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A concentration camp survivor rekindles her sadomasochistic relationship with her lover, a former SS officer - now working as a night porter at a Vienna hotel - but his former Nazi associates begin stalking them.
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◎译 名 午夜守门人/狂恋/狂爱(台)/魂断多瑙河. I; N _, s! s4 _, ^
◎片 名 Il portiere di notte / The Night Porter
9 I" B) B! o$ t◎年 代 1974# d3 L. Z4 C' u3 M0 Y! H! L4 L
◎产 地 意大利/法国7 Y5 b* |& B& i# l1 c
◎类 别 剧情
4 Z$ v1 ]9 T0 X: {( x8 v$ Z8 J* v, F◎语 言 英语/德语/拉丁语
[* c ]* Y( ?4 G1 P) Q8 U5 l◎上映日期 1974-04-03(法国)$ N. J, t$ |* K2 | I2 u' L/ \% v% R
◎IMDb评分 6.7/10 from 12,504 users- o/ D4 h- I- V3 f
◎IMDb链接 https://www.imdb.com/title/tt0071910/# _$ m$ `, `* E2 N
◎豆瓣评分 7.3/10 from 14,253 users/ ?( A2 a8 X) j& r* j+ {
◎豆瓣链接 https://movie.douban.com/subject/1304687/1 y- g/ ?3 j2 W2 E
◎文件格式 x264 + LPCM
8 t, K g( o! R: E/ ?4 H◎视频尺寸 1920 x 1080
8 S2 \; {# Z" A6 J: a◎文件大小 1DVD 26.26 GiB2 Z% W/ k2 t$ D
◎片 长 1 h 59 min, z1 O$ P7 A' ]
◎导 演 莉莉安娜·卡瓦尼 Liliana Cavani% k% t1 L2 `" B5 I
◎编 剧 莉莉安娜·卡瓦尼 Liliana Cavani
& ?/ `! v* J. C9 O3 L( L# y 芭芭拉·阿尔贝蒂 Barbara Alberti
% o4 k, z, T( ~7 Y+ m 阿梅代奥·帕加尼 Amedeo Pagani
b/ N- \3 p' b- U; k: Q: S◎主 演 德克·博加德 Dirk Bogarde* S( b7 f2 d$ P. M) V3 A. t
夏洛特·兰普林 Charlotte Rampling
5 R6 ^+ T0 d% l" @0 l 菲利普·勒鲁瓦 Philippe Leroy
M; P8 t; X, q+ ~' W 加布里埃尔·费泽蒂 Gabriele Ferzetti
4 e9 D& \! m) _& _% p" _& D Giuseppe Addobbati
6 ]9 {& Q* p. ]* A: [: m 伊莎·米兰达 Isa Miranda1 W9 p/ S. J" T, D( G4 f
Nino Bignamini ; K8 t3 b2 ]- E9 ]( _, s& g3 e
Marino Masé R. a _4 A: V- P
阿梅代奥·阿莫迪奥 Amedeo Amodio
3 L* T! ?& b1 z8 Q$ f! W Piero Vida 2 t) G" _4 U) f; L+ g/ ~+ P! s
杰弗里·科普尔斯顿 Geoffrey Copleston
# P/ s3 @8 Y+ j' ~ Manfred Freyberger
3 { x( Z0 a/ o: \" \; L" @ Ugo Cardea
+ ^* k; @) G! K# h# y! G& \# |5 u Hilda Gunther
0 w! N. s: T+ G8 p3 T 诺拉·里奇 Nora Ricci M% _' V& E+ q3 i7 C
Piero Mazzinghi
* z9 C F; c: x& R5 b 马里诺梅瑟 Marino Masé
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. H( q( O7 Q0 s4 P/ {◎标 签 意大利 | 情色 | 二战 | 人性 | 意大利电影 | 战争 | 爱情 | LilianaCavani
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0 J7 |6 A; Y/ B' g0 |◎简 介
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另类的爱情故事,肢体纠结的情色语言。% X% A4 J1 |# C) q7 m6 ?
1957年,原纳粹军官Max(Dirk Bogarde 饰)隐姓埋名,在维也纳一家酒店当午夜守门人。某日,他遇到著名指挥家的妻子Lucia(Charlotte Rampling 饰),往事排山倒海而来。
; z! l$ ]4 S* t' Z4 t; B 原来,Lucia是纳粹集中营的幸存者,当年是Max的性奴,也是他的情人,Max对她一直念念不忘。
, B7 z# {+ ?, A* J Max趁Lucia外出演出,和Lucia重逢,随即将她接到了自己的公寓,二人迅速恢复了往日的关系。; m A2 F# f/ X6 T( q) o
于此同时,Max所属纳粹余孽小团体也在寻找Lucia,想除掉这个有力的证人,Lucia的丈夫也因为妻子失踪而报警。Max走投无路,只能囤积了大量食品在公寓里,和Lucia足不出户,靠性爱彼此安慰,忘记现实的困境,等待终将来临的救赎或者毁灭。
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+ c* ?; Q( P6 H A concentration camp survivor discovers her former torturer and lover working as a porter at a hotel in postwar Vienna. When the couple attempt to re-create their sadomasochistic relationship, his former SS comrades begin to stalk them.( t% D; u5 E; _7 D
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The.Night.Porter.1974.REMASTERED.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT
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t" ^3 y% ^$ j8 C3 I2 TFormat/Info : Advanced Video Codec
) j5 g) \1 U% j9 u+ F4 E) cFormat profile : [email protected]" H3 Z+ i/ T p
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6 U% F. }$ X& t2 _Format settings, CABAC : Yes) W% O8 v: L; |! u' `4 l B
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4 b; d" g% R5 T/ ADuration : 1 h 59 min- E x. |9 G* w. c3 z
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2 }5 T& z0 E1 c" I! `! fBit rate : 30.0 Mb/s
* s$ Y( ]& w8 x# zMaximum bit rate : 35.0 Mb/s9 u! h4 F9 |+ a4 A* E# X
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, i, I8 M/ ?$ J/ \- r+ w9 v8 yHeight : 1 080 pixels+ L0 I: l- s" A( T0 Y! P9 c* A
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; g) K: i/ K' C. x* U& IFrame rate mode : Constant
& G) s- `: R$ `- oFrame rate : 24.000 FPS) Q) e# e* f- G" E2 Y7 L" B3 Q/ I: K2 v
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: v' d% o5 Q+ |- o! o4 pTransfer characteristics : BT.709/ B+ _. ^/ D3 r g h2 X- b8 e
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: i: ^8 Z4 t6 y6 T6 ?Audio
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* @) R0 m, e+ w% B+ lFormat settings : Little / Signed5 p: ?( O0 o4 L6 j- n" v: G; w
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# n' K9 a: G7 K8 e+ ]Channel(s) : 2 channels
0 Q2 `$ [8 [# T! u* n5 wSampling rate : 48.0 kHz
8 t% D( @- N9 k2 {( h( X6 k* lFrame rate : 30.000 FPS (1600 SPF)
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& l9 E9 R& o" s( |( Y, tLanguage : English
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. U% d$ t7 C, D+ b& v- _( dCodec ID : S_HDMV/PGS1 [' c7 Q1 v! q1 _1 s+ u
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs5 g3 [" h9 L; N% S
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$ W" a/ n9 h9 yMenu( d0 B; k9 e7 G
00:00:00.000 : en:Chapter 01
( J7 o# R1 p5 Z+ f- q00:05:38.666 : en:Chapter 02
[6 ?+ Y2 m' E% N9 K00:15:11.375 : en:Chapter 03
7 d' a) L% |! Q& w' }, O00:23:33.208 : en:Chapter 045 ^3 U+ b; [4 T; B3 `& h6 I& M
00:28:42.583 : en:Chapter 05
; ]& K2 A9 {) [% F: O6 {% I# U& ]00:41:44.625 : en:Chapter 06
+ w! f- `* F$ J- a4 P0 h00:51:23.875 : en:Chapter 07
7 Z' ?7 E+ M+ f/ P4 S% V J00:59:57.125 : en:Chapter 08, X) b2 c& m, y) ~ K
01:09:51.583 : en:Chapter 09
$ |+ U! y- ^% g' s% k01:18:42.875 : en:Chapter 10. A- m- Q4 [$ _* b& D4 y
01:31:06.500 : en:Chapter 11
# A7 F0 I! h% y3 A0 y01:45:53.833 : en:Chapter 12 The Night Porter Blu-ray, Video Quality ) C* b% Z k# n3 ?# h9 S) ?
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Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Night Porter arrives on Blu-ray courtesy of Cult Films.. [3 Y, Y+ P9 t- J0 }8 t2 }
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The release is sourced from a recent 4K master, which isn't the same master Anchor Bay UK worked with to produce the first release of The Night Porter in 2012. (You can see our listing and review of the first release here). According to technical credits that appear on the release, the new 4K master was prepared after the film was restored in 4K under the supervision of director Liliana Cavani. I was eager to test it on my system because I think that the 2K master Criterion prepared a couple of years ago, again under the supervision of Cavani, is very good. (You can see our listing and review of the U.S. release here). Unfortunately, the new 4K master has a number of familiar issues, so below I am going to list what I like and dislike about it. X1 b% W. {$ k' L- }# T5 r
- `( {( {3 |- L& c8 ~8 h" kThe Good: Density levels are very strong. While this isn't going to be immediately obvious, especially to those who have seen the Criterion release, there is a difference. In many areas the visuals basically look much 'tighter', so I am assuming that in native 4K the uptick in quality will be undeniable. Additionally, there are a few areas with daylight footage where highlights are managed better. (See screencapture #5). The entire film looks simply spotless as well, but the 2K master was equally healthy.# ^1 r9 F+ i( p: H
) n; K U8 O7 N: u3 b% n" X8 ~The Bad: The restored 4K master produces substantially flatter visuals, when exactly the opposite should be happening. Why? It is graded in a very particular and very familiar manner which basically destabilizes the film's native dynamic range. For example, if you compare screencapture #15 with the corresponding screencapture from the U.S. release, you should immediately notice how fine nuances begin to disappear. In darker visuals, where there should be a wide range of nuances that strengthen the perception of depth, the new master actually looks worse. See an example in screencapture #11 where there is basically a lot of digital flatness instead of proper shadow details. So, on a large screen the new 4K master reveals problematic depth and in very dark footage unconvincing clarity. There are minor but notable adjustments in the color scheme as well, but I am unwilling to offer an opinion on them because I am quite certain that in native 4K the true color values are actually different. So, it could be that the new color scheme is superior, or it could be that certain color values are simply not entirely correct. As seen on this release, darker nuances and blacks in particular do not appear properly balanced. Finally, the encoding on this release should be much better. Not only does the grain look very loose and blotchy, but in darker areas there is quite a bit of distracting macroblocking. (See examples in screencaptures #4 and 11). My score is 3.25/5.00.3 Y$ p: h( ^! x; M) L+ u
& ^! S2 E7 U1 A" lThis is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content)./ O) j- F0 [8 _+ d
T6 W% E5 w4 J5 fThe Night Porter Blu-ray, Audio Quality
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There is only one standard audio track on this Blu-ray release: English LPCM 2.0. Optional English SDH subtitles are not provided for the main feature.
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The audio is excellent. It is sharp and clear, making the dialog very easy to follow. Some unevenness does exist, but it is from the original overdubbing that was done for some actors. I did a few quick comparisons with the lossless track from the Criterion release, but I could not hear a meaningful difference to report in our review.
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