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◎译 名 狱中囚徒/英国现代残酷监狱* k3 ?. k4 e3 ^5 k1 f0 [/ Z* s
◎片 名 The Criminal' f6 y0 D% J+ D5 I- `1 `
◎年 代 1960
6 N' _- A' P! h3 {◎产 地 英国
7 v6 F4 y# y& s3 d Q◎类 别 剧情/犯罪5 M- R" q6 A; Q- R: b8 r
◎语 言 英语
9 i; h/ c; F A8 [; [0 j) ]◎上映日期 1960-10-27(英国)
( W' `( l" [$ u; Z% c! a. Y◎IMDb评分 6.9/10 from 1,400 users
' B& r6 y3 x$ t# s0 A6 I1 H" q% [◎IMDb链接 https://www.imdb.com/title/tt0053740/
% P' K9 ]7 o4 I3 D& N, A5 u$ T7 y◎豆瓣评分 6.6/10 from 78 users4 j5 ]- g& k9 D1 ]2 {# L6 J. p, X
◎豆瓣链接 https://movie.douban.com/subject/1301871/
! X* C7 g1 @2 k; B: ^, q5 W6 m◎文件格式 x264 + LPCM
3 v0 i# E }! ~* M7 x9 h4 u◎视频尺寸 1920 x 1080/ T& }5 t5 E8 S
◎文件大小 1DVD 26.24 GiB2 |, @. u9 I% q- W+ [
◎片 长 1 h 37 min# }* f; s+ ^# k, F
◎导 演 约瑟夫·罗西 Joseph Losey @ R* v8 s- a) e5 Z$ `: ?* {6 h
◎编 剧 阿伦·欧文 Alun Owen& r, b2 f# D& _* q/ P3 r* g- e: v
吉米·桑斯特 Jimmy Sangster) {+ m# D4 r3 k
◎主 演 斯坦利·贝克 Stanley Baker, }; f8 b! D# Z$ b& n* C1 j
萨姆·沃纳梅克 Sam Wanamaker! l$ ~7 Z0 O7 j8 S3 T! z) G
格雷瓜尔·阿斯兰 Grégoire Aslan/ _ _2 ~" s( i9 }" E' e; V; L
玛吉特·萨阿德 Margit Saad
8 m6 f P2 P" w) Q 吉尔·班尼特 Jill Bennett
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◎简 介 / H: ?" y2 r0 M
9 f7 i, Y" c4 l6 \6 |: a0 i 约瑟夫·罗西导演的带有黑色电影风格的犯罪片,曾号称是英国电影史上最粗暴(toughest)的电影,尽管以当代的标准来看本片尺度并说不上大,但对60年代英国监狱的详细描绘、出色的摄影、斯坦利·贝克优秀的表演以及动听的主题曲都让本片颇具看点。故事讲述前科犯约翰尼·巴尼恩出狱后,与黑帮成员迈克·卡特等人合作一起抢劫赌马场,但事后造人背叛,再次锒铛入狱,然而藏匿赃款之处只有巴尼恩一人知道。由于巴尼恩在A区混得风生水起,狱长故意将其调去B区,但在B区老大弗兰克·萨夫瑞恩的协助下,巴尼恩再次重返A区。在狱中得知迈克·卡特的势力已经越来越大,并为了找到赃款挟持了他的女友苏珊娜后,巴尼恩找萨夫瑞恩帮忙,打算越狱逃走阻止卡特。* i4 Q" U. l$ R
' M* g: f* D8 w5 s2 E( L3 P In the UK, after pulling a racetrack robbery, repeat offender Johnny Bannion hides the loot in a farmer's field but the police and the local mob come looking for Johnny and the money.
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Video
9 i" S* ?9 G+ N- Q* r# F) JID : 15 p; V0 K7 f; c. s) P" }
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3 M) P' Q$ B. p+ eFormat/Info : Advanced Video Codec" H$ Y: R! y1 E) K
Format profile : [email protected]5 e! s- K& W E( w
Format settings : CABAC / 3 Ref Frames
+ P9 l8 ]" r, v+ {$ eFormat settings, CABAC : Yes
, U, \7 w, d3 `) b1 Z2 eFormat settings, Reference frames : 3 frames
* Z' v) q5 P& b' `1 S8 n' ^Codec ID : V_MPEG4/ISO/AVC
/ _3 M+ l% y- @7 pDuration : 1 h 37 min8 h1 o" H) S v
Bit rate mode : Variable
; Q0 Q* G3 V" c9 bBit rate : 30.0 Mb/s4 e0 `# A" ?( D5 z% ?3 [7 n+ M
Maximum bit rate : 36.0 Mb/s; j1 w" o4 w3 ^5 H
Width : 1 920 pixels" }% e3 q0 s' K: p$ q$ S
Height : 1 080 pixels1 j5 f) |+ ]! B- u4 c W! X
Display aspect ratio : 16:9/ y& y5 d$ K9 i; ^( h$ C
Frame rate mode : Constant
) ~9 w4 r6 s0 u& a" WFrame rate : 24.000 FPS2 R2 u: ~6 ~, u; O+ n* F4 M; b9 @
Color space : YUV3 W) j4 }2 |7 Y8 R
Chroma subsampling : 4:2:0/ Q( \) D, J% h- E: K( p
Bit depth : 8 bits
0 S; N: ]' r$ B' \5 j5 i* dScan type : Progressive
x/ X: O# M4 Z& wBits/(Pixel*Frame) : 0.6039 d0 r0 V6 E% ^
Stream size : 19.3 GiB (87%)
% ]2 p* R1 \) w+ X Z, Z2 ?Title : The.Criminal.1960.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT- N! z- H- y( T! i7 N
Writing library : x264 core 157 r2935 545de2f
8 I# N8 \4 M' L& r1 oEncoding settings : cabac=1 / ref=4 / deblock=1:0:0 / analyse=0x3:0x133 / me=umh / subme=10 / psy=1 / psy_rd=1.00:0.00 / mixed_ref=1 / me_range=24 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=1 / chroma_qp_offset=-2 / threads=12 / lookahead_threads=1 / sliced_threads=0 / slices=4 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=1 / constrained_intra=0 / bframes=3 / b_pyramid=1 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=1 / weightp=1 / keyint=24 / keyint_min=1 / scenecut=40 / intra_refresh=0 / rc_lookahead=24 / rc=2pass / mbtree=1 / bitrate=30000 / ratetol=0.1 / qcomp=0.90 / qpmin=1 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / vbv_maxrate=36000 / vbv_bufsize=30000 / nal_hrd=vbr / filler=0 / ip_ratio=1.40 / aq=1:1.00' M: b, s2 E6 B. P/ ^
Language : English
' {6 J. W* T9 Q/ p% }5 cDefault : No! m' a. F' m4 r! R% F" V1 p3 X
Forced : No
$ X6 m2 l; U! `5 \/ Y. N% dColor range : Limited
7 e1 B6 } s0 x# Z$ C" z/ b. T& [Color primaries : BT.709
- l3 B( l- S4 \3 e, x% ITransfer characteristics : BT.7094 A' J+ u+ L/ v( D. H: X
Matrix coefficients : BT.709
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Audio #1
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Duration : 1 h 37 min; ?+ N5 f- M% j
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. j: p, ?) Z5 l( m$ SBit rate : 2 304 kb/s! R; E2 e! F4 ^9 {9 G0 d3 J4 c4 B
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Frame rate : 30.000 FPS (1600 SPF)
: h0 {9 r; }& C8 V6 h, ~7 GBit depth : 24 bits0 ]/ s3 q0 N: K0 O- k
Stream size : 1.49 GiB (7%)
# j6 W! }: u. `; |: X* NTitle : The.Criminal.1960.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT* c2 K* F4 h& f: c5 n- x4 Z1 _
Language : English; f# W. t% w5 k3 R9 Q3 X
Default : Yes
2 R8 V& Q/ Z: q- MForced : No
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1 E y" p& ?5 N; EFormat : PCM& F) R+ a8 p) I6 s/ |
Format settings : Little / Signed4 F6 T" k, K4 t3 | @# h! i
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* M( r3 P" [. P' r2 i, q6 W0 ^Duration : 1 h 37 min: p! M+ v7 u$ r( M
Bit rate mode : Constant
Q) M/ J+ j3 r: c! HBit rate : 2 304 kb/s8 K+ m. Y! f3 l# N7 x
Channel(s) : 2 channels
9 w) A+ q' q+ H3 ISampling rate : 48.0 kHz
' ]; {! F/ L8 b0 K& s, g* eFrame rate : 30.000 FPS (1600 SPF)( L5 n; B. E5 F3 t r/ A/ I% Z2 S
Bit depth : 24 bits
, d# K+ z4 K0 X) |, \2 W5 EStream size : 1.49 GiB (7%)5 C# m- h( d$ v7 `
Title : The.Criminal.1960.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT0 H2 D& X. {$ \' p- R+ P% R) X
Language : English
6 i, H6 G5 S2 Z& @Default : No
7 O% g$ Q0 N; HForced : No
3 [% T* R( _, V2 X' K, g$ e! F4 b- y- u
Text
" I& j0 {" T/ o, J7 LID : 42 h9 h- {8 U0 e6 O7 D8 M: @, g$ A/ B
Format : PGS: Z+ d \! T2 z9 T0 {- r8 B
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+ K0 Y2 T' u( X, nCodec ID : S_HDMV/PGS. v- S, Q ]: [9 g+ `
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs* M+ ]! E3 d) v
Duration : 1 h 36 min
0 g* I! N; Z1 D2 @Bit rate : 46.3 kb/s
/ F# S5 F9 }% v4 L. }& z8 RCount of elements : 3004
/ R4 y8 s, `) {Stream size : 29.7 MiB (0%)
5 L5 d$ Y5 r, A, V# B" r6 XTitle : English-PGS* c% e" G* n k3 @6 [
Language : English' o8 F% u5 R) k
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Forced : No
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Menu
& L# S( t- |8 G4 B4 g00:00:00.000 : en:Chapter 00
; @* M3 q4 ^2 x u: O00:01:53.500 : en:Chapter 011 R1 g. M5 O1 ^. ]
00:10:24.416 : en:Chapter 02$ ~) j' m7 Q, C
00:16:54.750 : en:Chapter 03
# |! L) f. v3 u _00:25:18.416 : en:Chapter 042 G4 J/ e0 |. N* `: l6 h- `
00:33:21.500 : en:Chapter 05
4 U/ R5 m8 T0 G, m% d! U, _2 \, H; h00:40:02.875 : en:Chapter 06
$ S# k- @( c# M- W, @00:45:57.708 : en:Chapter 07
& h5 m n# j8 a" o% n* n00:52:23.458 : en:Chapter 08
7 d" C1 n* ~6 R4 ]% R01:02:07.500 : en:Chapter 09! e+ f: \1 M( Y' Y' e, e8 P! t
01:08:02.666 : en:Chapter 10- R/ O2 `& [' o* G0 B+ ~6 @
01:15:21.875 : en:Chapter 115 B2 P/ a* o/ {" z
01:19:34.333 : en:Chapter 12 The Criminal Blu-ray, Video Quality & I$ c2 n V# u$ R, b& }! m) d
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) s: S4 m+ ]+ r4 z; D( r3 i5 H; oPresented in an aspect ratio of 1.66:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Criminal arrives on Blu-ray courtesy of Kino Lorber." c% ^$ b5 B( z% _4 C6 C
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If you have seen our review of StudioCanal's Region-B release, you should already know what to expect from this release because it is sourced from the exact same recent 4K restoration of the film.
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5 U4 v- Q0 t1 Y/ ?7 W2 YThe entire film has a very solid organic appearance and on a larger screen boasts the type of depth that only proper recent high-quality masters can deliver. The grading job is also outstanding, allowing various smaller and bigger nuances to be easily recognized (see screencapture #1). Grain exposure is strong and even, as it should be, and there are no traces of digital sharpening or other similar enhancements. There is one particular segment that has sporadic softness, but this is clearly a source limitation (you can see an example in screencapture #18). There are distracting large debris, cuts, damage marks, warped or torn frames to report. Indeed, this is a very solid makeover of the film. My score is 4.75/5.00. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content). x1 C8 c4 ^0 }! T, z
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The Criminal Blu-ray, Audio Quality # J2 {6 N1 x2 i" X" v" S, l
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- g7 U8 M! ^& @8 R0 r# JThere is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
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The audio has the type of native qualities that a film from the 1960s ought to have. Some minor unevenness exists, but clarity and depth are very nice. (You won't have to turn on the subtitles to catch all lines during the mass footage). Dynamic intensity is not impressive, but this isn't surprising because there is quite a bit of borderline documentary footage. There are no audio dropouts or distortions to report.% N3 P2 D; J0 O2 A9 H! _5 \
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