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◎译 名 X计划
2 ?2 e% }; v F◎片 名 Project X # _' m" s+ M. a+ \7 ^3 u) Z
◎年 代 1968
5 O: X! g- B2 [) }" c. S, g; h3 P◎产 地 美国 F' j: ~) \7 ~+ A6 A6 W
◎类 别 科幻/悬疑
( Z: V0 ^) ?+ N+ @) u% u( U◎语 言 英语
, J# D, F! E! ~# e' o; b( j: h◎上映日期 1968-05(美国)7 s* p7 \( u! X) x# k! |+ }
◎IMDb评分 5.5/10 from 500 users
& _- H0 ^% R K/ ~0 `◎IMDb链接 https://www.imdb.com/title/tt0063465/
5 D L, l0 G% u( q2 w% O5 Y◎豆瓣评分 0/10 from 0 users8 \! a2 M3 A0 }/ p+ X& L
◎豆瓣链接 https://movie.douban.com/subject/1300841/7 Z& E7 I8 X/ d
◎文件格式 x264 + LPCM ! f# V! B l: j4 C5 r. a
◎视频尺寸 1920 x 1080
8 m8 k; B& O/ c8 l) \6 ^◎文件大小 1DVD 19.05 GiB
4 u4 z1 a; c+ @0 W◎片 长 1 h 37 min
) a# Y) b7 k# s* N* e1 A◎导 演 威廉·卡斯尔 William Castle: G) U t; r7 P/ u9 b+ @4 e
◎编 剧 Edmund Morris (I)7 T Y4 M$ Q2 \/ q8 z
莱斯利·P·戴维斯 Leslie P. Davies
. i9 D9 C D- W# C! E% X◎主 演 克里斯托弗·乔治 Christopher George
% a, p8 L' K( ]. ] Greta Baldwin2 R" v0 S4 _5 F% R$ q% Q
菲利普潘恩 Phillip Pine# L. l" R- b8 z2 c- v( H
蒙特·马卡姆 Monte Markham8 G! ~ s9 m: M8 [* |) J* V
陆锡麒 Keye Luke
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+ j; p1 O6 l; p2 b( p; R◎标 签 美国电影 | 美国 | 科幻 | William_Castle | 1968 | 悬疑 | 待看3 B w2 D- v/ ~
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◎简 介
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一名间谍在一次飞机失事中差点遇难后被从低温悬浮物中救出,他从一项任务中返回,目的是了解东方正在开发的一种致命的新武器。但重要的记忆正在被抑制,因此当局使用超先进技术试图揭开这个秘密。8 u& b }$ k) t' [( q6 j
7 @ {, V! M, Z A8 m3 ?4 j3 K A spy is brought back from cryogenic suspension after being almost killed in a plane crash returning from a mission to learn about a deadly new weapon being developed in the East. But the vital memories are being suppressed, so the authorities use ultra-advanced technologies to try to uncover the secret.9 R' T! w+ p* j+ W9 x: v; J
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Video
3 s8 s6 j! q( S' s" U5 CID : 1 ]; [9 n A( m
Format : AVC
2 |/ N4 e/ q; r! P7 o& gFormat/Info : Advanced Video Codec k# J1 L. G0 k) u. p7 X
Format profile : [email protected]8 ~ s* G- ~6 E z+ k O
Format settings : CABAC / 4 Ref Frames7 B% }! U7 i: o7 z) e/ C
Format settings, CABAC : Yes
4 t, g: d4 I$ jFormat settings, Reference frames : 4 frames
; B; X+ o2 `1 s$ v: xCodec ID : V_MPEG4/ISO/AVC! G* A- G# P# z- R" T
Duration : 1 h 37 min
4 k' F; z5 B- {( FBit rate mode : Variable" Q& E/ \" K2 [
Bit rate : 25.0 Mb/s( H! u; v! ^8 { p4 W
Maximum bit rate : 37.2 Mb/s
$ q' s$ w: S; O+ N5 x2 t; ^Width : 1 920 pixels
; `: U7 A+ ^# L4 nHeight : 1 080 pixels
( e/ }6 A# v$ EDisplay aspect ratio : 16:9
' l9 P4 {/ M$ V' v- UFrame rate mode : Constant
$ N8 Z2 N, y& d% ~, |, hFrame rate : 23.976 (24000/1001) FPS
; w4 W X. k+ u( E( h! b: n3 vStandard : NTSC
: N+ [/ e$ b3 tColor space : YUV# K9 r4 C$ l7 Y7 C' b. T1 v
Chroma subsampling : 4:2:0% ~0 p/ `# m. R2 [( i) d
Bit depth : 8 bits
0 P x x6 |# z8 t3 tScan type : Progressive
0 [; ?& c5 Q7 |5 kBits/(Pixel*Frame) : 0.503
+ j2 g" P( l" i1 A0 K kStream size : 17.0 GiB (89%)
: g$ e5 ?, F7 S. ]/ i/ YTitle : Project.X.1968.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT
0 X' i) ]3 ~# r+ P* p- U, nLanguage : English$ ]0 a1 c5 Z% r+ t$ E# x% m) y
Default : No
& Y+ y# d7 T+ l1 d6 HForced : No1 `% K, Z) P* g2 u) q
Color range : Limited
' _4 j) m1 h) s/ @ M( h P2 uColor primaries : BT.709
- J. G# i8 X" I6 p7 ^ n; a- ^Transfer characteristics : BT.7096 c7 g5 b4 [' U6 Q- R: ~
Matrix coefficients : BT.709
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Audio #10 k1 I) F( R& o& w
ID : 2% Z5 ?% ~3 V' H1 F& Z6 V; k4 m" U' Q
Format : PCM
1 W* a9 A( M! s" ]- ` \Format settings : Little / Signed
3 I4 v$ D m8 s; E; \8 w TCodec ID : A_PCM/INT/LIT6 v: o$ V5 J7 _% {
Duration : 1 h 37 min K8 p% w5 F+ K, A% G k4 [
Bit rate mode : Constant
i0 A; _! S( } Z7 f4 z+ g* `Bit rate : 1 536 kb/s: b/ x5 P0 h+ Y! z: S: k
Channel(s) : 2 channels
8 X7 K$ }3 ^! g) M' ~Sampling rate : 48.0 kHz* _0 Y" H) S4 j1 _6 @
Frame rate : 30.000 FPS (1600 SPF)
% d4 V: O3 n& c# B2 R5 cBit depth : 16 bits9 e% F# [" B- \6 {5 I
Stream size : 1.04 GiB (5%), l8 P7 I$ n( E/ [
Title : Project.X.1968.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
1 ~% e5 P" B- _# X3 Y& A( I: |! OLanguage : English2 v. P, g+ q' U( D e. t' e" N$ r
Default : Yes
' Q2 U b1 k8 K7 V7 M7 v+ A* SForced : No
/ ?5 j+ t l1 ]. z5 n
1 X6 Z& u A/ n7 h; o3 p8 sAudio #22 T9 c/ U; R, C1 G
ID : 3* e- o( ?- U4 `" [. a) R* |& }; R
Format : PCM
& U" l/ {, i6 wFormat settings : Little / Signed0 N* F- E1 } @
Codec ID : A_PCM/INT/LIT
& ?: ?; c* e6 l: K& W% {Duration : 1 h 37 min
S/ S- K, }) r. i& _: U7 HBit rate mode : Constant
( x- C3 [! Q# K( s/ b# vBit rate : 1 536 kb/s( u; y9 L; y( G
Channel(s) : 2 channels8 Y. V/ a+ L8 l' o
Sampling rate : 48.0 kHz
8 p& z; m. J* C" k- IFrame rate : 30.000 FPS (1600 SPF)
* I" R2 P/ [' E) Y: G! oBit depth : 16 bits& o6 y. P' \" g. y) F0 I9 ?9 [
Stream size : 1.04 GiB (5%)
0 j# z8 E- a' e- c# ~Title : Project.X.1968.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT; v, ]5 C$ B4 {1 F% C* U
Language : English
% c+ F1 p; ^& {# r1 [Default : No
. Z8 `" W7 s* d% d3 ~$ o" y' gForced : No
5 `& w: O- e( C3 P, P! {- N3 A8 u( |+ g# Q5 U) ?
Text: ^8 V. a% Q0 n' d, P$ I7 f
ID : 44 r& Z7 ~/ v2 Z# h6 A0 G9 X
Format : PGS
5 f" \' s% l; a, |1 _6 YMuxing mode : zlib N9 A5 E2 U) q* b6 ~/ a/ ^5 b
Codec ID : S_HDMV/PGS) I7 ]* p7 c. F! h- v$ ~" K
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
7 {' P: j2 E$ Z& L' @) P* EDuration : 1 h 33 min4 j( K# Z& s, s( M6 f
Bit rate : 30.8 kb/s
1 Y4 A0 j# K7 w+ ^0 KCount of elements : 22241 x. x; L" x7 M( v3 G0 R
Stream size : 20.6 MiB (0%)6 h$ Z' n- X7 q3 Y! o6 a1 ~
Title : English-PGS
' {9 f) E9 I! I6 PLanguage : English6 Z% S+ y. _) E" E' o. U) p5 W- [
Default : Yes
+ E$ g4 C, |4 V2 }9 e- iForced : No2 A( p/ s9 U" {3 b
: E; I! X" C E9 i1 x. |/ ~& mMenu9 o" w6 o( C; l9 n: Y% j
00:00:00.000 : en:Chapter 01# n& K8 `& T1 o+ y* _% v
00:13:39.235 : en:Chapter 02
1 h: T- d' Y& D X4 C2 j% z3 a7 m00:20:40.113 : en:Chapter 03
7 [* P, w* v- N! I6 y00:35:43.891 : en:Chapter 04
4 A ?# ^" G& d- m+ J5 g; _00:53:43.970 : en:Chapter 05
f- O" ^+ S. z0 F6 ]7 v8 ^" v* w6 s01:07:57.948 : en:Chapter 06/ z7 p1 y* o j( V- h
01:25:47.600 : en:Chapter 07
4 S- x& Q7 C7 v M; I7 y01:35:59.253 : en:Chapter 08 Project X Blu-ray, Video Quality - h0 F# {6 Q& T" l, X7 [
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Project X is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.78:1. This is undeniably one of the nicest looking Paramount catalog releases licensed by Olive yet to appear on Blu-ray, at least for the most part. The elements here are in mostly superior shape (more about a few niggling qualms in a moment), something that might be due to the fact that Project X had a very brief theatrical shelf life and hasn't even been broadcast very much in the decades since its short theatrical run. The image here is wonderfully sharp and colors are very bold and extremely well saturated. As with most of these HD masters provided to Olive by Paramount, there once again does not appear to have been even slight digital tweaking, and so the image is very film like, with natural grain, but also with (very) occasional specks and other slight damage. What is occasionally odd about this transfer are some very shoddy looking cutaways in certain scenes, brief shots that almost look like they were sourced from a print rather than an interpositive, and perhaps even a 16mm print at that (see screencap 7 for a good example of this anomaly). Note for example some of the two shots featuring Jones at around the 10 minute mark when the "future" consortium is deciding how to handle Arnold's thawing and memory implantation. While the bulk of this scene is very sharp and boasts excellent fine detail, there are a number of coverage shots that are really soft (almost to the point of being out of focus) and ragged looking. Having never seen Project X theatrically, I can't state definitively whether or not these anomalies have always been present, but they stand out like a sore thumb simply because the bulk of this Blu-ray looks so good.
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Project X Blu-ray, Audio Quality
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Project X features the same lossless DTS-HD Master Audio Mono mix that has graced a lot of the recent glut of Paramount catalog releases from Olive. The soundtrack here is rather good sounding, albeit obviously narrow. It's too bad we don't have at least a stereo track to enjoy Van Cleave's bizarre but fun score, which has the composer working in a sort of Lalo Schifrin territory, with Mannix jazz waltzes mixed in with some more bizarre nascent electronic elements (replete with special credit for the Lowrey Organ). Dialogue is crisp and clean and the sound effectsâ€"including the one you're certain to recognizeâ€"are delivered with excellent fidelity. While there's not a lot to get too worked up about with regard to this mix, there's also nothing major to complain about either.3 n8 N1 u# X3 i, E
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