好家伙/四海好家伙/盗亦有道 [4K蓝光原盘 自带中字] Goodfellas 1990 2160p BluRaycd HEVC DTS-HD MA 5.1-HDRINVASION 89.31GB

The story of Henry Hill and his life in the mob, covering his relationship with his wife Karen Hill and his mob partners Jimmy Conway and Tommy DeVito in the Italian-American crime syndicate.
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9 Q: k# D% P. a  g7 U: t◎译　　名　好家伙/四海好家伙(台)/盗亦有道(港)
1 n9 ]) l& G+ {1 a& D◎片　　名　GoodFellas
◎年　　代　1990
◎产　　地　美国
9 T; e  d" z, t◎类　　别　剧情/传记/犯罪
◎语　　言　英语/意大利语
◎上映日期　1990-09-09(威尼斯电影节)/1990-09-21(美国)
◎IMDb评分  8.7/10 from 1,101,885 users
◎IMDb链接  https://www.imdb.com/title/tt0099685/
: H4 I; l* Y3 F) H* E◎豆瓣评分　8.5/10 from 100,794 users
◎豆瓣链接　https://movie.douban.com/subject/1292268/
◎文件格式　x265 + DTS  
; Q& k1 M8 S1 S) q◎视频尺寸　3840 x 2160
◎文件大小　1DVD 89.31 GiB
, {  y" V/ K  J' X$ K: I, h◎片　　长　2:25:21.754 (h:m:s.ms)
◎导　　演　马丁·斯科塞斯 Martin Scorsese
1 _8 h; w  X7 D$ K9 x# \) c◎编　　剧　马丁·斯科塞斯 Martin Scorsese
　　　　  　尼古拉斯·派勒吉 Nicholas Pileggi
5 u- h: l) {% B% {! g◎演　　员　罗伯特·德尼罗 Robert De Niro
: m- p. W- p6 S, Q6 e6 a　　　　  　雷·利奥塔 Ray Liotta
　　　　  　乔·佩西 Joe Pesci
, w& q  Z$ h9 U( I( ?　　　　  　洛南·布雷科 Lorraine Bracco
　　　　  　保罗·索维诺 Paul Sorvino
　　　　  　弗兰克·西维罗 Frank Sivero
　　　　  　托尼·戴劳 Tony Darrow
　　　　  　迈克·斯塔尔 Mike Starr
) z6 X2 c6 F5 B5 A/ B　　　　  　弗兰克·文森特 Frank Vincent
: _5 V. d9 a/ E4 B　　　　  　查克·洛 Chuck Low
3 T% E9 B2 y6 c8 x　　　　  　弗兰克·迪莱奥 Frank DiLeo
　　　　  　亨利·扬曼 Henny Youngman
: w. Q0 V% ~/ s1 [! I　　　　  　吉娜·马斯特罗吉科莫 Gina Mastrogiacomo
　　　　  　凯瑟琳·斯科塞斯 Catherine Scorsese
　　　　  　查尔斯·斯科西斯 Charles Scorsese
　　　　  　苏珊妮·谢泼德 Suzanne Shepherd
　　　　  　黛比·玛扎 Debi Mazar
( |3 r. y2 c. E1 t　　　　  　塞缪尔·杰克逊 Samuel L. Jackson
　　　　  　迈克尔·因佩里奥利 Michael Imperioli
% E# i( u0 s6 v　　　　  　文森特·加洛 Vincent Gallo
% N  z. A9 f& [' Q. e　　　　  　博斯塔尔 Beau Starr
　　　　  　弗兰克·德拉邦特 Frank Darabont
　　　　  　艾伦·休斯 Allen Hughes
( t5 H/ i5 ^& e2 g1 s4 v　　　　  　理查德·林克莱特 Richard Linklater
　　　　  　乔·卡纳汉 Joe Carnahan
4 a" v  g' v$ a" `/ v* Y　　　　  　艾尔伯特·休斯 Albert Hughes
　　　　  　安东尼·福奎阿 Antoine Fuqua
　　　　  　维克托·科利采奇奥 Victor Colicchio
　　　　  　托宾·贝尔 Tobin Bell
　　　　  　Bruce S. Pustin
　　　　  　杰弗里·施瓦茨 Jeffrey Schwarz
0 ^0 E5 i* u" L- `, D: o4 |3 B　　　　  　Barbara De Fina
　　　　  　迈克尔·包豪斯 Michael Ballhaus
　　　　  　埃伦·路易斯 Ellen Lewis
7 n( q# `/ S- J5 F% J/ y: I　　　　  　莱斯利·布鲁姆 Leslie Bloom
  u& J, O1 k: ?: d7 l% G% T4 A　　　　  　Richard Bruno
　　　　  　卡尔·富勒顿 Carl Fullerton
4 t% v: r9 m* S. \　　　　  　Allen Weisinger
　　　　  　艾兰·丹格里奥 Alan D'Angerio
+ l7 {! ?0 a$ q　　　　  　William A. Farley
　　　　  　约瑟夫·莱迪 Joseph P. Reidy
　　　　  　理查德·格林伯格 Richard Greenberg
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◎标　　签　黑帮 | 美国 | 犯罪 | 经典 | 1990 | 剧情 | 暴力 | 传记
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$ ]- B! ~( a7 K$ }7 ]" K◎简　　介   

　　本片根据真实故事改编，讲述了纽约黑手党血腥的江湖恩怨，把所谓的“江湖道义”还原为人性的丑陋与贪婪。
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　　亨利·希尔（雷·李欧塔 饰）从小不学无术，跟着老大保利，靠收取保护费、走私、抢劫，他娶了美丽的妻子凯伦，有可爱的女儿，迷人的情妇，名车豪宅，生活优渥。
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! g9 X/ a0 S9 o* E, l　　吉米·康维（罗伯特·德尼罗 饰）和汤米（乔·佩西 饰）是亨利的好朋友，三人一起经历和很多事情：杀死羞辱汤米的意大利黑手党头领比利·贝兹；策划德航劫案，并干掉同伙，私吞赃款；甚至背着老大保利贩毒。

# d# i# F+ s; k# g% a　　当然，他们的生活，除了享受金钱带来的权势之外，更多的，是朝不保夕的动荡：汤米因为比利·贝兹的死，被人枪杀；亨利自己因为贩毒被警方逮捕，其他人也受到牵连。
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7 S0 e: B! v" ]; g　　凯伦想尽办法将亨利保释出来，此时他们已经一无所有，被人孤立，危机四伏。他们要想尽办法活下去，无论以怎样的方式，付出怎样的代价……

2 b0 @* v# c5 [6 E　　The life and times of Henry Hill, who grew up idolizing the wise guys in his neighborhood and eventually became one of them. With his friends Jimmy Conway and Tommy De Vito, Henry lived the dream life of taking whatever he wanted and answering to no one – until everything caught up with him.
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◎获奖情况　
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) y5 g$ A+ T  @# b* s* _2 D/ j　　第63届奥斯卡金像奖 (1991)
　　最佳影片(提名) 艾文·温克勒
# a# K1 v) P8 W　　最佳导演(提名) 马丁·斯科塞斯

+ u7 d5 w8 t- U( @: l7 O) H( T　　最佳男配角 乔·佩西
　　最佳女配角(提名) 洛南·布雷科
7 U2 p: \5 E+ O3 a　　最佳改编剧本(提名)
　　最佳剪辑(提名) 塞尔玛·斯昆梅克
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2 A  A+ S3 _" T9 h& [0 v( y5 v' R　　第47届威尼斯电影节 (1990)
( Y" B; Z+ d  p' R　　主竞赛单元 金狮奖 (提名) 马丁·斯科塞斯
　　银狮奖 最佳导演 马丁·斯科塞斯

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GoodFellas 4K Blu-ray, Video Quality   


; t" f  f! D/ W) {The UHD disc of Goodfellas is based on the same 4K scan of the original camera negative that was used to generate the 25th Anniversary Edition Blu-ray. This new version is something of a landmark for Warner Brothers, because Goodfellas is its first "deep catalog" release in what remains a fledgling format. All of Warner's previous 4K discs to date are 21st Century films completed on digital intermediates, but Goodfellas is entirely a product of the analog era, which constitutes the bulk of cinema history. This makes it an informative preview (along with such Sony titles as Ghostbusters and Ghostbusters II) of how older titles originated on film and completed photochemically may fare in the brave new world of 4K and High Dynamic Range.
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3 w. p& ~* ?2 V4 t, e3 Z' iBefore turning to the UHD of Goodfellas, let me take a short detour to discuss calibration. The gold standard of calibration has been set by the Imaging Science Foundation (or "ISF"), which was created in 1994 to establish standardization in electronic imaging. Calibrators trained and certified by the ISF are routinely retained to adjust and confirm the accuracy of the displays used in post houses and DI suites, and they are also hired by home theater installers and enthusiasts to provide the same services for consumer equipment. ISF calibration requires several key components. These include a colorimeter for measuring a display's light output, color values and wavelengths; and a signal generator to feed the display standardized test patterns that can be measured by the colorimeter. Top quality colorimeters are expensive devices that cost more than the average home theater, and their proper use depends on an intimate understanding of the underlying technology—which is why accurate calibration requires the hiring of a properly trained and equipped professional.
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  A8 Z/ i; b- hThe challenge of 4K and HDR at the moment is that no signal generator currently on the market is capable of supplying the requisite test patterns. Most importantly for present purposes, these test signals would include an HDR-graded PLUGE pattern, which is an essential tool for setting black levels. In the absence of any standardization, calibration for 4K and HDR has remained a moving target, and this limitation affects the entire UHD chain, from creation to playback.

A small group of technicians has coordinated with industry representatives to develop a 4K/HDR test disc that can be used for ISF calibration. Although the disc is not yet widely available, I am fortunate enough to work with one of its creators, Kevin Miller, who is both a charter member of the ISF and its officially designated Technical Consultant. Recently, Mr. Miller used this disc to re-calibrate my system for HDR color and black levels. All of my UHD reviews written since that procedure bear the paragraph in italics below, specifying the calibration equipment and methodology.

' i' r8 T3 b, ]/ [Even before the latest calibration, it was obvious that the 2160p, HEVC/H.265-encoded UHD of Goodfellas suffered from black-level issues. Since the procedure, I have rewatched the disc several times. In comparison to the Blu-ray, the UHD reveals a slight (a very slight) increase in visible detail and grain, but the improvement continues to be overshadowed (literally) by improper black levels that cast a haze of overbrightening across the entire frame. The effect is most pronounced in scenes set in darkened interiors such as clubs and bars—and there are many such scenes in Goodfellas. A good example is the bar scene (chapter 33) in which Henry Hill (Ray Liotta) narrates the planning for the Lufthansa heist, while the camera picks up each member of the crew being assembled by Jimmy Conway (Robert De Niro). The last to enter is "Stacks" Edwards (Samuel L. Jackson), and as he walks away from the camera into the back of the bar, the outline of his figure softens and the details fade. The same phenomenon can be observed after the heist, when Jimmy is celebrating at the same bar, but his jubilation turns to fury when he discovers that members of the crew have disobeyed his orders not to attract attention with luxury purchases. In scenes such as these, the UHD's image is routinely less distinct and detailed than the Blu-ray's, because the blacks are too bright. The UHD's colors appear to have been slightly intensified compare to the Blu-ray, with reds and blues the chief beneficiary, but here again the overbrightening tends to undercut any improvements by dampening color intensity.

( _, [/ m9 |/ [Is the UHD unwatchable? Not at all. As with many video phenomena, the eye quickly adjusts to the presentation, and the elevated black levels become routine. But having watched Goodfellas repeatedly on both UHD and the 25th Anniversary Edition Blu-ray, I find the Blu-ray to be a better viewing experience. (And yes, my setup is also ISF-calibrated for 1080p.)

Like other studios, Warner touts HDR as a major enhancement, but the UHD presentation of Goodfellas demonstrates that the HDR sticker prominently affixed to every 4K title does not necessarily guarantee a superior image. While the 4K image could no doubt be re-graded with accurate black levels, it is uncertain whether and how much the corrected image would offer any meaningful improvement over the Blu-ray. Regardless, Goodfellas stands as a demonstration of why HDR is not automatically a benefit. As UHD progresses, it may turn out that some—possibly many—older films should be left in SDR, without any attempt to "enhance" their blacks, contrast or colors.

[Viewed on a system calibrated using a Klein K10-A Colorimeter with a custom profile created with a Colorimetry Research CR250 Spectraradiometer, powered by SpectraCal CalMAN 2016 5.7, using the Samsung Reference 2016 UHD HDR Blu-ray test disc authored by Florian Friedrich from AV Top in Munich, Germany. Calibration performed by Kevin Miller of ISFTV.]
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GoodFellas 4K Blu-ray, Audio Quality   
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4 y/ z5 Y1 l- _0 O* EThe UHD of Goodfellas features the same lossless DTS-HD MA 5.1 track previously reviewed.
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