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; ^% t2 ~, H# E& q9 e- ]8 d6 h6 O◎译 名 X计划
; L6 i3 A( G. o/ B \( \. O◎片 名 Project X 0 o2 y5 c1 \9 ~$ J' L# c5 Z
◎年 代 19683 Z7 q1 X# C) {/ f
◎产 地 美国9 K g! |3 m0 V$ `! x8 ?
◎类 别 科幻/悬疑
; o% W' K/ K# ?; p5 y◎语 言 英语1 y* I& S; f% e: ~% _
◎上映日期 1968-05(美国). Z% d5 M+ Q a: ^8 ]6 Z5 u
◎IMDb评分 5.5/10 from 500 users
; K0 P1 M. I+ O9 M' m' }◎IMDb链接 https://www.imdb.com/title/tt0063465/- v& `. C, F! R
◎豆瓣评分 0/10 from 0 users
F8 t2 B' \' ^6 u, l! ~◎豆瓣链接 https://movie.douban.com/subject/1300841/& v/ l# y& p1 A. k2 m$ E/ z2 G
◎文件格式 x264 + LPCM . g; D0 L* e8 f
◎视频尺寸 1920 x 1080
! |) y- h+ A+ h! u◎文件大小 1DVD 19.05 GiB, z+ |, O6 v7 K
◎片 长 1 h 37 min
8 T( e2 M. N' `. E) l◎导 演 威廉·卡斯尔 William Castle
z- m& }& U" Z/ c7 j$ H- t( w◎编 剧 Edmund Morris (I)! v* `2 M4 E% [
莱斯利·P·戴维斯 Leslie P. Davies; X* I4 \; L+ T" W; D
◎主 演 克里斯托弗·乔治 Christopher George' B$ m* u2 F7 \. O
Greta Baldwin
0 R9 |) m) A) s6 k$ J- Y. P; M) g 菲利普潘恩 Phillip Pine
/ C( q0 r7 \: c: \* v* Z0 `& t 蒙特·马卡姆 Monte Markham" J+ V4 M- F* W! s5 H) m( W
陆锡麒 Keye Luke( s# ~" Z2 W' r4 f
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◎标 签 美国电影 | 美国 | 科幻 | William_Castle | 1968 | 悬疑 | 待看5 ]) L4 K# C% [5 ?0 `
$ i4 D! n. N6 m+ u5 ^' K◎简 介
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9 J0 u& {# ~8 F 一名间谍在一次飞机失事中差点遇难后被从低温悬浮物中救出,他从一项任务中返回,目的是了解东方正在开发的一种致命的新武器。但重要的记忆正在被抑制,因此当局使用超先进技术试图揭开这个秘密。; N6 _, b) o! Q2 G
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A spy is brought back from cryogenic suspension after being almost killed in a plane crash returning from a mission to learn about a deadly new weapon being developed in the East. But the vital memories are being suppressed, so the authorities use ultra-advanced technologies to try to uncover the secret.
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Video6 Y( L2 W* Y8 t9 ]+ x& q% `
ID : 1
5 O6 e$ Q. w5 C s6 vFormat : AVC
- s/ d0 l$ ~5 a6 fFormat/Info : Advanced Video Codec$ C7 Z. \+ \% h8 L
Format profile : [email protected]
% z c4 F3 \: jFormat settings : CABAC / 4 Ref Frames; b4 s4 q; Z& C; R1 B- {$ E; X
Format settings, CABAC : Yes% d% f. e/ i7 p0 L% \
Format settings, Reference frames : 4 frames$ R3 L1 }: Z7 U) ?9 M, x
Codec ID : V_MPEG4/ISO/AVC7 }8 ]! X1 ~7 Z, s6 L$ S. ?$ H7 w1 m
Duration : 1 h 37 min
8 L6 V3 w: v q3 L8 e QBit rate mode : Variable; {) C: R0 a8 O0 Y/ z
Bit rate : 25.0 Mb/s
1 |/ C- u0 p+ n0 aMaximum bit rate : 37.2 Mb/s8 ^7 J7 w' C( ?& g, ^& a4 [
Width : 1 920 pixels9 ~/ n% J: v$ c7 G
Height : 1 080 pixels
: ^( Z. F+ y' S; I9 VDisplay aspect ratio : 16:9" c; o, \1 e7 k5 L
Frame rate mode : Constant
) ?6 P0 |8 C/ Q% Q; @2 LFrame rate : 23.976 (24000/1001) FPS# {' Q9 l2 F- }0 ?& z1 g. i
Standard : NTSC q6 E5 c' X0 ~5 B, a
Color space : YUV( u" _) d- u( ]; V! D: d7 l; @
Chroma subsampling : 4:2:03 A& I# _' D& f7 V/ Z2 t9 v; X4 p: @
Bit depth : 8 bits
1 R1 B, \ F4 b; \Scan type : Progressive
. D# r1 {9 D2 d2 O& c3 cBits/(Pixel*Frame) : 0.503' ?2 ~# o8 {4 f3 K0 L) i1 f) F! k
Stream size : 17.0 GiB (89%); Y8 ?/ t5 ?0 _$ l
Title : Project.X.1968.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT4 J7 ~! q$ ?1 A" S1 i% _
Language : English
6 S6 [& [/ g+ P w) A- zDefault : No; z9 _% g. M. o! d0 N
Forced : No8 H p4 Q: d. ]# ^- @! v# P
Color range : Limited
$ Y9 P5 `7 i d- N) `Color primaries : BT.709
2 a% {$ J' f+ z$ ATransfer characteristics : BT.709
' u0 M' U1 B$ b$ ^" zMatrix coefficients : BT.709
; z3 ?) i& K1 B7 d) b& l7 n. I/ t: \3 D& ?# [" v* i, E+ c
Audio #1; k* S \. _* q& T5 _: y7 b0 a
ID : 2) O$ p0 z1 x$ ]! _# b" G! ?
Format : PCM9 Z7 T+ A; V9 P, n+ U
Format settings : Little / Signed) v, {/ f1 ]8 Y) i% \
Codec ID : A_PCM/INT/LIT1 `5 c- t. x* i1 r& N# e
Duration : 1 h 37 min
' p9 s- {7 Y6 R* JBit rate mode : Constant; I( e( Q) o* s, j. Y
Bit rate : 1 536 kb/s
3 Y8 }8 T% _/ K3 ~ V6 w4 e' fChannel(s) : 2 channels
& I7 Y) {) o0 l" \; h$ lSampling rate : 48.0 kHz
$ E$ i, t4 N* U x) _1 r0 qFrame rate : 30.000 FPS (1600 SPF)
0 a3 k4 Q n I6 iBit depth : 16 bits& a4 G0 o% V* l4 M0 B0 P
Stream size : 1.04 GiB (5%)5 \' d& T' C+ J
Title : Project.X.1968.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT" v" I9 G6 `' J, S; c
Language : English p' s2 D' @& \5 |$ a8 d* C6 {
Default : Yes
, a8 [" ], k; V1 [" A5 ZForced : No9 Z9 o7 \# P+ ?$ N
( `9 ^3 o! ` E6 G% ]
Audio #2 Y- S3 P5 F2 }5 b; M/ n4 K) m
ID : 3
/ [) C+ x( |$ E" zFormat : PCM2 S4 r. z' x& a5 j$ z
Format settings : Little / Signed2 R! @% D; O1 W( |0 m# v8 A
Codec ID : A_PCM/INT/LIT8 F1 w2 p# }% @
Duration : 1 h 37 min
. ]& w& L2 |" x3 _6 u1 }. \0 sBit rate mode : Constant: G$ L2 d {1 S+ P% z. ^" h; ^
Bit rate : 1 536 kb/s
1 c4 X0 l3 o% e, GChannel(s) : 2 channels
4 A3 h9 }7 T% D+ VSampling rate : 48.0 kHz
$ C' L, F4 \+ h4 Q- {: y; ?Frame rate : 30.000 FPS (1600 SPF): D! m6 G9 M. V3 o
Bit depth : 16 bits
/ {" Z# |' j, c, @; jStream size : 1.04 GiB (5%)! \" C% L/ X* _% j. v+ t0 w
Title : Project.X.1968.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT6 r) R" Z: n1 f0 [3 u, m* O" r4 u
Language : English3 g: _% m6 l: t( g) ^9 x
Default : No
c1 K2 m) p+ [ N( c" eForced : No
, Z/ M, H' m, J- u' z# E* D# i/ ]* ^2 j
Text- O; x( F7 f0 b* b1 Z2 f
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6 r. l! q/ x" d6 a9 o. }, r! qFormat : PGS
. ^# j2 K- y3 z. U1 UMuxing mode : zlib
, L; E1 C) {3 h TCodec ID : S_HDMV/PGS
" X0 R9 ^+ k* i0 a, y7 aCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs) I% @. x4 S7 I1 R2 x
Duration : 1 h 33 min
7 g% F* {6 k* D. O( pBit rate : 30.8 kb/s. P5 F/ B) x: a& S: o. r. A1 `: R
Count of elements : 2224/ H+ F3 P& J" J# O
Stream size : 20.6 MiB (0%)
% K$ R, N' q @- ], R6 {# n- \8 wTitle : English-PGS4 h* q3 U# D2 ^& c; | G1 Q8 c
Language : English9 j0 V( U7 X- R4 [
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2 Y2 T0 o& B0 Q6 C6 VForced : No
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7 F$ W9 D- ~+ H9 n/ ?4 F- e" _2 m& kMenu3 [% T" j$ F9 J2 @5 u) Q6 x, J2 M
00:00:00.000 : en:Chapter 01
1 e; ~. F6 `& c# y00:13:39.235 : en:Chapter 02: P0 ^6 B. Q0 U: [
00:20:40.113 : en:Chapter 03
9 W2 ?( B6 L8 E \00:35:43.891 : en:Chapter 04
5 v% _$ ?0 X! Q1 [00:53:43.970 : en:Chapter 05
) a% `0 w$ C, U0 @01:07:57.948 : en:Chapter 06& ~. e2 a- _% t" @' g1 ]
01:25:47.600 : en:Chapter 07
1 B# q5 ^( Z2 ?1 K3 W7 r- G01:35:59.253 : en:Chapter 08 Project X Blu-ray, Video Quality / l. q. ^1 m9 b* @/ M
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Project X is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.78:1. This is undeniably one of the nicest looking Paramount catalog releases licensed by Olive yet to appear on Blu-ray, at least for the most part. The elements here are in mostly superior shape (more about a few niggling qualms in a moment), something that might be due to the fact that Project X had a very brief theatrical shelf life and hasn't even been broadcast very much in the decades since its short theatrical run. The image here is wonderfully sharp and colors are very bold and extremely well saturated. As with most of these HD masters provided to Olive by Paramount, there once again does not appear to have been even slight digital tweaking, and so the image is very film like, with natural grain, but also with (very) occasional specks and other slight damage. What is occasionally odd about this transfer are some very shoddy looking cutaways in certain scenes, brief shots that almost look like they were sourced from a print rather than an interpositive, and perhaps even a 16mm print at that (see screencap 7 for a good example of this anomaly). Note for example some of the two shots featuring Jones at around the 10 minute mark when the "future" consortium is deciding how to handle Arnold's thawing and memory implantation. While the bulk of this scene is very sharp and boasts excellent fine detail, there are a number of coverage shots that are really soft (almost to the point of being out of focus) and ragged looking. Having never seen Project X theatrically, I can't state definitively whether or not these anomalies have always been present, but they stand out like a sore thumb simply because the bulk of this Blu-ray looks so good.
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5 Z4 f, R. b& eProject X Blu-ray, Audio Quality 8 V6 @9 p: @2 V8 f
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. E! I; L5 [- Q, N) M. rProject X features the same lossless DTS-HD Master Audio Mono mix that has graced a lot of the recent glut of Paramount catalog releases from Olive. The soundtrack here is rather good sounding, albeit obviously narrow. It's too bad we don't have at least a stereo track to enjoy Van Cleave's bizarre but fun score, which has the composer working in a sort of Lalo Schifrin territory, with Mannix jazz waltzes mixed in with some more bizarre nascent electronic elements (replete with special credit for the Lowrey Organ). Dialogue is crisp and clean and the sound effectsâ€"including the one you're certain to recognizeâ€"are delivered with excellent fidelity. While there's not a lot to get too worked up about with regard to this mix, there's also nothing major to complain about either.( \0 [) @; y7 }; z% s0 v$ Y
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