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Expecting the usual loss, a boxing manager takes bribes from a betting gangster without telling his fighter.# Q! |* {2 K7 d3 Y+ T9 u
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◎译 名 出卖皮肉的人/我们赢了今夜* d- h6 c# l, o5 d9 j
◎片 名 The Set-Up / We Have Won Tonight
6 {) b! o* D5 L: _) W! ^◎年 代 1949: J# y" F, {# [2 _3 k
◎产 地 美国+ }3 ~9 e' p- F! O! b
◎类 别 运动/黑色电影/犯罪2 O- E4 b+ w' z" J' c0 k
◎语 言 英语
* }9 ^3 H7 i9 w4 Z5 u◎上映日期 1949-03-29/1949-04-02(美国)! r* d6 o* t4 F! Y& W e
◎IMDb评分 7.9/10 from 8,509 users5 Z* A2 d5 o; U% R3 r6 c
◎IMDb链接 https://www.imdb.com/title/tt0041859/3 p- _3 ]; r/ [9 u- c+ c1 m
◎豆瓣评分 7.9/10 from 506 users) q! q- M& v1 R( z
◎豆瓣链接 https://movie.douban.com/subject/1297494/
8 T9 T& m& N1 [$ V" Q* o" W7 V6 Y* B, ^◎文件格式 x264 + DTS $ v; U+ ^" ]# E! D
◎视频尺寸 1920 x 10805 G. O# k( |7 i9 ^* Y
◎文件大小 1DVD 19.22 GiB
7 o6 s+ E- P; q/ j& G◎片 长 1 h 12 min7 r: C! F7 a3 K1 h2 N- Q" f
◎导 演 罗伯特·怀斯 Robert Wise
8 B% k3 R+ l1 h/ l◎编 剧 阿特·科恩 Art Cohn
- n+ G) v5 d' I 约瑟夫·蒙丘尔·马奇 Joseph Moncure March9 a+ N* r6 R1 g+ ~6 R9 |
◎主 演 罗伯特·瑞安 Robert Ryan
+ I- q) s6 J( C T1 e 奥黛丽·托特 Audrey Totter7 u) q1 @+ Z" E' T, U
Edwin Max* o( `8 T S6 s. B( W9 W3 B+ s
Walter Merrill
7 ]& S, G* e" @! w; P$ g9 G Frances Mack
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◎标 签 美国 | 黑色电影 | 罗伯特·怀斯 | 1949 | 黑色 | 1940s | RobertWise | 美国电影
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◎简 介 q# s" U( V) l5 {
4 n& }! K/ Y) p 比尔(罗伯特·瑞安 Robert Ryan 饰)是一名职业拳击手,他和女友朱莉(奥黛丽·托特 Audrey Totter 饰)之间的感情十分要好,朱莉是他在比赛中的精神支柱。时常生活在窘困之中的比尔好胜心非常的强,因为输掉比赛意味着他将颗粒无收,所以他必须赢。
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在一场比赛中,比尔的对手是名为奈尔森(哈尔·贝勒 Hal Baylor 饰)的强壮男子,在比赛之前,教练告诉比尔,这是一场被黑道操纵的比赛,在擂台上,比尔必须认输。然而,在激烈的比赛之中,处于劣势的比尔不愿屈服与黑帮的强权,最终靠着惊人的实力达到了奈尔森。比尔虽然赢得了比赛,却惹恼了一直在背地里操纵着比赛的黑帮。0 Q3 j0 {5 L6 `6 N5 C7 l6 ~- q# _
' b0 M0 U4 t+ K2 e Over-the-hill boxer Stoker Thompson thinks he can still win a bout despite doubts from his wife and his manager. He goes into his next fight determined to beat his opponent, not realizing his manager has taken money from a tough gambler to have Stoker take a dive., a" i: p; ?7 q2 I, J# A0 s _
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◎获奖情况
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* [2 O+ |0 K! S' V1 O8 T 第3届戛纳电影节(1949)
$ O3 ^% A( t! a5 P( I& R 主竞赛单元 金棕榈奖(提名) 罗伯特·怀斯+ c% d& M# p; G0 ^
费比西奖 罗伯特·怀斯) x8 l Q. J9 O: n$ ?8 h( L
最佳摄影 米尔顿·R·克拉斯纳; u2 A# \% d. r U9 ^$ l# P5 I: R
& n0 ]( _1 d* t1 W2 EVideo
8 V I9 V) N- IID : 1
/ H. f1 ~5 j) D6 Z+ ]" _Format : AVC& u0 O, s$ Q! y
Format/Info : Advanced Video Codec
8 m, ~+ p! B. O+ D" k+ e0 }* PFormat profile : [email protected]
2 W- M1 T, f( q8 r. i" R- J& HFormat settings : CABAC / 4 Ref Frames
" X; [ N; c: \# zFormat settings, CABAC : Yes
7 Q+ Q$ i! ]1 i$ H$ Z6 a& C2 hFormat settings, Reference frames : 4 frames
8 a+ {+ g- R2 vCodec ID : V_MPEG4/ISO/AVC
2 I0 x" u+ `& Q \5 n4 NDuration : 1 h 12 min
- m/ J+ D0 s: Y4 o2 L" M9 [" |Bit rate mode : Variable f5 m4 y6 s7 _/ g* g/ j1 {
Bit rate : 33.9 Mb/s
+ \4 y) r( }' o& D+ m8 QMaximum bit rate : 38.0 Mb/s# g6 `! l. _: g* s- j3 Z
Width : 1 920 pixels" B4 t% T) G9 M
Height : 1 080 pixels- f9 l7 e) q; p
Display aspect ratio : 16:9
4 B' N) @6 }) m2 F% O0 Y5 B0 y% ^Frame rate mode : Constant- P6 ]& S5 |+ w$ T
Frame rate : 23.976 (24000/1001) FPS
- q* }1 y. y. K5 d7 |- W0 f3 BColor space : YUV Q' ?# ]* d: O; I" N, U6 [( Q4 _3 d
Chroma subsampling : 4:2:0" t9 \& q E0 ^* q6 ^9 e8 q1 Z
Bit depth : 8 bits E* S) V6 S( q/ ^& u4 k
Scan type : Progressive1 V& q# @. P, V& x }
Bits/(Pixel*Frame) : 0.681
( R) @! S7 S) S0 }+ M3 G; d& ?Stream size : 17.2 GiB (89%): y" C% Y& n+ m; [2 H; h1 u
Title : The.Set-Up.1949.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT
6 ~( ` I. ^: z# ^( k ALanguage : English
% X3 O. x& d- U* r1 `Default : No* T: e5 `, C" ^6 A. \( _1 f
Forced : No- f+ m! |+ y/ g+ X: j9 b l. p
b3 V$ x+ I( JAudio #1
: m8 Q' V, r% V1 q& ^. M3 jID : 2; a& I- d2 q' E7 r, b
Format : DTS XLL
: c' y3 A! t# B tFormat/Info : Digital Theater Systems- g4 ~% B6 n" O$ ?5 [4 {
Commercial name : DTS-HD Master Audio$ t' `" [5 {$ X) V# n* m
Codec ID : A_DTS! B, H- m4 c8 M" l" m+ ^
Duration : 1 h 12 min! i4 X7 a/ b% H- p! W; h- p d1 o
Bit rate mode : Variable
0 L7 i2 g8 U5 V9 x0 ?Bit rate : 1 996 kb/s" u2 e; Y, a1 S7 H$ B' x( Y1 z( E1 F
Channel(s) : 2 channels
$ K# s7 W* u3 e. m/ MChannel layout : L R
$ y4 H$ j/ c5 _- R' d( l* dSampling rate : 48.0 kHz; Y3 u2 [5 q8 @5 g: M
Frame rate : 93.750 FPS (512 SPF)
4 j- N+ m2 F1 x z9 r* l9 R8 ]- l% bBit depth : 24 bits( G. \5 K" E1 `8 m; [1 R& Q# F
Compression mode : Lossless
2 Q7 ~7 @. \4 f2 ]3 J( rStream size : 1.01 GiB (5%)
9 n9 _5 B$ T3 kTitle : The.Set-Up.1949.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
1 W' o$ @: J7 D8 QLanguage : English
2 M2 n# B# Z7 d- [! s XDefault : Yes
; I! v6 }4 ^8 H. w' F: UForced : No6 ^, r# s4 O! X7 ^1 R0 @
: Z. `1 ? r0 @# ]Audio #2
! D: ` ]7 Q2 u/ JID : 3; E4 L6 ] w2 o
Format : DTS XLL
! A( I2 `$ `3 f$ o1 {Format/Info : Digital Theater Systems# y; ?2 D9 I+ u7 M9 |$ s3 ~ {5 T2 C
Commercial name : DTS-HD Master Audio
. k) d' f: T( R: G* mCodec ID : A_DTS
- D7 U% C; `( hDuration : 1 h 12 min
' t# L, O1 w8 S) G, C" }# rBit rate mode : Variable
! j0 b- K4 N" CBit rate : 2 021 kb/s
2 r& Y) K! Z3 P( \: x& zChannel(s) : 2 channels
/ b' w: Q5 w& B& M, D. LChannel layout : L R; P) \" I3 d8 f
Sampling rate : 48.0 kHz
/ n6 ^' `/ _0 X* g6 j# EFrame rate : 93.750 FPS (512 SPF)" V. q: k3 H% n. d
Bit depth : 24 bits3 O! @3 T) P* N9 c H4 k8 v7 h- H/ s
Compression mode : Lossless4 R1 v/ |; ]( S3 c: G5 u$ p: H
Stream size : 1.02 GiB (5%)
4 U+ g- T9 |3 _! t, L0 @( C* ?Title : The.Set-Up.1949.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT
6 w( q* H( t3 uLanguage : English
% t% Z6 H* N6 G; g) v9 c4 X3 gDefault : No6 T* p G/ E0 p0 j
Forced : No
2 E! T' H" q6 u9 r
3 l4 L. Y. E. ]: Z- SText
# N5 ?( X4 K- iID : 45 c( J R# C7 N, g
Format : PGS
8 X0 _" [' S# [5 wMuxing mode : zlib* o7 _3 Y) X' \: q% f, B: I) W/ d
Codec ID : S_HDMV/PGS) D" Q5 u, y: _! I) d
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs% O2 j( [ B2 x; j
Duration : 1 h 11 min
1 R: Z! \/ y1 l: v* c1 |Bit rate : 27.7 kb/s2 d1 z6 u% Y1 R9 Z. Q7 |% r
Count of elements : 1714* l3 ]: w* w$ U
Stream size : 14.2 MiB (0%), c4 O6 b. i$ `
Title : English-PGS# K! y% A! M8 y9 e6 K
Language : English) `% I7 h4 }+ l, o
Default : Yes
% y! M- R/ j% l. S8 P+ ?- mForced : No
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Menu
t4 D; @* v6 B( A v- ]: }- l6 b00:00:00.000 : en:Chapter 015 ^' J H$ i* [
00:01:08.818 : en:Chapter 02
3 b3 ?) y* j" H1 `( K) }5 b: ~00:07:10.555 : en:Chapter 03
) W( o% O1 b$ r8 C9 ]- j7 y. N8 Z00:12:25.995 : en:Chapter 04
, f: q% E+ ` W7 H8 ^00:15:07.448 : en:Chapter 05
I$ E% }3 p+ u$ Y00:19:53.358 : en:Chapter 06; x; z5 g/ S3 A# L j
00:24:20.208 : en:Chapter 07
& o8 C, E. X( D* e00:28:15.276 : en:Chapter 087 Q, @- x* U: O6 L H) ?7 v
00:30:55.979 : en:Chapter 094 R: u0 O7 K* }
00:33:33.720 : en:Chapter 10' }5 f: |7 K' N
00:37:12.313 : en:Chapter 117 g5 T: e. o9 ^
00:42:07.608 : en:Chapter 12
1 o; ]; A% Q) H1 ^8 T9 p- {00:46:43.592 : en:Chapter 13
: [+ S' x) D' u' K! c00:51:47.312 : en:Chapter 14
+ b, J6 L+ K, O" r! a00:52:59.676 : en:Chapter 15" u/ J' E a0 B c+ G
00:56:41.731 : en:Chapter 16; B! {0 D4 T5 b( o# N z- j& W, D" Y
00:59:25.812 : en:Chapter 17) x) `( X: Q0 R4 V1 z K
01:02:18.860 : en:Chapter 18' R7 d( B+ Y3 G+ F. F* Z
01:07:23.789 : en:Chapter 19
6 X q2 y# a4 M# g' M. h# h01:11:42.798 : en:Chapter 20
4 W+ ~' @- C7 |% k) Q: k01:12:33.807 : en:Chapter 21 The Set-Up Blu-ray, Video Quality 7 q8 t8 L7 h1 ] b+ z
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Pun intended: The Set-Up is another knockout for Warner Archive, as the crisp and clean 1080p transfer looks every bit as stunning as their past efforts on Blu-ray. Not a surprise, considering it's been sourced from a recent 2K scan of the master positive with extensive digital cleanup; this results in a purely film-like image full of natural grain, free from the processed look of transfers treated with less care. Almost no dirt or damage remains, even in the darkest shadows and most crowded locations, while the overall image boasts a striking level of texture and fine detail. Gradients and high-contrast shots do not suffer from any noticeable banding, while this Blu-ray's healthy bitrate ensures that compression artifacts aren't a problem either. Overall, this is top-tier work that fans should really appreciate.
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The Set-Up Blu-ray, Audio Quality
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Likewise, the DTS-HD 2.0 Master Audio mix does a fine job of preserving The Set-Up's one-channel roots from start to finish. Due to the lack of an original score (only diegetic music is heard), its sonic effectiveness depends solely on the strength of dialogue and sound effects. Luckily, both sound great: speech is clean and crisp with no sync issues or other defects, while background noise is balanced well and only overpowers when the situation demands it. Both elements contribute to a robust listening experience that sounds about as good as its source material will allow.Optional English (SDH) subtitles are included during the main feature only. Unlike most recent Warner Archive Blu-rays, these are formatted properly instead of in all caps -- a welcome change that just might stick around, since the menu font seems to have been recently refined as well. They're still ugly yellow, but this is a great improvement.
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