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Secret Service agent Frank Horrigan (Clint Eastwood) couldn't save Kennedy, but he's determined not to let a clever assassin take out this president.7 P0 j W" P3 z2 m" u/ S# c. |
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◎译 名 火线狙击/火线大行动(台)/火线追击/火线% U& h1 [, G, O6 s, [
◎片 名 In the Line of Fire! c8 ?. G- _/ C* r, b/ U5 D
◎年 代 1993# w# ^) w5 v" S% j/ c+ ~* [: [
◎产 地 美国" g( N* H1 f9 W$ x/ H
◎类 别 剧情/动作/惊悚
# y+ ^, ^+ _" V) I) K, T5 }0 E◎语 言 英语
7 P0 B2 w! v% j# a! _3 D2 Z9 p6 f3 {# |◎上映日期 1993-07-09(美国)2 k2 y3 D+ `/ b$ c
◎IMDb评分 7.2/10 from 95,649 users9 C7 @# B+ E% h+ B1 I! J3 D( g H) ^
◎IMDb链接 https://www.imdb.com/title/tt0107206/7 n5 z; X: T7 o/ z2 i6 X
◎豆瓣评分 7.3/10 from 5,287 users9 m! h0 v9 B$ W( a3 U Z" O
◎豆瓣链接 https://movie.douban.com/subject/1295733/8 E, Y+ J* D" p: b6 j2 b3 A& v
◎文件格式 x265 + TrueHD0 R7 x/ u8 \- a$ f
◎视频尺寸 3840 x 21603 d8 }0 y# t' y+ J( l. B
◎文件大小 1DVD 86.90 GiB' Y' v4 A! ]0 Z V, Y2 K( L* E
◎片 长 2:08:37.709 (h:m:s.ms)
8 W/ j0 |( c" j' G& b0 T& I! [' E9 y◎导 演 沃尔夫冈·彼德森 Wolfgang Petersen
% p/ \6 }: @. y7 \. T◎编 剧 杰夫·马圭尔 Jeff Maguire
. b; ]& @& M3 f ~2 B◎主 演 克林特·伊斯特伍德 Clint Eastwood: s8 G; O3 W) ?0 w: b
约翰·马尔科维奇 John Malkovich
, F# C* B9 D( p# x+ A 蕾妮·罗素 Rene Russo
0 l O- r" v, Y 迪伦·麦克德莫特 Dylan McDermott$ X& o9 R; g1 Y2 d8 [ w8 S7 N) x. v
盖瑞·科尔 Gary Cole" h5 q( k" L' d+ }( x
弗雷德·多尔顿·汤普森 Fred Dalton Thompson
7 N9 q0 h- Z' z8 U; ] 约翰·马奥尼 John Mahoney$ g8 x `) I) A3 g; d4 v2 Y
格雷戈里·艾伦·威廉斯 Gregory Alan Williams
( R, g3 @( r+ R8 ? 克莱德·草津 Clyde Kusatsu+ I! {+ {- F4 q% `
史蒂夫·海特纳 Steve Hytner% \+ n" ~$ W4 j" x4 H: `) w
托宾·贝尔 Tobin Bell% e2 h1 g F. m
Bob Schott6 `3 |+ S4 g6 o6 m' S0 i2 l% j7 N
艾尔莎·瑞雯 Elsa Raven
* u1 m' I) A- X- a* q 帕特里卡·达博 Patrika Darbo$ r) F8 f0 l/ u" ^+ I5 L* D
瑞安·库托纳 Ryan Cutrona
# J, ]' C+ |6 S2 S 布赖恩·利比 Brian Libby
5 Z1 m' P% L, j% i& P6 V 埃里克·布鲁斯科特尔 Eric Bruskotter t9 F: J8 L! G: U" t* c9 E4 x
Patrick Caddell2 g9 d4 p- }7 d
约翰·赫德 John Heard" D2 z2 c* g# z1 K/ W- ~$ e
Alan Toy2 L. ^; f0 d) V5 k# s, w4 M# D* R
Carl Ciarfalio
) N" O, T7 N+ N; R% y 沃尔特·麦克弗森 Walt MacPherson' |" Q# a) V( P3 V- _
罗伯特·皮特斯 Robert Peters% Q" r2 n! k( [
Anthony Peck3 ^( C K7 W& W& x: E, O
里克·赫斯特 Rick Hurst
& c0 V* a+ ]) A* J( m, e/ y6 Q 约书亚·马林纳 Joshua Malina
3 z, ^) q Z: ]2 \0 z/ X) v8 W; s9 r William G. Schilling4 _. u) l: Z! ?% F g5 d
Robert Alan Beuth- ~- C; q& p' Y0 H. T3 N: G
苏姗·李·霍夫曼 Susan Lee Hoffman M* [2 I2 K+ X# o7 n
西尔克·科扎特 Cylk Cozart: \! o. r& Y5 @. F8 \
柯克乔丹 Kirk Jordan
; ^& u# X* r0 S3 i# p1 N7 E Elliott J. Brown
. B3 p% P- G' g1 |$ P Ian Paul Cassidy
z. r; ]+ Z1 P! I' j1 T. P+ R' C Aaron Michael Lacey
, O7 u N1 h: r2 l 史蒂夫·雷尔斯巴克 Steve Railsback
5 ]- I) R5 j0 n1 o3 \; J William Shipman u: X! @' h+ k4 k9 H; d
Michael Werckle! B/ c2 |* K7 ~7 s$ ^) J0 T0 Y+ x
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◎标 签 动作 | 美国 | 克林特·伊斯特伍德 | ClintEastwood | 特工 | 1993 | 悬疑 | 美国电影% ?" {2 h5 ?* o+ c. ~3 G( A( M
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◎简 介7 O6 Y) e8 D, g1 W5 |: {4 q
3 ]6 t5 F& A% l8 l0 M 肯尼迪总统的遇刺让身为他贴身保镖的弗兰克(克林特·伊斯特伍德 Clint Eastwood 饰)陷入了自责的情绪中不能自拔。即使多年过去,但只要一想到此时,弗兰克总觉得是自己的失职和大意造成了这一悲剧。某一日,一个神秘的电话引起了他的警觉。打电话的男人名叫米奇(约翰·马尔科维奇 John Malkovich 饰),他告诉弗兰克,自己准备暗杀现任总统,并邀请弗兰克玩一个所谓的“游戏”,这个游戏的成败将直接影响总统的命运。) G9 n" |/ |" d+ g f
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往事重演,这一次,弗兰克决定无论如何都要保护总统的安全。这个米奇到底是谁?他这么做的目的何在?在一连串的疑问面前,一场激烈而又危险的追杀游戏逐渐展开。4 D7 k# _% J( [+ H# b6 ^
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Aging Secret Service agent Frank Horrigan, on duty the day John F. Kennedy was assassinated, is still unable to forget his failure on that fateful day, even as he nears retirement 30 years later. When a psychotic man calling himself Booth threatens to kill the current president, Horrigan discovers that the man knows far more about him than he knows about the man. Booth dares Horrigan to catch him, taunting the troubled agent with his past disappointments, as Horrigan desperately tries to protect the President and regain his self-respect at the same time.) I6 x/ ?3 Y0 S4 G3 I
% K% d: o* B& S9 _' A9 \/ k◎获奖情况
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第66届奥斯卡金像奖 (1994); D1 G1 m& y. ]& g6 c1 G) u
最佳男配角(提名) 约翰·马尔科维奇
+ ]& t+ ?* j$ G( y: R9 k 最佳原创剧本(提名) 杰夫·马圭尔
2 p% s0 \2 i$ E) N$ b4 i 最佳剪辑(提名) 安妮·考特斯
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第51届金球奖 (1994)
: s* V0 u$ S5 ^3 ~* |; e0 }2 q 电影类最佳男配角(提名) 约翰·马尔科维奇
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" j5 R" @; ?1 z) Z8 y, n 第47届英国电影学院奖 (1994): C' W7 d% m& O+ D
电影奖最佳男配角(提名) 约翰·马尔科维奇
, Q0 u# W0 S+ g' O; K/ K 电影奖最佳原创剧本(提名) 杰夫·马圭尔5 A6 p- i5 w0 ~1 Y" o. z
电影奖最佳剪辑(提名) 安妮·考特斯
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- DISC INFO:
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- Disc Title: In.The.Line.Of.Fire.1993.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-GLiNiAK
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( T7 q/ e0 | c/ ~! W - Extras: Ultra HD, BD-Java" Q( O- {- u. K
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! d+ V0 k, G7 f - Length: 2:08:37.709 (h:m:s.ms)5 I- ?& j% [3 R
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6 [ _ X! }% }. A) g4 ]; D - DTS-HD Master Audio German 2170 kbps 5.1 / 48 kHz / 2170 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)8 c6 Y9 E+ l4 F* {3 |* f
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8 o# K9 k" n! M2 w2 t* |0 ?, O - Dolby Digital Audio Portuguese 640 kbps 5.1 / 48 kHz / 640 kbps
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5 R5 |4 e+ k1 u, _+ Q& x - Dolby Digital Audio Thai 640 kbps 5.1 / 48 kHz / 640 kbps& w$ M6 H7 K. K+ J
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复制代码 In the Line of Fire 4K Blu-ray, Video Quality
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5 N7 T( G9 }/ A: j' v4 v) SThe included screenshots are sourced from a 1080p Blu-ray disc.
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It's immediately obvious from the opening shots that In the Line of Fire lives up to Sony standards in every way. The 2160p/HDR UHD presentation is terrific and may quickly be identified amongst the format's elites. Blue skies and crisp white titles dazzle in the first shot. Clarity abounds on the street where Al picks up Frank in the first moments and it never relents. This is a perfectly crystal-clear image in every scene, whether in bright daylight exteriors or on darkened and shadowy nighttime streets, whether in low light bar interiors or well-lit office space locations. Every element delights. Facial features reach a level of natural complexity rarely found even on the best the format has on offer. Frank's facial structure is a delight to absorb: the fine lines, the hair on the head and eyebrows, the hint of stubble, everything reaches fully lifelike and seems to push even this format to its limits for visual excellence. This definition extends to support location elements, whether various interior locations – Booth's run-down apartment being a great example – or the many familiar spots around D.C. where much of the story unfolds. Just as vital is the grain presentation which lends a perfectly filmic look. Grain appears untampered, not at all scrubbed away or reduced. The picture is fully cinematic, the grain very consistent and light with only mild spikes within a few lower light locations. Texturally, the picture could not look any better.0 m3 e( q: R; A
# O4 q1 M; ^$ X& S9 e; ^& \/ eThe HDR color grading only solidifies the image's excellence. The level of color punch and vividness on display – all while maintaining an accurate representation of every color – is startling. Look at a black-tie gala at the 30-minute mark for one of the best examples of the wide range of first class color gamut opportunities for this disc. The First Lady's red dress is striking for its vividness, realism, and stability. Additional colors around the room pop, but the black tuxedos are a surefire sign of full spectrum excellence, offering extreme black on the jackets and pants and impeccably crisp whites on the shirts. Various location exteriors, particularly in daytime, reveal stunning color output, particularly natural greens and blue skies but also sprinkles of color on signs and storefronts and other points of interest. Skin tones are the epitome of natural definition and health. With the complete absence of compression artifacts, digital tampering, and print wear and tear, this is UHD at its best and it renders the original Blu-ray fully obsolete.7 F; e4 R% v( R" Y3 E
4 ~. w V3 e5 L* U* |) j# {: zIn the Line of Fire 4K Blu-ray, Audio Quality
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In the Line of Fire's new Dolby Atmos soundtrack is a beautiful example of a well-engineered audio track receiving a boost from additional channel output. The presentation is sublime for its clarity and fullness and attention to even the smallest details. Ennio Morricone's score presents with great clarity and attention to detail. Listeners will experience every note at peak clarity as the score pushes fully wide along the front and gently envelops the stage through the backs as well. Light overhead support here is fully complimentary and the low end brings appropriate depth and detail to the proceedings. The track finds further pinpoint surround engagement in both fine and fuller and fluid atmospheric effects. There are some amazing little creaks and groans on the ship where the action takes place in the opening minutes, serving as one of the best examples of small sound elements making a large impact. Crowd din at a political rally at the 20-minute mark is beautifully immersive and precise. Cars honking and racing by during a daytime chase scene at the 42-minute mark present with unparalleled spacing, movement, and immersion. A few of the more intense action scenes and gunshots are rich and clear and authoritative. Dialogue maintains a front-center position. It's perfectly prioritized and lifelike in detail delivery.
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