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Three couples go on a camping trip in the woods of southern California during the summer, where a deformed man is stalking their camp., ], Q5 B, A5 i/ R$ P; Z7 y
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, u8 D% i- e7 k1 p) \◎译 名 猎物
& s( k8 e& a9 F! e" C, J- M◎片 名 The Prey/ y q9 M* a! A% H$ [7 q0 z
◎年 代 19848 Z4 k7 ?+ M. x( t2 \3 R- p/ ~
◎产 地 美国1 }* B% Y4 V/ W& S
◎类 别 恐怖8 x, y. ~6 X; o" m6 C; R3 j
◎语 言 英语
, i% f0 S* h( J1 _0 x: {; e◎上映日期 1983-11-04(美国), d. [) U/ H: G6 j: e
◎IMDb评分 4.4/10 from 1,283 users
3 i7 x1 U4 l1 E' Z4 Q◎IMDb链接 https://www.imdb.com/title/tt0086137/+ u% f* l/ b4 a/ ?5 O, }
◎豆瓣评分 0/10 from 0 users
% n; u) K; ]1 I5 `- Q2 r7 k+ M◎豆瓣链接 https://movie.douban.com/subject/1947299/. L) O3 k5 C! m& @/ u) k/ g
◎文件格式 x264 + DTS$ D) b7 a/ k' l L/ \2 I) I: @
◎视频尺寸 1920 x 10803 L9 i& {* {6 J/ T! N) ]# K
◎文件大小 1DVD 22.02 GiB
# I1 A- R6 h) ~8 r% s! F' W; B◎片 长 1 h 42 min
/ }5 `4 b3 Q5 x2 T9 Q0 u◎导 演 埃德温·布朗 Edwin Brown
0 E6 P% q! B& r+ q# P1 h# ^9 v7 R◎编 剧 萨墨·布朗 Summer Brown " Y2 F" {. @) H9 s s7 z
埃德温·布朗 Edwin Brown/ M$ {+ U9 {% a4 S6 {* R
◎主 演 Debbie Thureson
+ \0 x, X5 M3 i$ d4 |9 g5 R 史蒂夫·邦德 Steve Bond
2 E, d7 ?/ Q/ R& E4 x# Q Lori Lethin3 O5 ?. w T) ]. Y! s
卡雷尔·斯特鲁基 Carel Struycken% T s) ^2 H7 T" K
Jackson Bostwick
0 p$ v' j2 E) | 史蒂夫·邦德 Steve Bond' U) _# r! k _# J( V9 j
杰基·库根 Jackie Coogan
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+ H" L5 R5 k# N6 M( a( R# q◎标 签 恐怖 | 血腥 | 美国电影 | 国外电影3 L8 l- l: e. Q' s
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◎简 介
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六名露营者长途跋涉到北角,在那里他们很快就被一个残忍的男人跟踪并杀害,这名男子最终只是为了寻找一点爱。- j) |: f1 o2 ]. l% m! O
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Six campers jaunt off to North Point, where they're promptly stalked and killed by a ghoulish man who ultimately is just looking for a little love.$ X* y9 h& v6 |4 M8 V
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Video2 t" T, C. V/ i3 \* h
ID : 1
# U* Y+ v$ Z7 E' u7 e& ?5 n$ I' wFormat : AVC
4 ~( l' S0 l3 U0 m, k6 ~Format/Info : Advanced Video Codec
; v5 |& u# p: k/ ], o* X$ M, VFormat profile : High@L4.1! d6 C" i$ J/ R2 N" L
Format settings : CABAC / 3 Ref Frames
/ {' Q2 r. v$ l4 A) P* LFormat settings, CABAC : Yes
- |% v6 x* e, ] O( P" LFormat settings, Reference frames : 3 frames2 B' i8 K! t4 q# T" [9 h" T
Codec ID : V_MPEG4/ISO/AVC
/ V; [" }) H2 W' w1 BDuration : 1 h 42 min! Y4 |! M2 b' \. @5 P, S* @9 h7 w, m
Bit rate mode : Variable V" O! v1 Z1 `
Bit rate : 29.6 Mb/s
. Z; W- |. P& j! {! GMaximum bit rate : 38.0 Mb/s3 ?, h5 F1 W- n$ a: w" z
Width : 1 920 pixels
0 {6 M# h, l/ z* N2 D6 m+ @' gHeight : 1 080 pixels
2 C6 A; o' _& O/ h+ gDisplay aspect ratio : 16:93 Q# W3 W+ ^& R5 ?: \
Frame rate mode : Constant
7 {8 e# B i& \; J/ ~' x' N9 [1 fFrame rate : 23.976 (24000/1001) FPS0 |, X# c( j k) j: ^
Color space : YUV
% y) W3 M! `. S% R. vChroma subsampling : 4:2:0
" [- B j2 ^9 S8 y4 fBit depth : 8 bits( T: B W/ D/ C1 m) G. [! n9 u$ z
Scan type : Progressive
# Y- | E$ c% A) C+ }5 C. r( hBits/(Pixel*Frame) : 0.595 y$ V" _* A0 S1 b5 O: w
Stream size : 21.2 GiB (96%)' I+ p( |# z" T) [2 N4 Y. U
Title : The.Prey.1983.Composite.Cut.1080p.BluRayCD.REMUX.AVC.DTS HD.MA.1.0-FGT
# z j4 T) D. @& MLanguage : English1 M6 K1 x, m+ n
Default : No: X Z* f9 d$ R: x$ L
Forced : No
/ x1 l v* ]% g( ]+ c, j7 jColor range : Limited
6 e5 e% n( f! i+ u3 N3 p& ^' gColor primaries : BT.709+ y3 H6 x+ e# P5 m- F
Transfer characteristics : BT.709
$ F. R1 |; n- e$ S$ AMatrix coefficients : BT.709' o$ z& h" b5 V
6 A+ E: ? V; L" x" {Audio
' t; D( H% ^9 l0 k, S/ _ID : 2" p1 G% V- r1 o0 {& k) v
Format : DTS XLL* o& O" V1 V; b% ~ m7 F0 n
Format/Info : Digital Theater Systems2 J. f" t& S2 |" w
Commercial name : DTS-HD Master Audio
9 S o2 A$ x5 o! }4 y# kCodec ID : A_DTS
0 ]7 f* p2 i9 U- E5 H- y+ X" [9 RDuration : 1 h 42 min @8 h b! G& f6 x: P6 `
Bit rate mode : Variable
+ x, b7 F9 \$ p! z( L* OBit rate : 1 075 kb/s9 f3 A1 d3 H9 c, y8 p( i$ \
Channel(s) : 1 channel) k/ E6 M9 ]- a$ G
Channel layout : C, U, z) X" k! f! c$ R
Sampling rate : 48.0 kHz* w4 j; p# D& W! r" b$ K3 h
Frame rate : 93.750 FPS (512 SPF); q/ i' o, O% P7 I% m1 L( h1 N
Bit depth : 24 bits
0 G0 ]5 c1 [' C( n4 }. D0 f: HCompression mode : Lossless
+ M9 s6 c" E9 l' N" uStream size : 790 MiB (4%)8 d' q6 R Y( t8 z+ p; Z
Title : The.Prey.1983.Composite.Cut.1080p.BluRaycd.REMUX.AVC.DTS HD.MA.1.0-FGT. s9 H) `2 N( S d7 ?, q$ ]4 s% F
Language : English
) s, t( v' p- K) g% bDefault : Yes6 k& L: W8 d* R/ L3 E
Forced : No6 Y/ X6 b/ I2 {3 ?- T( f3 }
3 x; n% U/ t* B( ?2 ], H- l8 d- FText
( k+ ^4 r$ @1 O: r7 z% Q, CID : 3
7 j" T: D( J4 s& t' l( SFormat : PGS
' N4 S: O# ]6 }$ W, {Muxing mode : zlib
# D) v5 d B( r" D" eCodec ID : S_HDMV/PGS
9 |* l) s" m- j1 {2 |0 A. JCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs1 p8 [5 M3 l! j$ G( t0 X4 m7 x
Duration : 1 h 40 min1 n$ L' e: [# H( e* h
Bit rate : 20.2 kb/s
5 t8 f1 D! d( l% |Count of elements : 1488
0 ]7 T0 {- H, o% u; e/ MStream size : 14.5 MiB (0%): a0 n, F0 W6 E3 H9 a/ z: e
Title : English-PGS
, Q$ M; Z# B0 D9 e1 x; FLanguage : English9 a. M8 U# C1 e
Default : Yes
o) ~' R( H1 |Forced : No
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& w; M% B9 p- {+ P' S" {. f* t5 KMenu
$ v* f2 E. k) e' U4 ?& ~00:00:00.000 : en:Chapter 01. O2 v. @5 ?7 V
00:07:27.947 : en:Chapter 02
0 W) V4 _# v" L00:15:40.856 : en:Chapter 035 m$ {+ \# K) d0 @8 P6 b) j
00:25:46.127 : en:Chapter 04
: [! n1 e/ C" d6 Q2 Y A8 U00:35:09.774 : en:Chapter 052 q. r F' G) D7 t1 Y4 M7 p
00:43:15.259 : en:Chapter 06
8 \& G" E2 H' w" l+ |00:51:55.278 : en:Chapter 07
9 M3 U& x" S( ?01:02:05.555 : en:Chapter 08
& ^, [4 a: C$ r$ i4 W01:10:49.370 : en:Chapter 09
3 h8 C$ y& e! R6 z01:16:08.897 : en:Chapter 10, A, U0 U* z1 x5 p: S* x& k/ q; a) w
01:28:01.734 : en:Chapter 11( n$ d2 [6 u- v' f0 X. y z, V
01:33:28.394 : en:Chapter 12 D \# \9 C: b- @; P0 o$ H
01:42:35.274 : en:Chapter 13 The Prey Blu-ray, Video Quality 2 S3 o+ Y6 J. A
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The Prey is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet contains the following information on the restoration:US Theatrical Cut.
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& v4 T* j3 W0 F2 @% q. K4 AThe 35mm original camera negative of The Prey was scanned in 2K resolution on a 4K pin-registered Arriscan by OCN Labs, USA. Color grading was performed using DaVinci Resolve 16, and all image restoration was performed using Nucoda by Digital Vision. The soundtrack was transferred from the original 35mm optical soundtrack negative and restored using ProTools and Audacity.
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5 Z+ X$ h" P9 S; \6 hNote: Due to severe fading in many of the film's optical effect sequences, there is periodic color flicker and hue inconsistencies.8 ~9 a/ K1 Q( ?! I
0 F8 T/ _% e# T6 L0 s- cInternational Cut+ l+ F# U: F7 F* \, Y9 o
, }" T) m" |/ g9 xAll footage for this version of the film were sourced from its 35mm original camera negative and scanned in 2K resolution on a 4K pin-registered Arriscan by OCN Labs, USA. Because no complete picture element for the International Cut of The Prey was apparently ever made, this version of the film was reconstructed using a video master as a reference. As the back cover of this release states, The Prey "at last emerges from the VHS wilderness", and anyone who has experienced the film in any previous home video incarnations is sure to be impressed with this transfer, despite some occasional deficiencies (as alluded to in Arrow's own verbiage, above). As might be gleaned from the fact that both cuts were at least partially assembled from the original camera negative, I noticed no huge quality differences between them. The palette is rather nicely saturated and detail levels are generally quite pleasing. Some of the nature footage, some of which I'm assuming is stock footage, is pretty rough looking at times, and can have pretty substantial damage (see screenshot 19). Some of the additional footage included in the so-called International Cut is kind of sepia toned (see screenshot 3). There are less noticeable blemishes that dot the premises from time to time, but on the whole, this is a nicely organic looking presentation that should easily please fans.* m+ v; j2 i, e4 ~; x
6 j) Z# L3 J; E! t5 MThe Prey Blu-ray, Audio Quality
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0 z# w7 I7 d N. b3 ~The Prey features a robust sounding LPCM Mono track. As mentioned above, Don Peake's music is a real standout and sounds energetic but not overly strident or bright here. Dialogue (and screams — lots of screams) sound full bodied and problem free. Ambient environmental effects are generally realistic sounding.
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