郎心似铁/阳光照耀之地 [美版原盘] A Place in the Sun 1951 1080p US BluRaycd AVC DTS-HD MA 5.1-OLDHAM 41.87GB

A poor boy gets a job working for his rich uncle and ends up falling in love with two women.

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5 V0 ?: [& C( a0 T. A◎译　　名　郎心似铁/阳光照耀之地
◎片　　名　A Place in the Sun
; `+ ~+ r, M; D◎年　　代　1951
◎产　　地　美国
* |0 n( k* p/ D1 s9 H, ?◎类　　别　剧情/爱情
◎语　　言　英语
◎上映日期　1951-08-14(美国)
) t/ i  r& Y% L  h3 F◎IMDb评分  7.8/10 from 21,407 users
3 f2 z/ I. Y; [: ]◎IMDb链接  https://www.imdb.com/title/tt0043924/
0 u6 {, N1 r* e* u" F◎豆瓣评分　7.7/10 from 3,260 users
1 p+ A2 Q2 K& R◎豆瓣链接　https://movie.douban.com/subject/1293047/
$ x3 P) V% Q# c  }4 p$ G◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
- J* X5 p  [3 u. h◎文件大小　1DVD 41.87 GiB
◎片　　长　2:01:57.476 (h:m:s.ms)
: I0 L1 Y. G5 h/ R3 N7 Y7 E- k& h◎导　　演　乔治·史蒂文斯 George Stevens
◎编　　剧　哈利·布朗 Harry Brown
4 T! Z  a3 h* _# A% q/ X6 v3 t　　　　  　迈克尔·威尔逊 Michael Wilson
　　　　  　西奥多·德莱塞 Theodore Dreiser
& \  d! I* {7 s8 E- C" a　　　　  　哈利·布朗 Harry Brown
, Q. t( \4 R: c. @　　　　  　帕特里克·卡尼 Patrick Kearney
+ ]1 ~1 @9 w, D' Q& d◎主　　演　蒙哥马利·克利夫特 Montgomery Clift
　　　　  　伊丽莎白·泰勒 Elizabeth Taylor
. P# B6 D) a( t5 N8 t( ~8 c　　　　  　谢利·温特斯 Shelley Winters
　　　　  　基弗·布拉赛勒 Keefe Brasselle
, K* {0 f" L) P9 u　　　　  　弗里达·伊尼斯科特 Frieda Inescort
. ~0 H3 v( q% e　　　　  　凯瑟琳·吉夫尼 Kathryn Givney
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$ |/ d- w. Y. @- n7 H. L7 e" ?- c◎标　　签　美国 | 伊丽莎白·泰勒 | 爱情 | 美国电影 | 经典 | ElizabethTaylor | Montgomery_Clift | 名著改编
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◎简　　介   

　　乔治（蒙哥马利·克利夫特 Montgomery Clift 饰）是穷人家的孩子，野心满满的他千里迢迢远赴大城市投靠叔叔，希望能够在那里成就一番大事业。在工厂中，乔治结识了名叫爱丽丝（谢利·温特斯 Shelley Winters 饰）的女工，没过多久，两人便走到了一起。富家千金安琪拉（伊丽莎白·泰勒 Elizabeth Taylor 饰）的出现扰乱了乔治平静的生活，夹在两个如花似玉的女人之间，面对着道德和利益，乔治不知该如何选择。
　　
　　爱丽丝怀孕的消息令乔治起了杀心，他约爱丽丝在小船上见面，企图伪造一起沉船事故，可即将动手之时，心中仅存的良知却让乔治难以继续。就在这时，船真的翻了，爱丽丝死于溺水，而乔治也因此陷入了丑闻之中。

　　George Eastman is a poor young man determined to win a place in respectable society and the heart of a beautiful socialite. But a factory girl with a dark secret threatens Eastman's professional and romantic prospects. Consumed with fear and desire, Eastman is ultimately driven to a desperate act of passion that unravels his world forever.
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, g# I" y7 {9 k* L  d% y) _◎获奖情况   
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# \2 _+ d4 |( \- {" x3 f  E8 B0 Y　　第24届奥斯卡金像奖 (1952)
7 i- o( R( c. P! R9 i7 H　　最佳影片(提名) 乔治·史蒂文斯
9 H8 X% \; \: L% M/ G. |% P& ^　　最佳导演 乔治·史蒂文斯
8 C4 _9 h0 E" I　　最佳男主角(提名) 蒙哥马利·克利夫特
　　最佳女主角(提名) 谢利·温特斯
6 u5 T+ ?* I* h5 C/ R: l　　最佳编剧 哈利·布朗/迈克尔·威尔逊
　　黑白片最佳摄影 威廉·C·梅勒
6 ^5 P1 F. `/ K5 t/ v" i5 a% o5 B　　最佳剪辑 威廉·霍恩贝克
　　黑白片最佳服装设计 伊迪丝·海德
# C6 X- W6 e8 j  \　　剧情/喜剧片最佳配乐 弗朗茨·沃克斯曼
　　
. i) J# S+ I# d( p& U& b　　第4届戛纳电影节 (1951)
- T; k: x4 v, h, G3 z. Y　　主竞赛单元金棕榈奖(提名) 乔治·史蒂文斯
　　
　　第9届金球奖 (1952)
6 b! T  `, Y. o6 k/ w: ~% H; _4 g　　电影类最佳剧情片
　　电影类最佳导演(提名) 乔治·史蒂文斯
- t( \$ K- j( m7 M% `5 e　　电影类剧情片最佳女主角(提名) 谢利·温特斯
* I/ v+ J  A  `  {. f* d　　电影类黑白片最佳摄影(提名) 威廉·C·梅勒
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1. DISC INFO:
   
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3. Disc Title:     A.Place.in.the.Sun.1951.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-OLDHAM
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4. Disc Size:      44,955,569,341 bytes
   
5. Protection:     AACS
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6. Extras:         BD-Java
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7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.4.3)
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11. Name:                   00001.MPLS  
    
12. Length:                 2:01:57.476 (h:m:s.ms)
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13. Size:                   38,216,945,664 bytes
    
14. Total Bitrate:          41.78 Mbps
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20. MPEG-4 AVC Video        35837 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
    
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27. Dolby Digital Audio             German          224 kbps        2.0 / 48 kHz / 224 kbps
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28. Dolby Digital Audio             Spanish         224 kbps        2.0 / 48 kHz / 224 kbps
    
29. Dolby Digital Audio             French          224 kbps        2.0 / 48 kHz / 224 kbps
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30. Dolby Digital Audio             English         224 kbps        2.0 / 48 kHz / 224 kbps
    
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37. Presentation Graphics           English         37.895 kbps                    
    
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47. Presentation Graphics           French          0.575 kbps

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A Place in the Sun Blu-ray, Video Quality   


Paramount brings A Place in the Sun to Blu-ray with a 1080p transfer, the product of a remaster "from a 4K film transfer in celebration of its 70th anniversary." This is a very well rounded image that appears to hold to similar patterns from the above-referenced Australian Imprint release. In that review, Jeffrey Kauffman cites the Imprint disc being "a 4K restoration by Paramount Pictures." Indeed, this 2021 U.S. release and the 2020 Australian release may very well be one and the same. Certainly many of Jeffrey's observations hold for this release, including the "minor crush" and some fluctuating detail. The black crush on this presentation does indeed render shadow details difficult to view, though it must be noted that the film was often shot very dark and absorbingly so for dramatic and aesthetic purposes; as Jeffrey noted some lakeside shots can be problematic, and the issue is in evidence around the 67-minute mark where crushed shadows play in stark contrast to the bright surrounding sun drenched elements (also see around the 75-minute mark at night). Likewise, black suit jackets and other dark elements tend to get absorbed into surrounding shadow and low light corners. However, the grayscale is otherwise in fine shape. It's well balanced and elements are differentiated with precision throughout the range. Details are pleasing with only small drop offs in quality. Most close-ups are expressively detailed and razor sharp, offering complex hairs and pores and fabric materials with exceptional clarity and rigorous attention to detail. The print is largely free of either source flaws or encode artifacts. Fans are going to be very happy to see A Place in the Sun so finely presented on Blu-ray.
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! U5 r' Z% P% ~4 {2 d- iA Place in the Sun Blu-ray, Audio Quality   
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Paramount brings A Place in the Sun to Blu-ray with a DTS-HD Master Audio 5.1 lossless soundtrack, which may again be very similar, if not identical, to the Australian Imprint release. This track is decidedly front-center dominant, a quality Jeffrey noted in his review. The presentation is also lacking authoritative clarity, evident from the beginning. The opening title sequence lacks both pure detail and wide spacing; the musical elements are clustered to the center and lack the sort of spread, the kind of front-end width, one would expect to find in a more modernly constructed soundtrack and within the 5.1 configuration. The original audio recordings are not of the highest fidelity, whether considering music, dialogue, or support effects. The track is well capable of delivering basics within its natural confines. The presentation is more than adequate but rarely offers much beyond its basics. Audiences expecting a multichannel push based on the encode will be disappointed, but anyone seeking a basic front-heavy workflow will find this a satisfying listen.

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