富城/法特城 [蓝光原盘 重制版] Fat City 1972 REMASTERED 1080p BluRaycd AVC DTS-HD MA 5.1-NOGRP 45.28GB

Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum.



& [! P* C6 v% s9 T5 J◎译　　名　富城/法特城
◎片　　名　Fat City
  T" d+ X8 a% {6 |* B, G: l* q◎年　　代　1972
◎产　　地　美国
! G% |7 R1 G) ^( T6 T3 s◎类　　别　剧情/运动
' q/ q# O# e1 R; {4 R% C◎语　　言　英语/西班牙语
1 m1 _+ w) ]  B$ E% I◎上映日期　1972-07-26(美国)
1 U; \9 \9 V' K) i; v- l◎IMDb评分  7.3/10 from 8,203 users
; ]9 Q+ M+ t! H/ ]) u7 @◎IMDb链接  https://www.imdb.com/title/tt0068575/
* o4 z* [7 r5 z1 Z% U5 x◎豆瓣评分　7.7/10 from 334 users
+ O1 B& ]: _9 F( y◎豆瓣链接　https://movie.douban.com/subject/1303358/
◎文件格式　x264 + DTS
+ s; h& X, L- o◎视频尺寸　1920 x 1080
8 U# b4 V/ U$ E3 H0 H- T/ c◎文件大小　1DVD 45.28 GiB
◎片　　长　1:36:34.580 (h:m:s.ms)
/ S* v: X7 G0 z/ V2 N◎导　　演　约翰·休斯顿 John Huston
◎编　　剧　伦纳德·加德纳 Leonard Gardner
4 O. E* c+ g0 E0 R! w0 N3 O◎主　　演　斯泰西·基齐 Stacy Keach
　　　　  　杰夫·布里吉斯 Jeff Bridges
　　　　  　苏珊·泰瑞尔 Susan Tyrrell
　　　　  　坎迪·克拉克 Candy Clark
5 ?. _( T( `2 z　　　　  　尼可拉斯·科拉山多 Nicholas Colasanto
/ {5 o/ D- _  M+ U* F2 a( q) n$ I　　　　  　西斯托·罗德里格斯 Sixto Rodriguez
/ f; D" Q3 s, o　　　　  　Al Silvani Al Silvani
' L" f8 v6 Z# o# u0 Y　　　　  　Curtis Cokes Curtis Cokes
! q; e3 |0 p& o# X- T& c　　　　  　Art Aragon Art Aragon

◎标　　签　美国 | 约翰·休斯顿 | 1972 | 1970s | John_Huston | JohnHuston | 美国电影 | 体育
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◎简　　介     

( r- `6 S: R: a' ~$ |8 g% A, j　　由美国哥伦比亚影片公司出品，导演约翰．休斯顿。这是一部带有纪实色彩的影片，描写一个颓废的职业拳手比利和另一个年轻同伴如何试图东山再起，又如何失败未能如愿的故事。虽然影片的主人公是个拳击手，但影片所表现的并不是精彩的拳击场面，而是重点描写主人公的日常生活、希望、幻想和失败。影片所表现的内容以及主人翁令人同情的坎坷生涯，再加上由于运用了蓝光和棕色光而产生的朦胧效果，使这部影片具有强烈的感染力和独特的个性，而成为导演的重要作品之一。影片曾获奥斯卡最佳女主角提名。

, n: G+ H: }$ {" H+ E3 W　　The story of two boxers and their problems. One of them is on the decline of his career while the other one just begins his ascent in this sport.
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/ l$ u/ ]; k2 q# h& R  h* |- c◎获奖情况

　　第45届奥斯卡金像奖 (1973)
2 d. W0 i4 E8 l( Z1 U& l- t　　最佳女配角(提名) 苏珊·泰瑞尔
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1. DISC INFO:
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3. Disc Title:     Fat.City.1972.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-NOGRP
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4. Disc Size:      48,616,118,804 bytes
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5. Protection:     AACS
   
6. Extras:         BD-Java
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.3.8)
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11. Name:                   00739.MPLS  
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12. Length:                 1:36:34.580 (h:m:s.ms)
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13. Size:                   32,243,023,872 bytes
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14. Total Bitrate:          44.51 Mbps
    
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20. MPEG-4 AVC Video        34901 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
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27. DTS-HD Master Audio             English         3005 kbps       5.1 / 48 kHz / 3005 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 768 kbps / 24-bit)
    
28. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
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29. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
30. DTS-HD Master Audio             Undetermined    1534 kbps       5.1 / 48 kHz / 1534 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 768 kbps / 24-bit)
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36. Presentation Graphics           English         37.704 kbps

复制代码

INDICATOR LIMITED EDITION SPECIAL FEATURES:
8 U% a3 v5 q" L1 l, b4 g( V• 4K restoration from the original negative
5 p; N4 K3 p; `7 k. s• Original mono audio
• Alternative 5.1 surround sound track
• Audio commentary by film historians Lem Dobbs and Nick Redman
% o. k: F  B' T. c9 Y! e2 |, M• Sucker Punch Blues: Looking Back on John Huston’s 'Fat City' (2017, 55 mins): new documentary featuring interviews with actors Stacy Keach and Candy Clark, casting director Fred Roos and assistant cameraman Gary Vidor.
5 S% I* _7 ^: m& Z1 Q8 j• An American Classic (2015, 22 mins): a newly illustrated audio interview with Fat City author Leonard Gardner
1 j5 E3 U) _' t1 n* D" p- o• John Huston on Fat City (1972, 6 mins): an archival interview filmed for the French TV programme Pour le cinéma.
; k: b7 z, s/ c( ?5 e• The John Player Lecture with John Huston (1972, 88 mins): audio recording of an interview conducted by Brian Baxter at the National Film Theatre, London
% u, V5 [& v: ^• Isolated score
+ W1 A: C& Q3 r3 G• Original theatrical trailer
• Image gallery
; c; e0 I# Y  x- ]• New and improved English subtitles for the deaf and hard-of-hearing
$ J% h+ D' u) ~6 S• Limited edition exclusive 28-page booklet with a new essay by Danny Leigh, a contemporary review, and John Huston's reminiscences about the film
• UK home video premiere
& P; R9 J% B# a8 U• Limited Dual Format Edition of 5,000 copies
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Fat City Blu-ray, Video Quality   
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8 Z8 M$ i9 x4 r1 j' O7 BFat City is presented on Blu-ray with an AVC encoded 1080p transfer in 1.85:1. This is another Twilight Time release culled from a new 4K scan, and the results are quite impressive, at least given an understanding that Huston and legendary cinematographer Conrad L. Hall opt for a tamped down palette that often exploits the dusty streets of Stockton and drab interiors of various boxing environments. When the film ventures out into more scenic territory, as in some scenes when characters become "migrant workers" of a sort, harvesting crops to make a few pennies, the palette pops quite vividly, with deep blue skies and lustrously golden fields. While this is not an overly "sharp" looking presentation by contemporary standards (nor should it be), fine detail is frequently excellent in close-ups, something that is slightly detrimental when it comes to some of the makeup that various characters wear after they've been "beaten up". This is a fairly grainy presentation, and at times the grain attains a chunky and multicolored look, though it never looks overly digital or processed. When there are elements like the optical zoom that caps the film, the tendency of the grain to splotch slightly and have a yellowish cast are understandably exaggerated (see screenshot 19).

Fat City Blu-ray, Audio Quality   
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- x+ d$ v5 F& J5 L5 u' B( n5 QFat City features a repurposed DTS-HD Master Audio 5.1 track, as well as a DTS-HD Master Audio 2.0 mono track recreating the film's theatrical exhibition. The surround track isn't overly showy, but it does open things up considerably in the fight sequences, offering spills of crowd sounds throughout the surround channels, while also placing discrete effects into various channels to offer good levels of immersion. Dialogue and score (which includes Kris Kristofferson's "Help Me Make It Through the Night" as well as a couple of other source cues) sound clean and clear. The 2.0 iteration offers clarity and precision as well, with a slightly less fulsome low end in some of the action sequences. Fidelity is excellent and dynamic range very wide.

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