肖申克的救赎 [4K蓝光原盘 自带中字] The Shawshank Redemption 1994 2160p BluRaycd HEVC DTS-HD MA 5.1-REDANDY 60.79GB

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency.
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& z8 R9 `# e. \◎译　　名　肖申克的救赎/地狱诺言/铁窗岁月/消香克的救赎/月黑高飞(港)/刺激1995(台)
◎片　　名　The Shawshank Redemption
* b% \( u( i/ V* ^0 U* t◎年　　代　1994
◎产　　地　美国
" _" g3 D) U6 v) s. w3 e$ P% {; P◎类　　别　剧情/犯罪
◎语　　言　英语
% O0 h8 Q+ e7 c6 ?4 H) V◎上映日期　1994-09-10(多伦多电影节)/1994-10-14(美国)
4 S* b3 o) l% Z: u& A$ J& Q◎IMDb评分  9.3/10 from 2,459,830 users
◎IMDb链接  https://www.imdb.com/title/tt0111161/
; f! v( b& T; x' U3 Y3 X◎豆瓣评分　9.7/10 from 2,446,405 users
7 s  t' J7 {4 ]4 Y8 l◎豆瓣链接　https://movie.douban.com/subject/1292052/
" r/ O4 h9 V% D8 F3 u( g, k/ H- G- c6 A◎文件格式　x265 + DTS  
* h  [9 W/ k. R, V8 y  _. J8 r◎视频尺寸　3840 x 2160
◎文件大小　1DVD 60.79 GiB
◎片　　长　2:22:32.543 (h:m:s.ms)
◎导　　演　弗兰克·德拉邦特 Frank Darabont
: y# K& m1 F/ a( E. }4 R◎编　　剧　弗兰克·德拉邦特 Frank Darabont
　　　　  　斯蒂芬·金 Stephen King
# N- @% L( h- U7 C◎主　　演　蒂姆·罗宾斯 Tim Robbins
3 u. Z4 X% _3 k4 e) X: T+ T6 U, K/ f: \　　　　  　摩根·弗里曼 Morgan Freeman
　　　　  　鲍勃·冈顿 Bob Gunton
" w) R# K5 `  r2 k9 d* v　　　　  　威廉姆·赛德勒 William Sadler
　　　　  　克兰西·布朗 Clancy Brown
  @! G4 V# f8 D+ ~% |　　　　  　吉尔·贝罗斯 Gil Bellows
0 }. r5 p, [8 \　　　　  　马克·罗斯顿 Mark Rolston
5 y& ^  i% e) b　　　　  　詹姆斯·惠特摩 James Whitmore
" ~7 k1 p: ]3 k0 j, k: B, j5 [　　　　  　杰弗里·德曼 Jeffrey DeMunn
　　　　  　拉里·布兰登伯格 Larry Brandenburg
+ y' Z& E. c9 r7 k% \; \　　　　  　尼尔·吉恩托利 Neil Giuntoli
　　　　  　布赖恩·利比 Brian Libby
　　　　  　大卫·普罗瓦尔 David Proval
　　　　  　约瑟夫·劳格诺 Joseph Ragno
7 H' R" A: b, m& @  a　　　　  　祖德·塞克利拉 Jude Ciccolella
2 X9 ^+ g2 W, k! r  h　　　　  　保罗·麦克兰尼 Paul McCrane
: Y. E# P# z1 a9 K$ ], b　　　　  　芮妮·布莱恩 Renee Blaine
# m3 `# e) q& {8 w  C) O5 g　　　　  　阿方索·弗里曼 Alfonso Freeman
　　　　  　V·J·福斯特 V.J. Foster
: G5 @- F, t2 g: S$ Z# b　　　　  　弗兰克·梅德拉诺 Frank Medrano
　　　　  　马克·迈尔斯 Mack Miles
　　　　  　尼尔·萨默斯 Neil Summers
- f3 b8 p$ R; W- ]4 s) P9 _" ]　　　　  　耐德·巴拉米 Ned Bellamy
# T6 g3 K8 w0 k( H! h1 v: @　　　　  　布赖恩·戴拉特 Brian Delate
　　　　  　唐·麦克马纳斯 Don McManus

7 {' Y8 |0 k5 a) T◎标　　签　典范 | 励志 | 信心 | 自在 | 人性 | 人生 | 希望 | 美国

◎简　　介   
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% \& D5 ?/ _" u( F6 r4 L% d. y　　一场谋杀案使银里手安迪（蒂姆?罗宾斯 Tim Robbins 饰）蒙冤入狱，谋杀妻子及其情人的控告将软禁他终生。在肖申克牢狱的初次现身就让牢狱“年老”瑞德（摩根?弗里曼 Morgan Freeman 饰）对他另眼相看。瑞德帮助他搞到一把石锤和一幅女明星海报，两人渐成磨难 之交。很快，安迪在牢狱里大显其才，担任牢狱图书治理员，并操纵自己的金融常识帮助牢狱官避税，引发了典狱长的留意，被招致麾下帮助典狱长洗陋规。偶然一次，他得知一位新入狱的小偷可以作证帮他洗脱谋杀罪。燃起一丝希望的安迪找到了典狱长，希望他能帮自己昭雪。凶险伪善的狱长伪装答应安迪，背后却派人杀死小偷，让他唯一能正当出狱的希望耗费。沮丧的安迪并没有失望，在一个电闪雷鸣的风雨夜，一场隐藏几十年的逃狱计划让他自我救赎，重获自在！老朋友瑞德在他的鼓舞和帮助下，也勇敢地奔向自在。
　　
$ q/ C" p% B: D( ]8 I9 {/ P. w　　本片获得1995年奥斯卡10项提名，以及金球奖、土星奖等多项提名。
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　　Framed for the double murder of his wife and her lover, banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his tenure in prison, Dufresne becomes admired by the other inmates, ultimately befriending another prisoner named Red during the process.
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◎获奖情况

/ L8 ^% s. ], J0 b- j　　第67届奥斯卡金像奖 (1995)
　　最好影片(提名) 妮基·马文
　　最好男配角(提名) 摩根·弗里曼
! _7 H: ~# o3 U6 b! K, p; w8 Q8 y　　最好改编剧本(提名) 弗兰克·德拉邦特
; k7 {# v, ~8 z. o  y/ e1 k* }　　最好摄影(提名) 罗杰·狄金斯
! [  I  p3 l8 o% b  v% L　　最好剪辑(提名) 理查德·弗朗西斯-布鲁斯
5 a: `" @+ q. _7 K/ S$ Y　　最好声响(提名) 威利·D·伯顿/迈克尔·赫尔比克/罗伯特·J·利特/艾略特·泰森
　　最好原创配乐(提名) 托马斯·纽曼
2 U& Q) ^* i- j　　
$ Q- G, E( G  ]5 \5 a　　第52届金球奖 (1995)
　　电影类剧情片最好男配角(提名) 摩根·弗里曼
- G9 w) q4 \6 A4 R+ r- I　　电影类最好编剧(提名) 弗兰克·德拉邦特
6 d4 i+ @/ A- Y4 U. n$ g+ |　　
　　第19届日本电影学院奖 (1996)
　　最好外语片
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　　第20届报知映画赏 (1995)
　　外洋作品奖 弗兰克·德拉邦特

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3. Disc Title:     The.Shawshank.Redemption.1994.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-REDANDY
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The Shawshank Redemption 4K Blu-ray, Video Quality  
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NOTE: The Blu-ray disc included with this release is identical to both the 2008 Digibook edition and the 2010 Blu-ray, so I chose to include 1080p SDR screenshots for this review that were downsampled from the 4K disc. Although they obviously do not represent the full potential of the 4K's 2160p HDR transfer, they at least provide a general idea of its different color grading, mostly better contrast levels, deeper blacks, and correct 1.85:1 framing. Additionally, the first five screenshots on this page are exact frame matches of the primary screenshots from Casey's review of the Digibook edition (linked above), which should offer rudimentary evidence of these differences in quality.As implied above, Warner Bros.' 2160p HDR transfer of The Shawshank Redemption is much different than its older Blu-ray counterpart. Vaguely advertised as being sourced from a "previous 4K master", its visual features appear closer to a theatrical presentation than the overly bright and warm-tinted picture seen on older releases. Perhaps the most immediately obvious differences occur during most of the early prison scenes, which now take on a much cooler gray and blue cast than before; these color shifts emphasize Andy's isolation to a more literal degree and seem to be in line with cinematographer Roger Deakins' original intentions during shooting, which he spoke about in a 2017 article for American Cinematographer magazine. There are times, however, where the blue tint seems a bit overbearing, such as the prison's movie theater seen in screenshot #1. Still, color-wise this new transfer seems to offer a largely satisfying presentation, with better balance between individual shots and tasteful use of HDR grading that makes stronger colors stand out better against the blackness; specific scenes that come to mind are the opening shot with Andy outside the eventual crime scene, and Brooks solemnly leaving the darkened library before his fateful release.

Other visual elements show improvements as well, especially in the areas of fine detail and density. The Shawshank Redemption was filmed using at least two different stocks (both of them fine-grain), yielding a true film-like texture that's more apparent on this new transfer. In a static shot-for-shot comparison with the Blu-ray, however, the latter often looks "grainer"... but it's actually video noise more often than not, just as that older transfer's elevated contrast and brightness levels artificially boosted what should have been a more even-handed presentation. Close inspection of even the downsampled 4K captures in this review (explained above) reveal much more balanced highlights on the 4K presentation, as well as those stronger fine details that are clearly evident in wide shots and small background details alike, including the prison guard badges which are now very readable. But one area where this new transfer slightly struggles is black crush, as its ultra-deep black levels occasionally swallow the most subtle shadow details that were more evident in the older transfer. Was that another byproduct of the Blu-ray's boosted brightness? Possibly, but it seems more natural than some of the 4K's harshest transitions between dark values and true black.

  C7 H4 l$ r0 BWhile not perfect, this 4K transfer represents a very clear step in the right direction, easily beating a Blu-ray that, for most, was well above-average by 2008 standards -- you'll notice I still scored it a bit lower than our original review, because it obviously shows more than a few seams while still looking passable in most key areas. (Had WB bothered to include a remastered Blu-ray, the 4K and 2K video scores would likely be proportionately equal.) But with its better fine detail, more accurate colors, correct 1.85:1 framing, smoother highlights, and much denser film-like appearance (as well as a lack of very slight horizontal stretching, which I didn't even notice until I compared the two), this 4K transfer should largely please die-hand fans finally hoping to retire a disc almost as old as the format itself.

# N& q1 ~& G' D7 B- _The Shawshank Redemption 4K Blu-ray, Audio Quality   
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/ r$ y& G) H& `. X1 R& f! fIt would be easy to write off the 4K disc's Dolby TrueHD 5.1 mix as an identical port of the old Blu-ray, but that's not necessarily the case here. The differences aren't massive when adjusted for volume... and from that perspective, I'll refer you to Casey's review of the 2008 Blu-ray for a basic overview of the surround mix's overall aesthetic. But for starters, this track registers a bit louder than the old one, so you may need to dial back your receiver a few decibels. Although not a bass-heavy film, LFE response is a bit more pronounced this time around: from the heavy thud of closing cell doors to the industrial backdrop of Shawshank's antique machinery and, of course, Thomas Newman's lingering score, lower frequencies enjoy a larger sonic share even after balancing volume levels with the Blu-ray. One drawback to its increased volume level, though, is that portions of dialogue sound uncharacteristically "hot" -- that is, sibilance becomes a bit too pronounced with slight crackling. It's evident from the very first courtroom scene during Andy's sentencing, and the issue returns intermittently when voices rise above normal speaking levels. While this distraction almost completely vanishes once volume levels are dialed back slightly (and may not even be detected by those not listening for it), this annoyance is enough to warrant at least a point deduction for an otherwise solid track.

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