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◎译 名 唐人街5 i. P5 J9 {8 Y" X* S5 f
◎片 名 Chinatown+ d' J! Q, s" `( Y3 }6 x8 g# a7 T
◎年 代 1974
+ U6 u8 C3 d* @' D' ^& h- ^◎产 地 美国
2 ~9 e- Q3 T$ G; ^◎类 别 剧情/悬疑/惊悚/犯罪
- M) P7 T1 u2 \5 V$ b◎语 言 英语/粤语/西班牙语
" X6 a y0 p0 G% L( d8 k◎上映日期 1974-06-20(美国); e, n* A) v$ C& }
◎IMDb评分 8.2/10 from 304,433 users3 l9 b4 U0 e2 j5 ?0 ]0 W Q8 D
◎IMDb链接 https://www.imdb.com/title/tt0071315/
4 `: H1 F0 M B1 N9 A◎豆瓣评分 8.4/10 from 48,029 users
* \' Y+ ]2 e1 T/ v% V4 _◎豆瓣链接 https://movie.douban.com/subject/1293889/2 k1 I- T+ S' j* v* E& J' z$ d
◎片 长 2 h 10 min
* J3 ^1 x( W1 _, \! H9 ^: r! h* \◎导 演 罗曼·波兰斯基 Roman Polanski/ L' _: q1 x. f1 A9 _/ k9 j6 Z
◎编 剧 罗伯特·汤 Robert Towne6 l4 x- X/ s" }! R* p' x( m5 o
罗曼·波兰斯基 Roman Polanski! p' w% ?3 d7 ?9 G/ j; m& q( T
◎主 演 杰克·尼科尔森 Jack Nicholson- X0 }( h# }) Z9 c4 Y. R
费·唐纳薇 Faye Dunaway! _ d7 @ w/ G. Z
约翰·休斯顿 John Huston8 z( S3 T! n8 I5 @. ~
戴安·拉德 Diane Ladd
; _- D( Z* Q! `) }0 ` 罗曼·波兰斯基 Roman Polanski
- {: @; F. h: F) _ t4 o 布鲁斯·格洛弗 Bruce Glover! a# p Z8 n; P" R7 F! X
乔·马特尔 Joe Mantell$ V% {; s: `. t$ b
罗伊·詹森 Roy Jenson
1 R6 u8 |& n- N L& Y 吴汉章 James Hong
4 d& e( b# S3 L* ~5 {0 h% f7 n; O 约翰·席勒曼 John Hillerman) H2 A4 B$ z4 E8 t7 B
佩里·洛佩兹 Perry Lopez
* G, [# Z: z# {7 }3 R! p+ \0 A& p0 j/ u4 q* r
◎标 签 悬疑 | 美国 | 犯罪 | 波兰斯基 | 黑色 | 罗曼·波兰斯基 | 剧情 | RomanPolanski* E+ O3 K+ k! L& Z) D( M) m
0 o/ U) {" ?3 n◎简 介 ( T) r6 b- V, V8 V1 S9 H
$ Z9 j- v5 J) N+ {" m9 L+ h; L
1937年的洛山矶唐人街，警员杰克（杰克·尼科尔森 Jack Nicholson 饰）因不满这里的黑暗，辞职当起了私家侦探。这天，一个自称莫拉雷太太的女子请杰克调查丈夫的外遇，杰克欣然接受。杰克发现莫拉雷原来是当地水利总工程师，正在为兴建水坝问题和当地农民争执。随后有人给 了杰克一些证明莫拉雷偷情的照片，隔天早上真正的莫拉雷太太却找上门来要求杰克停止调查莫拉雷。
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事情变得越来越迷离，杰克决心追查下去……- K" g( P' O6 {
* s8 l2 k! N4 @/ C8 d+ C3 B% R A private detective hired to expose an adulterer finds himself caught up in a web of deceit, corruption, and murder.
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) X5 J! q1 l; |+ f. a◎获奖情况" S) n k! j) I# `( R$ ~- ^
2 W, h3 v- Z! ~$ L) W3 p% I
第47届奥斯卡金像奖 (1975)
4 K+ Z4 P" i" m V$ x! j 最佳影片(提名) 罗伯特·埃文斯 r, A3 I+ B& \) K/ M% F; e0 O
最佳导演(提名) 罗曼·波兰斯基4 ^0 X b" \; t- p" _; x. Z9 b
最佳男主角(提名) 杰克·尼科尔森; X0 | @+ D- b2 y( H
最佳女主角(提名) 费·唐纳薇
# n. ]) |' z7 r4 k7 a 最佳原创剧本 罗伯特·汤
; z. `8 m" A. `5 B% K) W9 @& |7 y 最佳摄影(提名) 约翰·A·阿朗索
4 W( A( O$ j5 A3 c; }: [+ @ 最佳剪辑(提名) 萨姆·奥斯廷
# z9 r7 w/ Q6 m3 X) r) E" t0 J 最佳音响(提名) 拉里·乔斯特/查尔斯·格伦兹巴赫% V$ d# ^9 K( c9 k
最佳艺术指导(提名) 理查德·希尔伯特/W·斯图尔特·坎贝尔/鲁比·R·莱维特
8 o& e" {3 q5 T. p% v 最佳服装设计(提名) 安西娅·塞尔伯特
- c$ m& r/ U+ q( h0 h+ N1 L8 P 剧情片最佳原创配乐(提名) 杰瑞·高德史密斯
0 H; E9 ~. Z; T6 T4 aVideo; q" O# N0 F6 S" P8 u4 ?
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0 u- l- x+ j4 C1 ?* vFormat/Info : High Efficiency Video Coding
. S2 M0 |8 a9 N1 d$ oFormat profile : Main 10@L5@Main
' K3 e# Q4 H0 g8 ]' v1 z' Y$ cHDR format : SMPTE ST 2094 App 4, Version 1, HDR10+ Profile B compatible
- M& [! m$ m6 bCodec ID : V_MPEGH/ISO/HEVC
8 [% T- y( Y7 p3 v% qDuration : 2 h 10 min
, U1 Y5 }+ G1 v7 ?: FBit rate : 15.0 Mb/s( O* E6 Z4 { ?2 H$ n
Width : 3 840 pixels# V- ^7 a! V" u: m
Height : 1 632 pixels* g% G1 y5 r8 {/ z
Display aspect ratio : 2.35:1% H. d# u* I& D" y3 h
Frame rate mode : Constant
8 D9 ~6 ?: ]/ DFrame rate : 23.976 (24000/1001/189150) FPS
- G8 G9 h' U9 A( NColor space : YUV" p: i) u" g: p' |) t g
Chroma subsampling : 4:2:0
, W% k$ n/ |( H$ x kBit depth : 10 bits& `# Q7 T- X' P; ^5 j
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. g V p! q4 Z% ^! wDefault : Yes6 u5 p6 N2 Z/ ]7 O
Forced : No
# t* v/ y( W+ v: k) ]* rColor range : Limited
5 }, p' O N8 a% c7 uColor primaries : BT.2020
* s* C9 B* B1 _: M9 UTransfer characteristics : PQ
$ X4 }# \) R1 T# G1 g' J$ dMatrix coefficients : BT.2020 non-constant% T! h m+ s0 n) b V0 D
Mastering display color primaries : Display P3( v+ A+ x9 `9 U( X7 X: \( h! b
Mastering display luminance : min: 0.0001 cd/m2, max: 1000 cd/m25 x3 G4 e! H- B
Maximum Content Light Level : 1004 cd/m22 W; \! n$ B9 W1 z& v2 _
Maximum Frame-Average Light Level : 52 cd/m2/ Q7 i$ o/ k- f
4 x! { v( h8 Q
Audio #1
4 n( y8 _) g: X9 G7 lID : 2' l" O% b# b s* O8 s6 _
ID in the original source medium : 4352 (0x1100)
) _4 H, f4 s7 U9 ~1 |Format : MLP FBA3 t. Z2 r! }2 H- U$ W
Format/Info : Meridian Lossless Packing FBA
, B- B' u8 k1 b; c3 L6 m7 DCommercial name : Dolby TrueHD/ _6 o2 N2 [! q: `0 X5 v
Codec ID : A_TRUEHD
: @$ P5 [9 ]$ b3 hDuration : 2 h 10 min/ h$ c4 f S/ V: S9 Y6 J
Bit rate mode : Variable( ^; W& _6 d! V0 r0 ~* y; v
Bit rate : 3 020 kb/s0 ?: N* M$ c% u* ^# T
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- m% ^0 K, C p# s t# J$ QSampling rate : 48.0 kHz
$ N4 q7 y! F2 {& ?Frame rate : 1 200.000 FPS (40 SPF)
0 }" M0 x% ~/ m: U. a4 b; {Bit depth : 24 bits7 z8 V! P; C. a) j8 z
Compression mode : Lossless5 p J& I! L" T3 R7 i, C6 p7 b
Stream size : 2.75 GiB (13%)
; p: e$ \- z; [0 c- o4 l# O; mTitle : TrueHD 5.1
* C% V% u& a9 ]: d5 M% w5 Q$ nLanguage : English* G8 k% H+ d+ A7 p6 r
Default : Yes
9 e& M, M K( gForced : No
0 G9 U0 H z& v) P S+ K7 VOriginal source medium : Blu-ray
% l3 o) x; @& {7 H- \+ T P$ _' w% K# K1 g1 _& x0 D& V
Audio #28 p6 C) K% @6 D
ID : 3
! A+ K @, |& }0 W8 f7 ]* F( Z7 mFormat : DTS XLL, T; G& p9 Q& t5 o
Format/Info : Digital Theater Systems1 P. I7 }$ e2 y, f
Commercial name : DTS-HD Master Audio
4 a9 u/ |# I1 S, E5 C& ICodec ID : A_DTS% K4 w9 {+ k7 ^9 w
Duration : 2 h 10 min
- K5 W! K* ?% t4 TBit rate mode : Variable
. X$ @% `* a# F, G) r. w2 `Bit rate : 3 489 kb/s
& G- i- I# q7 J1 d2 U& P: RChannel(s) : 6 channels
' ]. ^9 U& M( UChannel layout : C L R Ls Rs LFE
: b1 f" Z" B7 Y4 A$ |! USampling rate : 48.0 kHz
5 F- U" t% P4 I5 q: q& t8 q3 PFrame rate : 93.750 FPS (512 SPF)# a' B8 ?4 X# y, k
Bit depth : 24 bits% N M0 T) u# E I: o y4 K
Compression mode : Lossless
0 T. C: l. B) `7 Y: p- x. iStream size : 3.18 GiB (15%)
$ Z" S: _: ~& b- z# L1 kLanguage : English
+ l7 H1 p! J8 Q, kDefault : No' G8 h, s2 w3 G6 X0 m; Y
Forced : No3 h% ^- `7 Y2 V7 N- _
* j6 x% [( m: V& I/ n
Audio #3. q- h( P5 |; ~6 a4 O: c
ID : 4
m& l" R. A e! Z7 m/ H6 J5 G* p+ YID in the original source medium : 4352 (0x1100)8 t0 E' {8 P: E. G, y
Format : AC-3% q; B/ k/ f8 A/ F
Format/Info : Audio Coding 32 Y1 s7 Q, J6 d: z+ O, s# k1 T
Commercial name : Dolby Digital
+ g1 T [% k# O; ICodec ID : A_AC30 f6 K+ W/ v; C& L6 g0 L" B* I5 e7 I
Duration : 2 h 10 min
: i* R! N: f5 ?* `# r# GBit rate mode : Constant
. z9 f. r/ c' JBit rate : 640 kb/s
' k* A/ x' f, ]2 RChannel(s) : 6 channels
" X, N* h6 _" v p E7 fChannel layout : L R C LFE Ls Rs8 y; t0 q* |8 d# i( M) ?1 R* M
Sampling rate : 48.0 kHz
# E2 @& |2 B8 Z% B2 uFrame rate : 31.250 FPS (1536 SPF)( b$ B7 j0 N( w$ D+ `9 G# v
Compression mode : Lossy
. r) }% V; F' t6 }Delay relative to video : 24 ms
% D0 ~7 k/ h2 L# A3 b; nStream size : 597 MiB (3%)
0 d2 }9 U+ n9 m, PTitle : DD 5.1
7 }7 p( e: I Z, X2 X$ iLanguage : English
! O& \) h- ~; n" _' a/ E1 c' ^' GService kind : Complete Main
+ w& q! I! a6 c8 S) t9 qDefault : No; {" F6 h0 Y( Y+ M! t: }6 A7 W
Forced : No
5 a/ ~, q, a, q! T1 kOriginal source medium : Blu-ray6 _0 E9 J( P) ~/ _# t* _
" \: w/ x R/ aAudio #42 B0 ^1 X: `) g# D6 {
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Format/Info : Enhanced AC-32 g& X! G7 f) D0 T' a3 D2 C
Commercial name : Dolby Digital Plus
, I: f1 J8 d2 j' ^Codec ID : A_EAC3
1 y1 f r# X( aDuration : 2 h 10 min
! M1 K" w# I* l1 _6 ABit rate mode : Constant
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4 h5 a0 \0 M3 Q' DChannel(s) : 6 channels
% a; A2 T3 N: @, bChannel layout : L R C LFE Ls Rs
5 R0 M T2 p' j, L+ M; RSampling rate : 48.0 kHz: f- m1 d9 f: u, l) p0 T
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Compression mode : Lossy
M `* Y, B3 C1 `Stream size : 597 MiB (3%)2 u* H6 S: n) q% F3 L& V
Title : DDP 5.1
! @9 x& j) q1 m+ Y% w* t8 l' kLanguage : English3 o/ P7 i5 N: A: b+ h
Service kind : Complete Main
3 |, T; C5 C+ d3 X! fDefault : No
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R% }8 L4 P. @) |
% K! |& @9 {, I- w0 |5 eText" t) x% ^# h7 M6 G, L) H
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5 k& v$ ^/ }4 p3 F( c NFormat : UTF-8
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. U6 x' F" o) m+ z OCodec ID/Info : UTF-8 Plain Text5 ^+ m; i% V: a7 X9 Y9 |- a& z
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4 e2 b; e4 M4 o: g. U& p- r8 _4 _Bit rate : 55 b/s
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% l+ b* t. Z; U' k+ JTitle : SDH% F3 J- ~3 Z# B6 m
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, f+ V6 O' v+ N' S3 _5 r
Menu
" I8 {" d3 m7 L0 P+ E8 Q& T00:00:00.000 : Studio Logos
s% w7 C* M' B. b# [00:00:09.000 : Curly's Lament, Opening Credits4 d+ k3 C/ U! T) H5 u
00:02:58.000 : Studio Logo
1 z' B( u- Y4 g* C& ]5 [00:03:06.000 : Curly's Lament, Opening Credits
' o9 q4 Z% d: \2 P7 J00:03:42.000 : Jake Is Hired to Investigate a Spouse/ h7 s1 P4 R# x3 k% e3 t6 j
00:05:45.000 : Jake Sits In on a Town Hall Meeting: c$ D& A) a) t
00:08:05.000 : Jake Spies on Mulwray
) V# A* ^7 E- K5 t00:09:33.000 : Jake Follows Mulwray
; J2 W- m$ l( |, d7 U. A( J00:10:06.000 : Jake Observes Mulwray# u4 a# v! K+ ?8 s
00:11:47.000 : Jake Leaves the Beach
) m* `: a: B3 [; G. _! T! c; A0 h00:12:45.000 : Jake Inspects Information He Gathered
g% q- k& z* v/ p00:14:52.000 : Jake and His Associate Take Pictures of Mulwray
& |0 U- g/ i/ u, N7 }- |00:15:32.000 : Jake Takes More Pictures of Mulwray
* F/ p" x# \1 a% I" A1 I00:16:21.000 : Jake Confronts a Banker
8 Y7 r- D; q# p8 ? }00:17:48.000 : An Unexpected Visitor Reveals Herself! g" c G! D* w9 j
00:20:37.000 : Jake Snoops Around5 q3 ?6 G# }: P% X* l% G
00:23:47.000 : Jake Runs into Mulvihill( B: V& C# O& K/ Z4 C: f
00:24:40.000 : Jake Goes to Evelyn's House" H0 ~" x# O3 Z9 v( V( b
00:26:11.000 : Evelyn Arrives# L" q+ M2 ~0 E; o+ i" e/ T1 O% Q
00:30:48.000 : Jake Tries to Find Mulwray5 p3 J: y# ], C _, S# l
00:33:26.000 : Evelyn Identifies the Body
/ n, i7 l5 n2 u" `00:35:35.000 : Jake Walks Evelyn to Her Car) g, l* k$ o6 [1 G$ p1 b2 l5 h$ }+ k
00:36:10.000 : Jake Talks to the Coroner
0 V ]( J9 Q8 [6 u00:37:59.000 : Jake Inspects the River' b/ g) l/ v9 U
00:40:04.000 : Jake Is Confronted
# p% E x# l. U! m. ]: F00:43:05.000 : Jake Gets a Call
7 {- B3 B' i8 i% Y00:45:12.000 : Jake Meets Evelyn for Lunch
# P- V& h) z- `7 w00:49:33.000 : Jake Tells Off Evelyn: |1 H7 w6 q; s6 H& b& `& C- W
00:50:43.000 : Jake Discovers Something
) v) g% M* J4 o2 d6 R. }00:54:05.000 : Jake Asks Yelburton Some Questions
0 _/ y6 D2 T' I1 V b00:56:48.000 : Evelyn Pays Jake a Surprise Visit
0 V6 B- f+ L: R% I$ {00:59:58.000 : Jake Visits Noah2 A2 O B$ s' T2 O
01:01:04.000 : Jake Talks to Noah4 A% |: V% w8 L
01:04:55.000 : Noah Hires Jake to Find Mulwray's Lover
# S4 A; Z/ d" F- ^, e* {# H5 k" o01:06:29.000 : Jake Gets Information on the Orange Groves
3 W" M1 U( R" A: X$ x3 d01:08:55.000 : Jake Investigates a Farm
3 v$ V8 z/ s: L: g* z; P7 e01:12:38.000 : Evelyn Picks Jake Up& a7 P( w& T2 e5 P# Q; X4 l
01:13:13.000 : Jake Explains the Situation. T) s. \7 |7 R5 q" I+ A
01:14:47.000 : Jake and Evelyn Investigates Jasper's Purchase/ V- m/ `; Q% ` t+ G2 I. i- R
01:16:47.000 : Jake Questions the Tenants r6 _& Q8 P6 r1 Z! d7 U) F; b& H
01:18:54.000 : Jake Fights His Way Out
) F& g! `, o" X. w2 n$ ~4 k3 m01:20:22.000 : Evelyn and Jake Make Small Talk
; S1 y0 A @) A7 a+ b' p01:22:14.000 : Evelyn Treats Jake's Nose6 ^8 d/ ^6 Q) p) P' G
01:23:52.000 : Evelyn and Jake Share a Moment/ M0 V, ^: Z0 `" n4 w
01:29:25.000 : Jake Follows Evelyn, T. Z8 _/ m% o( r! a
01:30:47.000 : Jake Spies on Evelyn
$ b$ a, N% X8 u( w9 u01:32:04.000 : Jake Extracts Information from Evelyn7 W% i" f0 X3 q5 N. P% X( W: r
01:35:31.000 : Jake Tries to Get Some Sleep, ~+ g& W7 ?/ m# y v9 k
01:37:41.000 : Jake Visits Ida# l+ @4 l- U$ G
01:40:33.000 : Jake Talks to Escobar and Loach1 I0 m& j2 b: ~" q9 I- W9 k y
01:43:44.000 : Jake Shows Loach and Escobar the Pipe
q- s9 D9 q7 _0 P/ V5 h7 s) w01:44:54.000 : Jake Goes to Talk to Evelyn
5 B+ I% m( p8 N6 }% N0 m4 p% g01:47:13.000 : Jake Tries to Put the Pieces Together H; r0 [" r. \7 R0 s* v$ w! C
01:53:59.000 : Jake Calls His Associates to Explain His Plan
O6 q: {/ z9 ~01:55:14.000 : Jake Lies to Loach and Escobar8 H% J% j9 w; _0 \
01:56:06.000 : Jake Convinces Escobar to Let Him Go in Alone1 o' C+ @" b) f5 A5 u' e
01:57:01.000 : Jake Asks Curly to Help Him Escape' S7 Z: H, H7 ^4 b
01:57:56.000 : Jake and Curly Escape
8 J! ?" x, Q1 ?7 S$ r' p01:59:02.000 : Jake Sends Curly Off with Evelyn's Luggage# }6 u. O2 F: g" i1 s
01:59:55.000 : Jake Calls Noah& _( S) ?& l8 L2 f2 W/ t
02:03:43.000 : Jake Goes to Chinatown with Noah
' p3 K" ]/ `8 S6 @# N5 x02:04:33.000 : Escobar Arrests Jake and His Associates. p# i, W; k% A# t& p% E: W
02:05:30.000 : Noah Tries to Talk to Katherine
7 R$ h, N; V5 ~2 {5 A6 @: Z( |02:09:21.000 : End Credits    " m5 W0 i& Q6 Y+ A9 `2 k" ] r% S
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狗仔卡
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
千斤顶
显身卡