- 积分
- 136226
- 经验
- 42946 点
- 热情
- 28865 点
- 魅力
- 11265 点
- 信誉
- 21839 度
- 金币
- 4976 枚
- 钻石
- 3894 颗
- 蓝光币
- 0 ¥

Post Share
- 金币
- 4976 枚
- 体力
- 33919 点
  
|
5 h3 z# K: I: g1 L
5 S% R; ]2 _6 I# C. [# S0 @8 U◎译 名 漆黑林地与着魔时日:民俗恐怖电影史
& q: `6 m' i$ @6 p2 P◎片 名 Woodlands Dark and Days Bewitched: A History of Folk Horror
l6 t. t8 @3 ?5 c◎年 代 2021
( c. x1 {3 n% b! m◎产 地 美国
9 [9 X" w$ z0 O- D/ N3 V8 U8 A. B2 E◎类 别 纪录片
: x' D' c B/ Y2 D6 i◎语 言 英语
3 l1 r; ~0 |& v3 I# _◎上映日期 2021-03(西南偏南电影节)4 L' z2 u& m- C0 ^
◎IMDb评分 7.8/10 from 220 users2 ? d# @8 [7 f' V! k4 `- Y/ A! A
◎IMDb链接 https://www.imdb.com/title/tt13938338/+ s1 b! c" | z8 I
◎豆瓣评分 0/10 from 0 users' Z) o* f; R+ T" @# T* T7 `
◎豆瓣链接 https://movie.douban.com/subject/35371295/
" i7 S* R: H6 `1 X8 F5 Z) J◎片 长 3 h 12 min7 r0 f* V" _* k1 o9 s3 w; i- @
◎导 演 Kier-La Janisse0 p- B& A% W. b, ]5 t2 L
◎编 剧 Kier-La Janisse" N4 g+ J7 N$ G1 N& f
◎主 演 凯文·库尔施 Kevin Kolsch
7 { z. q8 I$ b4 `% B0 V0 H 丹尼斯·维德迈尔 Dennis Widmyer8 v4 n1 o) L1 J- J2 B+ p. t9 F3 ~
皮尔斯·哈格德 Piers Haggard
* | t2 {. @: ^3 C0 v4 F, S; g, b, J1 Q/ A3 u% \5 c
◎标 签 纪录片 | 恐怖片 | 2021 | 民俗学 | 艺术 | 美国 | 剧情 | 民俗
1 X. s! Q& ~* E5 c, h4 Z3 p& N1 O6 f4 D# [; E8 g
◎简 介
9 C; y9 K& r( q! c- O3 `5 Z1 E
% O+ b/ p8 U) d3 p+ L% i WOODLANDS DARK AND DAYS BEWITCHED explores the folk horror phenomenon from its beginnings in a trilogy of films - Michael Reeves' Witchfinder General (1968), Piers Haggard's Blood on Satan's Claw (1971) and Robin Hardy's The Wicker Man (1973) - through its proliferation on British television in the 1970s and its culturally specific manifestations in American, Asian, Australian and European horror, to the genre's revival over the last decade. Touching on over 100 films and featuring over 50 interviewees, WOODLANDS DARK AND DAYS BEWITCHED investigates the many ways that we alternately celebrate, conceal and manipulate our own histories in an attempt to find spiritual resonance in our surroundings., ?, u) H/ l) d; m$ p/ Z
Video
' n8 V$ E$ T$ c; R: [. g1 x9 cID : 1
4 |- _7 H5 p9 B0 Y. O- sFormat : AVC% \7 l- N+ l: T! h; h
Format/Info : Advanced Video Codec8 N! t A0 ^, g ^0 ~
Format profile : [email protected]$ U% t5 I4 h8 Z: U! j" y, Y6 N( }0 `
Format settings : CABAC / 4 Ref Frames0 T2 o/ c0 C: N( A+ l
Format settings, CABAC : Yes1 h" j4 M; s, W7 y* m
Format settings, Reference frames : 4 frames# [7 O2 o' N% y5 R
Codec ID : V_MPEG4/ISO/AVC
, d+ Y1 `4 Y9 A- X$ G2 j0 i; DDuration : 3 h 12 min
: u* f& M9 h: }! s- gBit rate mode : Constant
8 ^- e- N; e# r) Z/ l, e$ H# q! SBit rate : 8 199 kb/s
" E. R/ ~! a3 y, ]$ K- e) M# ?Nominal bit rate : 10 000 kb/s& `- ?3 J$ t9 S( W6 \1 | }
Width : 1 920 pixels
8 z, U3 q2 J$ l7 A! PHeight : 1 080 pixels
* G& K4 H* G0 a7 \2 XDisplay aspect ratio : 16:9
8 M0 l: }/ U3 X) O+ {8 y TFrame rate mode : Constant! s* l7 b$ }& S2 ^
Frame rate : 24.000 FPS& d$ W# Y2 }4 \
Color space : YUV: W- t% ]4 } {$ {
Chroma subsampling : 4:2:0* i( e. L& X* p; a
Bit depth : 8 bits
! Z! X$ n$ R) ]Scan type : Progressive; B! a6 f, M4 D5 z8 M3 R0 @* ?
Bits/(Pixel*Frame) : 0.165, u5 L, U) o: l0 l" w
Stream size : 11.0 GiB (97%)' `- x$ t4 r/ [
Default : Yes
# Z" @* Y# Y& ?& ?% U, uForced : No9 w t: _, l* ]# T5 H: {1 g
Color range : Limited. `$ F# Y* l- {9 i- }
Color primaries : BT.709
9 z; n* ?. [/ {. v1 tTransfer characteristics : BT.709& z& I/ R6 W/ a; g
Matrix coefficients : BT.709
( Q1 Z0 Y, N( L6 \' i5 W4 S
8 ]5 F* @# X1 DAudio1 A* V. y6 B- G7 I+ m4 C/ B) H1 e
ID : 2
+ W: e, m7 w( y; |+ qFormat : E-AC-3
2 s- K- u6 m7 o" B. J, ~Format/Info : Enhanced AC-3
5 F/ `. _5 S, W3 }' bCommercial name : Dolby Digital Plus' B% H3 J# w5 |% i* T
Codec ID : A_EAC3
- H) w2 w( b3 t. E4 o4 R! }Duration : 3 h 12 min
8 y0 Y# p( L+ T% }Bit rate mode : Constant
1 r' ^, u! R Q; fBit rate : 224 kb/s
# i" J4 W3 t& T9 g. L$ D; D" O7 Q BChannel(s) : 2 channels, b8 v+ ?/ W$ @
Channel layout : L R8 z' q# p; V7 ]) U; R1 j/ P9 R
Sampling rate : 48.0 kHz. G2 ?1 `$ g% S1 N7 D6 S
Frame rate : 31.250 FPS (1536 SPF)
3 ]5 {% S8 B5 M! I# LCompression mode : Lossy' ?9 X# ?( W+ U x+ y% p3 A5 g
Stream size : 308 MiB (3%)
# M/ x% M8 S$ k+ h; o( p* KLanguage : English
$ F6 d( E0 o. W' X' i+ z$ Z( gService kind : Complete Main
" [! j. u5 F1 v2 p8 l/ v+ }# UDefault : Yes" Q- ^, W% r2 N# a
Forced : No. q4 z8 b( _: i; l# {7 z
3 D9 S: m7 P( J( `3 G
Text #1, Q: k) i6 e6 n L/ v2 V( P
ID : 36 ^* w) M% }; d% B
Format : UTF-87 P' v( ^9 g9 M3 D! |2 @2 t7 x! N
Codec ID : S_TEXT/UTF8
' s' R1 g) y2 ^ ]5 ~9 J4 eCodec ID/Info : UTF-8 Plain Text8 K' e# p N! j& N% V# g
Duration : 3 h 12 min! O+ }( z8 L2 U! |+ s
Bit rate : 84 b/s' ^ v% C# X g" j
Count of elements : 2971) @# J+ x) |* d
Stream size : 119 KiB (0%)3 F: ]' o: ~% x$ [
Language : English. h' M2 `0 I# D. B& y& x
Default : No: T( K$ n: C; m8 ^, G& T1 P
Forced : No! ^, n; R6 m9 V/ u$ X- I& s
: s/ r3 Q" k: C3 I+ o/ ]7 uText #2
h5 o3 Z5 E7 V ~5 }9 V9 Q2 x cID : 4
4 Z% Z( A2 T ?2 X* t' j QFormat : UTF-83 w7 x& u3 a" y0 P: Y2 t& { G
Codec ID : S_TEXT/UTF8
' e7 z- p' b: z5 {% |% bCodec ID/Info : UTF-8 Plain Text
1 b! Z; [7 E! _1 v8 }Duration : 3 h 12 min$ O) M7 Z0 `. _7 _6 t3 b
Bit rate : 92 b/s
3 R8 z5 W! K6 G+ O" g, H! aCount of elements : 3339
) p2 x" G$ H! `& V: ?9 cStream size : 130 KiB (0%)
3 n+ t9 i4 `# c: |: sTitle : SDH+ L" M, j1 w) V
Language : English
: L. c3 Q0 v! B1 V6 @8 nDefault : No! E% x" Y1 i) `( J& o2 `
Forced : No   / A# \/ C: N) G1 J8 q( w; j
|
|