红菱艳 [4K蓝光原盘] The Red Shoes 1948 2160p BluRaycd HEVC LPCM 1.0-KRUPPE 86.88GB

A young ballerina is torn between her art and her romance with a young composer.



& ?7 a, w  k# N( {4 D  a◎译　　名　红菱艳
◎片　　名　The Red Shoes
1 ~( q0 m% |' ^  P◎年　　代　1948
◎产　　地　英国
% b: q- X) ~! W( U1 A, e1 z4 a* m◎类　　别　剧情/爱情/音乐
◎语　　言　英语/法语/俄语
◎上映日期　1948-09-06(英国)
◎IMDb评分  8.1/10 from 33,459 users
◎IMDb链接  https://www.imdb.com/title/tt0040725/
◎豆瓣评分　8.2/10 from 8,441 users
, l6 l5 ?9 Z- ?. w' f  H: z◎豆瓣链接　https://movie.douban.com/subject/1299204/
4 y$ |! z% E7 S2 i) f◎文件格式　x265 + LPCM
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 86.88 GiB
+ i$ i2 K/ I! g3 _0 r! x! _◎片　　长　2:15:29.120 (h:m:s.ms)
; C. w  G9 Z7 y/ |0 @1 A$ T2 d◎导　　演　迈克尔·鲍威尔 Michael Powell
/ Y9 @5 S# X' B+ _# x3 b" p　　　　  　埃默里克·普雷斯伯格 Emeric Pressburger
◎编　　剧　迈克尔·鲍威尔 Michael Powell
　　　　  　埃默里克·普雷斯伯格 Emeric Pressburger
4 ]1 Z# o8 ]3 d* w2 i+ {　　　　  　基思·温特 Keith Winter
　　　　  　安徒生 Hans Christian Andersen
◎主　　演　莫伊拉·希勒 Moira Shearer
3 N1 M$ G3 Q% B7 `. {. y1 }　　　　  　马留斯·戈尔林 Marius Goring
# ^% l% w& I% p) s　　　　  　邱岳峰 Yuefeng Qiu
  L  m1 ?4 Z. g  Z5 C6 B1 Z/ `　　　　  　安东·沃尔布鲁克 Anton Walbrook
3 w: q2 n3 P' ]- g* \( g　　　　  　乔榛 Zhen Qiao
　　　　  　李梓 Zi Li
　　　　  　露德米拉.车娜 Ludmilla Tchérina
　　　　  　莱奥尼德·马赛因 Léonide Massine
　　　　  　罗伯特·赫普曼 Robert Helpmann
　　　　  　Jerry Verno Jerry Verno
　　　　  　奥斯汀·特雷弗 Austin Trevor
　　　　  　艾尔伯特·贝瑟曼 Albert Bassermann
　　　　  　埃斯蒙德·奈特 Esmond Knight
　　　　  　德里克·艾尔菲斯通 Derek Elphinstone
　　　　  　伊雷娜·布朗 Irene Browne
: ]- {6 z# n* \, E" M; S　　　　  　Eric Berry

6 C5 q' y: L/ h6 O◎标　　签　英国 | 芭蕾 | 歌舞 | 歌舞片 | 英国电影 | 经典 | 1948 | 经典老片
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3 |; B2 S/ m/ ^/ W- S% e4 t◎简　　介   
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　　佩吉（莫伊拉·希勒 Moira Shearer 饰）是一名很有天赋的芭蕾舞演员，她对芭蕾舞的热爱让她觉得她生来便是为了舞蹈。她参加了芭蕾舞剧《红菱艳》的演出，在剧中，她扮演那个穿上红鞋一直舞蹈到死的舞女，她的演出获得了业界的一致好评，她的演艺事业就此扶摇直上。之后，她结识了作曲家朱利安（马留斯·戈尔林 Marius Goring 饰）并且迅速坠入了爱河。为了所爱的人，佩吉放弃了自己的事业，但婚后平静的生活令她无法忍受，似乎总有一种魔力在召唤她穿上舞鞋翩然起舞。佩吉听从了内心的召唤，她离开了朱利安重新回到了舞台，但渐渐的，她想起了自己曾经扮演过的那个穿着红鞋的舞女，她觉得她们的身影正在慢慢重叠，不安的佩吉猛然醒悟，自己生命中最重要的并非舞蹈而是家庭，她冲出剧院想要重拾朱利安的爱情，但一辆火车从天而降，终结了她年轻的生命。
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* I. @+ C( E  N3 g2 k　　影片荣获1949年奥斯卡最佳配乐及最佳艺术指导奖。
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; u. W5 R6 g& B! E: y: {& e# {　　A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.

◎获奖情况   
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, h. e7 U8 m' A6 O　　第21届奥斯卡金像奖 (1949)
9 f$ E3 h6 z' N: F　　最佳影片(提名)
) {! q% u6 k9 z* R　　最佳电影故事(提名) 埃默里克·普雷斯伯格
　　最佳剪辑(提名) 雷金纳德·米尔斯
; o( x: @7 f; Y$ o4 o; F　　彩色片最佳艺术指导和布景 海因·海克罗斯/亚瑟·洛森
　　剧情/喜剧片最佳配乐 布莱恩·伊斯德尔
　　
　　第9届威尼斯电影节 (1948)
+ @, K  y+ e" A; [　　国际奖国际电影大奖(提名) 迈克尔·鲍威尔/埃默里克·普雷斯伯格
+ g8 Z) y) r* B' f　　
7 i$ I( R& [6 `3 P2 ^" {7 P8 }　　第6届金球奖 (1949)
　　电影类最佳原创配乐 布莱恩·伊斯德尔

1. DISC INFO:
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3. Disc Title:     The.Red.Shoes.1948.2160p.BluRayCD.HEVC.LPCM.1.0-KRUPPE
   
4. Disc Size:      93,268,545,453 bytes
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5. Protection:     AACS2
   
6. Extras:         Ultra HD, BD-Java
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.5.5)
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12. Length:                 2:15:29.120 (h:m:s.ms)
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13. Size:                   92,698,644,480 bytes
    
14. Total Bitrate:          91.23 Mbps
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22. MPEG-H HEVC Video       77064 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
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23. * MPEG-H HEVC Video     7415 kbps (8.78%)   1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020
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29. LPCM Audio                      English         1152 kbps       1.0 / 48 kHz / 1152 kbps / 24-bit
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30. Dolby Digital Audio             English         192 kbps        1.0 / 48 kHz / 192 kbps
    
31. Dolby Digital Audio             English         192 kbps        1.0 / 48 kHz / 192 kbps
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37. Presentation Graphics           English         39.79 kbps

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The Red Shoes 4K Blu-ray, Video Quality   
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7 q0 b. D0 y' n+ H" @) x9 {9 ZPresented in its original aspect ratio of 1.37:1 and encoded with HEVC/H.265, The Red Shoes arrives on 4K Blu-ray courtesy of Criterion.

The following text appears inside the booklet that is provided with this release:
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"This 4K digital master was created in Dolby Vision HDR (high dynamic range) from the 2009 4K digital restoration, which was made from the Technicolor 35mm original camera negatives and optical tracks. On the 4K Blu-ray disc, the feature is presented in Dolby Vision HDR. On the Blu-ray, it is presented in high-definition SDR (standard dynamic range).
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2 u* }; k2 x& s# ~" a/ LThe film was restored by the UCLA Film & Television Archive in association with the BFI, the Film Foundation, ITV Global Entertainment Ltd., and Janus Films. Restoration funding was provided by the Hollywood Foreign Press Association, the Film Foundation, and the Louis B. Mayer Foundation.

Restoration supervised by: Robert Gitt, with the assistance of Barbara Whitehand.
Digital colorist: Ray Grabowski/Warner Bros. Motion Picture Imaging, Burbank, CA.
# Q6 J6 ]1 K1 c+ l4 \; f4 v0 \Film color timing: David Cetra/Cinetech, Valencia, CA.
Digital audio restoration: John Polito.
& a/ q2 d0 ]# B7 [7 tDigital Picture Restoration: Warner Bros. Motion Picture Imaging, in association with Prasad Corporation Ltd. (India) and MTI Film".
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! h. c5 u+ ~$ N. u: oPlease note that the screencaptures from the 4K Blu-ray are downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content.
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' k, {3 Y5 m- N$ O. PAs the quoted technical credits above confirm, the 4K Blu-ray release reintroduces the previously completed 4K restoration of The Red Shoes, which Criterion released on Blu-ray in 2010. (You can see out listing and review of this release here). I viewed the 4K Blu-ray release last night and did a number of comparisons with the Blu-ray release earlier today. Here are my impressions:

When the 4K restoration was introduced on Blu-ray, I thought that the film looked marvelous. At the time, it was the most vibrant and certainly the healthiest presentation of the film that I had seen. I still think that the film looks really, really good on Blu-ray. In native 4K, the entire film tends to look slightly darker yet lusher. It has superior ranges of nuances as well, especially darker ones, though I am afraid our screencaptures do not demonstrate this particular improvement. Delineation, clarity, and sharpness are excellent, but they were quite impressive in 1080p as well. Now, if you pay close attention to smaller details, you should quickly realize that the lusher colors also appear 'tighter' because you are essentially witnessing color registration as it was meant to be seen. This particular improvement is most noticeable right before and after transitions, but there are other areas where time has left its mark that look better in native 4K as well (screencaptures #21 and 23 come from such areas). As a result, the overall balance of the visuals is more pleasing. Density levels are very strong, but there are still a few areas with minor yet noticeable inherited fluctuations. Fluidity is excellent. Obviously, the entire film still looks as healthy as it it did in 1080p. To sum it all up, in native 4K the film boasts a slightly darker appearance with superior -- sometimes punchier, sometimes better nuanced, sometimes punchier and better nuanced -- ranges of colors that Technicolor is famous for. I honestly can't see how you can ever get a better technical presentation of it at home. I was very impressed. (Note: The 4K Blu-ray release is Region-Free. However, the Blu-ray release is Region-A "locked").
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" _1 R5 y1 g8 P' @, EThe Red Shoes 4K Blu-ray, Audio Quality   


There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.

( u# k* j! [# G1 SWhen we reviewed the Blu-ray release of The Red Shoes in 2010, there was no Dolby Atmos. A decade later, a lot of older films are receiving Dolby Atmos tracks that more often than not do some pretty impressive things, so I wonder whether whether one of these new tracks might have offered some improvements. Is there anything wrong the LPCM 1.0 track? No. It is just the speculator in me speculating whether some of the music for instance could be slightly richer, or the entire audio can be made to sound fuller. On the other hand, I actually prefer to have native limitations reproduced as they were present on the original soundtrack, which I am quite certain the is precisely what the LPCM 1.0 track does.
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