- 积分
- 64150
- 经验
- 16551 点
- 热情
- 11188 点
- 魅力
- 5337 点
- 信誉
- 14600 度
- 金币
- 573 枚
- 钻石
- 451 颗
- 蓝光币
- 10 ¥

Post Share
- 金币
- 573 枚
- 体力
- 13292 点

|
Stories about three very different women and the men they attract.
: p2 V4 I9 Q1 H
6 Q2 g. P3 v: r6 d1 U& r & X! h4 o/ n2 X$ M. E9 m# ] }6 A
8 E; U! f) K4 b
◎译 名 昨日、今日、明日
5 a: X2 Q/ X' ]- x" l: t& Q◎片 名 Ieri, oggi, domani / Yesterday, Today and Tomorrow: F3 f5 B t! e+ z' `% m3 {( |
◎年 代 1963! @" T8 v( W$ F' @3 Y! c
◎产 地 意大利/法国. K! j t2 W5 f3 A6 ?
◎类 别 喜剧/爱情% B4 Z& t. }! y% l0 {+ a6 e7 a
◎语 言 意大利语
1 p" L' f( T; D◎上映日期 1963-12-19(意大利)3 A) W+ ~6 ], w, N% A6 n
◎IMDb评分 7.2/10 from 9,175 users
- o6 B1 @# C9 K m1 Z3 n8 @0 J◎IMDb链接 https://www.imdb.com/title/tt0057171/
1 x& H3 o4 g# V5 T4 H, }& \, @◎豆瓣评分 7.9/10 from 2,183 users8 W) `1 H' o/ w. p3 ]/ O; k) w
◎豆瓣链接 https://movie.douban.com/subject/1303084/
& b# \. G0 |7 u, P- q7 z) f e◎文件格式 x264 + TrueHD
! q0 s/ P6 U: Q) L- N◎视频尺寸 1920 x 10800 R- s+ ~/ E6 s( H
◎文件大小 1DVD 21.89 GiB
8 ?) ^2 l N% f9 d+ L! K◎片 长 1:58:23.137 (h:m:s.ms)5 j5 p1 G5 [9 D9 ^3 \ r/ ?
◎导 演 维托里奥·德西卡 Vittorio De Sica# \7 W! H6 }, D. ~' _0 n9 s) d* `2 Z
◎编 剧 爱德华多·德·菲利波 Eduardo De Filippo. @3 O; |* S5 U, q1 c; E p" Q
切萨雷·扎瓦蒂尼 Cesare Zavattini0 r# L# F4 u& q" s0 w1 a* a
阿尔贝托·莫拉维亚 Alberto Moravia% D# K, K( |1 g6 ]4 L2 P
◎演 员 索菲娅·罗兰 Sophia Loren
3 b& \ X- T& v" D R, \4 r 马塞洛·马斯楚安尼 Marcello Mastroianni
( B& ]3 t' r3 d% b! q5 q4 d 阿尔多·久弗瑞 Aldo Giuffrè% u6 c0 j, a; C4 _
阿戈斯蒂诺·萨尔维耶蒂 Agostino Salvietti
# P1 E/ ?% Y/ j3 E$ x 泰克拉·斯卡拉诺 Tecla Scarano/ b% S+ p) b; t5 u; o- r- X! |: `
卡洛·克罗科洛 Carlo Croccolo* k/ w" `1 T5 L0 }/ j! Z# \
阿尔芒多·特罗瓦偌力 Armando Trovajoli
% @( D" @8 Q! d- h# G' | z 蒂娜·皮卡 Tina Pica; o" i5 b q* [
Gianni Ridolfi * {% b0 O: N) w+ }/ ^/ `8 I- e
6 g+ W3 Z' l/ Q8 W7 D◎标 签 意大利 | 喜剧 | 德·西卡 | 意大利电影 | 索菲娅·罗兰 | 1963 | 奥斯卡最佳外语片 | 1960s
) ]3 \& y- v& f- x& s0 N! i% a4 X/ q' z
◎简 介 & C# c$ u/ C" [' S2 U
w7 H- y% c7 @5 _* F" ^8 o 名导演维托里奥·德·西卡所导演的本片是一部群星喜剧戏,它可以分为三部。第一部讲述的是,一个在黑市里专门卖外国香烟的女人从未尝过铁窗的滋味,因为当时法律规定不逮捕怀孕的妇女和产后六个月的妇女。所以在产后,就催丈夫作爱,因此逃过了入狱的命运,不过最后因怀孕失败还是走进了监狱。第二部讲述一位富婆迷恋比她年轻的作家,二人一次开着高级轿车兜风,因二人气氛热烈而导致撞车,富婆顿觉索然无味,遂拦车扬长而去。第三部讲述一位高级妓女与一位神学院的学生相恋,妓女摆脱了恩客的纠缠,但经不住神学院学生的老父母恳求而不得不与学生分手。学生走后,其恩客仍被打入冷宫。本片分别以三个都市的风格为代表,充分地刻划出意大利人的气质,男女主角都有精湛的演出。6 v& ]4 m, D c' ? E. c
, ?* l1 j' |4 J# e
Three separate tales in which Sophia Loren and Mastroianni appear as different characters paired up in each segment with a connecting theme of comedy of the sexes.) m% F( l R# g/ f) o+ @% x
5 Q- b9 B) o% V6 F& ]9 K6 E' R5 F   - DISC INFO:
+ b; N( W: E6 V7 E0 w
9 r% m/ W( Y* z/ w4 e2 n, A- Disc Title: Yesterday.Today.and.Tomorrow.1963.1080p.BluRayCD.AVC.TrueHD.1.0-FGT& N- Z& Z; |( D! e, _
- Disc Size: 23,504,861,915 bytes) u: r# x, H6 ` ]3 C9 Y
- Protection: AACS5 P; F8 a$ c+ r+ A* w0 q
- BD-Java: No) w! Q* Q0 W* P6 [! Y ?+ Z* B
- BDInfo: 0.5.8- u' ?: W9 }' [5 l* y
! I' G4 L, @: n" O% M6 |- PLAYLIST REPORT:
% B1 Q: [; T. D( j, @8 z1 N! }1 V% ?. k - ! z7 d2 a5 ^0 C: S1 u) Y/ G
- Name: 00007.MPLS! a, g/ s4 n9 [5 I. |& q
- Length: 1:58:23.137 (h:m:s.ms)2 f8 z! O' k F9 m0 |
- Size: 21,379,534,848 bytes; i: t: m( ~. M
- Total Bitrate: 24.08 Mbps
+ w4 Z i8 x1 I. a
2 K7 X+ r6 w, p5 }9 P$ c+ X4 y- Video:5 X; ?, f" T. c- E2 F* c
7 n2 c; ]9 v8 j; V; s- Codec Bitrate Description 7 Z9 }; K9 K1 x2 q; }
- ----- ------- -----------
- X U* I. R/ |# D' w" |4 z - MPEG-4 AVC Video 20999 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
5 e% X* P* [1 E7 L - ' T/ T: Y" h& \+ E
- AUDIO:
/ ~8 ^# j) O) A6 L# @ - 1 ?5 \* y7 |+ C; `
- Codec Language Bitrate Description # h1 |' |) { [8 A2 C
- ----- -------- ------- ----------- 1 z T# [" p3 ^/ V( X9 u1 J$ b( h& P
- Dolby TrueHD Audio Italian 379 kbps 1.0 / 48 kHz / 379 kbps / 16-bit (AC3 Embedded: 1.0 / 48 kHz / 160 kbps)
- q) y# \1 P9 B, t3 |: i3 G - ( q) D+ v6 u, E+ J
- SUBTITLES:. q: X! _7 ~4 p+ K
3 F' V; b4 O0 _0 H/ i- Codec Language Bitrate Description # j6 V( ~" f6 g! B
- ----- -------- ------- -----------
2 X/ o- W. P3 x7 V9 e- [ - Presentation Graphics English 53.845 kbps
复制代码 Yesterday, Today and Tomorrow Blu-ray, Video Quality ( a2 B, i; {1 @. |
3 G1 r+ Q0 S6 T9 F K, x1 A
& Q& K; c( D6 B# ~
As a smaller company than Criterion, Kino doesn't always have the means to do complete restorations on the titles they release, but if their Blu-ray output so far has shown us one thing, it's that they're committed to putting out films in their purest, most true-to-source form possible. This is certainly true with Yesterday, Today and Tomorrow's 1080p/AVC-encoded transfer, which exhibits some specks, mild scratches, and a few hairs stuck in the camera gate—minor print issues that could've been removed in a frame-by-frame clean up—but the film's grain structure is entirely natural and there's no trace of edge enhancement or other forms of digital tweaking. The image itself is a little soft, but this is to be expected, as the film was shot using the then-new Techniscope 2-perf process, an economical solution that used roughly half of a 35mm frame, resulting in slightly diminished clarity and more noticeable grain. Still, the film looks great in high definition, and it's certainly a huge improvement over prior DVD releases. Color is handled beautifully too, with deep blacks and an abundance of warm, creamy tones. Compression isn't an issue—the film fits comfortably on a single-layer disc— but I did notice a single digital glitch in the first section, at 34:38, where Pasquele's cigarette case seems to jitter for a split-second. I'm not sure what might've caused this, but it's gone before you even realize it, and it never happens again. All in all, a worthy upgrade if you're a fan of the film. Who can pass up on Sophia Loren in high definition?' S; n( F- ?2 }& l( j% E
1 m$ c) L6 ~9 OYesterday, Today and Tomorrow Blu-ray, Audio Quality 3 n) D+ }6 X9 T
' y% p$ V- R% e0 a
9 K7 O. r& C* c; o7 q& z2 E$ A' cKino has also given the film a faithful Dolby TrueHD 1.0 track. Obviously, given the limitations of the recording process and low-budget sound design at the time, you shouldn't expect miracles from this mono mix, but for the most part the film sounds wonderful. Some of the looped-in dialogue is a bit obvious, and voices aren't quite as clear as what you'd hear in a more contemporary film, but everything is intelligible at least, with no hissing, pops, or drop-outs. And despite a rather squashed dynamic range, Armando Trovajoli's score has a nice presence, and lacks the tinny high-end you sometimes expect from 1960s films. No complaints here. The disc includes optional English subtitles.
% X& l5 X+ b7 | U& o! {3 l4 \7 t |
|