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◎译 名 拆弹部队/危机倒数(台)/拆弹雄心(港)/反恐防暴部队
8 l% l. S2 M9 A" N% R◎片 名 The Hurt Locker
6 m, Y& }2 o& Z0 M◎年 代 2008% J1 ~# Z; R7 W) z% s1 Z. | {( G
◎产 地 美国8 n& j( ~8 u" w+ A
◎类 别 剧情/惊悚/战争" t3 V% R# x% F) ~1 q7 c# T, ]
◎语 言 英语
; j. D, D2 R# ^4 J( O2 ]5 q9 P◎上映日期 2008-09-04(威尼斯电影节)/2009-07-31(美国)7 ~: |' ] d7 [/ c" _+ ~
◎IMDb评分 7.5/10 from 434,105 users
, n+ p1 Z7 m) d/ B◎IMDb链接 https://www.imdb.com/title/tt0887912/
9 ^& L9 Q, H! t! _◎豆瓣评分 7.8/10 from 160,553 users3 P$ ~+ `8 r) v1 p
◎豆瓣链接 https://movie.douban.com/subject/2028645/
. j& Q5 c; |7 M" @3 ?: E◎片 长 2 h 10 min) t) L5 z: y" Y7 j
◎导 演 凯瑟琳·毕格罗 Kathryn Bigelow" u: f0 z% i" P; f! `
◎编 剧 马克·鲍尔 Mark Boal2 f6 l* p$ ?" a
◎主 演 杰瑞米·雷纳 Jeremy Renner% C, ?0 ~; A/ D& ^, h& J
安东尼·麦凯 Anthony Mackie
' Q; f7 G2 b& S4 X 布莱恩·格拉格提 Brian Geraghty
5 e# h; p$ S) N! z 克里斯托弗·沙耶 Christopher Sayegh
! Q2 u! ] u+ o+ V1 w 大卫·摩斯 David Morse, L5 f0 t$ j' k1 U1 Y+ a R
拉尔夫·费因斯 Ralph Fiennes9 T% O E3 `& e; V
盖·皮尔斯 Guy Pearce
) a' @( M+ Z3 X; |% i) E1 \" U 克里斯蒂安·卡玛戈 Christian Camargo
! g4 R9 Y, c" B* l0 Z, k' w/ V u 伊万杰琳·莉莉 Evangeline Lilly
) ]3 w- c* a, t( a 萨姆·斯普卢尔 Sam Spruell4 @7 h/ `7 G5 d4 s2 }, N
苏黑尔·达巴赫 Suhail Dabbach
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◎标 签 战争 | 美国 | 伊拉克 | 拆弹军队 | 美国电影 | 剧情 | 2008 | KathrynBigelow
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◎简 介
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美军侵入伊拉克后，上士威廉姆斯·詹姆斯（杰瑞米·雷纳 Jeremy Renner 饰）被调入陆军亡命连拆弹组，接替刚在巴格达执行任务中牺牲的同事。拆弹组另两人，负责联络的士官桑波恩（安东尼·麦凯 Anthony Mackie 饰）和负责掩护的特种兵欧文（布莱恩·杰拉蒂 Brian Geraghty 饰）对意气用事的威廉姆斯相当反感。但在联合国大楼的拆弹行动中，抗拒命令强行拆弹的威廉姆斯却得到上校瑞德（大卫·莫尔斯 David Morse 饰）的赞赏。在一次仓库拆弹任务中，威廉姆斯认为被用作尸体炸弹的伊拉克小男孩是他在军营认识的卖盗版DVD的贝克汉姆（克里斯托佛·萨伊 Christopher Sayegh 饰）。小贝克汉姆的死让威廉姆斯更为疯狂，竟私离军营单枪匹马入城调查……+ X: C. w" r8 M7 k3 c1 z' v& h4 ~
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本片荣获2010年第82届奥斯卡最佳影片、最佳导演、最佳原创剧本、最佳剪辑、最佳音效剪辑、最佳音响效果等6项大奖。
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% \$ j! n* k; U- _6 j; E3 l During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.
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◎获奖情况 1 l+ t5 O; Y0 Q
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第82届奥斯卡金像奖 (2010)
5 @$ O/ R, x, n) v. ]# T3 @ 最好影片 尼古拉斯·查蒂尔/格雷格·夏皮罗/凯瑟琳·毕格罗/马克·鲍尔
; ~0 A+ q) s9 B, E5 L" e 最好导演 凯瑟琳·毕格罗
$ c6 l- [5 y/ E6 E 最好男配角(提名) 杰瑞米·雷纳
/ p: E2 x- Q. o; {9 S 最好原创剧本 马克·鲍尔
$ T8 Q; A2 m' w/ R! ^ 最好摄影(提名) 巴里·埃克劳德
/ L3 m" ~2 R$ x( l8 ]- Y9 J 最好剪辑 鲍勃·穆拉夫斯基/克里斯·因尼斯1 l2 G5 H: h! F8 b& R& P
最好混音 保罗·奥特森/雷·贝凯特
' y7 Q" ~! Q4 l! x, i# x 最好音效剪辑 保罗·奥特森8 I2 C0 _2 h- E7 D& h ^' C
最好原创配乐(提名) 马可·贝尔崔米/巴克·桑德斯( I$ x ]) c4 w1 c8 q# ~. W0 Z+ a
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第66届威尼斯电影节 (2009)5 C( e( h3 g/ E
古驰奖 马克·鲍尔/ a- F+ t `+ C; d4 }
( z0 T/ h$ G8 B 第65届威尼斯电影节 (2008), \4 f- L- b2 K! [* h
金狮奖(提名) 凯瑟琳·毕格罗
$ o6 j1 `% w0 I; U 天主教文化奖 凯瑟琳·毕格罗
0 T1 o( t' E: S/ y: B/ u; ]1 f E: r 青年电影奖最好电影 凯瑟琳·毕格罗
, }. Z/ ^4 U) F) |. m4 f! g 人权电影收集奖 凯瑟琳·毕格罗
* S) y+ ]& y, @* ^' P SergioTrasattiAward 凯瑟琳·毕格罗
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第67届金球奖 (2010)! M: a; H. U' W9 _$ `! B
电影类最好剧情片(提名)
; A8 g+ @' @1 L8 Q" w/ _ 电影类最好导演(提名) 凯瑟琳·毕格罗" g4 ^" i8 e+ @
电影类最好编剧(提名) 马克·鲍尔
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第34届日本电影学院奖 (2011)
9 `" E% f+ @% w* J/ Q1 \1 N7 H4 k 最好外语片(提名)! U% x% g- s; ~$ E& u
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第75届纽约影评人协会奖 (2009). _% y! j. }' V! Y& a* p. m) F) _( V
最好影片
4 c+ d: v3 d- M/ o+ [" u 最好导演 凯瑟琳·毕格罗
% G* o j/ |! @1 ? 最好男配角(提名) 杰瑞米·雷纳0 m, N( s: c" X
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第10届美国电影学会奖 (2009)
5 N d$ ~) r& V. z8 w 年度佳片" |) A" |$ d! L/ d8 z% b
) f6 u- `' e3 Y% Q. A3 i 第8届华盛顿影评人协会奖 (2009)' P2 v( B' k7 p0 e- i& k) R0 B5 u
最好影片(提名)/ m8 V; P! D* c
最好导演 凯瑟琳·毕格罗
1 k: H4 v6 c/ u& O; O! t7 b 最好男配角(提名) 杰瑞米·雷纳5 R4 i& Z5 S8 \6 f; H3 K
最好男配角(提名) 安东尼·麦凯
0 w0 ^3 W' S- O7 U- T' F: B. d7 } 最好原创剧本(提名) 马克·鲍尔3 c; A" A0 p4 j
最好群戏' Q" \+ ~- Q7 v! P! _% t9 A
最好冲破表演(提名) 杰瑞米·雷纳& @" O4 ]) R, U7 C& s6 n, ?
; i8 A4 Y; I& g- c0 a; z9 _ 第14届圣地亚哥影评人协会奖 (2009)
: w: S, |6 \6 Z4 b 最好导演(提名) 凯瑟琳·毕格罗2 t0 q7 c/ T5 l0 t% M
最好男配角(提名) 杰瑞米·雷纳
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第22届芝加哥影评人协会奖 (2009)/ Y- {8 k0 ?8 t' S7 F
最好影片
( Z0 Y% `- Q5 S& n+ Y 最好导演 凯瑟琳·毕格罗
3 g! q; ]8 M# o+ C+ G 最好男配角 杰瑞米·雷纳" c }8 G6 w* E4 v N {
最好原创剧本 马克·鲍尔, W$ S2 i. v! `0 x% o5 M/ f( _: f
最好摄影 巴里·埃克劳德
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) t+ u6 v D4 p8 \ 第43届堪萨斯影评人协会奖 (2010)! L- a' m5 X5 f6 R8 ^
最好导演(提名) 凯瑟琳·毕格罗
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# \+ k3 o% v! n: |8 Y$ s* `' y* q( N 第18届东南影评人协会奖 (2009)5 c4 p. _. N7 ]" o5 T; q
最好影片(提名)
0 G2 a. C7 o2 C/ w# M# Q% t 最好导演 凯瑟琳·毕格罗' O9 }9 r) H0 V
最好男配角(提名) 杰瑞米·雷纳
+ F2 M* F" r, N2 w+ r 最好原创剧本(提名) 马克·鲍尔
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8 s3 y) T$ o" T: } } 第12届美国青少年挑选奖 (2010)" [$ M& |" V A5 {
最好剧情片男演员(提名) 杰瑞米·雷纳$ Y, f) ?3 `! {, y+ N( e; x
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00:00:00.000 : Studio Logo
- _, D7 d, |+ G' ?! m; U0 [7 q) h p00:00:32.000 : Studio Logos
7 I$ B4 i" u6 w' L% ]: g2 T7 e- Z9 S00:00:36.000 : Robot and Soldiers Arrive
9 m7 s: _: v1 R& e% E00:02:02.000 : Sanborn and Thompson Attempt to Defuse a Bomb* Q) A2 M4 @1 P& X4 `
00:06:11.000 : Thompson Attempts to Defuse the Bomb Manually0 K/ R6 d4 D% [8 n
00:10:09.000 : Sanborn Packs the Belongings of a Fallen Comrade! ]" t/ w3 T* l7 O0 b+ E# U
00:11:04.000 : Sanborn Introduces Himself to James' Q! F+ d+ i4 V9 I
00:12:33.000 : Owen and Sanborn Talk Iraq, t0 D( X# z7 U5 C8 _ N
00:13:40.000 : Team Tries to Find Missing Unit- I- Q9 T f" a5 P& L# t$ Q
00:16:41.000 : James Approaches the Bomb
$ `7 K1 R/ ^8 C, t. X00:19:09.000 : A Car Creates a Tense Situation
/ Y: K! W& M8 b3 E% F" Z) v00:22:18.000 : James Attempts to Disable the IED
) Z9 q8 k0 e$ s {4 c: Q/ a m00:26:58.000 : Sanborn Confronts James& H7 _: H" ^, m3 V/ k; u- R- |
00:27:35.000 : Eldridge Plays Video Games and Gets a Visitor
$ I X8 e, e5 F& ?2 K* b5 b00:28:45.000 : James Buys a DVD From a Kid
, y7 `1 V' ~5 T( K00:29:34.000 : Sanborn Confronts James About his Cowboy Attitude
: l5 a- D- ?+ ?7 E2 c3 S" _5 G6 j7 w00:30:30.000 : The Unit Responds to a Bomb Threat7 E2 Y# M* [, k8 O9 F
00:31:16.000 : An Unexpected Person Appears
1 Y% L2 A2 Q7 A& b3 v00:33:46.000 : Col. Reed Declares the Shooter\'s Condition& c! }; X- r5 D$ }- I
00:34:24.000 : James Breaks Protocol% h1 V1 [7 e9 l
00:38:04.000 : An Observer Creates Tension
" _; ^6 A: [& T00:40:52.000 : James Continues to Work
w$ G' A4 n _4 Z$ \2 `9 E00:43:53.000 : Col. Reed Complements James
: Q/ N# K1 r) I$ O00:45:09.000 : James Bonds with Beckham# p8 i9 U! e% _
00:47:20.000 : Eldridge Challenges his Psychiatrist/ b" D; \+ X, ?8 a1 G. t- B
00:48:52.000 : Sanborn Plays With Fire
2 f8 D5 V6 i+ D& s* q2 i; A00:50:56.000 : The Unit Runs into a Group of Men
, J! B6 o+ I- W# U* }00:53:56.000 : Group Has Company( C* M& Q5 J- J+ W- T: W
00:57:29.000 : Sanborns Needs Ammo
+ c4 ?' ~9 J9 D" R% u01:02:05.000 : Sanborn Faces Off3 M9 e4 L- X( i, f3 u/ @% o& H6 K
01:04:02.000 : Unit Waits it Out
2 `# y3 E( v: g) ^* E- k01:06:47.000 : Eldridge Watches Goats on a Bridge
, ~+ A+ t1 ]- t! H! U/ E3 W( G01:09:13.000 : The Unit Lets Off Steam
9 p* E! |5 ~% o, G; S% P01:15:04.000 : James Puts Sanborn to Bed
- I, {0 C/ F3 i* ^01:16:30.000 : Dr. Cambridge Requests a Ride Along
) A! u+ y+ [0 e% E5 h5 M01:17:20.000 : Unit Prepares to Address a Threat
6 D7 x4 w9 g3 R! p1 m5 p! K01:17:48.000 : The Unit Inspects an Abandoned Warehouse
+ Y D- P8 c" b4 _01:21:12.000 : James Finds Something' r% e5 l* h. `9 x
01:22:23.000 : James Deals with the Situation
Y0 S" c8 K# C7 ^5 N01:26:26.000 : Cambridge Tries to Clear the Crowd
2 b& A3 `/ x* J! |0 F# I01:29:09.000 : James Calls Connie
" d5 {8 A) Z! n/ h) z, o8 X01:29:56.000 : James Questions the DVD Merchant Q- D& ^, \, w# U" ~
01:32:07.000 : James Looks for Beckham\'s House+ @6 x0 n0 r- V2 {, a9 f: G* q
01:35:21.000 : James Tries to Reenter Base
! ~5 v- {& I" C5 O/ K2 d H01:37:01.000 : James Gets Called to Do an Assessment8 }6 F" v5 p; |5 `! h/ R
01:38:07.000 : Sanborn and James Inspect the Aftermath8 j! a$ K. \) Z
01:41:00.000 : James and Sanborn Speculate
/ K$ m- p& [ J6 O01:43:45.000 : The Team Splits up. }* g; I5 M& ~2 j e F7 U" @
01:47:31.000 : James Showers in his Clothing
+ a" ~# |8 k( d01:48:41.000 : A Friend Resurfaces2 ~5 F1 [) y/ a
01:49:16.000 : Eldridge Is Airlifted; {0 [2 [" C' B+ U
01:50:23.000 : A Man Needs Help
) K3 g1 d i+ [8 a$ f01:52:28.000 : James Moves In
( K q1 p. Y, G! j8 t01:56:06.000 : James Has News for the Man0 [* @8 x- o" T8 ~/ c) a; `
01:57:35.000 : Sanborn Talks to James. R/ A1 y P. e6 y' B5 ^/ j
02:01:10.000 : James Shops for Groceries
) @( E$ d& h9 E! i" i$ v4 e02:02:34.000 : James Talks to Connie
- Z1 {+ H9 F9 [+ `4 a. {02:03:35.000 : James Gives an Emotional Speech! o* Y: d! C1 ]; h6 |, z
02:04:50.000 : James Touches Down* B% J- z+ C" z# m+ `+ s
02:06:12.000 : End Credits    Video
+ M e1 w9 x2 \9 ^ n- AID : 18 K, ]" q- e T
Format : HEVC) u' S* s! ~5 s; c8 a1 ~, m' H
Format/Info : High Efficiency Video Coding2 C: N/ n% J0 S; {
Format profile : Main [email protected]@Main8 o; T4 j; Y" J+ {0 e! u+ K
HDR format : SMPTE ST 2094 App 4, Version 1, HDR10+ Profile B compatible
* r0 ~) s% L6 l* dCodec ID : V_MPEGH/ISO/HEVC9 H& V% \+ P) y% y
Duration : 2 h 10 min, o1 E1 p/ ^9 j
Bit rate : 14.7 Mb/s
. Y7 C/ Z% P1 l+ v) ^0 ~! p' R- O" nWidth : 3 840 pixels
& ]/ G, g, C, K+ M% ZHeight : 2 080 pixels
4 Y" J5 _$ n2 M' \( _5 vDisplay aspect ratio : 1.85:1
. b% g' O1 x% K, g- h7 D; y; w+ FFrame rate mode : Constant* C/ e4 I5 c# m9 \: }
Frame rate : 23.976 (24000/1001/189150) FPS3 b# j( c1 B0 x9 z6 N# w$ Q) g
Color space : YUV" ]& q8 N4 z6 P
Chroma subsampling : 4:2:0: u2 t" n4 L( q. N- `0 H& y
Bit depth : 10 bits2 ~' H n+ J7 O6 | c0 v+ K, f
Bits/(Pixel*Frame) : 0.077
$ S0 p4 F2 B, m$ qStream size : 13.4 GiB (96%)
: k) X5 }8 }* v: g' aLanguage : English3 T8 v$ p" ?8 F0 j: h" G. a& j# @
Default : Yes8 w& a2 Z$ \; M+ j, g1 Z+ G
Forced : No! [ K: o K& P8 ` a8 |2 n/ _" [2 r$ W
Color range : Limited
6 b2 ~# A( U1 j4 i# aColor primaries : BT.2020
7 a d, S1 b6 @9 V) V' C7 {- i" sTransfer characteristics : PQ
$ E9 R1 z7 Z1 S7 R, j3 SMatrix coefficients : BT.2020 non-constant
6 u$ j. ]4 \7 S( q# PMastering display color primaries : Display P3
) h' U+ C |/ [; M" f( tMastering display luminance : min: 0.0050 cd/m2, max: 1000 cd/m2
" C6 D- u# n( y: ~; Z# o/ w% oMaximum Content Light Level : 999 cd/m2& l- `& u6 c% y: y. _% e5 p. V
Maximum Frame-Average Light Level : 502 cd/m24 [( k; V* L8 `+ E" E$ j& }
: i+ ?! m0 |; n3 k7 O6 |
Audio
) F( {; R4 C* m8 d' e; TID : 2
0 q l! E* X5 ?" N: iFormat : E-AC-3
2 z$ n9 f x1 i- P5 F& [Format/Info : Enhanced AC-3
( w( x1 ?8 |6 Q! y# E0 _$ d3 YCommercial name : Dolby Digital Plus
# R9 U; @2 v+ |) o- {Codec ID : A_EAC3& A' p# S B3 R5 @
Duration : 2 h 10 min1 A- [/ Q2 ]- A1 p0 X
Bit rate mode : Constant
. W R1 ?7 ^$ |7 s0 }8 V; C5 G, KBit rate : 640 kb/s% k% t9 a8 E" _' t' @& N: W" R' j
Channel(s) : 6 channels; O! Q/ k3 h" x' C, E
Channel layout : L R C LFE Ls Rs: n) {$ X, k W7 q
Sampling rate : 48.0 kHz* K# `- a, Y6 G; c! ^
Frame rate : 31.250 FPS (1536 SPF)
9 \( s# Z: }' g" l# x6 R2 Z: VCompression mode : Lossy
3 b% R9 e+ J5 ^7 LStream size : 598 MiB (4%)/ i7 a" u/ J- ?" n( e- G
Title : DDP 5.1. [2 w e8 _! Z+ W, _. e5 E
Language : English
' S" Q. u7 ~' t8 p) y0 @8 K( sService kind : Complete Main T8 Z F; h% i& r
Default : No
# a: {) g. {5 n: G i' H( vForced : No' J9 c6 i$ c& `8 L) C; P5 |
* Q4 U# o3 X! CText. i! a! }0 V) a8 i5 u
ID : 3' s4 i* `5 g7 m$ \
Format : UTF-86 r; Y) Y" L8 T- q/ H- g6 [$ l% K
Codec ID : S_TEXT/UTF8
9 o1 f4 t, P* \% a/ {# l. u8 nCodec ID/Info : UTF-8 Plain Text
- w" D/ ~: ~( u+ d9 ]" J9 IDuration : 2 h 4 min- i( V1 Z0 M; k9 ]0 ^2 w3 ?
Bit rate : 47 b/s
' a P/ M4 m/ h: \Count of elements : 1545* |# c3 z" \3 b& o$ ~
Stream size : 43.1 KiB (0%)
( G; Q& N. ]! C, Y/ {" sTitle : SDH# p; [" `7 n! J4 `
Language : English8 L' b! a" L1 s8 x0 ]1 Z5 E$ S
Default : No2 t6 v4 z* A& P8 c6 L0 O
Forced : No! b. o/ O) b9 C3 M
* [/ F7 B t# `3 U5 T" B
Menu: J* I" X* F% i! A1 l; _
00:00:00.000 : Studio Logo+ q9 W. l1 L# t3 a3 {7 R# g- _$ k: W
00:00:32.000 : Studio Logos- r3 n) h* t) O' u
00:00:36.000 : Robot and Soldiers Arrive. V I. M' S$ R! ?, c$ h
00:02:02.000 : Sanborn and Thompson Attempt to Defuse a Bomb
. X% ~6 W [) H# [: u" ?00:06:11.000 : Thompson Attempts to Defuse the Bomb Manually
8 Y3 l1 X4 R' _% a- a8 m6 l) s$ k00:10:09.000 : Sanborn Packs the Belongings of a Fallen Comrade9 q9 Z) A% V' a, ^. ]
00:11:04.000 : Sanborn Introduces Himself to James
2 `9 x1 Q5 M; I5 G3 o00:12:33.000 : Owen and Sanborn Talk Iraq
+ s8 h3 u3 U4 d$ G4 h. Y00:13:40.000 : Team Tries to Find Missing Unit5 }, `6 q! a% p: z) [$ b. m
00:16:41.000 : James Approaches the Bomb
( E1 g% r* \- G. ?- X+ j00:19:09.000 : A Car Creates a Tense Situation
. P+ S$ m4 Y) I5 @. F) l4 D% F; A6 s00:22:18.000 : James Attempts to Disable the IED
$ f: w# A( \7 |7 Q- k4 U00:26:58.000 : Sanborn Confronts James
- k8 U* G/ ^% _: T6 r00:27:35.000 : Eldridge Plays Video Games and Gets a Visitor8 Q6 h4 ]; t3 b. o
00:28:45.000 : James Buys a DVD From a Kid
) C$ G$ X5 P/ b A! [00:29:34.000 : Sanborn Confronts James About his Cowboy Attitude8 ^& L1 E7 N, L2 ?; V+ H
00:30:30.000 : The Unit Responds to a Bomb Threat* @8 A: l8 |- D5 r( j8 a
00:31:16.000 : An Unexpected Person Appears9 m) M6 x8 P {) t# p/ ]0 t
00:33:46.000 : Col. Reed Declares the Shooter's Condition& a( F) L5 h' u8 j
00:34:24.000 : James Breaks Protocol
6 @' ~' D9 y" b7 l. x00:38:04.000 : An Observer Creates Tension
" F( }8 ^/ n2 H0 q& j0 R w8 w00:40:52.000 : James Continues to Work3 a+ K" B# Y' ]# t& w! u2 r
00:43:53.000 : Col. Reed Complements James
4 x. g1 {5 Y/ M" C' f7 y9 b00:45:09.000 : James Bonds with Beckham# B- [& b1 ]5 ^9 ?* ^
00:47:20.000 : Eldridge Challenges his Psychiatrist
& W: g6 Y- C$ v# Q+ A* l00:48:52.000 : Sanborn Plays With Fire* C. j/ ^1 S3 d6 B' r1 Y
00:50:56.000 : The Unit Runs into a Group of Men) E+ I5 a4 P3 X3 w( v
00:53:56.000 : Group Has Company" z1 P( `% x5 |% F q
00:57:29.000 : Sanborns Needs Ammo) {1 A& {1 |3 ^( `* j* A
01:02:05.000 : Sanborn Faces Off" b) {8 ~( Y7 t& q6 ^/ V
01:04:02.000 : Unit Waits it Out
$ @2 q0 A4 P) v( O! _" i! ~01:06:47.000 : Eldridge Watches Goats on a Bridge8 w5 Q K( V/ A7 ^
01:09:13.000 : The Unit Lets Off Steam/ c7 r, l$ w0 u# N1 ?
01:15:04.000 : James Puts Sanborn to Bed
* `% v; B; V4 J9 I& v, l; M6 I01:16:30.000 : Dr. Cambridge Requests a Ride Along) o) B& g, V4 t
01:17:20.000 : Unit Prepares to Address a Threat
* z$ K3 h" [) n! Y: D9 I; z01:17:48.000 : The Unit Inspects an Abandoned Warehouse( ?. |+ k c* M
01:21:12.000 : James Finds Something
7 n8 w" q" E8 ?% _01:22:23.000 : James Deals with the Situation
5 o6 R2 n6 [2 m" U01:26:26.000 : Cambridge Tries to Clear the Crowd1 u' h& i' j7 F( B3 E
01:29:09.000 : James Calls Connie
( D. H) M6 E9 ]2 f4 W. j# D01:29:56.000 : James Questions the DVD Merchant, z) H& @0 U/ t! W
01:32:07.000 : James Looks for Beckham's House
! x& `2 Y3 M! q8 g+ O01:35:21.000 : James Tries to Reenter Base3 C$ m& B [- |+ m' Y) \$ u+ P
01:37:01.000 : James Gets Called to Do an Assessment6 ]4 R2 |9 D( S, z) A! C* L
01:38:07.000 : Sanborn and James Inspect the Aftermath% O9 A7 c1 n2 L6 T8 k
01:41:00.000 : James and Sanborn Speculate" d t- D' _0 d |* I/ m1 F
01:43:45.000 : The Team Splits up
9 U% d- y3 [% A01:47:31.000 : James Showers in his Clothing) I5 S5 V0 c2 M1 h2 q# u
01:48:41.000 : A Friend Resurfaces$ n8 n7 i9 T5 H% w2 N+ H
01:49:16.000 : Eldridge Is Airlifted7 ]2 Q; M. r6 {; S& Z
01:50:23.000 : A Man Needs Help
) b7 M/ m( d4 A' x01:52:28.000 : James Moves In
2 Q/ ~4 }2 P' e01:56:06.000 : James Has News for the Man
0 K l! }: K& u2 G, F01:57:35.000 : Sanborn Talks to James
# p$ c" T$ k( B02:01:10.000 : James Shops for Groceries; n5 d3 A7 F" [4 x
02:02:34.000 : James Talks to Connie
$ g* a% i) T7 P: M0 x$ T02:03:35.000 : James Gives an Emotional Speech) q& ]7 r6 ?7 Q" ~" t
02:04:50.000 : James Touches Down6 d* o$ ~% J( P# C& c
02:06:12.000 : End Credits   
- L3 b# r/ l6 n |
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狗仔卡
提升卡
置顶卡
沉默卡
喧嚣卡
变色卡
千斤顶
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