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A soldier introduces himself to the Peterson family, claiming to be a friend of their son who died in action. After the young man is welcomed into their home, a series of accidental deaths seem to be connected to his presence.
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. J9 {6 S) b3 X7 x◎译 名 不速之客! E$ L4 y- g- X/ \6 }% {5 d9 V
◎片 名 The Guest
% |7 n( i2 B8 j+ w. |- [* d J. Z" F◎年 代 2014) j/ L9 R3 m, d7 y$ @
◎产 地 美国/英国
4 z, q: G4 L y0 U◎类 别 动作/悬疑/惊悚: a+ Z- }. Y* w" l5 r
◎语 言 英语
# D6 r. F1 |7 F6 g" i8 @ Q$ Q◎上映日期 2014-09-17(美国)/2014-09-05(英国)) ]( K7 w$ J$ f& R% v* b* @; [9 h* _
◎IMDb评分 6.7/10 from 96,852 users2 V7 i, g, F4 E4 ?. _" V) ^: o/ q' O$ B* c
◎IMDb链接 https://www.imdb.com/title/tt2980592/
6 _) j3 r6 T" i2 e9 e& J* v5 j◎豆瓣评分 6.4/10 from 10,255 users
7 i# z. C% [" |% U% Y! V, B, W◎豆瓣链接 https://movie.douban.com/subject/25721544/6 b$ g+ }7 a1 z9 U* j/ W( L5 V9 ^0 `
◎文件格式 x264 + DTS / p* V2 Y/ i# P
◎视频尺寸 1920 x 1080
: P- O4 H5 G5 Y) H◎文件大小 1DVD 24.68 GiB: e) C+ p% A7 V
◎片 长 1 h 40 min
' r3 d: K# D9 s' k7 \4 L6 q0 G! U' V" {◎导 演 亚当·温加德 Adam Wingard$ x+ q! j" _0 u8 \
◎编 剧 西蒙·巴雷特 Simon Barrett- J" {7 ~: l' ^& ]3 m
◎主 演 丹·史蒂文斯 Dan Stevens
. h& X. N+ z" O- O( b 麦卡·梦露 Maika Monroe3 d" l& O# T) B9 G
布雷丹·梅耶尔 Brendan Meyer
2 c7 G& n2 q/ l6 f! _ 谢拉·柯雷 Sheila Kelley
* W) ~/ U5 U8 W( h9 U 利兰·奥瑟 Leland Orser8 `+ @7 i1 q. n9 q
兰斯·莱迪克 Lance Reddick+ U \0 |; A- l2 n
塔別孚肖恩 Tabatha Shaun1 t2 G# d1 q5 y% U9 U2 ^+ F
蔡斯·威廉逊 Chase Williamson
) x) B+ [* Q, u8 {8 @# Z! X6 l. O! M 乔·大卫·摩尔 Joel David Moore
. i [- `, K4 n: w5 _ d Stephen Brown
. Z. o- t4 V z" v+ u; l V8 C$ z 布兰登·韦德纳 Brenden Wedner
( U) L! f$ x1 y1 q* @3 K 亚历克斯·奈特 Alex Knight
+ y& n5 r4 Q) ~$ \7 d 伊桑·恩布里 Ethan Embry W# |7 _$ Z7 ~; _: F" X
Nancy Jeris
9 H$ n0 d1 U) D( I, t- j6 l# x 马修·佩奇 Matthew Page
) A: q7 n; F$ ?" r: }6 z# l 凯蒂·安妮·米切尔 Katie Anne Mitchell
6 ^' ?2 x1 g6 R1 X8 `( h$ `, F0 A 杰西·卢肯 Jesse Luken
$ P/ ^* c) ^3 F% G& s9 K6 p- o 坎迪斯·帕顿 Candice Patton
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◎标 签 美国 | 惊悚 | 动作 | 犯罪 | 悬疑 | 丹·史蒂文斯 | 2014 | 小心你让谁进来- Z5 U' M+ y1 |2 |% `8 l, [: q
9 C/ [9 t% W# z! Z/ [: x◎简 介
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C( x, h( p: o 一位退役归来的士兵与刚在战场上痛失长子的一家人结为朋友,相通的经历让他们的感情维系日益增强,士兵成为了这家人的贵客。然而这家人很快发现,士兵的真实身份并不像他所说的那样……7 U: ], K0 Y+ T5 C
7 e; |2 t; T: L E! Y. W US thriller in which an ex-soldier causes mayhem within a family. David knocks on the door of the Peterson family and informs mother Laura that he was a close friend of Caleb, the son she lost in combat. Welcomed into the family home, David is initially granted a hostile reception by Caleb's brother and sister, Luke and Anna. However, David's handy ability to buy booze and deal out violent retribution to bullies quickly ingratiates him with the teenagers. That is, until an unusual sequence of events raises suspicions that David may not be who he claims to be. Will any light be shed on the mysterious past of the guest?8 k# z9 O0 S( K
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◎获奖情况( P9 a! @# L4 D8 ~0 G' _7 N, F
6 [, X! t& m9 B. y. N' | 第30届美国独立精神奖 (2015)8 b& @) J: v( |2 N P* k$ s! a
最佳剪辑(提名) 亚当·温加德: n2 r" v" W; K) \# s) p: g# ?3 M
: u$ g* i0 \: _8 L   The.Guest.2014.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT6 {' A2 s1 t. W ~: j. x
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Video; p, j! R* Q+ H# v0 m
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Format : AVC
X# z( e7 `6 J7 F5 t- DFormat/Info : Advanced Video Codec" V% I, S, c9 Y% g) @, D1 c
Format profile : [email protected]
+ P& c. e; @+ a/ P. ?; H {/ r7 ZFormat settings : CABAC / 4 Ref Frames' I$ z+ L$ A; |: H
Format settings, CABAC : Yes( g& z3 k# Y8 d) N3 @: ]( z9 H- g
Format settings, Reference frames : 4 frames
( Q2 S9 i; \% a% ~9 b& SCodec ID : V_MPEG4/ISO/AVC
* x+ E+ _+ M; u# o- y% W+ v/ _6 gDuration : 1 h 40 min
/ O" |2 H/ [% k! c# mBit rate mode : Variable
& c6 k1 Q2 r' E: X% ?, O! WBit rate : 31.5 Mb/s
. I+ v4 m; P, x: r- Z2 R6 d5 L( |, mMaximum bit rate : 35.0 Mb/s
* q/ z5 o+ M% d: ^3 mWidth : 1 920 pixels" d" U( T! v6 Z
Height : 1 080 pixels
3 {7 a$ d- K7 [$ Y/ X) b- w' bDisplay aspect ratio : 16:93 C5 V0 b' d& }
Frame rate mode : Constant
* b5 A* O/ E, BFrame rate : 23.976 (24000/1001/189150) FPS3 B+ Y$ T1 z2 S' P
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7 y9 l( \' p" B" H" u4 hChroma subsampling : 4:2:0& y) y; c' x8 h5 x
Bit depth : 8 bits
- ]$ k: h& K9 H+ x" \3 w4 UScan type : Progressive
) d# T3 A U" w8 Q p% iBits/(Pixel*Frame) : 0.6348 e$ [& c( ^& M* h
Stream size : 22.1 GiB (90%)& c, s3 i& ], ]) L
Language : English7 U1 t! j& Y( [+ }2 `
Default : No2 [% v1 }" @; [7 B/ B6 g5 d7 a, V$ i
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7 A( ~+ k& G* B- wOriginal source medium : Blu-ray# \' o' T8 S* o$ z. Q
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ID in the original source medium : 4352 (0x1100)
9 X* i( u, V. B8 l. o% [Format : DTS XLL: P9 d& x) w) b; O' ?$ @
Format/Info : Digital Theater Systems) ^. L$ [) h3 q8 _- z- h! ]/ K
Commercial name : DTS-HD Master Audio
( q" j' h. \5 G. sCodec ID : A_DTS
9 @2 [, s; c" I% S; QDuration : 1 h 40 min
. v# W, U5 O! N4 ZBit rate mode : Variable! c3 n1 J) C9 _# g" o7 z& i
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$ H1 t/ q! H1 Y& ]' {7 D& }5 x5 g4 V uFrame rate : 93.750 FPS (512 SPF)% W: B! N3 c3 d% ?# X8 x: n
Bit depth : 24 bits" i5 X; R; D& @' G" r8 o
Compression mode : Lossless
" G+ b% _$ w1 c( h* T. bStream size : 2.40 GiB (10%)
M7 M+ @6 u. B! J+ kTitle : DTS-HD MA 5.1
( F) X8 O- \& j6 }% oLanguage : English7 f r7 J% i$ [% |5 p. R9 }* }
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Format : AC-3
- E: [3 ?- s* H9 eFormat/Info : Audio Coding 3- K" h2 A3 |8 e* \! D
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( F# {( j& p5 C+ [/ dFormat settings : Dolby Surround
# Q5 `& b3 Y5 Q% q! m4 [Codec ID : A_AC3' _" K# K( K7 o: C$ [6 U
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3 O' X, ~- n; qBit rate mode : Constant
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& D5 v1 x1 w3 x6 j+ d @Frame rate : 31.250 FPS (1536 SPF)
' K1 [# O8 z* r0 F) q- }" xCompression mode : Lossy% e1 R5 V8 ?2 ^/ i
Stream size : 138 MiB (0%)
4 c5 H5 ?4 S0 E3 Z5 {: FTitle : DD 2.0. K2 q2 J$ @( d( c9 A. ^
Language : English; U/ Q9 \6 n, z- w0 b
Service kind : Complete Main3 p" F/ [% a H+ w7 C) a2 X: B
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8 e- H/ T% c* r) ^) fDuration : 1 h 34 min% _' t$ }% h4 ]+ j: R/ g
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. U/ }& Y ^- o4 h% w- F# KLanguage : English
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+ a9 f% }8 s; r# }7 D/ b; aOriginal source medium : Blu-ray
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8 y) S- g2 L" P1 v, t1 Y5 ^Duration : 1 h 34 min8 b- n9 Q( `4 l8 K8 y
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Menu
4 d+ z% M0 f: g, r! X; l00:00:00.000 : en:Chapter 01% R. t4 |" i# L A n" x `
00:05:38.129 : en:Chapter 028 C7 F! S6 G6 ^) G: j/ I3 A
00:09:36.158 : en:Chapter 03; P, J# l, P4 q# O
00:15:39.772 : en:Chapter 04
/ i" m6 X1 }. p" ~3 I. A& T6 @* C: s00:20:37.653 : en:Chapter 05
& ^& \3 j. t9 s8 A0 u9 ]00:26:07.357 : en:Chapter 06
+ j' s% h6 Y5 r5 ^8 R00:31:22.422 : en:Chapter 07; u' K5 n$ k# Q; g! H4 ?
00:36:32.940 : en:Chapter 089 M9 G7 ?8 M( M; Z* Q1 |' K
00:40:39.311 : en:Chapter 09; U# U9 R2 t: B- C' `( F! W. F
00:46:43.258 : en:Chapter 10
! X2 I, Z& v& n00:49:52.531 : en:Chapter 113 Q' z/ K" X. U# p
00:55:04.217 : en:Chapter 12# W; t; N1 V7 C; p$ v% b* k
01:00:38.926 : en:Chapter 13+ A1 g b8 j5 J) P w) B/ v( ^
01:04:13.349 : en:Chapter 14
5 u% A6 u' f1 ]# }1 k& {01:09:22.741 : en:Chapter 151 L8 P' a' c$ P( m1 f: B6 m( q
01:15:38.408 : en:Chapter 16
9 a9 j7 K1 P% n! i01:20:08.053 : en:Chapter 174 H$ z+ [' `0 E2 I. L5 @
01:25:00.678 : en:Chapter 181 V/ V) U' p% ~' \
01:30:15.201 : en:Chapter 19
% ?$ E9 Z: V. b* O- Y* w01:35:42.903 : en:Chapter 20 The Guest Blu-ray, Video Quality
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, K+ _& j5 I; L/ P! L8 p/ W1 `The Blu-ray release of The Guest features a killer 1080p/AVC-encoded video presentation. The film's palette is dark but relatively lifelike, with striking, vividly colored hues, visceral primaries, warmly saturated skintones, and deep, ominous blacks. Contrast is strong and consistent too, and detail is exacting. Edges are clean and naturally defined, without anything in the way of ringing or aliasing; fine textures are carefully (but not too carefully) resolved, and unhindered by errant noise or other anomalies; shadow delineation is excellent, revealing as much or as little as cinematographer Robby Baumgartner wishes; and a modest veneer of grain is present, adding a suitably classic-film element to the slasher send-up. Minor instances of crush pop up throughout, sure, but a lack of artifacting, banding and other compression issues bolster the near-perfect presentation and stave off any complaints. Fans of the film will be most pleased.
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2 L! j, ], u! M7 y6 W0 P% Z7 vThe Guest Blu-ray, Audio Quality
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Universal's DTS-HD Master Audio 5.1 surround track is almost as crafty, efficient and explosive as The Guest's David Collins. LFE output is restrained but rewarding, unleashing its true power in the film's third act when guns are finally drawn, bodies begin to pile up, and Stevens goes on his kill-or-be-killed rampage. The rear speakers rarely disappoint either, offering subdued but involving directional support during quieter scenes and creating an even more immersive and engaging soundfield when chaos erupts. It's never as absorbing as a full-blown, big-budget action blockbuster, mind you -- the film's modest means lead to a few hit-or-miss sequences in terms of sonic power and prowess -- but such moments hardly amount to a distraction. Dialogue remains clear and intelligible at all times as well, with perfect prioritization and nothing in the way of muffled, drowned or indistinct voices. All told, the film's lossless track delivers.
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