超凡蜘蛛侠2 [4K蓝光原盘] The Amazing Spider-Man 2 2014 2160p BluRaycd HEVC TrueHD 7.1 Atmos-TERMiNAL 59.94GB

When New York is put under siege by Oscorp, it is up to Spider-Man to save the city he swore to protect as well as his loved ones.
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◎译　　名　超凡蜘蛛侠2/超凡蜘蛛侠2：电光人崛起/蜘蛛侠2 : 决战电魔(港)/蜘蛛人惊奇再起2：电光之战(台)
◎片　　名　The Amazing Spider-Man 2 / The Amazing Spider-Man 2: Rise of Electro / London Calling
* P+ n  X" p0 j◎年　　代　2014
◎国　　家　美国
, F5 M. Q$ i$ p$ l  @' Y$ H◎类　　别　动作/科幻/冒险
# Q2 b3 f2 s  Z◎语　　言　英语
◎上映日期　2014-05-04(中国大陆)/2014-05-02(美国)
4 G. S6 R/ L/ E# o◎IMDb评分  6.6/10 from 426,123 users
* h$ a5 K5 w9 |5 g◎IMDb链接  https://www.imdb.com/title/tt1872181/
◎豆瓣评分　7.5/10 from 239,600 users
4 S9 j0 Y+ g  A+ {+ v7 D◎豆瓣链接　https://movie.douban.com/subject/6082518/
◎文件格式　x265 + TrueHD
  V1 U: [' c- x" Y: k$ s6 `( B8 h◎视频尺寸　3840 x 2160
◎文件大小　1DVD 59.94 GiB
◎片　　长　2:21:34.777 (h:m:s.ms)
  I! J# c) `- Y/ I/ b; h" S' u◎导　　演　马克·韦布 Marc Webb
◎编　　剧　艾里克斯·库兹曼 Alex Kurtzman
　　　　　  罗伯托·奥奇 Roberto Orci
　　　　　  杰夫·皮克纳 Jeff Pinkner
　　　　　  詹姆斯·范德比尔特 James Vanderbilt
3 Q8 I& v6 D. k, B) u+ i　　　　　  斯坦·李 Stan Lee
; F( }5 `- n: V) ?　　　　　  史蒂夫·迪特寇 Steve Ditko
! O2 G3 m6 ^5 R1 c3 w2 n# q8 g◎主　　演　安德鲁·加菲尔德 Andrew Garfield
　　　　　  艾玛·斯通 Emma Stone
8 u2 b$ ~7 d: W　　　　　  杰米·福克斯 Jamie Foxx
" y$ r. x/ u3 b$ W) Z　　　　　  戴恩·德哈恩 Dane DeHaan
8 j. f$ \; u! c  J/ T, ]　　　　　  坎贝尔·斯科特 Campbell Scott
　　　　　  艾伯丝·戴维兹 Embeth Davidtz
$ C0 z# O' E5 ?* d0 V5 g　　　　　  科鲁姆·费奥瑞 Colm Feore
" {' ~" a, S* H! a, w　　　　　  保罗·吉亚玛提 Paul Giamatti
3 [( P3 C$ [4 e( @- D　　　　　  莎莉·菲尔德 Sally Field
+ Y: x* g; P* \: l, t7 ?　　　　　  克里斯·泽尔卡 Chris Zylka
7 X0 N; u+ G) P' H　　　　　  丹尼斯·利瑞 Denis Leary
$ E. ^, P; ^! x  E# X# d　　　　　  弗兰克·迪尔 Frank Deal
0 p& l* N5 P' |5 k　　　　　  马尔顿·索克斯 Marton Csokas
　　　　　  斯坦·李 Stan Lee
　　　　　  麦克斯·查尔斯 Max Charles
1 o' T2 n- T$ u9 V' }4 s9 H　　　　　  菲丽希缇·琼斯 Felicity Jones
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+ a* v" w( b+ }◎简　　介　
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　　能力越大，责任越大。蜘蛛侠彼得·帕克（安德鲁·加菲尔德 Andrew Garfield 饰）在全力和犯罪、灾难做斗争的同时，终于迎来了毕业的时刻。可是曾经的一段心结，让他和女友格温·斯坦西（艾玛·斯通 Emma Stone 饰）的关系降至冰点。格温应聘于为全城提供电力的 奥斯本集团公司，同一期间发生的两件事，不由得左右这家公司和彼得等人的命运。奥斯本的掌门人病故，他的儿子哈利（戴恩·德哈恩 Dane DeHaan 饰）以20岁的年龄接受这家市值2000亿美元的巨无霸。另一方面，极度崇拜蜘蛛侠的电力工程师麦克斯·威尔·迪伦（杰米·福克斯 Jamie Foxx 饰）在维修机组时意外身亡，当他再度醒来时发现自己变成了全身充满电能的超人类。

1 s5 a/ c& @2 v# H4 W  w　　感到受了欺骗的麦克斯与蜘蛛侠在时代广场展开对决，而彼得和哈利的友情也将遭到命运的戏弄……

　　For Peter Parker, life is busy – between taking out the bad guys as Spider-Man and spending time with the person he loves, Gwen, high school graduation can’t come quickly enough. Peter hasn’t forgotten about the promise he made to Gwen’s father to protect her by staying away – but that’s a promise he just can’t keep. Things will change for Peter when a new villain, Electro, emerges, an old friend, Harry Osborn, returns, and Peter uncovers new clues about his past.

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　　第42届动画安妮奖 (2015)
　　最好真人电影动画结果(提名)
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  N8 {: Z% B4 @) \" ^) C　　第16届美国青少年挑选奖 (2014)
3 @; V* M& W) g2 C. [　　最好科幻/奇异电影(提名)
　　最好科幻/奇异电影男演员(提名) 安德鲁·加菲尔德
7 A- H4 q; }- @$ y) O" e- M3 m/ |　　最好科幻/奇异电影女演员(提名) 艾玛·斯通
4 c/ \5 T% D/ @: d　　最好电影反派(提名) 杰米·福克斯
　　最好电影吻戏(提名) 艾玛·斯通 /安德鲁·加菲尔德
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　　第1届豆瓣电影年度榜单 (2014)
　　5月最受关注电影(提名)
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1. DISC INFO:
   
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3. Disc Title:     The.Amazing.Spider-Man.2.2014.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-TERMiNAL
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4. Disc Size:      64,358,585,670 bytes
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5. Protection:     AACS2
   
6. BD-Java:        Yes
   
7. Extras:         Ultra HD
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8. BDInfo:         0.5.8.7 (compatible layout created by DVDFab 10.0.6.8)
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13. Length:                 2:21:34.777 (h:m:s.ms)
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14. Size:                   64,146,849,792 bytes
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15. Total Bitrate:          60.41 Mbps
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21. MPEG-H HEVC Video       48503 kbps          2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / 4:2:0 / 10 bits / HDR / BT.2020 /
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27. Dolby Atmos/TrueHD Audio        English         5036 kbps       7.1-Atmos / 48 kHz / 5036 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)
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28. Dolby Digital Audio             English         448 kbps        5.1 / 48 kHz / 448 kbps
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29. DTS-HD Master Audio             French          2365 kbps       5.1 / 48 kHz / 2365 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
    
30. Dolby Digital Audio             Spanish         640 kbps        5.1 / 48 kHz / 640 kbps
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31. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps / Dolby Surround
    
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42. Presentation Graphics           Spanish         55.819 kbps

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The Amazing Spider-Man 2 4K Blu-ray, Video Quality   

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* j3 `! a2 u: U- B8 L6 M& VThe Amazing Spider-Man 2 was filmed on 35mm and finished at 4K, which is presumably the source for this UHD presentation.

The Amazing Spider-Man 2 is amongst the first movies released to UHD (alongside Salt) that was shot on film rather than digital, and the results are expectedly stellar. Once again, there's a noticeable refinement to detail and pop to color that's not there on the 1080p version, at least not as clearly and boldly as what's to be seen on the UHD disc.

Take a look at the sky as Spider-Man swings amongst the buildings around the 7:00 mark. The UHD shows a deeper, richer sky blue. Grain is also more pronounced and more uniform, both here and throughout the film, and the sky shows more of a natural smoothness and minor adjustments in color gradation and cloud coverage. Another good early movie moment for comparison comes around the 11:50 mark when Gwen, at the graduation ceremony, is on the phone with Peter, who is "on his way" as only he can be on his way. There's more definition to her hair, yielding more clarity on individual strands and "sections," for lack of a more professional hairdressing term. Facial definition sees a slight boost in clarity and very fine pore detail, as does the flushness in her face. The blue gown, like the sky, offers a deeper and richer color scheme. Skip ahead to chapter five and a sequence in which a dying Mr. Osborne is speaking with Harry. Shadow detailing is improved while blacks simultaneous enjoy greater depth. Makeup improvements on the elder Osborne are obvious. Even the fine textures on the white pillowcase are more finely delineated.

6 i4 @5 |6 e% i& N# v+ fBut perhaps the single most telling difference comes in any close-up of the Spider-Man suit. Look at the 22:00 mark. Spider-Man is crouched on a rooftop looking down at the street, and the camera gets up close and personal with his chest, shoulders, and head. The difference between the UHD and the Blu-ray is night and day. The red is more vibrant. The blues on the sleeves and the knee that can be seen in the bottom righthand corner of the screen are deeper. Shadow definition on his chest is vastly superior, allowing for improved clarity and detail in the chest and moving up towards the armpit. The suit's textures enjoy a nice boost in raw definition, too, both the body fabric and the eyepieces alike. On the Blu-ray, the basic, meshy lines on the fabric are visible. On the UHD 2160p transfer, there's a much more tactile look to them, a more pronounced set of lines to see.

+ {- D; |8 r, t1 s" I* u. U7 B5 WThe transfer is truly gorgeous in every way. Fine and even grain gives it a beautiful cinematic flavor. Colors leap off the screen, details are incredibly complex both intimately and more broadly around the city, black levels are perfect, and flesh tones are healthy and natural. Compression artifacts are zero. But much like The Smurfs 2, The Amazing Spider-Man 2 looks terrific on Blu-ray, and it looks terrific on UHD. The improvements are subtle and many may not even be able to really tell the difference without ever having seen one transfer or the other before. It's an amazing refinement, but not a revelation. After reviewing a handful of UHD titles, those seem to be the two key words. It's still worth the upgrade, and chances are that once people see UHD in action (particularly "true" 4K titles, like the ones Sony is releasing, and the 2K upscales are also nothing to sneeze at) and with any hardware kinks ironed out, there will be no turning back.

, x" h, o# U; H! t+ \: @The Amazing Spider-Man 2 4K Blu-ray, Audio Quality   
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Sony's UHD Blu-ray release of The Amazing Spider-Man 2 arrives with a Dolby Atmos soundtrack, leaving behind the previous Blu-ray release's DTS-HD Master Audio 5.1 lossless soundtrack. This review is based on a 7.1.4 setup, which is the "traditional" seven-channel plus subwoofer configuration with the addition of four "object" or "overhead" speakers to the mix. The added overhead layer adds a good bit of spatial immersion to the listen, but rarely does it really command the proceedings. Instead, it offers more a natural integration with the rest of the stage rather than a barrage of random overhead pinpoint details because it can, not because it should. That stuff should be reserved for demo discs and moments that actually demand them, a few of which are included here and, sometimes, fall a little bit short of the expected effect.

For the most part, the movie's additional object-based sound effects come during the most sonically intense action scenes. Listen to the airplane sequence that opens the movie. The sense of real space, blustery wind, and tumbling objects is quite good in the manner referenced above, where most of the effects are more an extension of the track rather and a "listen to me!" sort of wrenched-in detail. Rainfall in another early movie shot doesn't quite provide a convincing effect. There's a clear overhead presence to it, but as the camera tilts upward and the water would essentially be falling on the viewer's face, it never gets to the finish line of lifelike transparency. Scenes featuring Spider-Man swooping through the soundstage are accompanied by a swooshing overhead effect -- that's perfectly integrated with the sound's maneuvers through the other speakers in the configuration -- that's sure to bring a smile to the face. A holographic concierge/greeter/whatever it is at Oscorp offers one of the most pronounced Atmos effects in the movie, thanks largely to a separation from other high energy music and mayhem. The voice seems to emanate from up high and literally transforms the listening area into the cavernous lobby. The two Electro battles in chapters seven and 14 are filled with height channel support details. His booming voice in the first fight has a similar effect to the hologram, and of course all of the mayhem that erupts in combat is only helped by an added, but not needlessly aggressive, sense of overhead space that pulls the listener more deeply and intimately into battle.

3 ]( d2 `1 C/ I' }" LThe track's other elements are largely impressive, though a few little things might give the listener brief pause. The track offers a command of the stage beyond the heights that sees every speaker constantly, and thoroughly, engaged in battle scenes. Small details and large actions alike swirl about, creating an exhilarating sense of movement and a constantly immersive musical presence that's rightly dominant across the front but also a regular in the surrounds. Electro's music is particularly good at swirling around the stage, and the precision of movement is striking and seamless. the added back two channels are a huge benefit. The track could certainly stand to employ just a little more weight at the bottom end. Bass sometimes seems to be lacking a more pronounced heft. It shouldn't dominate the rest of the sound, but in this track there's room for a little more. Atmospherics in quieter scenes are impressive. The wide-open city exteriors spring to life with strong attention to detail to ambient effects both near and far. Likewise, office interiors offer less intense, but no less crucial, background elements. Dialogue delivery is clean and precise with a natural center focus, but it becomes ever so slightly, and understandably, muffled when Spider-Man speaks through the mask and if there's a charge of activity around him by way of action, music, or ambient effects.

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