L4 c" }Forced : No
1 p& [# Q: w' Z3 ?) Y  I( h2 X$ h8 g1 u: j: V" i
Text* E+ |* l9 T4 `
ID : 4+ K% L0 [8 o+ [5 A4 x8 I
Format : PGS
: N* m% G0 k9 t: ]; kMuxing mode : zlib+ k; S* @/ T) r
Codec ID : S_HDMV/PGS# \* ^4 p+ @/ ]1 R) v7 j
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
" N3 s: S( T% i8 k6 ?Duration : 1 h 20 min: h- x. ]2 s" ]  e6 Y: O
Bit rate : 115 kb/s
  `& o0 p8 ]! mCount of elements : 1914
& \, `/ }5 Z/ w2 h" h, aStream size : 66.4 MiB (0%)6 |' t* l' h5 r# o8 N# L: S8 M0 u
Title : English-PGS
# Z1 C7 o4 r1 u7 E3 cLanguage : English* ~2 `" d7 U/ @* Y1 s; M# K
Default : Yes5 V2 @/ n# Q6 F
Forced : No. m. |7 d3 I1 r& H9 |9 Y% M0 j

" h9 G" D& r2 ~& {* y  M8 H' IMenu0 x! Q; x/ ~) ]" I% Y5 o3 c
00:00:00.000 : en:Chapter 019 j6 E2 |) k& i- x; y7 ^$ g* s
00:06:40.733 : en:Chapter 02. s& n+ k4 `! `/ t. z) v
00:14:11.642 : en:Chapter 03
- L* f) T; o# x9 w# X4 B- S00:21:55.355 : en:Chapter 04+ R! v* _! I% K& o* D
00:27:13.340 : en:Chapter 05
6 g! p! w, {' C+ |# B00:33:24.043 : en:Chapter 06
+ p5 D8 n% n! ~4 p" r% Q00:41:22.021 : en:Chapter 07, m' q+ v, p+ o+ b4 C1 i+ d
00:49:34.096 : en:Chapter 08
: N4 b9 Q3 o! u+ Q, |: v; L00:56:20.877 : en:Chapter 09% Z9 g( E+ [9 X' @8 _* }3 }
01:02:58.775 : en:Chapter 108 Z7 N+ i4 [, }: n  _
01:10:00.362 : en:Chapter 11- d' @/ {* }# |/ ~8 a& q$ r
01:19:29.347 : en:Chapter 12
Echo in the Canyon Blu-ray, Video Quality   
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Echo in the Canyon is presented on Blu-ray courtesy of Greenwich with an AVC encoded 1080p transfer in 1.78:1 (some archival video has different aspect ratios). This is a nicely sharp and well detailed looking presentation for the most part, with generally well above average detail and fine detail levels, often captured in close-ups or closer midrange shots, where crags in faces and patterns in fabric look precise. There's some kind of peculiar yellow coloring to a lot of the Petty material for some reason. Some of the outdoor footage is so sunlit that contrast is a little blanched, and some of the performance footage has very minor issues with shadow detail.) [, R5 @! F9 E4 I

7 x' }7 ^/ v' gEcho in the Canyon Blu-ray, Audio Quality   + H: q  |- v, {0 d  j% S
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Echo in the Canyon features both DTS-HD Master Audio 5.1 and LPCM 2.0 mixes, but truth be told, aside from the excerpts of the live performance promoting the soundtrack and documentary, there's little that the stereo track doesn't cleanly and clearly offer the listener. The surround track does open up the sound sporadically on some of the archival audio, but a lot of this piece is simply interviews conducted by Dylan, and as such the stereo track probably suffices perfectly well.
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VIP蓝光勋章

lanpanshuma 发表于 2021-6-28 05:16:10 | 显示全部楼层
楼主发贴辛苦了,I*老*虎*U!7 [( ?) H/ a5 `3 T
In fact, I have always felt that the landlord of good taste! Ha ha!
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yc_jc 发表于 2021-7-13 12:17:38 | 显示全部楼层
搞音乐的,超棒!!!!

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