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◎译 名 海的沉默/沉静如海/海之沉默
d1 H0 w2 Y" _! }5 `$ @◎片 名 Le silence de la Mer / The Silence of the Sea2 {6 X, ^# |4 d* }
◎年 代 19495 l, \+ h6 L Q6 t( m3 v
◎产 地 法国
; |5 S9 Q, w% o& c2 m8 E4 i9 o( Y1 W◎类 别 剧情/爱情/战争
3 d# y; S) x# S4 F! D+ Z C: z◎语 言 法语/德语/英语
% e6 W4 v, d1 e2 L9 o! m! E# k◎上映日期 1949-04-22(法国)
& }! E6 Q( l+ L" j◎IMDb评分 7.6/10 from 4,573 users) J; u5 _+ G- }9 l+ |
◎IMDb链接 https://www.imdb.com/title/tt0039822/9 D; J& ^% J% @" @! F
◎豆瓣评分 8.1/10 from 4,150 users
5 r4 X E0 U l◎豆瓣链接 https://movie.douban.com/subject/1466403/4 E5 i. y' r) b! ], }
◎片 长 1 h 26 min
/ \; C" Z# p, i7 ?3 O2 x* B◎导 演 让-皮埃尔·梅尔维尔 Jean-Pierre Melville: O) ^) v3 ^2 f- W
◎编 剧 韦科尔 Vercors % i l, s) c/ ~# e- e
让-皮埃尔·梅尔维尔 Jean-Pierre Melville
5 c; [, f- r$ `8 d4 S; w h+ U◎主 演 霍华德·沃侬 Howard Vernon( E/ {& E5 F d
妮科尔·斯黛芬 Nicole Stéphane
6 |) G& n6 r8 S& V) Y T0 d/ F 让·马力·罗宾 Jean-Marie Robain
5 H/ Z5 s7 Z/ Q9 A6 H Ami Aaröe! \' F3 E0 i; L" }. c
克洛德·韦尼耶 Claude Vernier( c& n% y; k4 U( }0 C
Fritz Schmiedel 5 C. y6 Q5 K F
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◎标 签 法国 | 战争 | 法国电影 | 二战 | 梅尔维尔 | 1949 | 爱情 | 让-皮埃尔·梅尔维尔6 d- E+ J8 l2 x3 I. Y8 G" j
& L5 U5 h3 g! x* `5 Y8 G, `◎简 介
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) f9 ]8 r7 h' a( i6 e) L 故事发生在1940年,德军的铁蹄踏上了法国的土地,让这个美丽的国家满目疮痍。一间屋子里,老人(让·马力·罗宾 Jean-Marie Robain 饰)和他的侄女(妮科尔·斯黛芬 Nicole Stéphane 饰)相依为命,战火并没有扰乱他们平静的生活。0 ^3 l* G; U0 U S, h* f
1 y% b. }; l6 W" _; \: V1 C' S/ ? 某日,一位名叫凡尔奈(霍华德·沃侬 Howard Vernon 饰)的德国军官同老人和侄女住到了一起,出于自尊和立场,老人和侄女始终对其保持沉默。然而,随着时间的推移,两人发现凡尔奈不仅彬彬有礼,还对法国文化持有着特殊的尊重与喜爱,慢慢的,同在屋檐下的一对男女之间产生了真挚的感情。然而,巨大的隔阂和沉默横埂在两人之间,他们该如何处理这段生不逢时的爱情?
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1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von Ebrennac, to live in for as long as he is in the area on Nazi business. As a figurative and literal silent protest against the Nazis and the officer, the uncle and niece do whatever is required of them while the officer is in their house, however they do not acknowledge his presence, living largely in silence whenever he is around. The officer treats the housing situation with care, like he is a guest. Although not a nightly occurrence, the officer begins an evening routine with his reluctant hosts: in his civilian clothes, he knocks on the door of the room in which they have convened for the evening, walking in shortly thereafter knowing that no acknowledgment will be made for him to enter, he visits with them for no more than five minutes before he bids them a good evening as he exits. During these visits, he speaks reverently about, among other things, culture - music and literature in particular as he is a composer and musician - his national pride, his love of France, and what he hopes will emerge from the war, namely a strong and free France, stronger than it was before the war, and the marriage between the French and German cultures which will enrich the lives of all Europeans. All the while, he makes no expectations from them, either to listen, or to answer if they are indeed listening. At the end of what ends up being his six month stay at the house, he does end up having a profound effect on the uncle and niece, despite that effect being largely unacknowledged, as his stay in France has a profound effect on him, opening up his eyes to the reality of the war based largely on his first ever visit into Paris.
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