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A rock singer is determined to rise to the top of the profession, letting nothing stand in the way of that goal.5 P6 {; b; W( k& O9 N
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◎译 名 破碎的玻璃0 h& O( Q- a. x" C3 l+ _" i% ?
◎片 名 Breaking Glass
; ]' Z i, U! p% E& x7 X1 ~* @: Y◎年 代 1980" T" i2 u0 H0 U- V+ T7 x
◎产 地 英国
5 f& ?! g) Z& e◎类 别 剧情/音乐# h/ k2 ?: b( ^
◎语 言 英语 b, s4 ~) n O% {
◎上映日期 1980-08(英国)
! ?) n4 q: C! S, M" L◎IMDb评分 6.9/10 from 1,307 users3 R9 n1 P9 x( T3 m% p( a }
◎IMDb链接 https://www.imdb.com/title/tt0080469/
% l' d: ^# |& [4 q/ N◎豆瓣评分 0/10 from 0 users6 H; A# X5 x5 N/ y" L5 f1 o- f
◎豆瓣链接 https://movie.douban.com/subject/5051532/
; e7 u: u# O/ ~. [) b* E3 c◎文件格式 x264 + LPCM ) j! J4 K0 h) R+ }5 `
◎视频尺寸 1920 x 1080
0 A) z8 F1 O# F- @◎文件大小 1DVD 19.30 GiB
$ R ~( O( T8 h; N9 w◎片 长 1 h 33 min' Q# i3 X6 u5 P
◎导 演 布莱恩·吉布森 Brian Gibson! A" B% [' @) R1 D7 o
◎编 剧 布莱恩·吉布森 Brian Gibson
( [& V+ M1 j8 y \◎主 演 Hazel O'Connor" j0 ]) `) E) }" h+ n
菲尔·丹尼尔斯 Phil Daniels
% i7 f: G/ o: c# N* U/ M 乔·芬奇 Jon Finch
: q/ i ~' k. ?: L# ` 乔纳森·普雷斯 Jonathan Pryce
" h# p" C5 o# ~( s 加里·奥尔森 Gary Olsen' D1 c, J4 t9 `2 ~% i& g% T
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◎标 签 音乐 | 英国 | 美国电影 | 朋克 | P-LocarnoA入围主竞赛 | P-CannesE非竞赛&午夜展映 | Gibson | Brian0 R5 |* R: ?$ Q" b2 P
7 l7 A6 _ U- M: N◎简 介
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一位摇滚歌手下定决心要登上这一职业的顶峰,任何事情都不能阻碍他实现这一目标。/ d) U# i% E, _1 G7 y$ I
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1980s London punk scene is captured in the gritty new wave musical with poignant rags to riches story of a talented and rebellious young singer-songwriter. Kate is the lead singer of the rock group Breaking Glass. Kate’s socialist ideals are juxtaposed to her pragmatic rock manager's, Danny, a streetwise hustler who discovers her and develops her into a star. The energetic singer, whose talent and sanity are jeopardized by the music business’ power structure, struggles for artistic recognition . Hazel O’Connor wrote and performs 13 captivating and provocative songs for the film.
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Y% q- E. B2 H* |" y; yVideo
0 k P2 K, {9 k3 J1 BID : 1
# M5 h; e0 Z+ \% g7 x+ ^+ ]Format : AVC8 ^& O2 Y# X: e4 t* s6 o
Format/Info : Advanced Video Codec' D& ]: _% U+ n( k+ A0 }# G) o
Format profile : [email protected]' |. I8 ^3 a. h8 r* a- j. F
Format settings : CABAC / 4 Ref Frames
6 b* R D9 N0 C; `Format settings, CABAC : Yes
4 X/ d. q0 C2 W9 I' r/ q( oFormat settings, Reference frames : 4 frames( ], C# I+ e3 H2 W: t$ S
Codec ID : V_MPEG4/ISO/AVC
9 ]) p! u/ Z- } |Duration : 1 h 33 min+ n. Y- L Y6 P, C' P; g5 l
Bit rate mode : Variable3 G$ [' v7 z+ G9 ^$ v( Y) l; o
Bit rate : 27.1 Mb/s: Q! h3 O+ B L, Q* C
Maximum bit rate : 35.0 Mb/s; T/ N* f+ J$ i2 o/ ]) r9 W
Width : 1 920 pixels9 a8 b8 A8 [& b* X3 C) n
Height : 1 080 pixels
# F7 q# R$ `6 p& d6 QDisplay aspect ratio : 16:9% ^' n! Y( N! a* Z E0 }
Frame rate mode : Constant
) y3 ^) ]5 y) ?4 W- sFrame rate : 23.976 (24000/1001) FPS
) R* Z3 j% ?( nStandard : NTSC
' F# H7 P( _' sColor space : YUV* Q0 n0 O* l: h
Chroma subsampling : 4:2:0
+ w& V! I g& ?4 m+ {Bit depth : 8 bits
$ A) s+ B. T E: W! S6 b$ ]3 lScan type : Progressive+ a& [! }$ h, b6 p3 E+ K$ N
Bits/(Pixel*Frame) : 0.545, ^2 C! i8 @# ^% e6 B, Y
Stream size : 17.8 GiB (92%)
3 o+ t0 [& p2 Z( J6 `/ \Title : Breaking.Glass.1980.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT
. P6 L# u8 C' B. ^4 M' G c9 RLanguage : English
; m0 g6 p- L0 RDefault : No8 Q u. Z" \4 @7 z z) f
Forced : No
: l! b2 W8 Y- Y' X+ P3 k6 pColor range : Limited
0 P/ \* D( G4 w3 NColor primaries : BT.709
) H1 ?. c6 `6 b! oTransfer characteristics : BT.709
5 I) ?1 }( O( ?# q; NMatrix coefficients : BT.709
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Audio
" ?8 D- w# ]7 x; U$ p# kID : 28 M, g# Z3 \- n. j4 J6 B; l1 S
Format : PCM
, e% U9 _/ `" n: N( m1 h% ]Format settings : Little / Signed
; o& U# Y3 w' U- N- `8 V' b, kCodec ID : A_PCM/INT/LIT( N$ x# L5 s: l- T
Duration : 1 h 33 min
' v( u$ w% \; N4 G7 E( y* IBit rate mode : Constant
* h; c5 M6 M" a+ L# V7 HBit rate : 2 304 kb/s
" N( I4 Z9 W5 q7 A% v0 [. O6 ` KChannel(s) : 2 channels
* i3 a |( l. r9 uSampling rate : 48.0 kHz
9 o( ^* W* b- L; Y, D/ ^Frame rate : 30.000 FPS (1600 SPF)# G7 F& h7 x+ \( j' S* F
Bit depth : 24 bits. Y( g* S% r4 k+ d1 i3 f
Stream size : 1.51 GiB (8%)5 A1 q: P. A% {3 k% P! P @
Title : Breaking.Glass.1980.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
; H9 h$ g* W' |6 C3 P& S2 yLanguage : English
" n2 m" a$ r/ M# T& H( @* [Default : Yes
$ d+ i& l& h* E6 p% Z0 eForced : No' j S. d3 r; Q# @& D: C0 C! h
, R# D% }' e! i- J
Menu# v& A; v6 y. x
00:00:00.000 : en:Chapter 01, y& ~2 p( T. d9 r. [; V' t
00:10:50.858 : en:Chapter 02
/ X- \) s, ?+ z00:19:47.769 : en:Chapter 03' I z& ]! c9 i& W
00:37:13.022 : en:Chapter 04$ A, `# m$ U$ j- l8 K- J
00:59:05.542 : en:Chapter 05
3 z, [# z1 x6 u6 m5 H2 k$ J01:10:36.482 : en:Chapter 06
/ D9 R0 }5 o! M) u$ r01:20:26.363 : en:Chapter 07
" G9 S" K# e! g$ O& k" B; k. P01:25:39.217 : en:Chapter 08# @3 P' P& Q$ c/ x+ j
01:33:56.380 : en:Chapter 09 Breaking Glass Blu-ray, Video Quality
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Breaking Glass arrives on Blu-ray with an AVC encoded 1080p transfer in 2.35:1. This is a dark and gritty film which was filmed under verité conditions and shows it. The film is quite grainy most of the time, with a soft and not especially well saturated image. A lot of the dark scenes are hobbled by fairly bad crush, and the grain is so omnipresent in some scenes that the darker sequences tend to drift toward digital noise territory. Contrast is often quite low, though some scenes seem to indicate it was pushed slightly, giving a slightly effulgent glow to some lighting sources. Olive Films, as is its wont, has done absolutely no restoration or digital scrubbing of the print. What that means is that DNR-phobes have nothing to complain about with this release. What that also means is there is a fair amount of specks, flecks, dirt and other damage which dots the frame pretty consistently.) R# \9 {; C0 q$ [5 R; c$ L k
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Breaking Glass Blu-ray, Audio Quality 1 ]' d0 F! k0 r! V
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Somewhat surprisingly, Breaking Glass's lossless LPCM 2.0 soundtrack doesn't really bristle with much energy, and in fact sounds kind of narrow and boxy a lot of the time. There are some synch issues, and not only with regard to the musical performances, which tend to point to this film having undergone some serious post dubbing, which may account for some of the anomalies. While O'Connor's music sounds at least acceptable, it never really bursts forth the way it should, and while the low end is there, it certainly isn't at head banging levels. Dialogue fares quite a bit better, with good to very good fidelity. Everything plays out within a very narrow soundfield but most elements are prioritized well and while this track never really reaches for the stars, it manages to at least get airborne a time or two.
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