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A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.
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# T5 \, B5 n9 \& ^3 v+ N2 i+ s◎译 名 48小时/特赦48小时/四十八小时5 |, J0 x' y6 y
◎片 名 48 Hrs.
' n& J5 h) F$ [+ ?4 A) V- S◎年 代 19825 I v' J3 N& n6 ]( k
◎产 地 美国" K1 |1 c% f5 G
◎类 别 剧情/喜剧/动作/惊悚/犯罪
$ f! Z! Y; x7 C◎语 言 英语
3 x Y0 n+ `* E, T5 `: j4 Z◎上映日期 1982-12-08(美国)& I, W& L) |- l6 o; t
◎IMDb评分 6.9/10 from 73,440 users" w! T+ F" q4 c6 D* @& {& a
◎IMDb链接 https://www.imdb.com/title/tt0083511/) Q7 M8 w. [- e t: \2 k+ h$ h2 E
◎豆瓣评分 6.4/10 from 372 users
3 M. a, M! v9 n8 e, s◎豆瓣链接 https://movie.douban.com/subject/1301780/
$ d9 ~+ D {" h8 ?8 }) M8 o( k◎文件格式 x264 + TrueHD % |- u7 W8 X. j: E
◎视频尺寸 1920 x 1080
7 K" t* I, u1 n5 i, E+ A+ [◎文件大小 1DVD 35.73 GiB
: w; u; t6 O; T" h) _◎片 长 1:36:35.414 (h:m:s.ms)
0 X5 [4 {0 `8 f9 _' w2 Q" x( s* [◎导 演 沃尔特·希尔 Walter Hill
$ h" v* Y6 g( d3 Y0 L& Z' c◎编 剧 沃尔特·希尔 Walter Hill
% `" A L9 d, d 罗杰·斯波蒂斯伍德 Roger Spottiswoode
0 Z. d K- J4 D4 I9 H 拉里·格罗斯 Larry Gross" h3 m. G& A6 E
斯蒂芬·E.德·索萨 Steven E. de Souza
+ b9 O% b. J0 ?9 ? S* _◎主 演 艾迪·墨菲 Eddie Murphy/ h# k! J9 D' V5 t: ]5 A
尼克·诺特 Nick Nolte
5 _$ U* }3 |' P! c" u8 ] 安妮特·奥图 Annette O'Toole5 x& x: c5 F( M& J% G$ j7 D
Jack Lightsy Jack Lightsy" o5 {7 c. @( F; V8 i
Kerry Sherman Kerry Sherman1 V: D7 z1 |' [2 Y/ Y/ }: ~7 N
Walter Scott Walter Scott$ \" z& P: [( m% Q
Margot Rose Margot Rose
# J, ]6 X) W9 } 弗兰克·麦克雷 Frank McRae
0 I) l: g& o' h' g0 ~0 R. @ P Begonya Plaza Begonya Plaza
$ n9 i1 s( `4 [) d 布伦达·维纳斯 Brenda Venus7 I/ ~6 F( x3 S7 f. `
马塞利诺·桑切斯 Marcelino Sánchez
9 n+ s0 n& ?, ~) ~! X( L9 P9 |& O0 ^ Bill Dearth Bill Dearth
! k* G! X9 W1 G! r q0 G( a 索尼·兰哈姆 Sonny Landham# Z G' B( j$ r( Q
Kevin O'Neal Kevin O'Neal
- u3 D+ V; H2 m7 a/ p) v Matt Landers Matt Landers! y( b3 }& P' ]( T: J
皮特·杰森 Peter Jason
$ N* }, x) S y' n/ v X% u$ R; F 乔纳森·班克斯 Jonathan Banks, w0 z1 `3 O w- c
欧拉·蕾 Ola Ray; Q$ F0 K, N g' z8 I7 u9 ^
克里斯·马尔基 Chris Mulkey7 E2 ^# i1 A t O$ n7 r8 f
Todd Allen Todd Allen
* S2 j4 V+ e0 E3 Z( B! b 丹尼斯·克罗斯比 Denise Crosby
9 C. x# q `. a& n) d8 Z2 m8 @& T 布里翁·詹姆斯 Brion James2 |- D* S7 Z! D _# f% j
詹姆斯·基恩 James Keane8 m' }) U! c* A/ ~8 [; {
杰克·唐蒂博 Jack Thibeau" U+ z8 ?! S7 W9 n
里德·克鲁克香克斯 Reid Cruickshanks3 d5 v- ]# [/ P, _' s* _7 Q& D
Luis Contreras Luis Contreras
% A- s: N! y) C 大卫·帕特里克·凯利 David Patrick Kelly+ n" b) q9 T! b2 `( a c5 r
约翰·丹尼斯·约翰斯顿 John Dennis Johnston
' ]1 s0 W2 Q. ~9 K9 r 吉姆·海尼 Jim Haynie1 i" f8 h& n5 V3 k
John Hauk John Hauk: U1 W% q! e; G' M# Y- u
Bennie E. Dobbins Bennie E. Dobbins
, Q& E2 P$ M, T 詹姆斯·瑞马尔 James Remar: I( O' W: q6 w" p7 U( I: v5 g
Olivia Brown Olivia Brown
* q# |: D7 B1 G3 g6 z6 ` 罗伊德·卡特莱特 Loyd Catlett. r6 R. _/ O4 Q' ?
内德·道德 Ned Dowd
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◎标 签 美国 | 喜剧 | 动作 | 1982 | 犯罪 | 警匪 | 美国电影 | 艾迪·墨菲% R! k1 r+ M" Q3 }
7 N G6 z/ [+ l/ l7 n; p! I◎简 介
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杰克凯斯为三藩市一名资深警探,从21岁加入警界以来一直未能有所表现。雷吉汉蒙德为黑人区一名惯犯,从15岁起开始犯案累累。巧的是两人都想力图改变现况,而更巧的是两人竟然在同时间不期而遇,因此引发了一场争斗。- y4 s; k9 H! t9 s' f
0 o3 M. j7 ^: B2 g* P+ d9 M2 f 重刑犯艾伯特·刚茨在他的老搭档比利·拜尔的帮助下成功越狱,他们立即杀死了自己的同伙亨利·王,用假名字住进了三藩市的瓦尔登旅馆。年轻干探杰克·盖茨(Nick Nolte饰)郁不得志,酗酒成性。此番受命与同事VanZant 和Algren入住瓦尔登旅馆,调查名叫G. P. Polson的人,不想VanZant 和Algren被艾伯特所害。杰克欲为同事报仇,劝服上司Haden让他独立办案。杰克到监狱探视艾伯特从前的搭档雷吉·汉蒙德(Eddie Murphy饰),以减刑为由,希望雷吉帮助他抓捕艾伯特和比利,雷吉勉强答应,但杰克只能将其带出监狱48小时,更糟的是二人之间发生了争执并在垃圾填埋场大打出手。原来,雷吉在垃圾场停有一车,车上有他入狱前存的500000美元。现在,艾伯特绑架了知道车的位置的同伙路德的女友,逼路德将车找出。雷吉得知此事,为赶在返回监狱前保住那笔钱,不得不与杰克捐弃前嫌,协力追捕艾伯特……
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Jack Cates is a hard-nosed cop who is paired up with Reggie Hammond -- a convict who is released from prison in Cates's custody for 48 hours in order to help Cates track down a pair of maniacal cop killers.
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* _7 @9 I/ z! ?# \7 ^- DISC INFO:; s( w' S& L! n8 A% H2 M6 P
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- Disc Title: 48.Hrs.1982.REMASTERED.1080p.BluRayCD.AVC.TrueHD.5.1-FGT
! b7 t' A0 Q; a6 `, R - Disc Size: 38,360,967,751 bytes
( a! L( V) |6 m$ X - Protection: AACS- P4 K- T: v/ I' o5 p; _
- Extras: BD-Java
" B, g- \! v# g2 r - BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.3.8)
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7 W# C1 g# G9 T. K- PLAYLIST REPORT:5 S+ L. i- s7 S' l* o0 H5 ?7 `: G
5 J9 u$ H* u' v7 }+ Z- Name: 00001.MPLS 1 r8 S x2 [1 P- r% H/ d. ]. K
- Length: 1:36:35.414 (h:m:s.ms)4 x" |6 Q6 `9 Z; ~( S$ t+ F
- Size: 31,472,087,040 bytes
4 a4 L6 a4 o( Z* Q! V) u - Total Bitrate: 43.44 Mbps
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- AUDIO:! c6 A1 l9 ?( M6 L! n2 W
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- Dolby TrueHD Audio English 3913 kbps 5.1 / 48 kHz / 3273 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)
/ [. m- p0 {, D/ f5 p - Dolby Digital Audio German 224 kbps 2.0 / 48 kHz / 224 kbps4 [3 i5 ~1 X1 B. g. }" @
- Dolby Digital Audio French 224 kbps 2.0 / 48 kHz / 224 kbps / Dolby Surround
& \4 j& P+ K2 ` - Dolby Digital Audio Japanese 224 kbps 2.0 / 48 kHz / 224 kbps / Dolby Surround
# a( ]$ n1 s; q' g6 t1 C0 t& }% M* @ - Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
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) R) K, G* n( }! Z3 M) @) W% r( `9 _ - Presentation Graphics English 47.174 kbps
5 X- y T- }" u; x- B& e - Presentation Graphics German 25.07 kbps
) F8 j" R( m$ D. }9 r5 @1 v( b* @ - Presentation Graphics French 32.863 kbps
- n# E* ^: {" v/ n2 d$ y - Presentation Graphics Japanese 19.151 kbps
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复制代码 Special Features:) ?4 G$ m7 A* d$ R+ Z
Eddie Murphy and Nick Nolte push the limits of both action and comedy in the acclaimed classics 48 HRS. and ANOTHER 48 HRS., arriving separately on Blu-ray in the Paramount Presents line July 6, 2021 from Paramount Home Entertainment.+ A. l# |* |' w9 h& V& f6 E
1 {. L( F$ {' {! \8 G RBoth films have been newly remastered from 4K film transfers and are presented with new bonus content featuring insight from director Walter Hill along with vintage behind-the-scenes footage to look back at the making of his high-octane classics. This is the Blu-ray debut of ANOTHER 48 HRS. The limited-edition Paramount Presents Blu-ray Discs™ come in collectible packaging featuring a foldout image of each film’s theatrical poster and an interior spread with key movie moments. The discs also include access to a digital copy of the film along with the theatrical trailer. Special features on each disc are detailed below:
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Filmmaker Focus: Director Walter Hill on 48 HRS.
# ^- ` ^6 G* x0 Q) _. b9 wTheatrical Trailer2 h6 U/ |8 ^ N: I* \
Space Kid—original 1966 animated short, which makes an appearance in the film) U7 `/ `1 w. T+ O, H4 w! Y
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48 Hrs. Blu-ray, Video Quality % g L; {3 j2 [: ^* t
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1 R2 H6 d9 o( B7 n ^# }( t i# a1 b" G48 Hrs. earns about a point on the 0-100 video scale for every hour in its title. Paramount's decidedly midlevel and fairly disappointing 1080p transfer boasts an increase in clarity and resolution over standard-definition releases, but even for an aging catalogue title the results aren't up to par with the studio's best efforts. The film begins by showcasing some evident wobble over the opening credits, a problem that reappears several times through the movie. Fuzziness and soft shots occasionally make an appearance, but generally the film is moderately sharp and suitably crisp. Detail is never extraordinary, but the bump afforded to the material by the 1080p treatment is evident throughout. Colors are sturdy but not at all vibrant. The transfer exhibits a generally run-down, worn-out look to it; pops, dirt, and random blue vertical lines are present throughout, though generally not in any quantity so as to become a major distraction. Shadow detail is sloppy and blacks are hit-or-miss, generally favoring the latter. A fair bit of grain is retained over the image, spiking at times and practically disappearing at others. It could be worse (take a look at the included trailer), but 48 Hrs. could and should look better than this.
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5 T" t; e' G a$ \5 D# m48 Hrs. Blu-ray, Audio Quality $ F+ A4 X- N6 \% r* u7 d1 ~
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2 A- ?3 }1 S3 t/ v48 Hrs. features a Dolby TrueHD 5.1 lossless soundtrack that fares a little better than the video presentation. Things are generally smooth as James Horner's score floats around the front half of the soundstage, the track handling every beat throughout the entire range with a good deal of precision. Bass could be a little tighter, but given the age of the material and the limitations of the source, it's a minor issue. Gunshots pound out with a fair bit of oomph but lack the precision clarity of superior tracks; bullets do hit hard, though, when impacting various solid surfaces. Ambience is a little disappointing, though; a bustling police station in chapter four features background chatter, ringing telephones, and the like, but the effects are contained to the front half of the soundstage. The back channels are practically eliminated from the scene, and indeed, most of the movie. Dialogue is generally accurate but at a few instances a touch mushy. This is a decent soundtrack that probably approaches the upper end of the best-case scenario for a movie like 48 Hrs.; {! C( J# D! O# w$ w
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