- 积分
- 134564
- 经验
- 42559 点
- 热情
- 28607 点
- 魅力
- 11148 点
- 信誉
- 21629 度
- 金币
- 4743 枚
- 钻石
- 3695 颗
- 蓝光币
- 0 ¥
Post Share
- 金币
- 4743 枚
- 体力
- 33532 点
|
/ j1 B$ Z+ K/ d8 }7 m$ K" W, i7 w4 n9 D- T' ^ j) E3 V+ D
◎译 名 拆弹部队/危机倒数(台)/拆弹雄心(港)/反恐防暴部队
) r3 r' ~( w9 w2 j3 T◎片 名 The Hurt Locker% q' h2 D0 i& x7 ~
◎年 代 2008
1 m' u1 T8 B, f# m, t◎产 地 美国+ j; {2 a5 [# W
◎类 别 剧情/惊悚/战争
) {% N+ b6 j/ c( T. w, H( H: F◎语 言 英语
9 ?" I3 l% [2 f) j7 C1 ]◎上映日期 2008-09-04(威尼斯电影节)/2009-07-31(美国)
9 p1 I5 k% z. a3 U◎IMDb评分 7.5/10 from 434,105 users8 o# x, }! U5 ?8 s
◎IMDb链接 https://www.imdb.com/title/tt0887912/
5 B- A# }8 n, l& l" e0 P◎豆瓣评分 7.8/10 from 160,553 users# |8 Y" c8 r1 s$ k- L- N
◎豆瓣链接 https://movie.douban.com/subject/2028645/
% x- u7 m- V0 H, Q n◎片 长 2 h 10 min3 a/ I/ K2 D6 z4 P [
◎导 演 凯瑟琳·毕格罗 Kathryn Bigelow0 x! v* D, P) u; h
◎编 剧 马克·鲍尔 Mark Boal
9 ?0 g0 T9 r2 ?- h7 g- s◎主 演 杰瑞米·雷纳 Jeremy Renner
5 ~1 R1 M6 F7 t( n 安东尼·麦凯 Anthony Mackie9 O5 L D4 ]; }# T9 i5 }
布莱恩·格拉格提 Brian Geraghty% b3 G( I5 ?# X8 K
克里斯托弗·沙耶 Christopher Sayegh
0 V6 D. T4 e# A3 c6 h8 r 大卫·摩斯 David Morse
0 o, K' v) Z4 e4 t" d- t 拉尔夫·费因斯 Ralph Fiennes
. v' Y2 M7 ]; x$ O 盖·皮尔斯 Guy Pearce4 n q+ p2 \" I. E
克里斯蒂安·卡玛戈 Christian Camargo
4 d) F4 j1 B4 C8 B- y 伊万杰琳·莉莉 Evangeline Lilly
( C l% L9 S6 o0 w* g- t: c! K 萨姆·斯普卢尔 Sam Spruell" P& q9 g, w" f( z0 G2 J* q
苏黑尔·达巴赫 Suhail Dabbach2 M, r3 |9 @5 \2 k) G1 c/ I
9 Y! k: s+ o' P; E◎标 签 战争 | 美国 | 伊拉克 | 拆弹军队 | 美国电影 | 剧情 | 2008 | KathrynBigelow6 o6 Q0 t% G6 \ O
5 t e1 D3 N5 D* Q
◎简 介 ' a( ^+ {& q$ v9 @- u
/ ?& F. J1 ~) e 美军侵入伊拉克后,上士威廉姆斯·詹姆斯(杰瑞米·雷纳 Jeremy Renner 饰)被调入陆军亡命连拆弹组,接替刚在巴格达执行任务中牺牲的同事。拆弹组另两人,负责联络的士官桑波恩(安东尼·麦凯 Anthony Mackie 饰)和负责掩护的特种兵欧文(布莱恩·杰拉蒂 Brian Geraghty 饰)对意气用事的威廉姆斯相当反感。但在联合国大楼的拆弹行动中,抗拒命令强行拆弹的威廉姆斯却得到上校瑞德(大卫·莫尔斯 David Morse 饰)的赞赏。在一次仓库拆弹任务中,威廉姆斯认为被用作尸体炸弹的伊拉克小男孩是他在军营认识的卖盗版DVD的贝克汉姆(克里斯托佛·萨伊 Christopher Sayegh 饰)。小贝克汉姆的死让威廉姆斯更为疯狂,竟私离军营单枪匹马入城调查……) {" d/ u; G$ ^; F+ \6 i1 R3 s. j
$ j; m$ g3 J; o& d1 `/ r5 {& C% `0 n 本片荣获2010年第82届奥斯卡最佳影片、最佳导演、最佳原创剧本、最佳剪辑、最佳音效剪辑、最佳音响效果等6项大奖。0 J2 S+ _+ r+ Q
* l5 E( x. r- R' `" K During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.4 \' N0 Q1 a2 ]* u
3 e a5 B( u) P. S4 O: @% n1 l◎获奖情况 , m8 J3 H+ B; N2 E( i
$ ]% Z+ X+ M1 d) c! {# o( n `& ` 第82届奥斯卡金像奖 (2010)
( Y( {; B, O- H6 b* e+ V 最好影片 尼古拉斯·查蒂尔/格雷格·夏皮罗/凯瑟琳·毕格罗/马克·鲍尔6 w6 x# ]& e# [: N1 u- _
最好导演 凯瑟琳·毕格罗# p+ F }8 T1 K% x" C
最好男配角(提名) 杰瑞米·雷纳
& p; I/ X" @- A8 z0 D 最好原创剧本 马克·鲍尔5 J) A- g2 G3 r+ Z2 q
最好摄影(提名) 巴里·埃克劳德5 q2 N3 f( L* j6 d/ t% U
最好剪辑 鲍勃·穆拉夫斯基/克里斯·因尼斯" G3 a, h* `! q/ l
最好混音 保罗·奥特森/雷·贝凯特
. M/ F( ?$ \/ M: U: y 最好音效剪辑 保罗·奥特森( U) @/ d9 w [+ x; Z" H
最好原创配乐(提名) 马可·贝尔崔米/巴克·桑德斯1 g! } D8 G. t0 r1 q
" D w) o5 f' n- I 第66届威尼斯电影节 (2009)
}( J( ?( \, ?" x3 h9 X 古驰奖 马克·鲍尔+ g, i3 L' c9 X; k2 y! s
6 j9 T% i3 w0 w% q# q: y6 F. }- _
第65届威尼斯电影节 (2008): N) e. ? s3 e5 X: T# r/ q
金狮奖(提名) 凯瑟琳·毕格罗. p9 M+ X4 J. b8 J
天主教文化奖 凯瑟琳·毕格罗$ m& d; D O9 G8 R, D6 `
青年电影奖最好电影 凯瑟琳·毕格罗
) Y) H8 T" j# Y 人权电影收集奖 凯瑟琳·毕格罗
; y, \8 K9 E/ B SergioTrasattiAward 凯瑟琳·毕格罗1 T4 z3 ^4 F3 Z1 R, |
( D" I# V; C: l# j9 J- s7 P3 y
第67届金球奖 (2010)
" R4 Z- H( L! ~( |1 G: q8 ] 电影类最好剧情片(提名)
; p( P- C/ o# J. d 电影类最好导演(提名) 凯瑟琳·毕格罗
8 i+ c+ M4 }8 g" R 电影类最好编剧(提名) 马克·鲍尔
% `; S( {" I8 {. O b7 o5 r + c$ e2 z0 q1 F+ f9 s
第34届日本电影学院奖 (2011)6 j7 l2 Y' |* V, ^
最好外语片(提名)
: I# M" ^( U! c O
4 K$ r! ?, n7 f' K( j( ?# [3 N 第75届纽约影评人协会奖 (2009)
) M, \0 Q1 U3 ^2 X0 j$ O 最好影片
' c% l0 h. v2 K1 u+ G 最好导演 凯瑟琳·毕格罗8 u( S# u; r3 U2 r" ^, ?7 I, Z
最好男配角(提名) 杰瑞米·雷纳
. x; ?3 i2 C$ O1 w
* l O. d2 q# _ Q7 d/ b 第10届美国电影学会奖 (2009)& B5 t. i; j. ?
年度佳片
; g, O8 o( k* l* P1 G+ @# S3 ^6 x
4 s) ~, I8 ~6 v, l5 a3 s 第8届华盛顿影评人协会奖 (2009)" M: O# \( M5 C0 ]$ i& L% }- I& F& u
最好影片(提名): {3 v6 c) N1 z- ?! t
最好导演 凯瑟琳·毕格罗! y: A) S& H" n6 U
最好男配角(提名) 杰瑞米·雷纳
7 ?: w4 O! N, p) h1 `! k: E4 @# [6 p 最好男配角(提名) 安东尼·麦凯
+ ~( b7 K1 i7 |$ {$ {" { 最好原创剧本(提名) 马克·鲍尔
/ r& j- Z9 E! k" b& C8 p ]3 m' T, v 最好群戏& U6 _9 M) G* F5 n$ }; x. b' K
最好冲破表演(提名) 杰瑞米·雷纳9 L& D8 v; |: ~* M
0 M6 U0 Y% a H' p! j5 [- W% v' p5 R
第14届圣地亚哥影评人协会奖 (2009)( v- w; Z) W, A0 M
最好导演(提名) 凯瑟琳·毕格罗
: _; B' z G0 E" r3 f( V$ @ 最好男配角(提名) 杰瑞米·雷纳* o) e& o# r% R& Q% @
% E% G, g4 h, M8 _ 第22届芝加哥影评人协会奖 (2009)
: b' M% n! X% I# x 最好影片" g9 I) D! `0 A+ L0 [$ d
最好导演 凯瑟琳·毕格罗
& I' m& Q: ?6 S. ?6 h 最好男配角 杰瑞米·雷纳
5 V/ V: P6 C3 l 最好原创剧本 马克·鲍尔
; V7 Y# N8 M. T: z% f. x 最好摄影 巴里·埃克劳德
+ H5 B& H+ P! x6 x6 i" f3 B
' _' n' l- R. h1 G$ G, l6 U' X8 Z 第43届堪萨斯影评人协会奖 (2010)
8 k$ D, t; g4 s0 W$ }& z! q7 [ 最好导演(提名) 凯瑟琳·毕格罗4 C$ v8 a0 u* J: z: _, f/ X
6 r6 b; B8 @# m! D
第18届东南影评人协会奖 (2009)
; M# G8 ?. a7 Y1 v+ e 最好影片(提名)& u! t1 C7 ?6 Y5 v/ ?
最好导演 凯瑟琳·毕格罗: C8 R: s# f" H0 s7 j% z
最好男配角(提名) 杰瑞米·雷纳: N" ^& _4 f+ O9 I
最好原创剧本(提名) 马克·鲍尔' L6 j. q% g, y
, `2 l* i5 D, F- t
第12届美国青少年挑选奖 (2010)
# p: y/ s, T2 @ 最好剧情片男演员(提名) 杰瑞米·雷纳8 q! V3 L. }+ L
Video% `. {# e3 k4 r- g- _; S) I
ID : 1
6 H# `+ _' w8 k1 ^* r8 JFormat : HEVC
3 ~ \! O( k" R& NFormat/Info : High Efficiency Video Coding8 c2 }' c( i+ N4 l' H; \$ c
Format profile : Main [email protected]@Main
# M3 e0 k% a; `& h9 ]' D+ dHDR format : SMPTE ST 2094 App 4, Version 1, HDR10+ Profile B compatible; x6 D. M! w- v
Codec ID : V_MPEGH/ISO/HEVC* W5 S3 X" }" R
Duration : 2 h 10 min2 Z4 ~% A1 O E1 _# V/ H
Bit rate : 14.7 Mb/s
: k6 q, g4 L+ ~) BWidth : 3 840 pixels
) v) s0 M4 \( \: ?( PHeight : 2 080 pixels! V( `5 a4 \2 y5 f6 N4 g
Display aspect ratio : 1.85:1
t. p. b) `+ K! e3 rFrame rate mode : Constant# ?* Z5 u) k- ^( t3 X
Frame rate : 23.976 (24000/1001/189150) FPS
4 J. x+ }' S1 }# C1 `% @/ KColor space : YUV
. N6 j- C9 e) ` N3 x0 v( vChroma subsampling : 4:2:0( k" j6 G2 l8 L( q2 q7 f1 ^ R
Bit depth : 10 bits) V7 N3 r& D& y! m* G8 w
Bits/(Pixel*Frame) : 0.077
7 ^$ {% ^- a+ s4 `5 AStream size : 13.4 GiB (76%)
( U! P- r3 u1 Z" gLanguage : English
: l/ S4 H' u1 R9 iDefault : Yes
) E- w4 [" k% y M3 [" V& KForced : No
, F5 Z+ F0 | x! `9 QColor range : Limited
: i- C* \# x! @$ n3 F LColor primaries : BT.20205 C/ h6 K/ V9 g2 S
Transfer characteristics : PQ8 I$ d+ f+ F8 k6 _) T2 A
Matrix coefficients : BT.2020 non-constant. q$ |* i) t# |, S) G
Mastering display color primaries : Display P3
: S8 A4 l$ V( O! K4 G, N' tMastering display luminance : min: 0.0050 cd/m2, max: 1000 cd/m2& y8 d9 N% d; E7 ~: ~9 @2 X- r
Maximum Content Light Level : 999 cd/m29 A/ S" t* _: Q/ I& k5 P; |
Maximum Frame-Average Light Level : 502 cd/m2$ P2 B7 I0 [# y$ v1 Y! w$ J
$ \0 I( S8 ]# j! \/ q- R
Audio #1
3 t$ o/ L7 K# t T z: hID : 2
8 ^- P. ]' y' H, KID in the original source medium : 4352 (0x1100)
; m* V7 D; t) N V- F, Q, r2 {Format : DTS XLL
! @# i; S- y; v) L! UFormat/Info : Digital Theater Systems+ X% p0 V. g: P+ K" B; _
Commercial name : DTS-HD Master Audio4 v0 Y2 d8 G( U) u
Codec ID : A_DTS
6 j9 g3 `) \ ^7 ]5 {- |% R: ~Duration : 2 h 10 min
. J( u/ N$ P7 o7 KBit rate mode : Variable( [9 B$ S1 d" h9 d
Bit rate : 3 912 kb/s
# Y4 L" o2 h- fChannel(s) : 6 channels" Y' ?+ |+ U8 B# i# A4 s
Channel layout : C L R Ls Rs LFE
" r0 a, c/ W+ H6 e) ISampling rate : 48.0 kHz8 [' i; K- G$ M7 t3 n: @
Frame rate : 93.750 FPS (512 SPF)
4 g- r- D2 z7 [5 _. Z l' [Bit depth : 24 bits
. s3 D6 p, R% o- gCompression mode : Lossless, X4 T# y% m8 ]
Stream size : 3.57 GiB (20%)9 ]0 A: P0 ~& k9 C4 |/ i
Title : DTS-HD MA 5.1
6 @4 P7 d/ q m+ P5 y) h5 g4 tLanguage : English) a0 Q; Z2 {3 d7 p$ [* x) o3 m0 `
Default : Yes
: [+ }& O5 O/ o( [. n1 ]6 gForced : No
) J& B7 @2 j1 K+ g+ ZOriginal source medium : Blu-ray0 e* y. {9 l( d4 ^
! J6 ]/ D0 Y, i/ q7 j
Audio #2% U" U5 N6 P4 G8 f
ID : 33 Z% |) ~5 q+ [; C& T! ]( P
Format : E-AC-3
, j, m! U" R1 a ^0 O# F, |) \Format/Info : Enhanced AC-3
; a* x, ~, Q0 f' i" vCommercial name : Dolby Digital Plus# b3 g c* o ?
Codec ID : A_EAC3
! u$ a3 L; H$ D. q F/ d& yDuration : 2 h 10 min) T. z6 t' V. `
Bit rate mode : Constant
8 `5 t H r' L5 n0 d6 G0 C2 IBit rate : 640 kb/s1 t8 w0 s, ]* f: {) i' `% Q! B
Channel(s) : 6 channels
/ V# j5 f) e) w: y2 AChannel layout : L R C LFE Ls Rs
$ j3 }9 F. U. ~; @0 h7 p1 MSampling rate : 48.0 kHz; p& R- W% n6 V. H' p
Frame rate : 31.250 FPS (1536 SPF)
% b# i0 i; z" p) ]3 k9 v. k9 ~. T, E2 mCompression mode : Lossy9 @1 ~4 b" ~# K" o8 {, f
Stream size : 598 MiB (3%)0 V/ [, ~! A7 y" P
Title : DDP 5.1. ` M, L& n% s/ O! ]
Language : English. V+ n2 q8 H3 g2 O$ m2 q( w
Service kind : Complete Main0 l- @' Y. h& D; R( f
Default : No4 A5 J- \4 c- K; a; b0 A
Forced : No+ t6 P0 Z% m: g: L7 P* H; |
% q; S1 `- d) K0 fText #1
K9 e9 [0 t* O; vID : 4
$ h9 U: b$ G, V. g/ ?, eFormat : UTF-8* ^: p4 z7 k- e3 j7 d
Codec ID : S_TEXT/UTF8! R8 Y& Q" j, L
Codec ID/Info : UTF-8 Plain Text
' x1 ?5 q* m" l/ N5 e! `Duration : 2 h 4 min, j/ l, V" u4 r& d
Bit rate : 47 b/s
) H7 Q7 ~/ v, x I) L4 K ZCount of elements : 1545( F+ a, B# G: k5 O
Stream size : 43.1 KiB (0%): b5 r% F f4 u) K! R# q3 u
Title : SRT
% z+ K) |1 d. v) WLanguage : English
2 {" ]1 _/ m" SDefault : Yes
5 |1 k( M1 D) [# E; AForced : No
7 M' F* B4 U8 E, w: H( h6 h0 Y$ ~1 C: M% n7 N) a z6 i: R0 Z2 O8 k& o
Text #2
9 P7 B8 t+ X9 ~8 w$ ~' wID : 54 m1 R1 P: c' h+ M! ^% y
ID in the original source medium : 4608 (0x1200)" O ^+ h9 {1 T4 g: v
Format : PGS( Z( s8 k( O3 N% A& ~) n) _2 j( v& N8 v
Muxing mode : zlib
- r( J& d B9 cCodec ID : S_HDMV/PGS, E' d3 D S' o& p! a0 Z4 {
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs0 N, B+ T4 A, H3 \: f
Duration : 2 h 4 min- t' [2 B, }3 t; Q7 e( v
Bit rate : 31.8 kb/s
5 m) u7 n! T, {1 P8 bCount of elements : 26216 C3 W- f. K0 q- u; f/ |
Stream size : 28.2 MiB (0%)) D) c: P% X' N$ \4 y5 ?5 x2 r
Language : English+ e' f3 G+ s" c9 R/ ^4 ~; S
Default : No& m/ }, q5 y8 V! x; M. Z5 X
Forced : No+ N; s* U8 C( `( L
Original source medium : Blu-ray
& R: w- k- U$ q# D/ ]
5 u& H6 Y0 \7 I: GText #3
+ u0 [0 }3 F6 W# J GID : 6
' d' B2 e2 Y+ B6 xID in the original source medium : 4609 (0x1201)
; d7 t( f6 o5 Z. K- e3 HFormat : PGS2 @/ N. @$ [% s; D; r1 d
Muxing mode : zlib
2 D( t1 T, a# S# s' L2 U1 v; p( K: gCodec ID : S_HDMV/PGS
& G: q( N# n1 X" q- L: D/ P4 DCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
% G J0 i. s" ~4 Q6 LDuration : 2 h 6 min2 [" J. d5 m( G9 J
Bit rate : 25.2 kb/s3 _3 ^/ g: l" N3 t2 @# E8 Y: \
Count of elements : 2304
' B4 ^2 g B; b( ^Stream size : 22.7 MiB (0%)+ }9 g1 g( N% k& n* a: l7 `
Language : Spanish& V! X' `0 x" r
Default : No: S* u3 v, u0 N6 o
Forced : No
( Q9 P3 A: w9 MOriginal source medium : Blu-ray
( s; W5 w9 Q" X% S0 u9 T* O3 ~/ W0 H6 u% Z
Menu
' }' E1 L. W2 c3 o: }, w: M% v00:00:00.000 : Studio Logo2 l2 V. e0 V/ H8 |# |4 I
00:00:32.000 : Studio Logos
4 P8 X( _2 H. _' g00:00:36.000 : Robot and Soldiers Arrive
, s& K- Q' H1 Q5 s00:02:02.000 : Sanborn and Thompson Attempt to Defuse a Bomb; u2 _1 G0 D5 {+ q2 R. u
00:06:11.000 : Thompson Attempts to Defuse the Bomb Manually
' [" e7 _% W0 z( l- m00:10:09.000 : Sanborn Packs the Belongings of a Fallen Comrade/ n" h$ D- s$ _1 \
00:11:04.000 : Sanborn Introduces Himself to James
, X7 P# n6 F- A* b. f- i, m" N& k00:12:33.000 : Owen and Sanborn Talk Iraq9 t, L. a9 S; f) v/ w
00:13:40.000 : Team Tries to Find Missing Unit
5 m7 e6 ]3 a; R0 ^! @4 Y! [4 ^00:16:41.000 : James Approaches the Bomb
) G) n7 C9 e. a% h7 C4 s8 F00:19:09.000 : A Car Creates a Tense Situation
9 [( \8 i" a7 c( n2 }- w# f* Z00:22:18.000 : James Attempts to Disable the IED
! H: T8 }/ K- ~7 _1 t00:26:58.000 : Sanborn Confronts James
) H" h: [- ~3 s4 O, A00:27:35.000 : Eldridge Plays Video Games and Gets a Visitor7 M3 o5 N1 }. M% F7 v
00:28:45.000 : James Buys a DVD From a Kid
9 k7 C; ~7 j7 ~& ~0 V3 S& b# E00:29:34.000 : Sanborn Confronts James About his Cowboy Attitude% Z) c4 l- K. F
00:30:30.000 : The Unit Responds to a Bomb Threat
" j O( g& A! c00:31:16.000 : An Unexpected Person Appears
+ ?( D/ E, v! O1 `00:33:46.000 : Col. Reed Declares the Shooter\'s Condition
0 A* O( r: G- i00:34:24.000 : James Breaks Protocol6 S) Q; w8 ~! G) u. i }7 s
00:38:04.000 : An Observer Creates Tension
9 I, q( i8 ]) p6 n6 I$ T+ o00:40:52.000 : James Continues to Work' h/ n% H9 i h) ], W+ [
00:43:53.000 : Col. Reed Complements James
: O! t+ m' Z8 p, Q: H% J0 b: I" [. b00:45:09.000 : James Bonds with Beckham( i9 E8 \* x7 }
00:47:20.000 : Eldridge Challenges his Psychiatrist4 m! w* M2 |: M6 M( H5 v H6 O" O0 |
00:48:52.000 : Sanborn Plays With Fire
/ D0 J n3 R. {) [00:50:56.000 : The Unit Runs into a Group of Men" l4 t# y+ D p5 O, d [/ J
00:53:56.000 : Group Has Company. J% `; i5 D4 {# R& D
00:57:29.000 : Sanborns Needs Ammo% j8 Q: c* ]4 a! V
01:02:05.000 : Sanborn Faces Off
7 O6 Y+ l/ p1 [- d01:04:02.000 : Unit Waits it Out6 {) W4 _1 T% b4 I" u3 d3 h' A
01:06:47.000 : Eldridge Watches Goats on a Bridge
# d; D0 J+ s4 n1 b; w0 z+ W( o01:09:13.000 : The Unit Lets Off Steam
8 O- N# i+ B# i' U: C01:15:04.000 : James Puts Sanborn to Bed
5 S' Y7 q+ [6 h: x& _3 \01:16:30.000 : Dr. Cambridge Requests a Ride Along
! }- A6 S Z; w1 l01:17:20.000 : Unit Prepares to Address a Threat
8 L! X/ f6 U: t7 s( {1 U01:17:48.000 : The Unit Inspects an Abandoned Warehouse: O/ D+ A8 g/ ?* e& B# l+ [$ \
01:21:12.000 : James Finds Something
5 ?5 s* ?! j5 n% g01:22:23.000 : James Deals with the Situation
# H9 D: }( }7 ~/ X7 ]0 Q01:26:26.000 : Cambridge Tries to Clear the Crowd; x5 G7 e9 j9 u& X$ c
01:29:09.000 : James Calls Connie! N, M7 e! `3 l' S t
01:29:56.000 : James Questions the DVD Merchant
- j2 A. i5 Q* o9 s& d01:32:07.000 : James Looks for Beckham\'s House4 `' I1 e6 u0 M' k* q, S
01:35:21.000 : James Tries to Reenter Base
9 f2 i, b9 c. s X5 u01:37:01.000 : James Gets Called to Do an Assessment( V c# F% U: w: ^- w: Z) O' {
01:38:07.000 : Sanborn and James Inspect the Aftermath$ r4 o$ f# y# o* Y, j' ~3 F2 |" s! k: v
01:41:00.000 : James and Sanborn Speculate
1 A! h4 u/ l4 R2 x01:43:45.000 : The Team Splits up: O+ H! J+ q+ P4 @- @5 O9 l* Z+ r
01:47:31.000 : James Showers in his Clothing
8 W* [+ }6 K" g" n0 k4 g' F01:48:41.000 : A Friend Resurfaces; {3 P1 j+ l& o+ D$ s
01:49:16.000 : Eldridge Is Airlifted8 y# o+ s1 p5 q6 L! J" N( a
01:50:23.000 : A Man Needs Help# ]7 D7 R. ?' t! G0 ~9 w
01:52:28.000 : James Moves In J. [5 M6 K+ X! U3 T
01:56:06.000 : James Has News for the Man
$ P2 C4 t$ I8 X( H s1 o% h01:57:35.000 : Sanborn Talks to James
) H) ]- S! m7 u9 F. H' v) G0 x02:01:10.000 : James Shops for Groceries
; z0 ], D0 m/ [5 b$ p02:02:34.000 : James Talks to Connie
! t5 F8 I5 {3 u, D% U: n02:03:35.000 : James Gives an Emotional Speech
' ?; c& \) @" r& G- U! ^" J02:04:50.000 : James Touches Down* T8 }. Z, o2 m" a
02:06:12.000 : End Credits Video' `- l- N8 A4 r5 t0 u
ID : 1
* E8 q% r3 ?6 m5 M% t4 bFormat : HEVC' Y7 x$ D/ n* A4 ?. q
Format/Info : High Efficiency Video Coding1 e1 t% B4 l' {+ A
Format profile : Main [email protected]@Main
! }: m) z7 C- b$ E$ A# ]; WHDR format : SMPTE ST 2094 App 4, Version 1, HDR10+ Profile B compatible; L7 \' ? k5 T( y! y8 k
Codec ID : V_MPEGH/ISO/HEVC
! G. h7 X1 ?: [& F3 j7 x2 kDuration : 2 h 10 min
; x' g% ?8 w1 s% sBit rate : 14.7 Mb/s
# e% h8 T! l8 P$ A, |Width : 3 840 pixels
; H8 S, \- S0 u" K" x iHeight : 2 080 pixels, C9 x( w1 Y n0 D) Q6 [3 Z
Display aspect ratio : 1.85:1
) d0 {! s4 R2 u: n7 n- S1 [3 v6 sFrame rate mode : Constant
" |( h! b+ B/ A8 s7 c$ P+ cFrame rate : 23.976 (24000/1001/189150) FPS
7 I* b' S# K: q" QColor space : YUV# s5 K( x+ M3 P3 n. m5 Q2 ]
Chroma subsampling : 4:2:0
0 Q0 O! ?( F0 X/ y3 \* j( {" {Bit depth : 10 bits# T3 r: r) v& v' n( [1 S) b& o
Bits/(Pixel*Frame) : 0.077
9 p; O$ k+ g. SStream size : 13.4 GiB (96%)
J; x7 {* s+ K. {/ D- ~Language : English
$ @; j b3 G2 f+ rDefault : Yes( r7 m8 h% X% I- p# ~7 N
Forced : No
- z; B6 E* j- m# ~, X: N- X# tColor range : Limited! E7 M& x& U* ?0 c6 a! V1 _8 X) \
Color primaries : BT.2020: w. i2 Q" \, n& X Q6 a: A) P `
Transfer characteristics : PQ% T! q8 H8 ~/ `, \
Matrix coefficients : BT.2020 non-constant
( r2 b- K! @) p" c5 e$ p* D. L. Q1 zMastering display color primaries : Display P3; q% p5 v9 r. J3 W
Mastering display luminance : min: 0.0050 cd/m2, max: 1000 cd/m2' O( d! c& @3 {8 @7 ]
Maximum Content Light Level : 999 cd/m2
" W7 E1 y" g& @+ SMaximum Frame-Average Light Level : 502 cd/m2, b- ?8 Z7 s7 ? [
+ D) k* t" f8 u/ C( tAudio+ I% _- h! l7 V* f7 X4 c
ID : 2
1 c! K! z! J( s4 j% TFormat : E-AC-36 v# m" w) j/ U; r3 Q" T/ r
Format/Info : Enhanced AC-3
3 @2 T0 d: T: @* Z1 \Commercial name : Dolby Digital Plus9 ?7 {! p) j+ b) A5 K& }! H
Codec ID : A_EAC3. j1 L/ L9 N0 g( c6 n
Duration : 2 h 10 min
4 ?3 \. k$ R/ B3 G$ XBit rate mode : Constant9 q) j7 R5 g# p4 w. P c1 ]0 z
Bit rate : 640 kb/s
. `5 [4 f9 |& z: X$ J) u0 V. D9 GChannel(s) : 6 channels$ `) q5 B" f6 [9 S
Channel layout : L R C LFE Ls Rs! V/ J/ Q- t! |2 U0 @
Sampling rate : 48.0 kHz
* |. X) j1 ?1 j$ Y$ D# bFrame rate : 31.250 FPS (1536 SPF)6 @6 T9 f; Y% ^* v2 T
Compression mode : Lossy
, l' m1 X, ]1 A! b S7 G5 ~Stream size : 598 MiB (4%) K3 }- J+ N# c4 w3 F( Q% T
Title : DDP 5.1. O/ a/ \# B/ w( s$ b& Z+ M
Language : English1 y2 L# X. i4 q( w3 X, L
Service kind : Complete Main
, ?1 }6 h' s8 ]" @/ kDefault : No- X# U! I' t; o7 c$ c& ?! U; J/ a
Forced : No, q. k8 C: k+ B2 n8 R0 T) G+ g! Y
2 C- v- @% z7 }/ R) H5 f8 _' ?9 W
Text/ I1 W; j. i( z8 T9 A
ID : 3
3 A1 q" J- y& `- bFormat : UTF-8: ^& {2 H) I! a2 m; j) }
Codec ID : S_TEXT/UTF8
+ o6 `5 _6 ? B. cCodec ID/Info : UTF-8 Plain Text
. j3 y4 @9 M* n- `; RDuration : 2 h 4 min
# U: }2 I! ?+ m, O6 \% ^Bit rate : 47 b/s
5 C; K7 B8 N- Q6 ~8 fCount of elements : 1545, E7 O4 G, G' Y& P
Stream size : 43.1 KiB (0%)2 w7 w5 }8 E: E( Z, h
Title : SDH5 [9 f9 H: I K
Language : English/ r9 g* O+ }* c: u5 e
Default : No
( j4 j2 ]6 I S5 ?3 r; Z8 zForced : No
| l8 _0 J, H% E8 v8 }% T
* D! t* B2 |# B0 ~+ m9 k' RMenu
3 @) }) ~7 r% e: `00:00:00.000 : Studio Logo
- B& k9 K" A- X" i! E% R" [00:00:32.000 : Studio Logos
+ F& e* U V2 X; Y' ?/ n00:00:36.000 : Robot and Soldiers Arrive
$ n& c6 N- B& [00:02:02.000 : Sanborn and Thompson Attempt to Defuse a Bomb% p; u3 {/ t0 R. N5 o' _* O/ L
00:06:11.000 : Thompson Attempts to Defuse the Bomb Manually4 N2 @2 u- r- Z1 \* L# s
00:10:09.000 : Sanborn Packs the Belongings of a Fallen Comrade
7 {/ W1 I1 I; H00:11:04.000 : Sanborn Introduces Himself to James
' E% h" k4 j: c3 F; w00:12:33.000 : Owen and Sanborn Talk Iraq: V1 w9 r, A4 f+ a p: k
00:13:40.000 : Team Tries to Find Missing Unit* u+ G- k1 ?3 k: J! r
00:16:41.000 : James Approaches the Bomb$ }; L6 l$ J0 }; ^: p0 G i
00:19:09.000 : A Car Creates a Tense Situation
, D( S3 Z6 t* n# }: T- z: t% ]00:22:18.000 : James Attempts to Disable the IED
: w2 V/ O1 G/ q* {* j/ a00:26:58.000 : Sanborn Confronts James; @0 ]' Y/ l" N, B. j1 Q$ V( G
00:27:35.000 : Eldridge Plays Video Games and Gets a Visitor' H; y# [3 S! L4 d
00:28:45.000 : James Buys a DVD From a Kid, R3 C6 z+ b# L& I- o
00:29:34.000 : Sanborn Confronts James About his Cowboy Attitude! O9 X' a9 x8 F, j! X
00:30:30.000 : The Unit Responds to a Bomb Threat* ]* G! ^" c' f& h0 X# u& T- k
00:31:16.000 : An Unexpected Person Appears- u. x/ p; w0 J) k, v; ^
00:33:46.000 : Col. Reed Declares the Shooter's Condition8 a0 \. \( O1 E" U* B$ y
00:34:24.000 : James Breaks Protocol: k& X4 V% [1 H$ j( @
00:38:04.000 : An Observer Creates Tension1 z- [1 q7 j, a# u$ E
00:40:52.000 : James Continues to Work, x5 d: ? f" F- K
00:43:53.000 : Col. Reed Complements James
. h$ Y$ q2 `+ r6 I' O00:45:09.000 : James Bonds with Beckham8 ~/ g2 b$ A Q( W' s$ K
00:47:20.000 : Eldridge Challenges his Psychiatrist) e' ^; |) |, u! g; [$ V) E
00:48:52.000 : Sanborn Plays With Fire- Z! R. j* F( u, D* R% E
00:50:56.000 : The Unit Runs into a Group of Men5 c9 A3 t( c7 Z* b" q1 k1 z; B4 K
00:53:56.000 : Group Has Company$ H5 L+ ^* e+ O1 o( M6 ]6 D4 m
00:57:29.000 : Sanborns Needs Ammo
* j% Z! P- s, n( }* c$ W) P$ P01:02:05.000 : Sanborn Faces Off
, V @$ p5 r3 N$ S8 S3 B. Y/ |01:04:02.000 : Unit Waits it Out9 L2 ~; O. Y! F; m6 \( j* k. U; y
01:06:47.000 : Eldridge Watches Goats on a Bridge
1 a9 \3 h+ z% U6 @9 ~# i01:09:13.000 : The Unit Lets Off Steam U# t- v! o: p* p) n( u
01:15:04.000 : James Puts Sanborn to Bed& | G2 ^, l. o8 G% K) ]
01:16:30.000 : Dr. Cambridge Requests a Ride Along
2 \) u# y- v9 H y+ _9 g5 g( M01:17:20.000 : Unit Prepares to Address a Threat+ G) x v7 q! j- u# B, R3 Z
01:17:48.000 : The Unit Inspects an Abandoned Warehouse
+ x+ c( a! X, S" W& U- e: T01:21:12.000 : James Finds Something
$ d& }: h8 N/ q& i; X6 R01:22:23.000 : James Deals with the Situation
0 e# A6 i0 c5 V; Y! w; L01:26:26.000 : Cambridge Tries to Clear the Crowd% \% ^- E1 i I6 l! I ]
01:29:09.000 : James Calls Connie
$ h" U/ M! c5 R$ |: p* | q01:29:56.000 : James Questions the DVD Merchant
/ S( z3 {; R9 m4 X01:32:07.000 : James Looks for Beckham's House- z# c: ^: b& v3 t
01:35:21.000 : James Tries to Reenter Base
* }: t" m- |* G M9 E01:37:01.000 : James Gets Called to Do an Assessment+ }: G7 ]* _; P: v- [* x }8 C
01:38:07.000 : Sanborn and James Inspect the Aftermath* V% w( V$ v$ ]$ c
01:41:00.000 : James and Sanborn Speculate b/ E+ z$ t4 E* v5 O, |6 f
01:43:45.000 : The Team Splits up
2 l4 l T e2 }; D01:47:31.000 : James Showers in his Clothing5 `, A/ K$ K( t
01:48:41.000 : A Friend Resurfaces0 c; {& n4 f: [* W0 W5 j
01:49:16.000 : Eldridge Is Airlifted, H9 k$ o, q* ]) ~1 [
01:50:23.000 : A Man Needs Help% v% R. t8 \6 q
01:52:28.000 : James Moves In, [; ?- J( G0 U1 |
01:56:06.000 : James Has News for the Man% q* `1 k! K) ?. l
01:57:35.000 : Sanborn Talks to James0 ~" y, u) I5 d% y, |# x; }
02:01:10.000 : James Shops for Groceries- J* ~; ~4 J# I4 S
02:02:34.000 : James Talks to Connie
2 D/ \ d' m, X2 f: x02:03:35.000 : James Gives an Emotional Speech" v4 s' ]/ Y% y
02:04:50.000 : James Touches Down
' u" t8 s9 c/ z& [! E02:06:12.000 : End Credits ) u9 i2 h4 Q' b3 T
|
|