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1 H4 W# V# _3 C( v: q
8 P6 H4 B8 m4 W% M: E6 B◎译 名 唐人街
& R) N! k% W0 T◎片 名 Chinatown& ^) `' D# G; o) n
◎年 代 19746 K9 J+ w6 e5 R! R5 h5 Q7 H2 m. {
◎产 地 美国) D9 E& G$ \2 n1 R" E: p
◎类 别 剧情/悬疑/惊悚/犯罪+ U- y) v: q0 _1 V6 w' p" J5 _( e
◎语 言 英语/粤语/西班牙语
9 T( e" I4 D, o* a* s7 G8 U◎上映日期 1974-06-20(美国)) x: B- L L: \( u
◎IMDb评分 8.2/10 from 304,433 users
/ G$ R( b' Y! V8 K& W◎IMDb链接 https://www.imdb.com/title/tt0071315/+ C0 d* `. s+ s: |9 t7 G! a$ R
◎豆瓣评分 8.4/10 from 48,029 users* I' O0 ?# T" d! O% v$ r. [
◎豆瓣链接 https://movie.douban.com/subject/1293889/
4 A" ~2 x/ r* N# g9 U. v◎片 长 2 h 10 min
* X7 e/ o+ V4 f◎导 演 罗曼·波兰斯基 Roman Polanski2 t$ {3 \" R1 P2 y' v' S. M* p+ _" Q
◎编 剧 罗伯特·汤 Robert Towne
( K' R0 G; b$ H! k7 h 罗曼·波兰斯基 Roman Polanski) y% k8 R0 z7 s6 M
◎主 演 杰克·尼科尔森 Jack Nicholson) b2 f8 W" m- d- W9 }5 V
费·唐纳薇 Faye Dunaway, N9 f6 S5 \5 Q
约翰·休斯顿 John Huston! |5 }+ r- s& C j2 o! v8 `
戴安·拉德 Diane Ladd
2 i+ {. s/ H5 j* D 罗曼·波兰斯基 Roman Polanski5 F; I8 u3 V0 ^. w
布鲁斯·格洛弗 Bruce Glover
6 F& W+ E' A' \7 O i' J# M. B- t 乔·马特尔 Joe Mantell# B( `- S* T& \) g+ V+ S
罗伊·詹森 Roy Jenson9 Q7 T7 j9 B, x. x
吴汉章 James Hong
. ?2 z6 m% Y& |$ M5 n/ v* ]; S- } 约翰·席勒曼 John Hillerman
! \: m: m/ R+ U8 q% X4 D5 g, W 佩里·洛佩兹 Perry Lopez
5 A) _5 v# d5 r9 E* V. U8 H1 c' o
) T- W. U) T" a◎标 签 悬疑 | 美国 | 犯罪 | 波兰斯基 | 黑色 | 罗曼·波兰斯基 | 剧情 | RomanPolanski
0 h5 t# M! ^# n9 w* G' F1 e& { F4 T9 L
◎简 介
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1937年的洛山矶唐人街，警员杰克（杰克·尼科尔森 Jack Nicholson 饰）因不满这里的黑暗，辞职当起了私家侦探。这天，一个自称莫拉雷太太的女子请杰克调查丈夫的外遇，杰克欣然接受。杰克发现莫拉雷原来是当地水利总工程师，正在为兴建水坝问题和当地农民争执。随后有人给 了杰克一些证明莫拉雷偷情的照片，隔天早上真正的莫拉雷太太却找上门来要求杰克停止调查莫拉雷。2 ]; M+ n+ a. p" d3 w
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事情变得越来越迷离，杰克决心追查下去……" N3 H- [( N" t" n; `2 f5 @) l5 u
, Y# L5 Z8 [ D A private detective hired to expose an adulterer finds himself caught up in a web of deceit, corruption, and murder.* k$ z, l) n& E/ V7 _
6 Z# n* v( v- a2 i$ q◎获奖情况$ p; m. c$ q+ a5 O$ q# [0 M
. [: M! X- |, ~$ a* c4 K 第47届奥斯卡金像奖 (1975)
8 s# _5 T, H7 l. P/ G: y! x( J 最佳影片(提名) 罗伯特·埃文斯
5 Y I* `, D: o) C6 n: l j 最佳导演(提名) 罗曼·波兰斯基, F6 c& ?5 w. F' y7 x& f
最佳男主角(提名) 杰克·尼科尔森9 |+ c7 v9 a3 R1 t3 N1 x
最佳女主角(提名) 费·唐纳薇5 k z( B x$ [- Y1 S" B
最佳原创剧本 罗伯特·汤, _. J9 r0 g0 u7 | W, ]5 C4 [' W4 Y* Z
最佳摄影(提名) 约翰·A·阿朗索
9 e' X- ` ^% J' f1 P 最佳剪辑(提名) 萨姆·奥斯廷5 l3 u4 }7 U$ _& L
最佳音响(提名) 拉里·乔斯特/查尔斯·格伦兹巴赫# d) w, W- E$ w/ Y7 R
最佳艺术指导(提名) 理查德·希尔伯特/W·斯图尔特·坎贝尔/鲁比·R·莱维特
+ F! R1 R, f9 E) K 最佳服装设计(提名) 安西娅·塞尔伯特( x' P9 ~$ Q- Q* m' I
剧情片最佳原创配乐(提名) 杰瑞·高德史密斯6 q+ X; A, L# K
Video
! Y% u* R. u, M7 R. ]* I# UID : 1
3 s* Y0 X1 A# g; IFormat : HEVC5 f1 |8 _7 Z( ^& M$ V( R, }
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1 [( ? j! E! y. g8 nFormat profile : Main 10@L5@Main
, s( t) i G/ J& a& M* u' |HDR format : SMPTE ST 2094 App 4, Version 1, HDR10+ Profile B compatible
) u* \* \" u( hCodec ID : V_MPEGH/ISO/HEVC4 C, Q& I6 F* L
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" ?) A: {1 r/ o3 N$ B6 W# w% bBit rate : 15.0 Mb/s
( e8 ?" f# G3 ~( sWidth : 3 840 pixels
% z5 `$ D4 ~9 R* iHeight : 1 632 pixels& a" a' g f( M0 b& \2 _3 _& g. J
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( ^7 ~; w, F, a7 IFrame rate mode : Constant
3 y5 d) t% h( eFrame rate : 23.976 (24000/1001/189150) FPS
2 Y2 b0 b. h0 R" zColor space : YUV) P# ?7 e2 [8 P& }9 l2 K) s
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9 }1 p' w) g, u3 x" i5 l6 a( ?Bit depth : 10 bits: T* M( f. _) U) e' ?) @
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* ]9 d9 s y- j/ x1 eColor range : Limited7 O& R1 S( u$ x! I/ f
Color primaries : BT.2020. x* s1 K/ G1 X% [2 w8 R7 S* l4 R
Transfer characteristics : PQ8 b" F3 q: a2 Q1 ^. r
Matrix coefficients : BT.2020 non-constant; r8 @; t. n* N
Mastering display color primaries : Display P3
. q9 u# W, z% s+ cMastering display luminance : min: 0.0001 cd/m2, max: 1000 cd/m2) ^: `; x" D3 P& h) q6 x5 W
Maximum Content Light Level : 1004 cd/m2
/ E M: n. ~; x& IMaximum Frame-Average Light Level : 52 cd/m2* U: t) i7 K: T0 [ r
( R+ f0 z+ C8 K6 d* B* g* S! ^/ zAudio #1
" W/ c5 V: T2 Z5 h3 l# mID : 2
: D; _1 R- @# f4 `( gID in the original source medium : 4352 (0x1100)) X+ B4 v$ Z$ j7 D6 |+ C2 h0 s
Format : MLP FBA$ O2 N, Q3 }& G3 ~- {0 b
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2 H3 J" P$ A) F* g9 p, SCommercial name : Dolby TrueHD. C( k0 M/ c' i/ f+ m
Codec ID : A_TRUEHD
+ w+ n' ~) @! N- W1 J0 {Duration : 2 h 10 min. V7 r5 U( i( w" ]
Bit rate mode : Variable( T3 p0 ~/ Y- r
Bit rate : 3 020 kb/s+ v4 c3 p& p5 j
Maximum bit rate : 4 668 kb/s* G; b0 L2 P) l, n* T# ?% B
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& u7 q- i: O' a3 b) G mChannel layout : L R C LFE Ls Rs
# }& T0 G& p6 n: L t! d2 S& lSampling rate : 48.0 kHz
5 ~, y! p! ]" M% {/ T$ _Frame rate : 1 200.000 FPS (40 SPF)$ f" I4 R: W% S! e4 s) [+ ]' Z
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# C! n2 c( m5 _# w5 J+ QCompression mode : Lossless: G# E- }9 i) s2 H. Q) P
Stream size : 2.75 GiB (13%)
. O1 c/ t5 t1 kTitle : TrueHD 5.1% I$ t, K/ G9 O3 q2 A9 n
Language : English
9 M" Z0 K9 O7 C. cDefault : Yes1 }* M: b4 ^, h& @9 Z0 S0 H
Forced : No$ i: g. h. } t T; w
Original source medium : Blu-ray6 W0 z1 q( b4 t4 H4 j! j
% V" P) _4 n6 Y6 d* KAudio #2( b, q7 i- z% R, P
ID : 31 d5 H8 }6 D& J1 N1 K( a/ j+ W3 S
Format : DTS XLL) p2 q8 O. ?3 ^' X" d
Format/Info : Digital Theater Systems
0 U: x4 v' H* J y- PCommercial name : DTS-HD Master Audio
s) x- a8 V6 R2 g' sCodec ID : A_DTS
- C- n2 U9 x* r( JDuration : 2 h 10 min$ B* ?: `0 x+ e- G! K
Bit rate mode : Variable, o" @* D7 a' e4 q% H& E3 _1 L
Bit rate : 3 489 kb/s8 a8 E- F' ~8 P/ v
Channel(s) : 6 channels
3 H% U! B3 P- W7 H( i q1 CChannel layout : C L R Ls Rs LFE
% x& D& I3 m _& K% GSampling rate : 48.0 kHz
& [1 t3 q. |, R. o) VFrame rate : 93.750 FPS (512 SPF)5 f% T7 _2 q' @$ x- `0 s/ h' L
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& ?' F- Z( j* W- Z( k9 U, dCompression mode : Lossless% S3 k+ M& \; f- C% t9 ^
Stream size : 3.18 GiB (15%)* _6 k$ n) ]' V9 d+ m
Language : English
$ R& J4 {9 |3 y$ b* z/ ?' x) tDefault : No
2 w5 v! y. P2 r' GForced : No
; T5 Y8 }5 r9 x' H- b1 m$ J* J4 v3 O% y: i+ {
Audio #3
2 B( i1 x' ?2 E9 _0 ?4 ZID : 4/ ~5 I( w# W" {3 T! C# D
ID in the original source medium : 4352 (0x1100)
/ r) P) d* S- J) P5 k1 g( I" YFormat : AC-3" ]! d1 o; x1 i' q# G2 A6 W
Format/Info : Audio Coding 3
, R2 D W* b& O [$ h3 |Commercial name : Dolby Digital
& }! [( i& ?, y* x) SCodec ID : A_AC3& |2 f9 x% p6 T& E; n0 p
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8 E# s$ o8 d% h4 ^& x8 c: aBit rate mode : Constant# z! l. t9 u! V1 |- a6 B0 {
Bit rate : 640 kb/s
1 S% }6 N) Z- X7 v: DChannel(s) : 6 channels
1 P4 Z) h( W/ OChannel layout : L R C LFE Ls Rs
% U4 o1 R, E0 r+ Q: h* K$ S6 oSampling rate : 48.0 kHz% @3 n" @; |9 a
Frame rate : 31.250 FPS (1536 SPF)! e$ I3 J2 r$ U. V% d
Compression mode : Lossy
+ w. l8 L# v3 ` q# c3 LDelay relative to video : 24 ms
( {4 J( x4 U* F% Q: C% wStream size : 597 MiB (3%)& N; } z! d( p' M* W% l
Title : DD 5.1
! u- y8 D5 U# N& u5 G% Y- h. E! P2 fLanguage : English b7 Y2 t$ X7 D$ ~0 j
Service kind : Complete Main
; [1 c* V ?% v O, m4 [Default : No
0 I* R6 `0 l, K# H! FForced : No
( ?5 x8 K2 j$ d& |7 W7 m& [* t1 dOriginal source medium : Blu-ray
6 b! m r( |% u5 G! {0 g1 M$ w- [: \1 z1 p0 _; N! V
Audio #4
( P0 Y; D; n4 g2 T9 oID : 5% \" ~- q S9 a- G! w7 Y2 S( v. p: r
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Commercial name : Dolby Digital Plus
# Q- Z- p5 e' S/ ]' MCodec ID : A_EAC3% h) j* Y: H& f. k9 m
Duration : 2 h 10 min
2 L- p* X5 w, x, h# @8 SBit rate mode : Constant
% i. x' t* p) I/ t5 N" }+ jBit rate : 640 kb/s
: |% @6 \, [6 p0 N9 ^! }& ?0 Q- WChannel(s) : 6 channels
# X' m. K4 e8 F6 ]- XChannel layout : L R C LFE Ls Rs
3 j5 Q# R) f5 tSampling rate : 48.0 kHz! w! g; A4 i# J! g1 _" A# U2 S
Frame rate : 31.250 FPS (1536 SPF)
# y8 Y; T+ ?1 V9 u k& `* JCompression mode : Lossy- m: z. s. C/ s+ {
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Title : DDP 5.15 g7 f& j' R* u R
Language : English
" P, |: s8 X2 {! A6 w8 sService kind : Complete Main
) j4 b$ |* T; F v0 G6 V tDefault : No6 L" r+ Z' A. W
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' R) p1 y5 f$ p2 f
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4 |# j- M9 s* Y$ j/ }: `ID : 6
% Q6 v1 S/ A* ^" hFormat : UTF-89 y) t( N3 o/ A+ L: E
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6 \. F" g$ u1 {3 s+ H9 W! g! J0 ]Bit rate : 55 b/s8 i% j0 R( q" v5 `, j1 W
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, d0 P! b8 X1 r5 F8 A1 N2 XStream size : 51.8 KiB (0%): {/ F4 `# A7 U* Z$ m+ d; P1 {
Title : SDH
* ^4 g2 w+ j, i0 g$ `/ u8 J* ]Language : English7 T: l/ A8 t; n
Default : Yes
7 F8 K( d6 b3 s! I( `Forced : No
4 ~: u" _% h [! D2 s9 b }. ^3 t9 j
5 {- v& B5 w' O) R$ B+ I" D+ A- c" h3 LMenu
+ Z t( j3 [6 e5 R00:00:00.000 : Studio Logos2 O( G, T3 e a: A0 W9 s s9 D' |1 `
00:00:09.000 : Curly's Lament, Opening Credits
9 T" K h' z. a00:02:58.000 : Studio Logo
?, U1 g1 w1 V; k2 u00:03:06.000 : Curly's Lament, Opening Credits5 |: S5 @3 a% t# r' s/ c3 q% p
00:03:42.000 : Jake Is Hired to Investigate a Spouse F: r: \! }. D- A3 \3 X
00:05:45.000 : Jake Sits In on a Town Hall Meeting
) \$ m5 l+ L0 D2 O* P( ]9 t- d( ~" g00:08:05.000 : Jake Spies on Mulwray0 l+ q i1 A; w2 @
00:09:33.000 : Jake Follows Mulwray1 I4 T* |; x9 d- q1 a3 ?
00:10:06.000 : Jake Observes Mulwray' e- R1 X s: @8 C0 r! |1 J' v/ Y
00:11:47.000 : Jake Leaves the Beach
" p: D G: \% ~1 w0 d) {, ]/ B$ j q5 |00:12:45.000 : Jake Inspects Information He Gathered( x+ M5 F3 q) t- E8 _' l- y
00:14:52.000 : Jake and His Associate Take Pictures of Mulwray
0 @7 \5 R$ C. l00:15:32.000 : Jake Takes More Pictures of Mulwray
( y5 U& y; I) }! a4 M% F00:16:21.000 : Jake Confronts a Banker
9 g! L$ Y# R6 Y6 k4 t% I2 M( w8 I00:17:48.000 : An Unexpected Visitor Reveals Herself. |( @$ K0 h; W0 s7 b
00:20:37.000 : Jake Snoops Around
$ p8 S, X: s) k00:23:47.000 : Jake Runs into Mulvihill
5 R$ a3 S# y3 V1 S% t00:24:40.000 : Jake Goes to Evelyn's House# \1 B; t a+ j9 w: e
00:26:11.000 : Evelyn Arrives
f5 U- l1 c+ e T, C' `9 [ d# G6 ]* n00:30:48.000 : Jake Tries to Find Mulwray5 D8 O3 Z8 {' K2 T0 w) q1 W. y
00:33:26.000 : Evelyn Identifies the Body
# l3 T: l3 q9 K. p2 J4 h00:35:35.000 : Jake Walks Evelyn to Her Car0 a; x5 d- t3 V7 p3 C: \0 C/ D
00:36:10.000 : Jake Talks to the Coroner
0 @, b; D4 ]: x4 ?8 Z' q# w00:37:59.000 : Jake Inspects the River/ S7 F8 }7 r( ^& g2 n4 D* q
00:40:04.000 : Jake Is Confronted- E: b1 c, M) m, x& U3 |# j
00:43:05.000 : Jake Gets a Call, \, J! Q9 z: S/ F$ z
00:45:12.000 : Jake Meets Evelyn for Lunch9 P4 j7 p$ B3 d$ n+ {8 f9 |
00:49:33.000 : Jake Tells Off Evelyn
+ n8 S. r1 r, q& M% R00:50:43.000 : Jake Discovers Something
! u4 P) C0 c( u, \! r" j00:54:05.000 : Jake Asks Yelburton Some Questions
+ o7 j. o) ]! B+ k! Q2 @00:56:48.000 : Evelyn Pays Jake a Surprise Visit
1 s3 ]6 B5 R0 P5 M" R# p00:59:58.000 : Jake Visits Noah3 D1 g3 G6 u% q1 P# S
01:01:04.000 : Jake Talks to Noah
+ ~7 d7 e; _# z) u01:04:55.000 : Noah Hires Jake to Find Mulwray's Lover0 C+ v! B0 A5 i; K4 L8 l8 N+ L6 i
01:06:29.000 : Jake Gets Information on the Orange Groves/ ~: T6 a0 ~& h4 e) _3 [3 ]' R- n
01:08:55.000 : Jake Investigates a Farm9 Q& G6 y6 X3 a
01:12:38.000 : Evelyn Picks Jake Up
7 p3 ~' z9 |7 _$ @ K; i% h01:13:13.000 : Jake Explains the Situation5 r; i9 }) H& n" I: M/ _
01:14:47.000 : Jake and Evelyn Investigates Jasper's Purchase
" R0 T3 M$ v$ l6 a( t/ _0 ~01:16:47.000 : Jake Questions the Tenants9 K3 L, v# P( Z, E0 ~
01:18:54.000 : Jake Fights His Way Out
- P6 `* |; L4 l7 ?) c01:20:22.000 : Evelyn and Jake Make Small Talk& v3 z% O3 d- I- X v6 J2 Q, @
01:22:14.000 : Evelyn Treats Jake's Nose8 \* B# b; i7 s( |2 J: v. @: ]+ ~
01:23:52.000 : Evelyn and Jake Share a Moment5 ~" d) \3 y! e3 B$ o4 ~! _$ t
01:29:25.000 : Jake Follows Evelyn8 s( M8 u; Z, E2 C0 ]9 o' w
01:30:47.000 : Jake Spies on Evelyn
0 ~: `. r: l0 Q& t+ }- T01:32:04.000 : Jake Extracts Information from Evelyn
2 p0 ~ T4 i# M, n: X( t& Q( G2 f01:35:31.000 : Jake Tries to Get Some Sleep
\# Q) W# O) E# ^/ o) J9 [01:37:41.000 : Jake Visits Ida4 B5 D+ o& B3 t- G3 A) h6 v# o
01:40:33.000 : Jake Talks to Escobar and Loach
4 ^6 z1 W" t+ X% @8 o01:43:44.000 : Jake Shows Loach and Escobar the Pipe
: f% a4 f& H) V* p6 l, d1 \2 x01:44:54.000 : Jake Goes to Talk to Evelyn' O- H% C& q8 T# p
01:47:13.000 : Jake Tries to Put the Pieces Together
4 H# l3 E3 i. R3 ^( L+ I! _01:53:59.000 : Jake Calls His Associates to Explain His Plan
9 l4 ]- l7 c- r01:55:14.000 : Jake Lies to Loach and Escobar4 u! M$ d/ l7 i4 A
01:56:06.000 : Jake Convinces Escobar to Let Him Go in Alone
- C" q6 M5 G7 [9 J01:57:01.000 : Jake Asks Curly to Help Him Escape" e1 Z7 o5 ]) a
01:57:56.000 : Jake and Curly Escape
, Q# G) { ], C, M01:59:02.000 : Jake Sends Curly Off with Evelyn's Luggage; `$ B1 X$ L( N
01:59:55.000 : Jake Calls Noah
, v5 T0 C% ]7 X, Q3 F02:03:43.000 : Jake Goes to Chinatown with Noah
7 g8 c9 D# x0 P$ T: b1 x02:04:33.000 : Escobar Arrests Jake and His Associates7 u- d, _, q9 @7 ^" Y b- T
02:05:30.000 : Noah Tries to Talk to Katherine
- _7 z2 r* X- V' R _9 p02:09:21.000 : End Credits   
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狗仔卡
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
千斤顶
显身卡