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Stories about three very different women and the men they attract.
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+ J2 g- |: `/ g7 `◎译 名 昨日、今日、明日
* z) Y3 V" o$ n' g. _; \◎片 名 Ieri, oggi, domani / Yesterday, Today and Tomorrow s i s7 m9 {+ r
◎年 代 1963
% {; l/ _: J5 g! K9 e◎产 地 意大利/法国
4 i; f+ P7 h; L8 f◎类 别 喜剧/爱情# a2 ]% S, Y. T5 E
◎语 言 意大利语
! ?0 N, Z' R" z$ F2 z2 i5 ^◎上映日期 1963-12-19(意大利)
n, F3 e9 A& z$ D' T& ?◎IMDb评分 7.2/10 from 9,175 users
' p! \4 z0 I5 O( M+ q◎IMDb链接 https://www.imdb.com/title/tt0057171/
& H; M6 k! L1 j◎豆瓣评分 7.9/10 from 2,183 users
1 k& C, x: r) U3 z◎豆瓣链接 https://movie.douban.com/subject/1303084/
+ n7 |* F" B" A" t$ k# P◎文件格式 x264 + TrueHD8 w! @: o* n6 N: f7 W2 m3 Z" a& }
◎视频尺寸 1920 x 1080: F7 t" t) O# |
◎文件大小 1DVD 21.89 GiB
- a: j4 G! Y' E0 l: d◎片 长 1:58:23.137 (h:m:s.ms)
: n7 n; [3 m7 d$ z◎导 演 维托里奥·德西卡 Vittorio De Sica2 x; b1 W7 d9 h2 k; \
◎编 剧 爱德华多·德·菲利波 Eduardo De Filippo* p% W8 v; q3 Z0 n6 [, f- X# @
切萨雷·扎瓦蒂尼 Cesare Zavattini, H4 S0 j6 |) [; I1 e
阿尔贝托·莫拉维亚 Alberto Moravia
2 @' }% E+ [$ v2 g) f7 q◎演 员 索菲娅·罗兰 Sophia Loren
" T* y" y1 k- y9 I) O5 d 马塞洛·马斯楚安尼 Marcello Mastroianni: z% K- {8 S/ |$ _7 V
阿尔多·久弗瑞 Aldo Giuffrè; U8 f) P& |# p: R
阿戈斯蒂诺·萨尔维耶蒂 Agostino Salvietti
. ?8 h6 O( @# h 泰克拉·斯卡拉诺 Tecla Scarano4 S& E O' S* m( n& j( R
卡洛·克罗科洛 Carlo Croccolo
9 L- r5 n. h% G- g& \4 b. A/ h9 } 阿尔芒多·特罗瓦偌力 Armando Trovajoli
$ \+ F# k' A) t6 N( W$ A( `0 H 蒂娜·皮卡 Tina Pica) p ]- X) r7 d6 H1 \
Gianni Ridolfi
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◎标 签 意大利 | 喜剧 | 德·西卡 | 意大利电影 | 索菲娅·罗兰 | 1963 | 奥斯卡最佳外语片 | 1960s
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/ N7 ~8 }4 |8 ?◎简 介
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1 T$ k9 E1 M& v 名导演维托里奥·德·西卡所导演的本片是一部群星喜剧戏,它可以分为三部。第一部讲述的是,一个在黑市里专门卖外国香烟的女人从未尝过铁窗的滋味,因为当时法律规定不逮捕怀孕的妇女和产后六个月的妇女。所以在产后,就催丈夫作爱,因此逃过了入狱的命运,不过最后因怀孕失败还是走进了监狱。第二部讲述一位富婆迷恋比她年轻的作家,二人一次开着高级轿车兜风,因二人气氛热烈而导致撞车,富婆顿觉索然无味,遂拦车扬长而去。第三部讲述一位高级妓女与一位神学院的学生相恋,妓女摆脱了恩客的纠缠,但经不住神学院学生的老父母恳求而不得不与学生分手。学生走后,其恩客仍被打入冷宫。本片分别以三个都市的风格为代表,充分地刻划出意大利人的气质,男女主角都有精湛的演出。
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6 ?+ Q w8 g* m! [: [" ?Three separate tales in which Sophia Loren and Mastroianni appear as different characters paired up in each segment with a connecting theme of comedy of the sexes.% f+ Z4 W+ L3 ]2 }( E
# }) m9 a' g/ E) X: s6 x8 h& P   - DISC INFO:
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/ F, |- W5 E S) B. {& g& h- Disc Title: Yesterday.Today.and.Tomorrow.1963.1080p.BluRayCD.AVC.TrueHD.1.0-FGT
' y, Q2 t! w0 C# q; K8 ] - Disc Size: 23,504,861,915 bytes: Y+ |3 G" ~$ E- O
- Protection: AACS, N, P4 ^; ]0 T
- BD-Java: No7 q& O( T4 u( x7 @$ K0 S: J8 ^
- BDInfo: 0.5.8
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- PLAYLIST REPORT:
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( s0 H; `6 I* `: X- Name: 00007.MPLS
2 K! M! P% W8 T' s' z1 U0 l6 ^$ O - Length: 1:58:23.137 (h:m:s.ms)% q2 X1 q6 H, q
- Size: 21,379,534,848 bytes, J9 c& l6 W w3 {
- Total Bitrate: 24.08 Mbps6 }+ J5 z: b9 c V, \9 x$ p8 G
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- Video:
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b6 G( l+ W5 S4 v+ e! z- Codec Bitrate Description 8 c% w; i% ?$ n7 t/ W4 c
- ----- ------- ----------- & }4 }: a# e+ \) a( f) g
- MPEG-4 AVC Video 20999 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1. D/ [0 H, p$ W/ a, M' |
; o7 h) |, @, v/ v- AUDIO:8 `- J% M6 ~& V6 |' d- \! L
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- Codec Language Bitrate Description . q* ]/ {5 q% K5 s
- ----- -------- ------- -----------
' h7 `- H* o1 `3 N# i+ F7 Z - Dolby TrueHD Audio Italian 379 kbps 1.0 / 48 kHz / 379 kbps / 16-bit (AC3 Embedded: 1.0 / 48 kHz / 160 kbps)
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% d' O: r1 w$ s* \8 H2 |3 C- SUBTITLES:+ i0 g( a! L ]
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- Codec Language Bitrate Description
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5 A2 Z9 R6 _& Q1 v, y2 Y - Presentation Graphics English 53.845 kbps
复制代码 Yesterday, Today and Tomorrow Blu-ray, Video Quality
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4 L$ }$ Y+ |9 j+ E r2 fAs a smaller company than Criterion, Kino doesn't always have the means to do complete restorations on the titles they release, but if their Blu-ray output so far has shown us one thing, it's that they're committed to putting out films in their purest, most true-to-source form possible. This is certainly true with Yesterday, Today and Tomorrow's 1080p/AVC-encoded transfer, which exhibits some specks, mild scratches, and a few hairs stuck in the camera gate—minor print issues that could've been removed in a frame-by-frame clean up—but the film's grain structure is entirely natural and there's no trace of edge enhancement or other forms of digital tweaking. The image itself is a little soft, but this is to be expected, as the film was shot using the then-new Techniscope 2-perf process, an economical solution that used roughly half of a 35mm frame, resulting in slightly diminished clarity and more noticeable grain. Still, the film looks great in high definition, and it's certainly a huge improvement over prior DVD releases. Color is handled beautifully too, with deep blacks and an abundance of warm, creamy tones. Compression isn't an issue—the film fits comfortably on a single-layer disc— but I did notice a single digital glitch in the first section, at 34:38, where Pasquele's cigarette case seems to jitter for a split-second. I'm not sure what might've caused this, but it's gone before you even realize it, and it never happens again. All in all, a worthy upgrade if you're a fan of the film. Who can pass up on Sophia Loren in high definition?
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! V' o$ _- u. O4 A. GYesterday, Today and Tomorrow Blu-ray, Audio Quality
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2 ^. X% R4 c6 ^' }Kino has also given the film a faithful Dolby TrueHD 1.0 track. Obviously, given the limitations of the recording process and low-budget sound design at the time, you shouldn't expect miracles from this mono mix, but for the most part the film sounds wonderful. Some of the looped-in dialogue is a bit obvious, and voices aren't quite as clear as what you'd hear in a more contemporary film, but everything is intelligible at least, with no hissing, pops, or drop-outs. And despite a rather squashed dynamic range, Armando Trovajoli's score has a nice presence, and lacks the tinny high-end you sometimes expect from 1960s films. No complaints here. The disc includes optional English subtitles.4 g; L) w: u _' ?
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