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Stories about three very different women and the men they attract.
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- }' {2 i H) R5 K◎译 名 昨日、今日、明日, c4 |2 @5 q9 @7 u; e
◎片 名 Ieri, oggi, domani / Yesterday, Today and Tomorrow5 z% m7 K4 D' f- T" o
◎年 代 1963
4 H- o4 H2 Z$ i# w◎产 地 意大利/法国
; ]" u& B9 I0 O5 I. j. X3 Y* k4 m. g" w◎类 别 喜剧/爱情
% C( ?; K; E) B9 ^" `6 s/ W- w◎语 言 意大利语2 V0 ~: T$ Q& b* \9 m% h: e% ^" A) {
◎上映日期 1963-12-19(意大利)* \4 W5 B+ }' [2 p: _( X
◎IMDb评分 7.2/10 from 9,175 users
. f5 ~& }6 D* s◎IMDb链接 https://www.imdb.com/title/tt0057171/
8 V/ S& [/ m% E6 A7 P2 t1 g◎豆瓣评分 7.9/10 from 2,183 users' X% q3 ?8 I. d( X7 e9 m# h
◎豆瓣链接 https://movie.douban.com/subject/1303084/
8 L0 ~8 @7 k" H( L◎文件格式 x264 + TrueHD1 K' T$ u& Z$ _5 D( h) f( d9 \; S
◎视频尺寸 1920 x 1080" U m8 A1 L* E/ E! ^( j! a$ L, L
◎文件大小 1DVD 21.89 GiB
e- @2 s- F ^; @* Z' G x0 A7 e◎片 长 1:58:23.137 (h:m:s.ms): f5 A$ O0 @1 R5 E5 M, g6 L
◎导 演 维托里奥·德西卡 Vittorio De Sica
2 J$ A% M5 P7 Q◎编 剧 爱德华多·德·菲利波 Eduardo De Filippo
: C6 Q$ @( p8 K6 A 切萨雷·扎瓦蒂尼 Cesare Zavattini& r0 Y1 n- P3 N7 U& r, {1 p' l; k
阿尔贝托·莫拉维亚 Alberto Moravia: b' D9 N! v! X+ \$ E. W( k# m. J
◎演 员 索菲娅·罗兰 Sophia Loren! U& d6 a6 k1 [0 q$ v
马塞洛·马斯楚安尼 Marcello Mastroianni
, F5 X/ f* G' _8 q& q4 W5 r6 I 阿尔多·久弗瑞 Aldo Giuffrè1 p& ^4 d! |3 ]4 Q% t; T
阿戈斯蒂诺·萨尔维耶蒂 Agostino Salvietti5 H; ^. @# q6 R5 D9 T4 S
泰克拉·斯卡拉诺 Tecla Scarano8 _* {% @7 D& w8 ^3 t1 z" [/ D; l
卡洛·克罗科洛 Carlo Croccolo
! O6 r& M( _) q6 ?, i$ n& W3 ` 阿尔芒多·特罗瓦偌力 Armando Trovajoli
# ^2 P, ~ r: m. [/ U9 Z9 g 蒂娜·皮卡 Tina Pica1 X( C: L2 a* T, H# Z
Gianni Ridolfi
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- @8 d& X \6 V0 o0 j3 P% D: h◎标 签 意大利 | 喜剧 | 德·西卡 | 意大利电影 | 索菲娅·罗兰 | 1963 | 奥斯卡最佳外语片 | 1960s. E3 S) A& J# ]0 j: X
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◎简 介 6 g1 q3 `4 a3 E/ N; g7 f* `
! I; B1 `! i: \4 L1 l 名导演维托里奥·德·西卡所导演的本片是一部群星喜剧戏,它可以分为三部。第一部讲述的是,一个在黑市里专门卖外国香烟的女人从未尝过铁窗的滋味,因为当时法律规定不逮捕怀孕的妇女和产后六个月的妇女。所以在产后,就催丈夫作爱,因此逃过了入狱的命运,不过最后因怀孕失败还是走进了监狱。第二部讲述一位富婆迷恋比她年轻的作家,二人一次开着高级轿车兜风,因二人气氛热烈而导致撞车,富婆顿觉索然无味,遂拦车扬长而去。第三部讲述一位高级妓女与一位神学院的学生相恋,妓女摆脱了恩客的纠缠,但经不住神学院学生的老父母恳求而不得不与学生分手。学生走后,其恩客仍被打入冷宫。本片分别以三个都市的风格为代表,充分地刻划出意大利人的气质,男女主角都有精湛的演出。
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Three separate tales in which Sophia Loren and Mastroianni appear as different characters paired up in each segment with a connecting theme of comedy of the sexes.( v( o6 n+ n& |3 X$ G, F2 ]2 |
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- DISC INFO:
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- Disc Title: Yesterday.Today.and.Tomorrow.1963.1080p.BluRayCD.AVC.TrueHD.1.0-FGT. T, V9 Y. H( s( }
- Disc Size: 23,504,861,915 bytes ~- D/ L! `9 `( U5 b
- Protection: AACS3 i" P: |7 i% w- Y- ?! }/ b1 n
- BD-Java: No
! f/ e, ]5 B% i3 Y - BDInfo: 0.5.8* R, @) J) r( {3 M) t" A" u
- % [1 |* n: S8 K3 B
- PLAYLIST REPORT:
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+ `' R6 i: z5 R. h" y- Name: 00007.MPLS# D* B( f0 ~& v. @, Q- H/ i* Y% ?6 ]
- Length: 1:58:23.137 (h:m:s.ms), m( K O. K' P1 i: e# w8 y
- Size: 21,379,534,848 bytes
[2 B2 T# m* p. P! y - Total Bitrate: 24.08 Mbps
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# p1 {2 |7 \2 X& X. ^5 [- Video:) c* b8 s, C% I& o: K) u
$ s/ L# K+ k' P7 V. {6 H# i- Codec Bitrate Description
4 R( J+ o% d$ S+ ~; f+ `) a - ----- ------- ----------- # F: r/ X4 i. H2 V
- MPEG-4 AVC Video 20999 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1" Y' t) Q- t+ F( N3 [ u# w% W1 j8 H
- ' s/ k3 j" G" w5 m+ U1 E
- AUDIO:
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- Codec Language Bitrate Description , V) ^( }; [. L1 @+ J( L
- ----- -------- ------- ----------- / I3 z2 @3 H0 Y( O; }; b* R
- Dolby TrueHD Audio Italian 379 kbps 1.0 / 48 kHz / 379 kbps / 16-bit (AC3 Embedded: 1.0 / 48 kHz / 160 kbps)
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- SUBTITLES:
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. {$ h" L, N$ s2 Z$ T" Q" p: s- Codec Language Bitrate Description
' {7 H0 S! t* ]9 | - ----- -------- ------- -----------
8 a6 W' Z* s$ ?5 Y8 q2 e( i* D - Presentation Graphics English 53.845 kbps
复制代码 Yesterday, Today and Tomorrow Blu-ray, Video Quality
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. i% ]% ]3 j8 {; rAs a smaller company than Criterion, Kino doesn't always have the means to do complete restorations on the titles they release, but if their Blu-ray output so far has shown us one thing, it's that they're committed to putting out films in their purest, most true-to-source form possible. This is certainly true with Yesterday, Today and Tomorrow's 1080p/AVC-encoded transfer, which exhibits some specks, mild scratches, and a few hairs stuck in the camera gate—minor print issues that could've been removed in a frame-by-frame clean up—but the film's grain structure is entirely natural and there's no trace of edge enhancement or other forms of digital tweaking. The image itself is a little soft, but this is to be expected, as the film was shot using the then-new Techniscope 2-perf process, an economical solution that used roughly half of a 35mm frame, resulting in slightly diminished clarity and more noticeable grain. Still, the film looks great in high definition, and it's certainly a huge improvement over prior DVD releases. Color is handled beautifully too, with deep blacks and an abundance of warm, creamy tones. Compression isn't an issue—the film fits comfortably on a single-layer disc— but I did notice a single digital glitch in the first section, at 34:38, where Pasquele's cigarette case seems to jitter for a split-second. I'm not sure what might've caused this, but it's gone before you even realize it, and it never happens again. All in all, a worthy upgrade if you're a fan of the film. Who can pass up on Sophia Loren in high definition?5 W4 ?& Z. A4 O0 ]! o# i2 s) @0 _
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Yesterday, Today and Tomorrow Blu-ray, Audio Quality 8 x% z% ]+ o/ `: T( C
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2 ]6 O, Z7 b& D6 s8 T4 |Kino has also given the film a faithful Dolby TrueHD 1.0 track. Obviously, given the limitations of the recording process and low-budget sound design at the time, you shouldn't expect miracles from this mono mix, but for the most part the film sounds wonderful. Some of the looped-in dialogue is a bit obvious, and voices aren't quite as clear as what you'd hear in a more contemporary film, but everything is intelligible at least, with no hissing, pops, or drop-outs. And despite a rather squashed dynamic range, Armando Trovajoli's score has a nice presence, and lacks the tinny high-end you sometimes expect from 1960s films. No complaints here. The disc includes optional English subtitles.
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