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A crime boss teams up with a cop to track down a serial killer.
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& b5 R$ W u* r4 ~+ @, w+ S! o9 o◎译 名 恶人传/恶霸‧魔警‧杀人狂(港)/极恶对决(台)* o' p& J! x) F$ u; S
◎片 名 악인전 / The Gangster, The Cop, The Devil
! _" |. g! L, d3 W) `8 d5 s" Y◎年 代 2019
( q' s+ m5 V4 e8 v4 k! \1 ~. g◎产 地 韩国
5 P8 s3 }' {* m( l k3 k& G" Z8 `. h◎类 别 剧情/动作/犯罪4 v+ w$ [, w$ v7 K. i
◎语 言 韩语
8 b. C2 Z8 @5 E; L' j◎上映日期 2019-05-15(韩国)1 r' D! [2 ]& j! F2 n$ v6 G
◎IMDb评分 6.9/10 from 10,437 users# z" P* R% t( `5 ]4 e8 k
◎IMDb链接 https://www.imdb.com/title/tt10208198/
% P, V! p9 Y; _◎豆瓣评分 7.8/10 from 235,097 users
& p, g" g+ e" e$ y◎豆瓣链接 https://movie.douban.com/subject/30211551/9 e! a6 B- z% W# e1 T# [" J
◎文件格式 x264 + DTS7 B t; x- h& p) w, @5 i
◎视频尺寸 1920 x 1080
5 l# b( b1 K2 R◎文件大小 1DVD 16.77 GiB
$ u x* b, |5 k& [◎片 长 1 h 49 min
# a% v: }$ b' c. h1 n◎导 演 李元泰 Won-tae Lee% \. w- x4 b% X" C
◎编 剧 李元泰 Won-tae Lee" b0 J; N Y; Y5 m
◎主 演 马东锡 Tong-Seok Ma
; w9 R! @$ u# r+ D$ ~7 [7 ~ 金武烈 Moo-yeol Kim
1 v/ n# n5 l( p$ M4 o. @ 金成圭 Seong-gyoo Kim" S: u9 b; |# N1 \3 U4 b' z0 h1 [
刘承睦 Yoo Seung-Mok+ T p. F4 r+ D4 t
崔民哲 Min-cheol Choi) f- U/ @+ Q3 a) J
金胤成 Kim Yoon-seong
3 h. ~$ x, k. s8 l& G) T- n 许栋元 Heo Dong-won' S" U5 C0 C5 q7 X
吴熙俊 Hee-joon Oh- ?" Z t2 p' q
杨志洙 Ji-soo Yang
- n3 \& j/ i2 n8 b9 t/ n2 I$ H. x 金桀 Kim Kyoul
0 X/ C$ x0 l6 X8 Y v( t2 V9 Y 李恩泉 Eun-saem Lee, U* t( t. O7 c9 _
刘在明 Jae-myung Yoo6 {; _2 k6 B S. F' c* e
/ _0 }2 E6 ]1 ]& |+ V7 I! L: h F& T◎标 签 韩国 | 犯罪 | 暴力 | 动作 | 警匪 | 人性 | 悬疑 | 2019
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9 Q9 U% J! h. `5 m◎简 介 $ P: X: B5 j$ y1 \
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一个雨夜里，凶狠的宙斯帮老大张东秀正开车回家，路上突然被人撞了一下。他刚下车就遭到了毫无预警的袭击，身负重伤的他迅速回击才勉强捡回一条命，但是作为黑帮老大的名声却受到了重创。唯一修复自己名声的办法，就是找到攻击自己的凶手再狠狠地报复回去。张东秀决定和警探郑泰锡合作，郑警探相信这个攻击者正是自己追踪中的连环杀手。郑警探的上司对他的推理不屑一顾，表示并没有任何证据可以支撑他的猜想。因为这个杀手没有留下过任何证据，别无他法的郑警探只能用张东秀的资源来收集关于连环凶手的信息，试图通过相似的作案手段来找到凶手。各自拥有才能和资源的两人联手，开始找寻这个代号为“K”的连环杀手。追寻同一个“猎物”的两人也立下了一条规则：谁先找到，谁就能凭自己的意愿处置他！0 u& P2 q" q$ _
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A gangster and a cop teamed up to chase a serial killer for their own reasons., s! _! ~2 c& f2 ^* V* B4 s
% \+ e# M. M$ O) |, A; I$ @   Video ~1 _ y# T' b
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Format : AVC
6 `, d9 S" J0 K2 y8 r# eFormat/Info : Advanced Video Codec
1 D: O$ }9 ~* y/ s2 BFormat profile : [email protected]5 N% B) ~9 W, s9 ?3 l% J5 J0 Y1 k
Format settings : CABAC / 4 Ref Frames
Q) _! d& I; j tFormat settings, CABAC : Yes
9 X) \3 g9 R: Z2 `5 TFormat settings, Reference frames : 4 frames$ J# q5 K/ J7 \ B3 P
Codec ID : V_MPEG4/ISO/AVC
3 O! L% S- r: ?8 WDuration : 1 h 49 min
' { [ j# K3 q$ KBit rate mode : Variable7 T. e% i. F) ]& K) F0 X0 Q( K6 a4 J
Bit rate : 19.2 Mb/s
+ V3 o* Q0 n6 d V- oMaximum bit rate : 20.0 Mb/s
* h: C) q$ U% ^2 |9 PWidth : 1 920 pixels7 t, n. i: Q2 w) g y" s
Height : 1 080 pixels) r3 e1 T1 ~1 x5 Q1 l6 P, {
Display aspect ratio : 16:9
' f8 f! }$ f% x, h9 B0 dFrame rate mode : Constant7 c/ q b8 B8 b9 I1 G
Frame rate : 24.000 FPS
5 G! K; e f" z W1 B3 a# G& ~Color space : YUV) p; z) n* ?6 L) z" o
Chroma subsampling : 4:2:0
$ ~8 q5 h7 F1 ^, r' W G9 i( eBit depth : 8 bits7 E5 x1 \! u, e4 x
Scan type : Progressive
; Y9 L& c4 k) ^5 a( `" c2 cBits/(Pixel*Frame) : 0.385# e( I2 k8 B$ @1 s: N$ T
Stream size : 14.7 GiB (88%)
1 A1 L$ P: J* |: \1 w" M) ATitle : The.Gangster.the.Cop.the.Devil.2019.KOREAN.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
/ c1 \2 H7 n9 R2 F( z dLanguage : English
( h2 K$ P3 x$ M4 E6 pDefault : No( b! B9 [4 u% z; V, j+ N) I
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+ w* |" X* E2 V+ {. oAudio #1; [# ^! l4 _2 S0 a$ ` o8 e( L: J
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+ Y/ f6 Q/ s3 Z2 S4 V; ], cFormat : DTS XLL
: @4 J: t( S K" f2 [" Q6 CFormat/Info : Digital Theater Systems
3 c# M# d+ t/ f9 `: YCommercial name : DTS-HD Master Audio4 Q1 @2 _9 S: T! a% Z; a- `9 M$ ^ f9 j
Codec ID : A_DTS
; G. b6 s, X3 _' ^( @; @: p* ODuration : 1 h 49 min/ g% X1 k8 F* R
Bit rate mode : Variable0 { M% P$ { N$ ^) i+ R% t
Bit rate : 2 260 kb/s
' U/ K8 }, |% ~1 rChannel(s) : 6 channels
% J5 l$ |+ X4 r6 U ]# n9 P( uChannel layout : C L R Ls Rs LFE
2 g( f9 p s( S ?Sampling rate : 48.0 kHz. E& [7 |4 T7 ~1 e
Frame rate : 93.750 FPS (512 SPF): j/ X, N4 c2 {+ W
Bit depth : 16 bits' L5 j5 Z3 E0 Z, [; f, [. P
Compression mode : Lossless2 `( p, X V. P/ {) D, `5 ]: N, r
Stream size : 1.74 GiB (10%)
7 h3 t2 B1 S9 L a/ d9 BTitle : The.Gangster.the.Cop.the.Devil.2019.KOREAN.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT4 j0 @. B- w% U! ?3 A
Language : Korean( P8 R( ]' U$ r+ u
Default : Yes
) \! o, u" P( g8 q; XForced : No
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' d: M" z t$ K& lAudio #25 x0 z9 V3 y. ?1 a/ h! \& a
ID : 3, q& R& o6 ]. ^7 j. O* N
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S/ O( v ?3 Q( HFormat/Info : Audio Coding 3 O1 b6 {* V5 A5 c8 e
Commercial name : Dolby Digital
' f! e- ?- R. n5 SCodec ID : A_AC3
3 [- z# S( E( q( HDuration : 1 h 49 min
: M5 L- J+ L- i5 ]Bit rate mode : Constant
: U b5 i% q; b% F0 P- g, hBit rate : 384 kb/s' @, J! K) A+ g0 V& Z: N4 @. y
Channel(s) : 2 channels
- J7 u& w% ^+ a# J5 _5 T! EChannel layout : L R0 b4 ]* q; o) o# Z- i0 b, A8 g
Sampling rate : 48.0 kHz: s' v* B" e! x1 s/ f
Frame rate : 31.250 FPS (1536 SPF)
& `4 B; ?+ F, LBit depth : 16 bits
7 `% U, D( H2 a. J2 t& {% p1 w. OCompression mode : Lossy
8 A( {, z9 k5 M4 ?Stream size : 302 MiB (2%)
/ t7 W1 X" i: lTitle : The.Gangster.the.Cop.the.Devil.2019.KOREAN.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT9 m" |1 B- Z. G! o# D5 N
Language : Korean
& K: ]; G* I0 WService kind : Complete Main
/ L; B& W- S$ m; J4 |2 F: r. ZDefault : No2 y9 |& C9 C* `" g f9 ]
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Codec ID : S_TEXT/UTF8
7 B- s2 Y; ^- ?( |$ DCodec ID/Info : UTF-8 Plain Text
8 x3 K/ }8 i( H0 e3 a! t* U/ nDuration : 1 h 44 min
8 m( c; f' u9 @4 J& yBit rate : 52 b/s! Y- h* I! ^. o) o& V2 U4 v! \
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m2 N5 g- |. u9 B+ QStream size : 40.4 KiB (0%)7 ~3 ^( T T2 C. x( `8 y
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6 M5 G: H; Y( A8 YFormat : PGS: e' W# Z1 j6 Y# \
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. m9 E1 J* D% B* i+ f9 {9 A/ ADuration : 1 h 44 min
& H$ o2 {1 @4 |. Q+ S/ zBit rate : 34.1 kb/s. b6 q9 a8 m9 j$ Z2 m3 w$ c8 ?' j
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2 y7 w- [3 M. h3 y+ rMenu" ~# Y2 S# }# ]. X8 t% J
00:00:00.000 : en:Chapter 01, f) X8 G$ v+ {- z
00:09:32.875 : en:Chapter 02
1 k0 v& u$ F" G+ w00:18:25.750 : en:Chapter 03
2 l9 {! K5 `4 e00:26:37.458 : en:Chapter 04
; b6 l8 g) S/ X0 s00:37:36.625 : en:Chapter 05$ [. w$ Y: K. }# [( s$ J A: e
00:47:04.458 : en:Chapter 06# a% r6 ?+ x4 Q# k
01:01:17.083 : en:Chapter 07% R) M/ U* S& ?3 ^- E9 K4 X
01:11:17.125 : en:Chapter 08
/ A W% @# x1 ^: K( G; ^01:20:57.583 : en:Chapter 09
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! m3 `9 j4 ^9 t0 T01:45:46.500 : en:Chapter 119 u0 P) F' U' a2 u
01:49:53.916 : en:Chapter 12
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& B3 d" ~* n( H% E& v$ |9 XThe Gangster, The Cop, The Devil is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.39:1. There's very little technical data online that I could find (the film's cinematographer Park Se-Seung isn't even credited on the IMDb), but a French site detailing some of the out of competition offerings at Cannes (which this film was) suggests Arri Alexas were used to digitally capture the imagery, and as usual I'm assuming everything was finished at a 2K DI. This is a rather sumptuous looking transfer, considering its down and dirty characters and some of its less than seemly plot mechanics. Some of the cityscapes are bathed in really alluring teal and purple hues that kind of reminded me of the John Wick franchise, and there are other moments that have been graded alternately toward almost sickly green-yellows, and some cooler blues as well. Despite these wide variances in general frame color, detail levels remain strong throughout the presentation. A number of skewed framings tend to place faces and bodies at odd angles, and often not even entirely within the frame, but in close-ups, fine detail is often excellent, offering precise looks at some gruesome injuries and the fineries of fabrics on costumes and other elements like furniture. Some quick editing and generally peripatetic camera moves can give the impression of softness in some of the action set pieces, simply because nothing is stationary within any given frame, and even the frame itself is often in motion./ I4 T: Z4 e! C, G
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The Gangster, the Cop, the Devil Blu-ray, Audio Quality # a- p. \: j& J* @& m
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e0 u& R1 y( @% j3 `! K1 dThe Gangster, The Cop, The Devil features a nicely boisterous DTS-HD Master Audio 5.1 track in the original Korean (a Dolby Digital 2.0 track is also offered, as tends to be the case with Well Go USA Blu-ray releases). Surround activity is quite noticeable throughout this presentation, aided by a number of outdoor scenes where ambient environmental sounds dot the side and rear channels. But things really burst into impressive life in some of the hand to hand combat scenes, where bone crunching and other sounds of impact surround the listener with some lifelike (if appropriately goofy at times) sound effects. Dialogue is always rendered cleanly and clearly throughout, and a propulsive score by Jo Yeong-wook also sounds clear and full bodied throughout.
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