黑夜传说1/决战异世界 [4K蓝光原盘 二合一版] Underworld 2003 2in1 2160p BluRaycd HEVC TrueHD 7.1 Atmos-TASTED 83.23GB

Selene, a vampire warrior, is entrenched in a conflict between vampires and werewolves, while falling in love with Michael, a human who is sought by werewolves for unknown reasons.


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◎译　　名　黑夜传说/决战异世界(台)/妖夜寻狼(港)
◎片　　名　Underworld
# [3 @: X7 e* c* [2 ?& q◎年　　代　2003
◎产　　地　英国/德国/匈牙利/美国
◎类　　别　动作/惊悚/奇幻
# q' y) P' X8 v* F  J$ f◎语　　言　英语
◎上映日期　2003-09-08(多伦多电影节)/2003-09-19(美国)
◎IMDb评分  7.0/10 from 261,315 users
, v" {' W0 }! O9 C" [# w0 X◎IMDb链接  https://www.imdb.com/title/tt0320691/
◎豆瓣评分　7.5/10 from 88,546 users
' K$ ?' a+ {; f7 K: ^◎豆瓣链接　https://movie.douban.com/subject/1307527/
◎文件格式　x265 + TrueHD
! K) D/ @7 u4 R6 z◎视频尺寸　3840 x 2160
◎文件大小　1DVD 83.23 GiB
3 O$ K. z- E5 E  a- E7 J+ F# n# {◎片　　长　2:01:12.264 (h:m:s.ms) & 2:13:36.716 (h:m:s.ms)
◎导　　演　伦·怀斯曼 Len Wiseman
◎编　　剧　凯文·格雷维奥斯 Kevin Grevioux
( t4 T+ n* B2 c　　　　  　伦·怀斯曼 Len Wiseman
* i5 Y" I- ~7 W$ t+ v' `　　　　  　Danny McBride
◎主　　演　凯特·贝金赛尔 Kate Beckinsale
1 p! f( M1 d+ p; D. W0 c　　　　  　斯科特·斯比德曼 Scott Speedman
　　　　  　麦克·辛 Michael Sheen
　　　　  　山恩·布罗利 Shane Brolly
　　　　  　比尔·奈伊 Bill Nighy
8 B' g: }$ R9 J2 ^3 A　　　　  　艾尔文·莱德 Erwin Leder
　　　　  　索菲娅·迈尔斯 Sophia Myles
　　　　  　罗比·基 Robbie Gee
　　　　  　温特沃斯·米勒 Wentworth Miller
* s4 v& Q6 b; {　　　　  　凯文·格雷维奥斯 Kevin Grevioux
" X  P6 W9 [; q　　　　  　兹塔·格罗格 Zita Görög
9 v% w- Y/ [6 n  p( C　　　　  　汉克·阿莫斯 Hank Amos
　　　　  　理查德·赛特伦 Richard Cetrone
　　　　  　Mike Mukatis
2 z- {4 C  N- K　　　　  　Sándor Boros
+ t" [( D: T; M! C+ P/ I; s　　　　  　安德烈·巴顿 Andreas Patton
　　　　  　Danny McBride
8 t. M6 w0 g* y. }; O/ G7 |3 Y# ~　　　　  　Jázmin Dammak
　　　　  　Ildikó Kovács
　　　　  　Ekkehardt Belle
　　　　  　Reinhard Brock
+ f' O7 w- `5 X  H; U* r! ?　　　　  　Pascal Breuer
　　　　  　布莱恩·斯蒂尔 Brian Steele
　　　　  　Kurt Carley
　　　　  　Zoltan Papp

. ~& q; E. V4 g' f- U4 L# `1 h3 }◎标　　签　吸血鬼 | 魔幻 | 美国 | 动作 | 科幻 | 奇幻 | 美国电影 | 惊悚
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◎简　　介   

　　地球上一直存在着一个黑暗的地下世界。那里，两大种族――吸血鬼和狼人――在斗得你死我活，每一方都以消灭对方种族为最终目标。

$ O3 m7 j/ Y- Q+ j　　一次，吸血鬼族的“月神”西丽妮（凯特·贝金赛尔 Kate Beckinsale 饰）在追杀几个落败的狼人时发现，狼人正在密谋绑架人类的一名医生麦克尔 （斯科特·斯比德曼 Scott Speedman 饰）。心知狼人必有所图，西丽妮独自前往狼窝查探。不料中了狼人的埋伏，身负重伤之际幸得麦克尔相救。在麦克尔送西丽妮回吸血鬼营地的途中，他意外被一只狼人咬伤了，由此揭开了麦克尔的身世之谜和狼人的阴谋……
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* Y6 l3 q6 y) {, c/ O2 P　　In the Underworld, Vampires are a secret clan of modern aristocratic sophisticates whose mortal enemies are the Lycans (werewolves), a shrewd gang of street thugs who prowl the city's underbelly. No one knows the origin of their bitter blood feud, but the balance of power between them turns even bloodier when a beautiful young Vampire warrior and a newly-turned Lycan with a mysterious past fall in love.

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Underworld 4K Blu-ray, Video Quality   

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5 B$ Z3 N1 h/ d+ y/ Z1 ZUnderworld is the cinematic equivalent of a bruise: black and blue. Where it differs from a messy, swirling, ugly bruise is that it's black and blue beautifully composed and juxtaposed to excellent visual and even thematic effect. Without much in the way of standout color beyond bursts of red blood and pale skin with some shades of gray thrown in, the movie is hardly the breeding ground for HDR "enhancement" that are some other, significantly more robust and colorfully diverse, films. Sony's 2160p/HDR-enhanced presentation offers a basic refinement in color, in no way altering the look or tone of the movie but yielding a firmer blend of black and blue, more subtly diverse shades that better differentiate environments, clothes, and characters. The movie's bleak tone is a bit more expressive, more telling of the tale and capable of finding an increased range for nuanced definition. Bright red blood, lipstick, and other splashes of color, particularly clashing with the movie's many pale skin tones, appear a bit more punchy but not drastically altered. Detailing is where the transfer finds its separation from the 1080p Blu-ray. While the movie was reportedly finished at 2K, it finds a healthy boost in raw detailing evident throughout and particularly where the dark shades of black and blue don't absorb textures. Pale skin tones are the most obviously noticeable beneficiaries, yielding tighter and better defined pores and lines. Textural qualities along various environments -- brick and concrete subways, woods, regal adornments, cold and utilitarian medical areas and tools -- are improved as well, and sometimes by a healthy margin. The picture was shot on film and, generally, grain appears refined and pleasing. It occasionally spikes and clumps in darker corners that sometimes succumb to a soupy swirl as blacks simultaneously lighten up rather than remain firmly darkened. Still, the movie excels on the UHD format despite some inherent limitations, chiefly its heavily filtered color palette and 2K scan. Fans should be quite pleased with the results.

7 r. j- F2 B. I" e4 J9 {Underworld 4K Blu-ray, Audio Quality   
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Underworld's original release sported a widely praised LPCM 5.1 uncompressed soundtrack. The UHD ups the stakes considerably with a Dolby Atmos (Dolby TrueHD 7.1 compatible) listen that's a healthy step forward. The presentation shows its range and depth from the outset, even as the Screen Gems logo is still appearing on the screen. The track instantly opens up to reveal its true size that seems to considerably expand the listening area's confines. It engages the entire stage with ferocity while maintaining a critical balance. Details encircle the stage and overhead, too, layering the listening area with a believable cacophony of sound that transforms the home theater into any and all of the film's locations. Bleak as those locations may often look, "bleak" is hardly the word to describe the sound. "Intense," "exciting," and "precise" all come to mind instead. Bass is dominant, but the rest of the range finds hand-in-hand balance with the low end as the entire track works in harmonious collaboration to define the most powerful crashes and the finest ambient support pieces alike. Gunfire could stand a little more raw punch, but the track otherwise shows no holes in its coverage. It's robust, serious about engaging the listener, and anything but timid in delivery. The overhead channels mostly support, but are noticeably engaged in that role in many scenes; the sense of greater top-layer coverage, as opposed to the more traditional 360-degree field, is welcome and clear and even critical in enhancing the movie's sonic playback. Rounded out by naturally positioned and pristine dialogue that's always well prioritized over the madness, this is a terrific track that approaches or meets reference standards in practically every scene.

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