- 积分
- 64147
- 经验
- 16551 点
- 热情
- 11188 点
- 魅力
- 5337 点
- 信誉
- 14600 度
- 金币
- 570 枚
- 钻石
- 451 颗
- 蓝光币
- 10 ¥
Post Share
- 金币
- 570 枚
- 体力
- 13292 点
|
Ronan, a fighter pilot and Israeli by Law of Return, is shot down and captured in Syria after a mission. As he's a US senator's son, a joint Israeli US squad's sent in to rescue Ronan within 36 hours.
8 x- j I3 p# N+ S t6 R9 D, b1 X3 A, J4 U6 u6 f* Y8 \
2 _. | c# {8 A& \
) R8 P2 @ y! U7 _6 n; J8 E# m" ]
◎译 名 锅盖头4:回归法制/以色列公民回归法6 v: p; A+ V3 Q5 a
◎片 名 Jarhead: Law of Return' B8 ^8 t Z$ g' U) c3 {
◎年 代 2019
; @/ p- P. N" w/ A# }◎产 地 以色列/美国
8 X3 r& d. b/ p4 l. N. N# D◎类 别 剧情/动作/战争' J3 q. e& H0 _# e* j9 _+ N2 {2 g
◎语 言 英语
- G9 g# u* T# X: [: j5 _◎上映日期 2019-10-01(美国)
3 B0 }) B9 b* _# }/ w1 C. w+ B◎IMDb评分 5.7/10 from 5,051 users
! B7 `& U; r* \1 ?◎IMDb链接 https://www.imdb.com/title/tt10767720/
. i1 j- V7 ?& F% i0 N0 v ]4 Z◎豆瓣评分 5.6/10 from 1,311 users7 t& E7 q" I+ K9 \1 I3 y
◎豆瓣链接 https://movie.douban.com/subject/34785746/7 K/ m: I$ P6 a: ?* y
◎文件格式 x264 + DTS
# a _) `! r* F% Y% I* B" P. |7 d* L◎视频尺寸 1920 x 1080
6 }- Q+ D: | F, r" p- Z$ G! h◎文件大小 1DVD 26.98 GiB+ f: n8 R* k0 o8 N
◎片 长 1:42:52.374 (h:m:s.ms)
) I4 a8 k! y, i( {, M7 k Q, f5 N◎导 演 唐·迈克尔·保罗 Don Michael Paul
8 f% I5 l* e) k◎编 剧 唐·迈克尔·保罗 Don Michael Paul3 W9 Y2 i: d$ w' M- ^( g5 P
◎主 演 戴文·萨瓦 Devon Sawa
$ x% ?8 V& t* f0 i; [: r 耶尔·伊坦 Yael Eitan1 F) P/ t% `! T- u) g; o
阿摩司·塔玛姆 Amos Tamam8 n: g; `2 u _3 o
阿莫里·诺拉斯科 Amaury Nolasco1 l+ x: O) s( e) r3 O- Q! |
杰夫·皮埃尔 Jeff Pierre
7 a; m& Q! q) T! g" M
' H1 p' d, |& o◎标 签 极度傻逼片
# }0 p- Y& S1 \
, S, a+ b; C. E- D9 v1 i# U9 f◎简 介
8 }1 V6 [5 _ b9 L, i T
" e/ G$ m8 ?6 D3 y$ V2 Y 罗南是一名战斗机飞行员,也是以色列人,根据返回法,他在执行任务后在叙利亚被击落并抓获。由于罗南是一名美国参议员的儿子,一支以色列美国联合小分队已在36小时内赶到营救罗南。
3 e8 p5 J+ {6 r
& L& m! f+ C, _ This is the harrowing & detailed story, chronicling the dangerous extraction of a downed Israeli fighter pilot, taken captive by a Hezbollah faction in Syria, rescued by a Special ops team comprised of the 2nd Marine Raiders, headed by lifetime soldier, Gunnery Sergeant Flores, & the Israeli Reconnaissance Unit 269.
q/ u6 ~$ }" d1 W, v8 ~$ E, F( W* ~: A* X% H0 i& f6 G, u
- DISC INFO:
. h% c2 S8 D9 i
) v$ d8 x& x- d) F: \- Disc Title: Jarhead.Law.of.Return.2019.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
6 w6 ? V# ^" a& B* ?5 @ - Disc Size: 28,968,595,354 bytes
, M% W- i! T' w9 p9 {; G i - Protection: AACS8 U% Q2 e; y' O, {2 I$ _: c& F# {! p
- Extras: BD-Java* x* y$ W8 b' s$ V
- BDInfo: 0.7.5.6 (compatible layout created by DVDFab 11.0.5.4)1 C; R5 ?: a* |/ H
- s; d0 O1 ~5 b( \4 C0 f) G
- PLAYLIST REPORT:4 g+ M2 I( W+ X# w! C
5 Q# F7 J2 E9 T& v9 ~' N- Name: 00800.MPLS
! E- }9 K, j2 E" _4 z7 | - Length: 1:42:52.374 (h:m:s.ms)4 V% z- P3 s( C9 J
- Size: 28,233,031,680 bytes
" H! I3 E E& B - Total Bitrate: 36.59 Mbps
. j) o. W8 W2 t7 s6 Q0 G% i - * ]8 e# H" r6 K& [8 h& F
- Video:% F# [* ~9 ^, Z& T7 H% B! \
- 4 `) M' G- U" X; Y. P! J2 U! m' j# B
- Codec Bitrate Description
8 N$ C* A# [3 k/ r* ~0 V9 V2 M, E - ----- ------- -----------
2 z' Z. G8 |5 m) | V# @ - MPEG-4 AVC Video 32472 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.10 R/ R i% f% z' \( Y3 z
- : u" [1 |4 p, `9 X/ u! f5 U
- AUDIO:! i. u% f) c Y& i" c
- ( d- Q0 L2 K' @! w/ k0 F
- Codec Language Bitrate Description . C8 {9 M2 q* H' b! c
- ----- -------- ------- -----------
) X0 c$ {$ l) ?* e - DTS-HD Master Audio English 2260 kbps 5.1 / 48 kHz / 2260 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
, X; d. Q. b4 x( ` b1 R/ g/ R
5 N1 }6 k/ t& n, c4 y. \- SUBTITLES:
8 ^; Q# W- A& ], A9 L8 c; B
" j9 P8 [# m5 V0 z5 {3 U- Codec Language Bitrate Description 6 Z/ q! n5 N5 L) K; Y$ [* G
- ----- -------- ------- -----------
I8 }3 k% m1 j - Presentation Graphics English 35.147 kbps
复制代码 Jarhead: Law of Return Blu-ray, Video Quality + z# D, t, g. h0 [$ k4 N6 i" u
# G1 M/ X9 h* K- `4 \* L
$ l r# W8 L* b3 c
Jarhead: Law of Return was unsurprisingly shot on video, today's de facto standard for lower end direct-to-video fare. Universal's 1080p transfer looks very good in the aggregate with few issues. Noise can be bothersome in some of the darker, lower light moments, including an opening scene when Flores is being debriefed and staring straight into the camera. Noise isn't overly bothersome in the third act, however, as Jackson waits in a low and warm light locale for word on his son and as the fight rages to rescue the captured fighter pilot. Nighttime scenes, which are plentiful in the third act, do offer good, deep black levels that play well against some of the gunfire pops and flashes. Colors are impressively saturated, even if much of the movie is made of various earthy tones and occasionally look overexposed for effect. Details are crisp and deliver accurate representations of heavy material military gear, suits, and civilian clothes. Facial close-ups reveal pores, hairs, sweat, and blood with surprising depth and complexity. War-torn environments and the dingy, dank, dark, and depressing locale where Jackson is held and tortured brings out the best of its rough, raw textures. The image suffers from very little banding or aliasing effects. This is a very good Blu-ray presentation from Universal.$ C; e3 _3 u: t4 t4 Z9 y( l8 W
8 J8 |( s# q6 Z% O1 Z3 ~# `
Jarhead: Law of Return Blu-ray, Audio Quality
5 b; N1 r% C! }# y& [6 v2 V1 C5 u ?
_4 I2 h" O2 ^* H
Universal's DTS-HD Master Audio 5.1 lossless soundtrack for Jarhead: Law of Return is fully capable and delivers a hearty, healthy listen that's unquestionably excellent, soaring at every opportunity and delivering terrific clarity that elevates the film well above its DTV roots, at least sonically. Music is boisterous and bass-y, a bit overwhelming and arguably over-amplified, at times, but usually agreeably immersive through the entire channel configuration and just on this side of too loud. The track demonstrates good movement as fighter jets zoom through the stage. Gunfire cracks and zips with impressive stage presence and detail in chapter six when the enemy attempts to gun down the recently shot-down Jackson and in turn returns fire from his handgun. A rocket is fired at him that nearly kills him; the concussive blast is potent, one of several throaty, deep low end moments in the film. Several action scenes to follow are of similar sonic signature, presenting with intense and engaging low end delivery and plenty of surround integration. Dialogue is generally fine with only a hint of shallowness (a scene at the 18-minute mark as the men gear up prior to the training mission). It is otherwise clear, precise, well prioritized, and center focused. This English track is the only one available on the disc. English SDH subtitles are also available.3 U7 E9 I: R, k" K9 U6 \/ ]; ~3 r* ?9 S
|
|