盖棺了结/死并且快乐着 [4K蓝光原盘] Dead and Buried 1981 2160p BluRaycd HEVC TrueHD 7.1 Atmos-TASTED 91.74GB

A suspense horror film set in a small coastal town where, after a series of gory murders commited by mobs of townspeople against visiting tourists, the corpses begin to come back to life.
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◎译　　名　盖棺了结/死并且快乐着/死亡埋葬
8 d8 Y: P6 e' y. J$ N◎片　　名　Dead & Buried
◎年　　代　1981
; P: {; B9 {, w3 A◎产　　地　美国
- @& `3 i" k9 ^3 W8 o( Y◎类　　别　悬疑/惊悚/恐怖
◎语　　言　英语
◎上映日期　1981-10-09(美国)
◎IMDb评分  6.6/10 from 11,255 users
◎IMDb链接  https://www.imdb.com/title/tt0082242/
! q6 q0 Q* @% |◎豆瓣评分　6.9/10 from 1,488 users
◎豆瓣链接　https://movie.douban.com/subject/1302500/
◎文件格式　x265 + TrueHD
; x; N- J$ ?3 u: U◎视频尺寸　3840 x 2160
◎文件大小　1DVD 91.74 GiB
◎片　　长　1:34:00.134 (h:m:s.ms)
◎导　　演　盖瑞·谢尔曼 Gary Sherman
* u1 \  d- {2 G2 O, t　　　　  　加里·雪曼 Gary Sherman
◎编　　剧　亚历克斯·斯特恩 Alex Stern
, J& k5 h! x2 _1 Y: u9 T6 b9 T% g　　　　  　Chelsea Quinn Yarbro
　　　　  　丹·欧班农 Dan O'Bannon
◎主　　演　詹姆斯·法伦蒂洛 James Farentino
2 r5 p$ ]" M+ [8 I1 ]  s9 _" j. M　　　　  　梅乐蒂·安德森 Melody Anderson
　　　　  　杰克·艾伯森 Jack Albertson
　　　　  　丹尼斯·雷德菲尔德 Dennis Redfield
　　　　  　Nancy Locke
, i; H% L& i9 o　　　　  　丽萨·布伦特 Lisa Blount
　　　　  　罗伯特·英格兰德 Robert Englund
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◎标　　签　恐怖 | 美国 | 悬疑 | 惊悚 | 美国电影 | 1981 | 血腥 | 1980s

◎简　　介   

; N3 R1 u; x# q5 K5 n　　罗德岛附近的某海滨小镇，风景如画，舒适宜人，引得四方游客前来度假。但这里似乎却隐藏着不为人知的秘密。来此度假的游客或暂居此地的居民起初会受到热情款待，然而不久后他们便被残忍杀掉。更为恐怖的是，这些已经死去的人随后会再次出现岛上，以主人的身份笑迎八方宾朋。
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/ v% c0 `! V" W/ ~# Z" S+ H" ^. n　　地方官丹·吉尔斯（James Farentino 饰）的妻子珍妮（lody Anderson 饰）也是这一系列奇怪事件的牺牲者，他决心查清事实真相。很快他便注意到，在一片肃杀的气氛中，似乎只有从事殡葬业务的威廉姆（Jack Albertson 饰）甚为高兴。威廉姆和奇怪事件是否有所联系？其背后的真相又将如何？
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2 m& Z2 I6 M; l3 p; C　　Something very strange is happening in the quiet coastal village of Potters Bluff, where tourists and transients are warmly welcomed… then brutally murdered. But even more shocking is when these slain strangers suddenly reappear as normal, friendly citizens around town. Now the local sheriff and an eccentric mortician must uncover the horrific secret of a community where some terrifying traditions are alive and well… and no one is ever really dead & buried.
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1. DISC INFO:
   
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3. Disc Title:     Dead.and.Buried.1981.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-TASTED
   
4. Disc Size:      98,230,990,931 bytes
   
5. Protection:     AACS2
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6. Extras:         Ultra HD, BD-Java
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.3.6)
   
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11. Name:                   00000.MPLS  
    
12. Length:                 1:34:00.134 (h:m:s.ms)
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13. Size:                   69,400,719,360 bytes
    
14. Total Bitrate:          98.44 Mbps
    
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22. MPEG-H HEVC Video       76496 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
    
23. * MPEG-H HEVC Video     7624 kbps (9.06%)   1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020
    
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29. Dolby TrueHD/Atmos Audio        English         4139 kbps       7.1+11 objects / 48 kHz / 3499 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
    
30. DTS-HD Master Audio             English         1768 kbps       5.1 / 48 kHz / 1768 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
    
31. DTS-HD Master Audio             English         870 kbps        1.0 / 48 kHz / 870 kbps / 16-bit (DTS Core: 1.0 / 48 kHz / 768 kbps / 16-bit)
    
32. DTS-HD Master Audio             French          843 kbps        1.0 / 48 kHz / 843 kbps / 16-bit (DTS Core: 1.0 / 48 kHz / 768 kbps / 16-bit)
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33. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
34. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
35. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
36. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
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42. Presentation Graphics           English         34.553 kbps                    
    
43. Presentation Graphics           French          31.926 kbps                    
    
44. Presentation Graphics           Spanish         28.495 kbps

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Dead & Buried 4K Blu-ray, Video Quality   


Presented in its original aspect ratio of 1.85:1 and encoded with HEVC/H.265, Dead & Buried arrives on 4K Blu-ray courtesy of Blue Underground.

6 x% S( [" T5 x. W7 |The release is sourced from an exclusive new 16-bit 4K master struck from an interpositive that was approved by Director of Photography Steven Poster.

Please note that the screencaptures from the 4K Blu-ray are downscaled to 1080p and are not representative of the actual quality of the 4K content. Color values are different and superior. They appear in the following order:

& r1 Q5 Y& v7 t( p/ TScreencaptures #1-13 are taken in native 1080p from the Blu-ray.
( ?3 h6 K/ u8 w( X, }7 }Screencaptures #16-31 are taken from the 4K Blu-ray.

4K BLU-RAY DISC

! \5 C' J# }( |+ E# Z* mI viewed the entire film with Dolby Vision enabled. The first thing that immediately makes an impression is how nicely balanced the visuals are despite the fact that there are all sorts of different density and lighting fluctuations. This makes it very easy to understand where and how specific stylistic choices affect everything that is captured by Steven Poster's camera. Sometimes it can be a subdued background light (see screencapture #1), while elsewhere it can be simply a fine range of earthy colors supported by natural light (see screencapture #5). In darker footage -- of which there is plenty -- you will see excellent ranges of background nuances. Your initial impression could be that this footage is significantly softer than that offered by the previous release of Dead & Buried, but it is vastly superior, with much stronger organic qualities. (By the way, this is very easy to see and appreciate on the Blu-ray release, in 1080p, as well). Grain looks very nicely exposed and resolved (see screencapture #2). Again, it does fluctuate, but these fluctuations are part of the original cinematography. The color grading is very convincing. The primaries look very healthy and remain stable, while the supporting nuances are quite a bit better balanced than they are on the previous release. I projected the film and on a large screen you essentially end up getting a very fine theatrical appearance with lovely nuances. Image stability is excellent. The entire film looks spotless as well. (Note: This is a Region-Free release).

BLU-RAY DISC

The film looks really solid in 1080p as well. However, I was not surprised that it does because its creators have done a lot to subdue certain aspects of its visual appearance, so while select nuances are better revealed in native 4K, there is plenty that looks just as good in 1080p. Some of the grain fluctuations are a tad more pronounced here, but this is to be expected because in 1080p grain tends to be slightly more 'loose' than it is in native 4K. (This is one of the reasons I often highlight improvements in fluidity when older films are redone in 2K/4K. On a larger screen, the improvement can make quite a difference). The color palette is very similar, but if you compare it to the one from the 4K Blu-ray release, you will see that there is still a difference in the supporting nuances. Obviously, the entire film looks very healthy again. (Note: This is a Region-Free release).

Dead & Buried 4K Blu-ray, Audio Quality   
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There are four standard audio tracks on the 4K Blu-ray and Blu-ray releases: English Dolby Atmos, English DTS-HD Master Audio 5.1, English DTS-HD Master Audio 1.0, and French DTS-HD Master Audio 1.0. Optional English SDH, French, and Spanish subtitles are provided for the main feature.
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+ W7 n7 n% U$ FI used the Dolby Atmos track to view a large portion of the film and then switched to the Mono track. The main difference that I could hear is what I can best describe as an expanded dynamic field. The new Dolby Atmos track makes the entire soundtrack a lot more 'open'. What does this mean exactly? It means that the improvement isn't noticeable only in superior dynamic contrasts, but in various other areas as well. For example, the dialog could sound fuller. Interestingly, the Dolby Atmos track tends to enhance the chamber quality of Joe Renzetti's soundtrack, so in certain areas you really tell that it was finalized with older recording/mixing equipment.
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