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Three couples go on a camping trip in the woods of southern California during the summer, where a deformed man is stalking their camp.; V7 P$ t0 j; M; F+ c6 j- o( Z
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1 D; Y6 A" k9 d◎译 名 猎物- X) X& a" C! ^# W3 G
◎片 名 The Prey
5 i) k& I. S% o' [7 J6 L◎年 代 1984
) W2 S7 U7 l0 |6 s" q◎产 地 美国
" W0 _3 `" G! x5 s0 k: Y◎类 别 恐怖
( w) B4 z' R5 J4 r( l◎语 言 英语
. z4 p: i5 t5 E/ x$ O. h" n' q◎上映日期 1983-11-04(美国)5 Z' Z0 B) P# e: \4 @
◎IMDb评分 4.4/10 from 1,283 users
, f* H* y% ?' q- ] ^◎IMDb链接 https://www.imdb.com/title/tt0086137/
* \5 }( c [! D6 ~" Z) L◎豆瓣评分 0/10 from 0 users
& l' S5 ]8 V% G/ k" k8 m: j◎豆瓣链接 https://movie.douban.com/subject/1947299/& r1 e4 C6 M' r4 D# g& W& x& S
◎文件格式 x264 + DTS
* x1 J9 F# b: }" T4 V◎视频尺寸 1920 x 10800 U: ?$ p7 m3 X. Z8 v5 J
◎文件大小 1DVD 22.02 GiB
8 J! C O0 H/ T0 z; K' v% `◎片 长 1 h 42 min
% U' O2 Q/ [+ J, ]% x5 Z◎导 演 埃德温·布朗 Edwin Brown
% N% m9 z: t7 H# s# n2 w) i* C◎编 剧 萨墨·布朗 Summer Brown " v0 P9 j) m. {7 P4 `/ m
埃德温·布朗 Edwin Brown
* s* @2 @) H4 ^. Y! X( O1 O◎主 演 Debbie Thureson% B' A; i" y( F m/ i
史蒂夫·邦德 Steve Bond
$ s" E. ?. }; O5 y6 ?4 ^& L8 Y( D Lori Lethin6 N5 D( ^3 q& `4 `
卡雷尔·斯特鲁基 Carel Struycken7 C0 \2 T( ]- K& e7 @
Jackson Bostwick$ Y- ?; x3 S! ~
史蒂夫·邦德 Steve Bond
1 t# K' h1 L5 C 杰基·库根 Jackie Coogan# U: h8 d1 e. L/ R c
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◎标 签 恐怖 | 血腥 | 美国电影 | 国外电影# v- E3 ]- m( X
) s. F( g) i6 ]! w2 [$ X! r$ m2 }◎简 介
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六名露营者长途跋涉到北角,在那里他们很快就被一个残忍的男人跟踪并杀害,这名男子最终只是为了寻找一点爱。; }9 E, V; p W1 o/ V
/ ]4 f& @; A9 O' M0 M& O; K' m2 A Six campers jaunt off to North Point, where they're promptly stalked and killed by a ghoulish man who ultimately is just looking for a little love.
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Video
. k0 `( `+ @5 @" ^/ DID : 18 q& K/ i$ ] O5 O" i* j) }
Format : AVC6 U; b# b. E, S; j" O+ R7 O: u
Format/Info : Advanced Video Codec9 l1 D h" B C3 K
Format profile : High@L4.1/ [" L% r& k5 x: T6 z$ q$ K
Format settings : CABAC / 3 Ref Frames
4 G, V8 n% s& A/ h% `Format settings, CABAC : Yes% F6 D# C. K9 L7 e7 x( r- _3 ]
Format settings, Reference frames : 3 frames
( _* p$ t* _1 aCodec ID : V_MPEG4/ISO/AVC
" U; D2 Q! q1 `2 H8 {Duration : 1 h 42 min
) O5 A7 [' _3 L- J$ lBit rate mode : Variable
8 A2 D! J1 b# S( j) \3 bBit rate : 29.6 Mb/s- \$ P; V/ T% K, n4 M+ D9 M
Maximum bit rate : 38.0 Mb/s
+ Z4 h& n7 e; @, J9 P, E3 LWidth : 1 920 pixels
% f' v) H3 ^4 Z" HHeight : 1 080 pixels# c3 U, s; }, r+ x6 ~
Display aspect ratio : 16:9
5 m9 U8 _) e0 a. N: ?Frame rate mode : Constant
1 O: }5 l* G% ~& C6 _% nFrame rate : 23.976 (24000/1001) FPS% M0 E c3 h1 P4 M4 A/ j
Color space : YUV
" b( I- |7 Y1 I) O1 ^3 BChroma subsampling : 4:2:0
0 g4 u3 d4 N( m# {Bit depth : 8 bits5 l7 {; {1 U8 I; ^7 ~6 Q& i+ C
Scan type : Progressive
& Y8 O. [6 C& o% nBits/(Pixel*Frame) : 0.595
% g2 h F+ q2 q1 D( nStream size : 21.2 GiB (96%)1 v' T* L. q& l( n6 G$ ]
Title : The.Prey.1983.Composite.Cut.1080p.BluRayCD.REMUX.AVC.DTS HD.MA.1.0-FGT- k3 Y: y# L( M5 |
Language : English
% _; L7 D; e4 F2 k yDefault : No* ]6 u0 i, f/ T
Forced : No( W2 Y( u& t% z0 S: \
Color range : Limited
. @. k# t$ g( w/ Z: CColor primaries : BT.7096 J) j; k# g6 L
Transfer characteristics : BT.709! Y" C1 L% B5 ?( n
Matrix coefficients : BT.709; G- V7 N. z) n& U$ M/ [
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Audio' _5 f; q% X! I' J/ N6 Z# o6 Z
ID : 23 T( P/ I/ ]: u% }' D
Format : DTS XLL& z5 U: s$ y9 b ]; `6 _
Format/Info : Digital Theater Systems! t" u& l# ~5 i9 Q! E, f5 F! n
Commercial name : DTS-HD Master Audio+ ]. ~0 ?, O7 s6 I c0 N/ J
Codec ID : A_DTS
6 i5 U$ j& B! H8 g& W1 FDuration : 1 h 42 min
+ a! X4 E) |) f' n# R( A, |5 IBit rate mode : Variable' z; c+ z3 V$ J& Z/ r2 `2 {! Y
Bit rate : 1 075 kb/s4 L+ Q- W) h s" ~
Channel(s) : 1 channel, G' V) i2 {6 C6 d
Channel layout : C
0 M7 A& P* B" d& ISampling rate : 48.0 kHz8 I& X% D$ \6 x: p& p2 W+ a. B( N
Frame rate : 93.750 FPS (512 SPF)/ X; d; Y$ C$ `! s. Q' j
Bit depth : 24 bits
+ N8 A0 c# w5 v3 S* oCompression mode : Lossless8 @8 O; E' z" ]0 d( N
Stream size : 790 MiB (4%)9 g5 X! l* q$ V* X# h, E9 A" I W
Title : The.Prey.1983.Composite.Cut.1080p.BluRaycd.REMUX.AVC.DTS HD.MA.1.0-FGT
3 }& n5 C3 e. ?8 Y% ^1 ~0 BLanguage : English
O% e( H7 y9 ^& d2 j' P( _( ]Default : Yes3 D. e3 t% _) }
Forced : No
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* _ D- V- r# Q) i% XText
6 b/ V$ |6 J& I' o( I% u* C/ `# o' xID : 3
6 Q6 A$ X/ o' a0 J3 m+ E$ h3 WFormat : PGS
* C' `- O1 w% w. s2 DMuxing mode : zlib
5 ~& S* |% T: y; e! f( ?Codec ID : S_HDMV/PGS
) V+ d5 B' a% U2 k6 H$ uCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs4 j- o/ m/ v* C8 H2 S, c0 ]: Q" j
Duration : 1 h 40 min
# b4 F y# c' q+ V* W9 iBit rate : 20.2 kb/s2 P, T% U# T1 s) Q9 _/ L
Count of elements : 1488
2 q# Q4 Q5 @7 I1 aStream size : 14.5 MiB (0%)
8 u$ v( f$ w5 RTitle : English-PGS
3 r( L3 E9 `2 M/ xLanguage : English* Z+ T; ]: y/ L2 S
Default : Yes1 z0 y( Z! L- V% ^* ^" l
Forced : No
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* {+ d2 T5 [% w. LMenu
8 B, \: c$ U% U00:00:00.000 : en:Chapter 01
9 t$ @4 ?6 O p1 i6 u3 ]# i2 N00:07:27.947 : en:Chapter 02" S% |! U7 C' {
00:15:40.856 : en:Chapter 03
x- v- d9 n3 H/ Y00:25:46.127 : en:Chapter 04
1 V1 z, y2 C, ?00:35:09.774 : en:Chapter 05
' l7 ^, [1 P. [6 W& z( o00:43:15.259 : en:Chapter 069 s- @& V0 }) B/ D* _4 F/ o
00:51:55.278 : en:Chapter 07- G! }2 ~& p+ k$ }& @7 h! d
01:02:05.555 : en:Chapter 081 P' \8 M" Z4 Q" s
01:10:49.370 : en:Chapter 099 W0 `, R" i3 y4 n/ X+ N
01:16:08.897 : en:Chapter 10
" A. H$ a1 `) L( J- c$ j01:28:01.734 : en:Chapter 11
" V9 n3 W, F) S4 B& {8 D01:33:28.394 : en:Chapter 12
+ Q. p; ^% U6 F( N4 }3 v8 I01:42:35.274 : en:Chapter 13 The Prey Blu-ray, Video Quality * O# m! ^0 F' v6 u
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' B" V# J8 q3 Z sThe Prey is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet contains the following information on the restoration:US Theatrical Cut.
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The 35mm original camera negative of The Prey was scanned in 2K resolution on a 4K pin-registered Arriscan by OCN Labs, USA. Color grading was performed using DaVinci Resolve 16, and all image restoration was performed using Nucoda by Digital Vision. The soundtrack was transferred from the original 35mm optical soundtrack negative and restored using ProTools and Audacity.4 L2 w2 P( H6 o* \3 J
1 ^% _0 G3 A: h! ?) d; kNote: Due to severe fading in many of the film's optical effect sequences, there is periodic color flicker and hue inconsistencies.
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International Cut
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5 r, w# Y5 Z3 J4 R% iAll footage for this version of the film were sourced from its 35mm original camera negative and scanned in 2K resolution on a 4K pin-registered Arriscan by OCN Labs, USA. Because no complete picture element for the International Cut of The Prey was apparently ever made, this version of the film was reconstructed using a video master as a reference. As the back cover of this release states, The Prey "at last emerges from the VHS wilderness", and anyone who has experienced the film in any previous home video incarnations is sure to be impressed with this transfer, despite some occasional deficiencies (as alluded to in Arrow's own verbiage, above). As might be gleaned from the fact that both cuts were at least partially assembled from the original camera negative, I noticed no huge quality differences between them. The palette is rather nicely saturated and detail levels are generally quite pleasing. Some of the nature footage, some of which I'm assuming is stock footage, is pretty rough looking at times, and can have pretty substantial damage (see screenshot 19). Some of the additional footage included in the so-called International Cut is kind of sepia toned (see screenshot 3). There are less noticeable blemishes that dot the premises from time to time, but on the whole, this is a nicely organic looking presentation that should easily please fans.
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) c' a7 r" M; k% G1 tThe Prey Blu-ray, Audio Quality
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The Prey features a robust sounding LPCM Mono track. As mentioned above, Don Peake's music is a real standout and sounds energetic but not overly strident or bright here. Dialogue (and screams — lots of screams) sound full bodied and problem free. Ambient environmental effects are generally realistic sounding./ P, x' b& P+ e. ?( N
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