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◎译 名 X计划
* I: l; L) A0 G+ A6 t◎片 名 Project X
: D1 S( D- [% r" Q' ^◎年 代 1968
4 E3 ~. Y% n- k$ C' }; k! y- v◎产 地 美国 V+ X: Q& M, u* A% x
◎类 别 科幻/悬疑
9 u6 Y! D8 L+ s$ K) D4 J◎语 言 英语( Y8 W5 X: c/ N9 I# q
◎上映日期 1968-05(美国)
$ C, g3 t8 S4 H1 K2 Z4 k◎IMDb评分 5.5/10 from 500 users
( Q1 ~3 T* z2 B1 J- b, _◎IMDb链接 https://www.imdb.com/title/tt0063465/
- E& N) B. |2 n" t5 \◎豆瓣评分 0/10 from 0 users6 j' N& R# i, w+ k* [1 W
◎豆瓣链接 https://movie.douban.com/subject/1300841/
2 Q! d3 ]: O: E# }% o% I◎文件格式 x264 + LPCM
7 P! d$ G3 ^/ s$ b; L& y◎视频尺寸 1920 x 1080
! h9 H- W/ w$ v◎文件大小 1DVD 19.05 GiB( M2 B- D' Z. S0 @* V- r( q$ l/ Q
◎片 长 1 h 37 min
9 |& f! \ t5 K$ A; V7 c: o; G! B◎导 演 威廉·卡斯尔 William Castle4 v, D- q2 y- k
◎编 剧 Edmund Morris (I) T) d. ^; S! g" L% p* _
莱斯利·P·戴维斯 Leslie P. Davies7 q9 c* b7 S+ \/ a
◎主 演 克里斯托弗·乔治 Christopher George
3 r* q4 z" I4 Z- d$ t0 u Greta Baldwin
X1 f. ?& j- S1 f8 v* V( u$ k 菲利普潘恩 Phillip Pine
# {7 f B: ~0 G3 }% `8 r+ A; n 蒙特·马卡姆 Monte Markham
% A- Y3 G$ p# X7 m 陆锡麒 Keye Luke
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$ n6 e2 o8 I* G; j2 z◎标 签 美国电影 | 美国 | 科幻 | William_Castle | 1968 | 悬疑 | 待看
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◎简 介 - e' L( p& }) N+ g) x3 A# W; h
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一名间谍在一次飞机失事中差点遇难后被从低温悬浮物中救出,他从一项任务中返回,目的是了解东方正在开发的一种致命的新武器。但重要的记忆正在被抑制,因此当局使用超先进技术试图揭开这个秘密。
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' {8 @" m) }& `0 ^$ t A spy is brought back from cryogenic suspension after being almost killed in a plane crash returning from a mission to learn about a deadly new weapon being developed in the East. But the vital memories are being suppressed, so the authorities use ultra-advanced technologies to try to uncover the secret.
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+ V. B1 d+ m, E' c0 |/ ^Video
5 X' }) ]; W/ K1 z) vID : 18 c% P, h Z8 p! _) Q
Format : AVC: h9 o n, O. j3 h
Format/Info : Advanced Video Codec
1 t/ n0 o8 T) A0 f0 s0 K! wFormat profile : [email protected]5 j, X: ?1 k; p. j+ T
Format settings : CABAC / 4 Ref Frames
+ b! R2 [( m9 a/ ^- ?: ~Format settings, CABAC : Yes$ |7 p$ `' n+ H( P
Format settings, Reference frames : 4 frames
) P# u, A; v1 z2 s, rCodec ID : V_MPEG4/ISO/AVC
# K6 ?, ?" G' z: {7 GDuration : 1 h 37 min
7 A Z; e4 q: t7 f4 C2 m0 pBit rate mode : Variable! R* K3 K" ]0 C* B1 u x+ C
Bit rate : 25.0 Mb/s
" b/ G* Y8 b% u0 \7 k) K5 B; AMaximum bit rate : 37.2 Mb/s
* v& B: J: _. g1 F) ? g" ZWidth : 1 920 pixels
9 M, |9 _2 X% z. j" GHeight : 1 080 pixels
' k+ r& a: T* d' ~8 V/ |Display aspect ratio : 16:9
+ D& M- @" y& ~Frame rate mode : Constant
0 A- ]0 _' K8 u p: k! @Frame rate : 23.976 (24000/1001) FPS' x' B7 k, z! M2 F" p
Standard : NTSC
9 h, v5 D7 J4 @Color space : YUV
2 W2 I# _" r+ y( k1 E2 EChroma subsampling : 4:2:01 T8 O, |/ j$ Z( m
Bit depth : 8 bits
4 E. l! ~) f1 [5 z9 P7 BScan type : Progressive! c% X% C J/ G: a
Bits/(Pixel*Frame) : 0.503
& C/ d- c* a; r' Z& J" [5 k: xStream size : 17.0 GiB (89%)& ^: f5 I2 g3 l( S
Title : Project.X.1968.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT
8 J% T2 E1 w; ^1 O" ~Language : English
5 Y- L9 |/ o2 Z- Z( tDefault : No5 R: c+ O9 E5 ?3 o& f
Forced : No; H/ T; U2 w# C0 |
Color range : Limited. e7 t# y* G; O$ Z
Color primaries : BT.709- A1 j, A2 J( E$ F. Q" @
Transfer characteristics : BT.709
4 Q- O' }7 T% ~5 i, d2 D wMatrix coefficients : BT.7099 s* D& u( Z# b+ y
- x2 J, k1 C) A! N* YAudio #1$ l! e O) \0 e
ID : 2
& I6 [- p, e. m/ W2 O$ L* h* _. yFormat : PCM6 S5 f& w* v, H; r& ]7 R1 O* U
Format settings : Little / Signed* s" P1 \: G- k0 I5 b }# p0 S
Codec ID : A_PCM/INT/LIT2 @& _: L4 K: Z: a( ~% }7 r: |/ S
Duration : 1 h 37 min
+ }4 n+ C9 e) r, x+ M, UBit rate mode : Constant6 w1 L" J0 E: I, Q6 D
Bit rate : 1 536 kb/s
! {" e4 |8 L: [, P3 t& ZChannel(s) : 2 channels
( J" {" b" f0 O: k8 w- @- SSampling rate : 48.0 kHz2 y9 }% @2 t* _
Frame rate : 30.000 FPS (1600 SPF)
5 a/ {- r9 F4 s% LBit depth : 16 bits. a- g/ Y9 n a. S
Stream size : 1.04 GiB (5%)+ x3 y0 U: m: v
Title : Project.X.1968.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT6 a/ b$ ]( u8 s2 h& x4 U
Language : English
* j9 O4 g( ?4 i, f0 X/ P6 iDefault : Yes
4 A8 L& U: i, `Forced : No& c1 j [. z r% ]7 y$ w
+ X* W9 z" I9 g
Audio #2" f) W" r2 Z! f" Y( g
ID : 3: B f& l6 X- x
Format : PCM
! _1 q* j B) K+ QFormat settings : Little / Signed/ S$ S! J9 o# V' s6 ~# k! \# D4 q' n
Codec ID : A_PCM/INT/LIT
* V7 d; l) [; \3 L6 IDuration : 1 h 37 min6 E$ }+ z3 `( k& s+ ?
Bit rate mode : Constant
8 X7 A) C# }# R' tBit rate : 1 536 kb/s
; g' I" x( J: d6 x' s N) c0 H9 r" @Channel(s) : 2 channels
3 Y/ ?6 e" u; o* ISampling rate : 48.0 kHz0 S- J( Y: i# Y( ^1 x+ I
Frame rate : 30.000 FPS (1600 SPF)
* E/ m3 N. @" B% b/ ^: FBit depth : 16 bits
" s2 a/ M4 X0 @, e: bStream size : 1.04 GiB (5%)
6 N& w3 \4 P: e' s6 o$ l/ HTitle : Project.X.1968.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
8 X' q+ X8 H6 E1 XLanguage : English
) @1 Y; b+ X# cDefault : No, _5 ]/ ~2 A3 L+ p" M3 W
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2 ~. h* w" }+ S( p# q/ \
Text
( v& r- ]5 Q3 eID : 4
/ F( n/ _3 ]# BFormat : PGS! E8 V- V z8 t. G" u: ~
Muxing mode : zlib
- p! o/ L0 f3 l+ O; Z* NCodec ID : S_HDMV/PGS
8 o! r. h/ r6 @; _$ A6 |Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs- T# [. M1 Z3 a+ t( N
Duration : 1 h 33 min
; f+ s* y# w, d T0 C( VBit rate : 30.8 kb/s5 [7 P% E$ m+ M- W
Count of elements : 2224
* g4 u9 s; s$ K9 d M0 fStream size : 20.6 MiB (0%)
& A9 V C" D& Z/ TTitle : English-PGS
2 g8 ?6 |- T& I( V% wLanguage : English
# p* K' ~7 p0 G4 {9 LDefault : Yes
9 J, W* G$ d' x3 c9 J, zForced : No
9 d( c, Z, F! ?. ?; N
4 s: r+ `& p2 B3 }2 n: v% W$ \; fMenu1 Z7 T D4 x0 v* g7 N
00:00:00.000 : en:Chapter 01" \* m! r+ Q1 C+ ?8 a
00:13:39.235 : en:Chapter 02$ g) z$ ]$ r" F% e/ Z% x
00:20:40.113 : en:Chapter 032 D% {5 x2 U" m2 t5 A
00:35:43.891 : en:Chapter 045 }0 A0 V5 [: D: \8 C5 H5 |9 F! L
00:53:43.970 : en:Chapter 05$ [9 g8 k" S4 m; J; [
01:07:57.948 : en:Chapter 06# u8 T1 o& |' Y/ z
01:25:47.600 : en:Chapter 07
* L2 E$ [2 h9 l6 U1 @9 V, o8 m01:35:59.253 : en:Chapter 08 Project X Blu-ray, Video Quality
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+ t( e5 C. a: D. C' U: W- EProject X is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.78:1. This is undeniably one of the nicest looking Paramount catalog releases licensed by Olive yet to appear on Blu-ray, at least for the most part. The elements here are in mostly superior shape (more about a few niggling qualms in a moment), something that might be due to the fact that Project X had a very brief theatrical shelf life and hasn't even been broadcast very much in the decades since its short theatrical run. The image here is wonderfully sharp and colors are very bold and extremely well saturated. As with most of these HD masters provided to Olive by Paramount, there once again does not appear to have been even slight digital tweaking, and so the image is very film like, with natural grain, but also with (very) occasional specks and other slight damage. What is occasionally odd about this transfer are some very shoddy looking cutaways in certain scenes, brief shots that almost look like they were sourced from a print rather than an interpositive, and perhaps even a 16mm print at that (see screencap 7 for a good example of this anomaly). Note for example some of the two shots featuring Jones at around the 10 minute mark when the "future" consortium is deciding how to handle Arnold's thawing and memory implantation. While the bulk of this scene is very sharp and boasts excellent fine detail, there are a number of coverage shots that are really soft (almost to the point of being out of focus) and ragged looking. Having never seen Project X theatrically, I can't state definitively whether or not these anomalies have always been present, but they stand out like a sore thumb simply because the bulk of this Blu-ray looks so good.
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9 V8 c# B t# s6 O/ wProject X Blu-ray, Audio Quality & F0 E7 T4 t. i7 q, e
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% s1 f: O$ q" q0 y% B, ?Project X features the same lossless DTS-HD Master Audio Mono mix that has graced a lot of the recent glut of Paramount catalog releases from Olive. The soundtrack here is rather good sounding, albeit obviously narrow. It's too bad we don't have at least a stereo track to enjoy Van Cleave's bizarre but fun score, which has the composer working in a sort of Lalo Schifrin territory, with Mannix jazz waltzes mixed in with some more bizarre nascent electronic elements (replete with special credit for the Lowrey Organ). Dialogue is crisp and clean and the sound effectsâ€"including the one you're certain to recognizeâ€"are delivered with excellent fidelity. While there's not a lot to get too worked up about with regard to this mix, there's also nothing major to complain about either.
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