- 积分
- 135404
- 经验
- 42757 点
- 热情
- 28739 点
- 魅力
- 11212 点
- 信誉
- 21733 度
- 金币
- 4849 枚
- 钻石
- 3796 颗
- 蓝光币
- 0 ￥
Post Share
- 金币
- 4849 枚
- 体力
- 33733 点
  
|
) F$ e4 w8 C" `4 H3 a# K1 _. m6 Y5 v
◎译 名 唐人街8 Y) k% R" L8 c2 }6 ^5 x: y
◎片 名 Chinatown, i6 }9 s' c! y9 D8 Y8 m
◎年 代 1974
5 l/ C. y |2 U6 b* m3 G◎产 地 美国
7 x% Q" o) I1 w( g+ A% A) V◎类 别 剧情/悬疑/惊悚/犯罪
# z4 x- A1 G* H! Z. H◎语 言 英语/粤语/西班牙语
( ^2 ^# o, I1 I1 \7 g' j◎上映日期 1974-06-20(美国)3 f! D! c( O! h. P7 }0 k- J( y
◎IMDb评分 8.2/10 from 304,433 users
- R( {- L+ W3 y3 k0 c, ^3 Z◎IMDb链接 https://www.imdb.com/title/tt0071315/7 M D! L' u: e- F- `+ K
◎豆瓣评分 8.4/10 from 48,029 users7 ^3 F; m& m* O
◎豆瓣链接 https://movie.douban.com/subject/1293889/
: m0 U, L7 G: ?1 i; j- u' W- z3 k% @◎片 长 2 h 10 min: f' p# e" i6 @7 n
◎导 演 罗曼·波兰斯基 Roman Polanski7 B, s' U. x' T7 \$ s0 p. n
◎编 剧 罗伯特·汤 Robert Towne
L* ?1 j9 G/ y 罗曼·波兰斯基 Roman Polanski
1 Z- J7 ^6 S& z# X6 x/ `◎主 演 杰克·尼科尔森 Jack Nicholson
7 p6 z; C3 @/ Y# b' N& ]- y0 Z( q 费·唐纳薇 Faye Dunaway
5 j; _* [7 }) | 约翰·休斯顿 John Huston
; `( q; _. i$ V1 T5 Z8 L$ M3 \ 戴安·拉德 Diane Ladd
! H& o3 ?: u e; Y5 e 罗曼·波兰斯基 Roman Polanski1 L- @5 ^) M/ ~, C$ T" P0 ~
布鲁斯·格洛弗 Bruce Glover" g* [2 w- V+ Q
乔·马特尔 Joe Mantell
2 U5 L( Z+ n; ~* Q/ C2 z 罗伊·詹森 Roy Jenson" x2 o$ L. K, m" Z
吴汉章 James Hong
" B: u. B1 W! L7 x. s! H, t 约翰·席勒曼 John Hillerman; t& k# H @# n" F6 G
佩里·洛佩兹 Perry Lopez
0 g; K; b8 L% x, `% f" d: Y4 ~7 [' V) P; H# ]/ ?5 e$ {2 {
◎标 签 悬疑 | 美国 | 犯罪 | 波兰斯基 | 黑色 | 罗曼·波兰斯基 | 剧情 | RomanPolanski, f. w o2 }+ g7 h) P
- U, T \0 Q. a \2 ]◎简 介 , g4 D d) L$ M* v( H( l) W5 W
5 O, H7 u; @) K: f 1937年的洛山矶唐人街，警员杰克（杰克·尼科尔森 Jack Nicholson 饰）因不满这里的黑暗，辞职当起了私家侦探。这天，一个自称莫拉雷太太的女子请杰克调查丈夫的外遇，杰克欣然接受。杰克发现莫拉雷原来是当地水利总工程师，正在为兴建水坝问题和当地农民争执。随后有人给 了杰克一些证明莫拉雷偷情的照片，隔天早上真正的莫拉雷太太却找上门来要求杰克停止调查莫拉雷。) o$ c2 \; K+ i3 x0 w" s _
- K& z# H" W6 s 事情变得越来越迷离，杰克决心追查下去……' K I$ ~$ N' q+ L
9 T& D$ ?4 ^2 B3 t: a4 d A private detective hired to expose an adulterer finds himself caught up in a web of deceit, corruption, and murder.4 X, g0 s9 ^$ w# H: `2 e1 s
- Z$ k! O: \- {9 o- s9 C◎获奖情况4 |' Y# `. N& _9 E( R& V7 D
2 T( _% w* Z0 v9 i7 E- t @; A1 Y& } 第47届奥斯卡金像奖 (1975)9 \& h, e1 @# C# q
最佳影片(提名) 罗伯特·埃文斯* s2 q6 N d$ e+ X( ^$ |2 ]1 e
最佳导演(提名) 罗曼·波兰斯基
" x* C2 B) p( p' O, O 最佳男主角(提名) 杰克·尼科尔森
9 s8 z5 n# m8 K 最佳女主角(提名) 费·唐纳薇
7 l* O% A) O" P6 X. _$ Y( \ 最佳原创剧本 罗伯特·汤
& E* F$ W9 W! L3 o5 t" [% z 最佳摄影(提名) 约翰·A·阿朗索
+ b. ~& ^6 x$ i, U: ^8 h3 P 最佳剪辑(提名) 萨姆·奥斯廷" K P9 \( A7 X2 h: u* s% u( y" d
最佳音响(提名) 拉里·乔斯特/查尔斯·格伦兹巴赫# k% { M' V3 k3 h, c Y, j
最佳艺术指导(提名) 理查德·希尔伯特/W·斯图尔特·坎贝尔/鲁比·R·莱维特; L& ~ i) }6 l: w) Y
最佳服装设计(提名) 安西娅·塞尔伯特3 R8 q3 _* T% C; O0 x+ {; E
剧情片最佳原创配乐(提名) 杰瑞·高德史密斯
- o: [: j+ ^) aVideo
# O! P/ F: U3 W9 K5 v% @5 F8 z5 IID : 13 N/ m) m4 E2 P; j" Q/ @
Format : HEVC
8 u% u# W+ q8 {$ P. A/ ?+ nFormat/Info : High Efficiency Video Coding% w P, U. p, x4 \2 b* s! \
Format profile : Main 10@L5@Main- z/ j9 D' o, d
HDR format : SMPTE ST 2094 App 4, Version 1, HDR10+ Profile B compatible
4 b$ Y' v7 ]* N; n0 T( ?Codec ID : V_MPEGH/ISO/HEVC9 G6 F, d: J" E) d, ?" @
Duration : 2 h 10 min9 X1 P2 j8 m% F2 R+ g; a2 |
Bit rate : 15.0 Mb/s
1 _; e8 l6 |( {. j* t% ZWidth : 3 840 pixels- b, c# X3 N1 T0 F
Height : 1 632 pixels
2 _7 W0 ~) p0 X4 V) _Display aspect ratio : 2.35:1
# {/ m) o4 [* p! h+ tFrame rate mode : Constant& `8 v* f' _8 A5 R7 Q% p& d9 ?
Frame rate : 23.976 (24000/1001/189150) FPS6 E" N+ Y9 D( H# X6 @; \
Color space : YUV
0 \! k$ X6 x2 q% P& H$ m0 J# I4 AChroma subsampling : 4:2:0
* g8 p+ ?# U/ d, q% J; [! oBit depth : 10 bits
. s+ F; \/ B7 D" \Bits/(Pixel*Frame) : 0.100, K9 ]# e, U2 E% D' A5 r; j+ U9 k
Stream size : 13.7 GiB (66%)* L S$ ]: G0 R7 L# n
Default : Yes) G( M/ D3 e% T# e) I- Z& @
Forced : No" X; ]2 O: j8 ]$ M0 y, F
Color range : Limited- C, ?5 q+ y+ r. x7 R6 P
Color primaries : BT.2020
' | g# f( Y2 V2 HTransfer characteristics : PQ+ i; ]! S# @, M
Matrix coefficients : BT.2020 non-constant9 r9 N1 s& A% R
Mastering display color primaries : Display P3
8 e: \" i2 t7 F3 z/ FMastering display luminance : min: 0.0001 cd/m2, max: 1000 cd/m26 r6 }; P& c& f8 J9 |
Maximum Content Light Level : 1004 cd/m2
- p$ E$ G: x5 X) Y4 c& \* [1 ZMaximum Frame-Average Light Level : 52 cd/m2
, T/ r& V" ?+ o) g1 P& W) A
( j7 p/ q' _3 @. G$ Y0 g( vAudio #1
; J- Y. J4 s7 f/ `9 L4 c, bID : 2
- S3 v% @3 @7 m' n1 i6 T5 oID in the original source medium : 4352 (0x1100) U3 y9 |& I7 ^/ E) ]
Format : MLP FBA# B' h# v! z6 n& A9 u" c
Format/Info : Meridian Lossless Packing FBA
6 F8 \2 W! T# |7 |) xCommercial name : Dolby TrueHD
; [- o7 Z9 m5 t3 o' ^) ]Codec ID : A_TRUEHD7 K* t h2 G7 Q
Duration : 2 h 10 min5 ?1 T& F" s* u1 C
Bit rate mode : Variable" G9 @: d& I3 b3 `! c9 Y7 J4 M, N6 Q
Bit rate : 3 020 kb/s" C* ?" h% X; q( Y# C
Maximum bit rate : 4 668 kb/s( M- e7 ]1 A7 V D" I
Channel(s) : 6 channels
& t8 ?7 I6 k) m( l& v) KChannel layout : L R C LFE Ls Rs
6 p4 W3 D, k8 kSampling rate : 48.0 kHz* I# d. q$ j3 A
Frame rate : 1 200.000 FPS (40 SPF)5 f8 t" o% t+ c5 B) u& @
Bit depth : 24 bits
* A0 q3 F, `2 i# s# f |) GCompression mode : Lossless
- ?. ]- g- Q# ^5 l$ K, v! vStream size : 2.75 GiB (13%)
! a: z- a. `4 r& U% VTitle : TrueHD 5.11 B, }$ G& \2 f. D N$ Z( ]
Language : English+ F& |; \" N8 _, i' x v
Default : Yes$ ^1 t0 F1 l ~& f2 u
Forced : No
9 ?. E4 d% m$ h" z! jOriginal source medium : Blu-ray8 e9 @* `/ t! X, l+ E
# }* l# k% v B5 d5 J: e
Audio #20 X; j) {8 h. _+ f
ID : 3
2 s* D, H% k |Format : DTS XLL
- D1 y: |) X W( a4 _6 ]Format/Info : Digital Theater Systems; g% F; \+ K6 N% C
Commercial name : DTS-HD Master Audio# k, Q3 x/ c+ x. C$ X5 C" H
Codec ID : A_DTS
7 ~4 H" c7 x" S. NDuration : 2 h 10 min
9 U/ u% M1 `% r: r2 B: `Bit rate mode : Variable
) c" I7 l; ]. X' q/ y: C. iBit rate : 3 489 kb/s2 K( [( s% S; I, l; \6 K8 q
Channel(s) : 6 channels
4 x* k3 }0 s5 s) A0 fChannel layout : C L R Ls Rs LFE, r, w9 ]$ E" f8 G% d
Sampling rate : 48.0 kHz' X% o" x, Z- R1 m' _6 }2 ?
Frame rate : 93.750 FPS (512 SPF), D8 r h5 P* q. N/ R' X
Bit depth : 24 bits
0 l6 ?7 Y0 W7 }3 O* tCompression mode : Lossless- Z/ H; d8 _% K, m( g
Stream size : 3.18 GiB (15%). @( V/ I# n% _( M
Language : English6 g0 b. C! I, [5 s3 V
Default : No. {0 {; p5 g4 \& s4 m
Forced : No
6 ]" @; A1 f6 m7 |7 K4 a# L
- M+ }" P& K# t0 M0 N0 [# wAudio #34 [% v" b2 B- p8 w) I; x8 R8 ]
ID : 4! a s# X9 s C& `# b5 j/ S1 Q
ID in the original source medium : 4352 (0x1100)& k% I5 a) w; T, a6 T2 k
Format : AC-35 t/ M' N' p0 Q8 L m
Format/Info : Audio Coding 3# q7 X1 n( ^% U8 U: n* W" R
Commercial name : Dolby Digital
# x6 U/ @' o8 `Codec ID : A_AC3
9 t2 q% g0 q, C7 N- U0 HDuration : 2 h 10 min0 M F# }3 k( C! u
Bit rate mode : Constant4 H2 l) @+ u: }1 r0 @
Bit rate : 640 kb/s
' ^' a6 l# [& } r4 P$ S+ F3 ~Channel(s) : 6 channels9 ?% f# k2 L$ n7 x6 d7 n% f
Channel layout : L R C LFE Ls Rs( Q$ ?% k. E. |9 Q# D) I! m
Sampling rate : 48.0 kHz
0 h3 f& z) ]% t# G+ w. LFrame rate : 31.250 FPS (1536 SPF)
' i1 J# k- s, I+ k" ?4 rCompression mode : Lossy
# I! D" x* T7 \, s/ F0 ODelay relative to video : 24 ms
! z( m7 N, I% }8 R$ OStream size : 597 MiB (3%), B8 z1 ] u! [& U0 p B! z
Title : DD 5.1! R9 k: D2 N* f8 ~6 A1 g/ O$ r
Language : English
4 ~+ N8 m, [! G" KService kind : Complete Main
5 G3 ^2 v. c2 i5 l' `Default : No
/ Q' B2 u6 S$ ]6 n: ^Forced : No- \) ~ d% C0 W& g( Q! o* C: t
Original source medium : Blu-ray. T1 a) C' g& I- H; `
/ T5 t/ v+ i d& SAudio #4
0 F9 O2 J# S) O+ k9 uID : 5
" ~( h6 ]6 I2 `% HFormat : E-AC-3
$ W/ g- U4 ?0 Y4 _. P' F# ]Format/Info : Enhanced AC-3
9 }0 O, F9 T6 z4 u( wCommercial name : Dolby Digital Plus8 J, ]$ d. q! ^5 K9 @6 ~
Codec ID : A_EAC33 v% A& J" N# N$ T2 C/ @. I
Duration : 2 h 10 min6 d6 v8 j. l9 z" q+ r- l9 {
Bit rate mode : Constant; h; v) \5 E( e1 d" j
Bit rate : 640 kb/s
6 O- N2 e7 Z& F4 rChannel(s) : 6 channels. V( x. Z' o; a# k: o' J) v8 R/ B
Channel layout : L R C LFE Ls Rs/ ~, ~- l/ q5 F5 A$ f2 v, R8 a
Sampling rate : 48.0 kHz9 a1 D, k; \8 {
Frame rate : 31.250 FPS (1536 SPF); j2 f, {# f: n$ ? E$ p& C7 I
Compression mode : Lossy
$ g+ c1 u. J' y/ o% E3 OStream size : 597 MiB (3%)
: P3 ^% q9 ]* B! ~! L+ Q' cTitle : DDP 5.1
. ?# R) |7 [+ R# g {$ A6 Q dLanguage : English' h5 G5 G6 w: [9 Z3 D1 m
Service kind : Complete Main
a4 _2 W3 v0 y* K; vDefault : No
! u! L& |: s$ \6 A* L; n" }Forced : No4 \# Y' ?4 S4 ^9 X; S
- Z' z1 @& a5 Z1 _$ G9 v" }
Text
' m7 d9 {( V9 ^, ^: o7 P# ~5 nID : 6
6 T& M O1 n) E' X5 \. BFormat : UTF-8
+ K- h; b9 ?! fCodec ID : S_TEXT/UTF89 V+ A3 y- {3 e; | }6 E0 p
Codec ID/Info : UTF-8 Plain Text
2 \4 C& F ^. G2 o& }/ }; yDuration : 2 h 7 min
5 F+ I6 q2 [+ {% A) y6 k8 WBit rate : 55 b/s
/ w- A( ~* H. p8 z3 d* Z/ n- NCount of elements : 1791
+ a; y5 V1 k$ \, A- g& f9 I& ^Stream size : 51.8 KiB (0%)
$ v+ v, d+ Y/ x6 O0 `/ yTitle : SDH5 M5 S) c7 W: X+ m
Language : English/ j% I! h/ ~$ I! L% o
Default : Yes/ K0 p. O" Y- M, R5 p$ C
Forced : No
; B0 i8 W$ }% f& o8 l7 B% z7 M) J8 h& w$ k
Menu l o* u! \' x( k# Q' W% u
00:00:00.000 : Studio Logos$ M0 K" O; B0 b
00:00:09.000 : Curly's Lament, Opening Credits+ g" [# j1 y' U5 c6 G, k1 E$ m
00:02:58.000 : Studio Logo# b9 s9 R! Q! h5 v0 _8 \% M
00:03:06.000 : Curly's Lament, Opening Credits4 }4 Z/ u* g2 B o
00:03:42.000 : Jake Is Hired to Investigate a Spouse
2 C% h/ p9 }. U& x ]% S. [00:05:45.000 : Jake Sits In on a Town Hall Meeting
2 A; U* W% O( o0 U* k$ u4 `' y00:08:05.000 : Jake Spies on Mulwray- _' O' Y! v1 h/ T U" l. J! h
00:09:33.000 : Jake Follows Mulwray
7 g1 @& A" Y0 S( w& X. Y00:10:06.000 : Jake Observes Mulwray* e* A+ M1 f! k% F( L( O3 `1 D& `
00:11:47.000 : Jake Leaves the Beach1 |# k# I# d, w# @
00:12:45.000 : Jake Inspects Information He Gathered' x5 e" @! [. s; H0 {( d
00:14:52.000 : Jake and His Associate Take Pictures of Mulwray
+ T! [' i K, u2 z* \: `/ p00:15:32.000 : Jake Takes More Pictures of Mulwray
. o! M3 n) E/ @6 K! P$ A00:16:21.000 : Jake Confronts a Banker q) J+ F/ u+ ~9 W0 I5 I3 {1 W
00:17:48.000 : An Unexpected Visitor Reveals Herself
( ?7 [5 F, z8 \2 U00:20:37.000 : Jake Snoops Around
8 Q) r: Q B4 T1 G00:23:47.000 : Jake Runs into Mulvihill2 v6 ]6 U( w: E. J
00:24:40.000 : Jake Goes to Evelyn's House! c* j" \* O1 ]) ~' r# L5 J
00:26:11.000 : Evelyn Arrives
0 g/ G5 X5 ~4 R4 G' _00:30:48.000 : Jake Tries to Find Mulwray
U9 z6 q9 C9 u' B6 a00:33:26.000 : Evelyn Identifies the Body
5 j. _7 W' d/ d# U" }; P# ^00:35:35.000 : Jake Walks Evelyn to Her Car
; V S; r1 u9 ^1 d) e' n5 e, P00:36:10.000 : Jake Talks to the Coroner' \9 K, j% S6 C: L1 y2 m, d
00:37:59.000 : Jake Inspects the River
( W" a! {, Y5 ~0 z' S$ i00:40:04.000 : Jake Is Confronted
" k/ |4 S, I5 r' q00:43:05.000 : Jake Gets a Call5 T1 P% M" h; C' j" t$ b; z5 i
00:45:12.000 : Jake Meets Evelyn for Lunch
# h# T$ l% y2 c! Z4 B- p00:49:33.000 : Jake Tells Off Evelyn2 l2 ^4 U8 M& F$ g) t+ i: @2 U
00:50:43.000 : Jake Discovers Something
! O! }# P" d6 c6 n( p00:54:05.000 : Jake Asks Yelburton Some Questions
/ q. N% @( F0 v: o' _00:56:48.000 : Evelyn Pays Jake a Surprise Visit: d p, z: s! Y6 b
00:59:58.000 : Jake Visits Noah( h& G1 c( F% N3 O
01:01:04.000 : Jake Talks to Noah
: L7 ^% A" C) u& P- j5 R01:04:55.000 : Noah Hires Jake to Find Mulwray's Lover( |+ J! o0 f' x
01:06:29.000 : Jake Gets Information on the Orange Groves( ], ]# Z4 K% v. V7 _6 [
01:08:55.000 : Jake Investigates a Farm
3 `% w, _3 U" o! r" s7 }01:12:38.000 : Evelyn Picks Jake Up
9 m- s w, j+ D% Y% [01:13:13.000 : Jake Explains the Situation
! u$ J. ?' `- ^5 S7 b5 c( |! ]01:14:47.000 : Jake and Evelyn Investigates Jasper's Purchase
% n( m& c2 s$ X) i+ o# H, _$ G01:16:47.000 : Jake Questions the Tenants
$ g! j+ F) x9 a01:18:54.000 : Jake Fights His Way Out
0 {3 \& E$ q: w! t7 S$ s$ S5 A# F5 L01:20:22.000 : Evelyn and Jake Make Small Talk
# S2 U) {2 I4 H5 y! d01:22:14.000 : Evelyn Treats Jake's Nose; F! q9 t8 m0 ~
01:23:52.000 : Evelyn and Jake Share a Moment
' a; N& V5 G2 f0 V7 H& L- D01:29:25.000 : Jake Follows Evelyn
. t2 e! y4 K1 U% L U01:30:47.000 : Jake Spies on Evelyn6 H8 y) k+ p! u3 n5 T" }: \; D
01:32:04.000 : Jake Extracts Information from Evelyn
0 x% l9 p; m- \5 g/ k- X9 A& U01:35:31.000 : Jake Tries to Get Some Sleep+ s+ I5 U; f* r. Z2 l, i {
01:37:41.000 : Jake Visits Ida
* b [& }* C8 `- k3 v$ n+ G I01:40:33.000 : Jake Talks to Escobar and Loach
1 X# g* x" G- V3 t0 U# b; \3 K01:43:44.000 : Jake Shows Loach and Escobar the Pipe$ j. m8 [6 ^: D- R, _ L, r: b* A% H$ T: b
01:44:54.000 : Jake Goes to Talk to Evelyn
! k$ z# v4 {8 B, x1 d01:47:13.000 : Jake Tries to Put the Pieces Together
" t9 \' N5 m* X; @: \$ e4 ~/ B4 t01:53:59.000 : Jake Calls His Associates to Explain His Plan
/ T8 e; b. _% ^# y- i, c* x# @01:55:14.000 : Jake Lies to Loach and Escobar) d' D" X- N6 K$ s
01:56:06.000 : Jake Convinces Escobar to Let Him Go in Alone
& ?( R+ ^! P, X! u6 s7 J01:57:01.000 : Jake Asks Curly to Help Him Escape' ?3 H! ?& j! {
01:57:56.000 : Jake and Curly Escape
8 w+ k7 {( p* {2 ]4 N" ?01:59:02.000 : Jake Sends Curly Off with Evelyn's Luggage( Q* D, {1 b" s" x+ S+ v+ G
01:59:55.000 : Jake Calls Noah$ n8 k- i, [7 P$ G. \
02:03:43.000 : Jake Goes to Chinatown with Noah
: `! j' y! |, } c' e02:04:33.000 : Escobar Arrests Jake and His Associates
& `8 `& e8 n. J, F' v# {! R/ `8 z02:05:30.000 : Noah Tries to Talk to Katherine
3 Y0 S9 J. r |' b02:09:21.000 : End Credits   
% m m. z/ R: ?4 p+ C. } |
|
狗仔卡
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
千斤顶
显身卡