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The last remaining witch hunter battles against an uprising of witches in modern day New York.
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2 B* V: W: G9 ^2 u |- v◎译 名 最后的巫师猎人/最后的女巫猎人/巫间猎人(港)/猎巫行动:大灭绝(台)4 g% U( B8 I0 {( Y5 L s
◎片 名 The Last Witch Hunter / Son Cadi Avcisi
/ F+ z) n; a5 O6 ?5 Y5 U◎年 代 2015
3 l# m( ]1 Q0 M- l& ~: C◎产 地 美国
3 i/ Q; N( L% _. C3 ?◎类 别 动作/奇幻/冒险$ h0 S5 x, c0 A: \* D K3 t; F, E; ~ z
◎语 言 英语
o. @( K+ U) R1 `% E◎上映日期 2016-01-15(中国大陆)/2015-10-23(美国)! h) z% [* x( B+ d, V
◎IMDb评分 6.0/10 from 99,169 users
9 B2 N# w; m4 e D◎IMDb链接 https://www.imdb.com/title/tt1618442/+ Z; I- b6 ?( C4 Z |- i7 e
◎豆瓣评分 5.9/10 from 53,241 users' J( v, Q8 Z& f$ |
◎豆瓣链接 https://movie.douban.com/subject/10440076/2 ~1 _0 ]3 P8 X) Z$ Y {
◎文件格式 x265 + DTS # `: u; H: i. E! G& D
◎视频尺寸 3840 x 2160
- Q: d; L( J& h5 K; a◎文件大小 1DVD 54.39 GiB & 55.35 GiB; q: `0 e" A: \
◎片 长 1:46:35.180 (h:m:s.ms) & 1:46:34.429 (h:m:s.ms)
2 E+ J% \$ S8 D1 {◎导 演 布瑞克·埃斯纳尔 Breck Eisner
' [0 E( f% R/ f8 }& u◎编 剧 科里·古德曼 Cory Goodman1 @5 N" r& u8 r- R. }2 M; \/ w; b
马特·萨兹马 Matt Sazama- K X+ |' c, M6 l* w
伯克·沙普利斯 Burk Sharpless
6 O+ c5 y# A' ? O* v! U2 X 梅丽莎·沃雷克 Melisa Wallack% @+ `8 v/ g% E" Q9 ]0 Q- _" f9 u
◎演 员 范·迪塞尔 Vin Diesel. [, ^( ?$ u& O$ S
露丝·莱斯利 Rose Leslie
0 N" P$ c% b; e 伊利亚·伍德 Elijah Wood% S: m1 T6 ~4 A& c/ x% q
奥拉维尔·达里·奥拉夫松 Ólafur Darri Ólafsson9 n4 x# g; H2 ^' g; g6 s! p
丽纳·欧文 Rena Owen
9 k- M* [( B% S B* z6 q 朱莉·恩格尔布雷希特 Julie Engelbrecht
% N# z x. b& n( X) H z/ N+ e 迈克尔·凯恩 Michael Caine
7 N# C5 L7 z E6 ?1 Z) A 约瑟夫·吉尔根 Joseph Gilgun
! _4 D2 @2 }/ o. u 伊萨赫·德·班克尔 Isaach De Bankolé8 @: n: L+ v: P, p+ E5 s1 n6 s
迈克尔·哈尔西 Michael Halsey- j" f+ E1 \! y* I9 N1 N
斯隆·库姆斯 Sloane Coombs
3 G& E- U2 U- } a0 [0 t 洛特·弗贝克 Lotte Verbeek6 h+ p* U2 x1 t, r) Y U
道恩·奥利弗瑞 Dawn Olivieri" r: f' `$ |9 E3 J: x5 r
因巴尔·拉维 Inbar Lavi+ |* Z3 ~5 k, N8 y; O8 L
阿玛尼·杰克森 Armani Jackson$ ?9 P( y# T$ W/ b8 e' T, f. v
艾米·卡里诺 Aimee Carrero, Y* h. R5 y! {, I/ m% e4 h
贝克斯·泰勒-克劳斯 Bex Taylor-Klaus
# R" k5 q( `( K- c 大卫·惠伦 David Whalen7 k" y: z% O4 P6 K @
杰克厄迪 Jack Erdie1 z* p$ I9 M! i5 z
Allegra Carpenter , z. I% Q5 d; r0 m1 y. W
萨马拉·李 Samara Lee
7 B3 K* R1 [1 U6 O6 a% e 大卫·维格 David Vegh
+ f4 H# [6 {. A2 m 丹佛·米洛 Denver Milord+ i& z2 `/ S# Y8 O2 u/ g
邦妮·摩根 Bonnie Morgan0 {% p8 `+ o2 \0 \5 V: t1 n
马克·斯达格 Mark Steger
) ]* F( [7 h8 ?2 ^) v( q `; ` 肖恩·卡拉汉 Shane Callahan& h3 G* [$ x4 N {
杰克逊·弗雷泽 Jackson Frazer
' Q% G$ u7 _/ u& t0 f5 S$ a 詹姆斯·哈奇森三世 James Hutchison III0 X1 f. W+ l7 `: @3 m( A
凯西·亨德肖特 Casey Hendershot
' P3 G) [2 h: T2 n: ?3 L 埃夫卡·科瓦拉西尤斯 Efka Kvaraciejus
) w9 S( x# Y5 W, n. B3 D& c/ T* v Jared S. Eddo
. D( q% _: B8 K8 u: \& S6 q' T Mike Mukatis 6 v: p S# y" d3 Y% I" \8 M1 F$ @
琼·瓦勒拉 Jon Valera! ~. l4 _: b7 ]( j+ E
Kurt Angle
- n& A) l% J8 J' y! C0 a 约翰·伯纳克 John Bernecker( } V( b, v( O; o) m i
阿什克·阿赫塔尔 Asheq Akhtar
, i1 `9 y9 y+ Y8 s3 K$ ~5 m 婕咪·埃迪 Jamie Eddy
. W2 K& @8 n" R4 @# X8 ], a" E 威廉·卡尼亚 William Kania
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, B9 n! V% X3 n; I' v◎标 签 奇幻 | 美国 | 范·迪塞尔 | 动作 | 魔幻 | 冒险 | 惊悚 | 2015/ @0 U$ v# b/ G' A' I
, [6 _. _/ d& K# ^5 m◎简 介 8 M. W D" l/ [7 h
/ ^, b/ Q2 l$ [7 I) w7 I! }8 F 考尔德(范·迪塞尔 Vin Diesel 饰)是一名女巫猎人,在黒巫后的诅咒之下,他得到了不灭的灵魂和不朽的躯体。永生带来的痛苦远远大于欢愉,在孤独和绝望之中,考尔德度过了漫长的时光,然而,他却从未放弃过身为一名巫师猎人所应尽的职责,他知道,女巫并没有绝迹,一个巨大的阴谋正在阴影里缓慢酝酿。
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- w( |. z ~+ p5 [+ O0 U 果不其然,黒巫后得到了能够使自己复活的秘术,与此同时,各地的女巫们亦按耐不住,纷纷蠢蠢欲动,妄图实现消灭人类统治世界的野心。考尔德和助手多兰(伊利亚·伍德 Elijah Wood 饰)想要面对繁杂而又强大的对手,必须得到善良女巫克洛伊(萝斯·莱斯利 Rose Leslie 饰)的帮助。一场恶战即将拉开序幕。
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The last witch hunter is all that stands between humanity and the combined forces of the most horrifying witches in history.
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) K% H v% I) Q1 z6 b( [, H. b j' |( S4 s 第6届豆瓣电影鑫像奖(2016)
4 O8 y% h; w- T7 j) a: P9 ] 豆渣单元 最渣影片(外语)(提名)
, q9 J; u8 \& L9 L% |/ ?# D- V 豆渣单元 最渣导演(外语)(提名) 布瑞克·埃斯纳尔
/ B# N, d6 U' m, z2 [( s( q 豆渣单元 最渣男演员(外语)(提名) 范·迪塞尔9 H+ H# K7 U% P5 w- O8 K) ?8 ~2 i
' n: M* z. v. }; G# K, P9 z- DISC INFO:
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复制代码- DISC INFO:
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复制代码 The Last Witch Hunter 4K Blu-ray, Video Quality
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Note: The Video score above refers to the original Blu-ray release. The 4K score is for the video quality of the UHD version.6 D" l8 [/ z* l, ?
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The Last Witch Hunter is presented on 4K UHD Blu-ray with an HEVC / H.265 encoded 2160p transfer in 2.40:1. According to the IMDb, this was captured at 3.4K from which a 4K DI was prepared, one which I'm assuming was utilized for this release. As with Sicario 4K, a 4K source seems to have provided some significant evidence of uptick in detail levels, as well as improved gradients and contrast which are probably attributable at least in part to HDR.8 s% e9 z( w: S1 b9 q9 e# A9 w
; q: M$ I1 {+ q* Q- H! A6 QRight off the bat with the pre-credits "historical" scene there's markedly improved shadow definition once the warriors go into the cave and confront the "beast". Gradients throughout the darker tones are more subtly blended and offer better details in textures on both the cave walls as well as some of the more blatant CGI elements like the destruction of The Witch Queen. Later, in the first "contemporary" sequence, the purplish hue that bathes the scene in the plane doesn't deplete detail levels and there are again some rather pleasing gradations in even the darker tones which are so prevalent throughout the early part of the film.
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1 M8 @0 v/ C ?8 `2 E: b" I. POnce the film gets into more brightly lit sequences, including some outdoor elements, detail pops with excellent sharpness and clarity. Elements like facial pores are offered with pinpoint accuracy, while fabrics and props have sometimes minute levels of detail. Interestingly, despite the prevalence of CGI throughout this film, there's less of the "cartoonish" look that both I and my colleague Michael Reuben have mentioned in previous 4K UHD reviews.
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In the first dreamwalking sequence, there's a brief burst of white light (probably less than a second) where it appeared there was some minor banding, and occasionally whites are pushed just to the edge of blooming, especially in a couple of outdoor scenes where the camera is pointed either toward the sky or light sources. Conversely, there are still moments where blacks tend to blend even with the improved management of gradients, and (to cite one example) a scene with Kaulder wearing a black jacket in a dark interior space provides little improvement in delineation between clothing and background even in this new presentation.: U$ A4 m5 K* t1 y
" x" h8 y+ |- k, {4 cOn a somewhat different subject, though, this disc provided my first experience in what I have perhaps whimsically termed the FUBAR Club that my colleagues Marty Liebman and Michael Reuben have documented in Marty's article on setting up gear and in both of their reviews of this first wave of releases. I had considered myself blessed not to have experienced much beyond occasional HDMI handshake issues. Playing this disc, however, presented immediate and recurrent HDMI handshake issues, which finally abated and allowed me to start the film. At that point, though, suddenly there was a loud pop and my display powered off, only to reboot to its television home page. When I reselected the HDMI input, I was surprised to get a reading that it was set to 1080p resolution. The film was still playing and looked like 2160p to me, so I reselected a display option for the HDMI port and it was now showing as 2160. This is probably not indicative of a complete meltdown, but it certainly reinforces the impression that early adopters of this format are getting that not all the kinks have been worked out (to put it mildly).# D3 I/ z9 q. l$ u- b6 v
$ d' j5 [4 g3 \. \( yThe Last Witch Hunter 4K Blu-ray, Audio Quality 9 a* g2 s- |/ o7 P
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The Last Witch Hunter offers a really fun listening experience courtesy of its DTS:X audio. I'm running a 7.1.2 setup (i.e., a traditional 7.1 setup with two additional "height" speakers) and the improvement in immersion from my Blu-ray experience was substantial (I didn't yet have a receiver able to decode the newer audio codecs at the time of the Blu-ray release, and therefore reviewed the DTS-HD Master Audio 7.1 core track). There is quite a bit of "overhead" sonic information scattered throughout the film, especially in the cave sequences that recur at several points. The first cave sequence offers some nice surround activity with spooky creaking sounds emanating from the side channels and then when there's a sudden explosion (announcing the arrival of The Witch Queen), a very effective overhead pan occurs. The film tends to settle down for a while, but there is still regular immersion courtesy of things like storms or urban sounds. Several SFX sequences offer great opportunities for nice movement (including overhead information), as in a swarm of butterflies that is a "magical" component of one scene. The big showdown scene goes for broke, sonically speaking, offering a glut of LFE and consistent use of all channels to envelop the listener in a maelstrom of otherworldly sounds./ v0 f' R4 j- X% P& n! Y
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