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The Tramp finds work and the girl of his dreams at a circus.* a! T1 x* T& X" D) r4 q4 w" s
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- K9 B5 u* u! @" p) T U+ ?- {, A◎译 名 马戏团/大马戏团
! ]9 Z' _# U& _◎片 名 The Circus
$ d1 C9 a+ V( D/ Y# B' X" P& f◎年 代 1928
" g: B* T0 m: p& A5 {) z6 q◎产 地 美国3 g2 O2 [% W% H2 A
◎类 别 喜剧/爱情4 U) e8 [) b: x2 t2 |& f
◎语 言 英语" Q( h0 ]( e. W, t% h/ J
◎上映日期 1928-01-06(美国)
3 |6 U: p# W6 w/ N3 ^◎IMDb评分 8.1/10 from 32,155 users+ b1 c% ?- u+ ^- b- n9 |. s
◎IMDb链接 https://www.imdb.com/title/tt0018773/" `9 ]- }+ p& x" `
◎豆瓣评分 9.2/10 from 17,186 users3 X' Q. Z0 n3 G! T: A- T
◎豆瓣链接 https://movie.douban.com/subject/1299628/
P! q+ ?4 O* O2 L1 Y- d$ s3 ?) Q◎文件格式 x264 + LPCM
F0 K. H1 b, F( @) R◎视频尺寸 1920 x 10800 x" {$ i2 k# r' J, _
◎文件大小 1DVD 18.72 GiB- ~( p2 y2 f" G0 ], t) O: E; g
◎片 长 1 h 12 min! |3 ^( i1 L. P, \. b
◎导 演 查理·卓别林 Charles Chaplin) @3 x0 I7 p% u2 `. a* C7 y9 c
◎编 剧 查理·卓别林 Charles Chaplin; }2 f: B* |% T& X" A+ }
◎主 演 阿尔·欧内斯特·加西亚 Al Ernest Garcia
2 w5 E6 ~. P! H7 ` 梅尔纳·肯尼迪 Merna Kennedy
2 p, v' ?8 k7 ]& G 哈里·克罗克 Harry Crocker
9 L: p. w, ?6 U( o: j. n George Davis/ i$ j- e# Q. U3 ~
亨利·伯格曼 Henry Bergman1 L3 `$ F) Q: L3 M4 N
蒂尼·桑福德 Tiny Sandford
+ Z1 ^# W/ e" p8 z3 x 约翰兰德 John Rand/ L3 P: C$ H' c/ d" ? g) A3 @3 j- u+ ^
查理·卓别林 Charles Chaplin; K. d; r, n2 e) x# a8 H6 V1 N
艾伯特·奥斯汀 Albert Austin7 y- M7 `8 }& l6 m O8 r
斯坦利·布莱斯通 Stanley Blystone
& {2 S% h1 e; y6 J( i% s 海尼·康克林 Heinie Conklin4 t; C" E: J* D
Toraichi Kono
( O1 _& ~ \) d# h/ i8 M 贝蒂莫里西 Betty Morrissey
0 @& y% t) t0 u5 s L.J. O'Connor
: g4 |# b# s+ M5 _7 T 杰克 P. 皮尔斯 Jack P. Pierce( ~: `9 K8 v6 }7 t/ k
Hugh Saxon2 Z1 o1 j( I8 a
Armand Triller+ C c0 F0 r5 `4 V7 t1 h
* i) r$ p/ U) ^! }' d◎标 签 卓别林 | 喜剧 | 默片 | 美国 | 黑白 | 典范 | CharlesChaplin | 美国电影2 |4 Y1 ]8 \" s1 X5 e
) s$ b: ~; ^6 ~; c3 f◎简 介
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; U8 W" F( G0 Q9 m 马戏团的表演因为呆板无趣而失去了观众,他们面临着破产和倒闭的危险,谁都不知道会不会有“救星”从天而降。流浪汉查理(查理·卓别林 Charles Chaplin 饰)在游园会中被卷入了一个小偷的圈套中,招来警察的追捕。他像无头的苍蝇一样钻进了正在演出的马戏团。舞台上,查理 躲避警察的各种肢体动作,被观众当成马戏团的表演,他们非常喜欢查理的“表演”,热烈地鼓掌来。马戏团老板想让查理留下来,帮助马戏团起死回生。虽然查理并不想以马戏团为生,但是走投无路的他为了维持生计也只好接受了老板的提议。很快,查理的喜剧表演天赋让他成为了马戏团的招牌演员。他爱上了善良柔弱的马戏团老板女儿,想尽办法取悦她,但是,老板的女儿真正爱上了的人却是走钢丝的男演员,为了成全所爱的人,伤心的查理默默地离开了喜欢他的观众。: z8 w3 @6 E+ B F8 Y3 R7 L
$ R: y" G1 `+ M' i1 i- ~( a$ C- q 查理·卓别林凭此片获得第1届奥斯卡金像奖荣誉奖。- y% }( r1 {# `" j
4 z4 b5 G+ u# k( I After being mistaken for a pickpocket, The Tramp flees into the ring of a traveling circus and soon becomes the star of the show, falling for the troupe's bareback rider along the way.
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◎获奖情况
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9 h# H! q3 T3 m# s0 ` 第1届奥斯卡金像奖(1929) X5 C. q; q7 A/ i L/ w& q7 D3 s2 y
毕生成就奖 查理·卓别林
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Video
& d6 G& @( b( Z6 ~* b3 NID : 1
' R" r# _5 Y" k( R6 z# @Format : AVC
8 [. j7 t/ a' U* n) u. tFormat/Info : Advanced Video Codec
+ a- K8 M0 O; EFormat profile : High@L4.15 T, z$ s- T6 ?$ V5 `8 p
Format settings : CABAC / 4 Ref Frames
$ b; G1 L7 @" }% }, Y* `7 G' uFormat settings, CABAC : Yes8 K3 y; C9 n9 c2 \# o3 \+ H+ w
Format settings, Reference frames : 4 frames
" i5 o* d# Y$ {6 j' J0 {Format settings, GOP : M=3, N=12
]4 {+ v- A) r! U4 [, h+ I( W- gCodec ID : V_MPEG4/ISO/AVC
: n8 A/ [' e& D8 O$ sDuration : 1 h 12 min( _8 G. y" ^/ H h( \2 a) q5 V' } ^
Bit rate mode : Variable# [' s5 A9 t A4 }; z
Bit rate : 35.5 Mb/s
% C( ^1 S1 F# W/ x- q7 f1 sMaximum bit rate : 37.0 Mb/s
4 r2 U t X1 iWidth : 1 920 pixels+ D E0 Y- D5 d# ~6 m0 B# Q4 f! x
Height : 1 080 pixels
7 v: j! N$ I9 H8 X2 P. {Display aspect ratio : 16:9
$ p- V i* y! @" i& g AFrame rate mode : Constant
: _/ W2 U$ s. I* \Frame rate : 23.976 (24000/1001) FPS
. J5 G( w" n _Color space : YUV
# G, b6 o/ [1 c- nChroma subsampling : 4:2:0
' D, b3 }( t0 S! |Bit depth : 8 bits+ a! ^# D" g6 h# `' V
Scan type : Progressive
, P& f6 P: `' \" e6 L; vBits/(Pixel*Frame) : 0.714 V% F1 v( S) X( t2 k, {& Q- v
Stream size : 18.0 GiB (96%): D# {% j- `- g7 G
Title : The.Circus.1928.REMASTERED.1080p.BluRayCD.REMUX.AVC.LPCM.1.0-FGT
8 |5 i* b" z8 ]( G3 P9 K zLanguage : English. s3 I+ e6 O4 |8 D( ?7 G2 c1 R
Default : No
8 @' s Q% ?- C& o3 sForced : No
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% }5 f( `4 Y8 [4 @4 Q; x3 XAudio #1- Z% @4 u# ~+ J4 c5 n' v. L* H
ID : 2" w. ~5 Q- m; n8 _! D. [& l6 \7 Z
Format : PCM* u1 V. i) z# t; i+ y/ Y! |
Format settings : Little / Signed; D% H$ z- C6 Y7 B$ `6 s( }1 H n! l
Codec ID : A_PCM/INT/LIT/ V W& F$ Q [( a' P' x0 o: k
Duration : 1 h 12 min
% g+ Y% H1 D4 m. I* E# F/ ABit rate mode : Constant
- e* K2 J: v9 l7 k) H, @$ i( NBit rate : 1 152 kb/s9 n' X" X- A% X4 J8 V+ ~% r
Sampling rate : 48.0 kHz! W+ I. _: x Q2 v* i
Frame rate : 30.000 FPS (1600 SPF)
3 [! ^5 i# J, I0 ?- fBit depth : 24 bits: X* s/ ?$ B* |
Stream size : 599 MiB (3%)
" X) q: g9 r9 S" W" Y9 f; ?1 J) rTitle : The.Circus.1928.REMASTERED.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT* u8 `9 C. z; ]7 n( G; A
Language : English
, }* O4 Z# [- oDefault : Yes8 B! D3 B3 n8 Q3 m7 f. F/ G7 w
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* P* }; A+ s1 R, k4 o* }Audio #2
9 W8 f* q1 w" B7 f1 KID : 3
( e% x- Z! }) [) n' i. CFormat : AC-3
$ M) q6 g3 g' p, dFormat/Info : Audio Coding 3
5 k( Y! Z" `& M+ I! SCommercial name : Dolby Digital
9 V5 a: V& J& u: G- e5 gCodec ID : A_AC3
8 [" |/ P# _8 |Duration : 1 h 12 min4 N4 p5 b. X) S+ L
Bit rate mode : Constant5 f X6 }: x/ j' m; _9 P: T
Bit rate : 192 kb/s
; q$ ^0 f: e' H8 r2 vChannel(s) : 1 channel
9 H" [$ c7 Z9 QChannel layout : C, C: F. H w7 ]/ ]7 u- |
Sampling rate : 48.0 kHz
5 X" o8 e3 n% |8 \! dFrame rate : 31.250 FPS (1536 SPF)- @ u! R" k2 W" W9 p9 U0 N5 ~
Bit depth : 16 bits+ d$ D* h1 j1 X* i6 p. H- _6 G0 H
Compression mode : Lossy+ r7 b% q" F" r1 B
Stream size : 99.9 MiB (1%)1 i. U+ C: c' B- O6 v, f
Title : The.Circus.1928.REMASTERED.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT
, B$ ^* T3 C# O X J5 u+ ?8 pLanguage : English" N' H, L1 Q* ^% s0 Z
Service kind : Complete Main" v) Q0 Y: \$ U: A
Default : No
2 ^9 ~( K D( X4 WForced : No- o8 `3 h; _7 w; l2 b7 F
1 j* C% t$ M( j2 s' s& |6 [2 {Menu
7 S J: e$ r3 J: N; R00:00:00.000 : en:Chapter 015 g& V& H( a0 O* y8 H7 Z) `9 f
00:04:52.709 : en:Chapter 02' w( h4 Y7 l7 x: Y* u/ N/ F
00:08:00.605 : en:Chapter 03; U9 F8 X5 o7 h. o
00:11:27.103 : en:Chapter 04
2 @, | Z5 k* \0 q) {00:17:04.273 : en:Chapter 05
8 F( F1 G+ ~7 _4 n. K" b00:20:56.046 : en:Chapter 06( W$ U' a6 m9 u; Z
00:28:37.465 : en:Chapter 079 P x* J- s4 `8 k
00:31:09.659 : en:Chapter 08* j# s+ X/ O: J- R2 S
00:35:09.482 : en:Chapter 09
% p; B0 N s2 n00:38:20.965 : en:Chapter 10
# |6 t: N# I: _- x+ L6 q6 K0 _00:41:51.467 : en:Chapter 114 j$ e: [3 N- w7 `8 D5 t3 r7 j( V
00:44:42.262 : en:Chapter 12: p0 q9 l& h. u ]6 P
00:46:44.593 : en:Chapter 13
' p/ E0 q J6 m! h$ @9 _00:53:13.732 : en:Chapter 149 r9 Z* u! U; k# b1 W
01:00:10.898 : en:Chapter 15
! M3 L# C) C, O9 m* @5 @. S" K01:06:12.677 : en:Chapter 16
* G7 y# K" ]( g) Q4 \4 [01:08:54.713 : en:Chapter 17 The Circus Blu-ray, Video Quality
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$ z. e6 T: F# N, ]! o: qPresented in an aspect ratio of 1.33:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Charlie Chaplin's The Circus arrives on Blu-ray courtesy of Criterion.; X% M4 K; [( \- K+ B
4 L" [: p4 G! L* j* aYou can see from the technical credits that are posted in one of the final screencaptures at the very bottom of our review that the release is sourced from a new 4K restoration, which was actually a complex reconstruction job. Multiple sources were accessed, with the main one being a second generation dupe-negative. This is important to underscore for two reasons. First, as you can see depth isn't optimal and plenty of shots actually reveal modest delineation in the backgrounds. Second, the visuals routinely tend to appear 'thicker' than they should be. But these are unavoidable source limitations, so the end product is the best presentation of the film.
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8 A1 K3 u2 O6 }7 }3 {0 c1 yHow does the current presentation compare to the one from this Region-B release which used the old MK2 master that was initially used for the first release of the film in 2010? You should expect to see the following improvements:; h+ X% p' r! q" u( @. C
& X& c& ]6 c. ~4 @+ C5 t _/ gMore grain is retained and as a result there are more noticeable fine nuances. However, the source limitations are such that in some areas the difference is marginal at best; elsewhere the improvements are significant. (Screencapture #1 is from one such area where the improvements are quite dramatic). The grading job is superior and the halo-like effects that become distracting on the previous release are drastically minimized here. On a bigger screen this is an important improvement; for folks with projectors it will be a huge improvement. Focus/clarity is better, but again there are areas where the source limitations are significant. (The entire sequence that screencapture #14 is taken from perfectly visualizes the issue). Finally, the new restoration is a lot healthier. It is significantly cleaner and with improved overall stability. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content)., H/ L1 h' }$ ?% P, E1 u/ h
9 y6 b+ L. v: eThe Circus Blu-ray, Audio Quality : e: A5 {. u, w1 j4 E$ Q b2 V
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6 H+ V. v4 Y* F" j+ A/ x& k2 xThere is only one standard audio track on this Blu-ray release: LPCM 1.0. English intertitles are present on the film. (Obviously, they are restored as well).$ M* j! \+ ?7 F. z- |! Y8 q
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The technical credits clarify that the audio was restored in 2K and then digitized. I thunk that the end result is excellent. The music is very clear, stable and nicely balanced, and completely free of age-related anomalies. The dynamic balance is very convincing as well.: C$ b6 g+ [; R7 ^6 i- k
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