历劫佳人/历劫名花 [4K蓝光原盘] Touch of Evil 1958 RECONSTRUCTED VERSION 2160p BluRaycd HEVC DTS-HD MA 2.0-B0MBARDiERS 72.11GB & 71.15GB

A stark, perverse story of murder, kidnapping, and police corruption in a Mexican border town.

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◎译　　名　历劫佳人/历劫名花/邪恶的接触/狂野生死恋/邪恶之触/恶之触
◎片　　名　Touch of Evil
◎年　　代　1958
◎产　　地　美国
4 i1 P( L+ @2 [' O: ~7 }, E# G. c& Y◎类　　别　惊悚/犯罪/黑色电影
◎语　　言　英语/西班牙语
◎上映日期　1958-04-23(美国)
◎IMDb评分  8.0/10 from 103,010 users
+ `" K5 D5 x( r- ^" U) |; g  b◎IMDb链接  https://www.imdb.com/title/tt0052311/
◎豆瓣评分　8.1/10 from 9,548 users
◎豆瓣链接　https://movie.douban.com/subject/1294756/
◎文件格式　x265 + DTS
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 72.11 GiB & 71.15 GiB
◎片　　长　1:50:35.875 (h:m:s.ms) & 1:35:19.166 (h:m:s.ms)
◎导　　演　奥逊·威尔斯 Orson Welles
5 |6 u% p" E% L4 W  t' D  i0 o. ~◎编　　剧　奥逊·威尔斯 Orson Welles
& n- H, G6 j+ w; L" Z　　　　　  惠特·马斯特森 Whit Masterson
◎主　　演　查尔顿·赫斯顿 Charlton Heston
  s! W/ a: `4 b' A. {　　　　　  珍妮特·利 Janet Leigh
　　　　　  奥逊·威尔斯 Orson Welles
* E& |! ^" p* G2 T! {6 ~- [! u　　　　　  约瑟夫·卡利亚 Joseph Calleia
1 c* a- ~+ T* m　　　　　  阿基姆·坦米罗夫 Akim Tamiroff
" n! G& q+ d: C9 Y8 q8 J  _2 a　　　　　  乔安娜·摩尔 Joanna Moore
　　　　　  雷·柯林斯 Ray Collins
　　　　　  丹尼斯·韦弗 Dennis Weaver
　　　　　  瓦伦汀·德·瓦格斯 Valentin de Vargas
& w- P5 S/ O0 x+ i; x9 Z- V　　　　　  莫特·米尔斯 Mort Mills
& W, z3 a( {8 r9 N' h　　　　　  维克托·米兰 Victor Millan
　　　　　  拉洛·里奥斯 Lalo Rios
　　　　　  米迦勒·萨金特 Michael Sargent
　　　　　  菲尔·哈维 Phil Harvey
5 _1 h5 j4 r# p7 _" C　　　　　  乔伊·兰辛 Joi Lansing
　　　　　  玛琳·黛德丽 Marlene Dietrich
1 x: Q5 ^  I7 K" |　　　　　  Phil Harvey
4 R5 m! C# k4 ^# w6 M8 n　　　　　  约瑟夫·科顿 Joseph Cotten
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+ H# e) _5 W/ [+ y! X2 X! k◎简　　介   
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　　缉毒官员Newlyweds Miguel "Mike" Vargas(查尔登·海斯顿 Charlton Heston 饰）和他的妻子Susie（珍妮特·利 Janet Leigh 饰）来到了美国和墨西哥的边界。马路上发生了一起汽车爆炸事件，Vargas认为这起案件跟毒贩子有关，遂和当地的警察们一起展开了调查。Hank Quinlan（奥逊·威尔斯 Orson Welles 饰）是警察队长，在当地名声甚响。当地警方把嫌疑集中在一个叫Sanchez的人身上，Vargas却在Sanchez的家中发现了证明他不是犯人的证据。然而Quinlan执意认为Sanchez就是犯人。Vargas研究了以前Quinlan办过的案件，对这个赫赫有名的警察队长产生了不少疑问。而Vargas的妻子Susie在旅馆里却被一帮人所绑架并陷害，Vargas怀疑这一切的背后都是Quinlan在操纵。Vargas在和Quinlan的对抗中会有怎样的结局？

　　本片由执导了《公民凯恩》的奥逊·威尔斯自编自导自演，共有三个版本：1958年发行的版本，1976年的加长版，1998年发现的可能更符合威尔斯想法的版本。
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) q  T- }9 f) @　　After a murder is committed in a small town right on the US-Mexico border a rogue cop from the US tries to frame his Mexican counterpart for it.

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3. Disc Title:     Touch.of.Evil.1958.RECONSTRUCTED.VERSION.2160p.BluRayCD.HEVC.DTS-HD.MA.2.0-B0MBARDiERS
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1. DISC INFO:
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3. Disc Title:     Touch.of.Evil.1958.Theatrical.2160p.BluRaycd.HEVC.DTS-HD.MA.2.0-TASTED
   
4. Disc Size:      76,380,808,381 bytes
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5. Protection:     AACS2
   
6. Extras:         Ultra HD
   
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Touch of Evil 4K Blu-ray, Video Quality   
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Kino Lorber's 4K Blu-ray release of Touch of Evil is a three-disc set that contains three 4K Blu-ray discs. Standard Blu-ray discs are not included. Three versions of the film are included, each on a separate 4K Blu-ray disc: Theatrical Cut, Reconstructed Cut, and Preview Cut. Each version is presented in 1.85:1 aspect ratio.
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Please note that the screencaptures from the 4K Blu-ray discs are downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc.

Screencaptures: #1-11 are from the Theatrical Cut.
  m0 o! q. i! v2 F2 s  W+ P' R2 ZScreencaptures: #12-22 are from the Reconstructed Cut.
Screencaptures: #23-34 are from the Preview Cut.

+ e6 u0 `  x7 F6 Q8 J4 @I have two Blu-ray releases of Touch of Evil in my library. The first is this Region-B release from Eureka Entertainment. The second is this Region-Free release from Universal Pictures. The latter included the three versions of the film, in the 1.85:1 ration, that were restored in 4K. The former includes presentations of these versions in the 1.37:1 and 1.85:1 ratios, but they were not restored in 4K.

I think that it is pretty easy to declare that even in 1080p the three presentations of the film from the 4K masters look better. Simply put, after the restoration work the visuals look a lot healthier and boast a more convincing organic appearance. Therefore, the comments below will address the differences between the presentations of the three versions from the Region-Free Blu-ray release and the 4K Blu-ray release. Please keep in mind that the three 4K presentations come with new Dolby Vision/HDR grades.
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I viewed the Theatrical Cut in native 4K and then sampled the other two versions. I believe I spent more time on the Reconstructed Cut than on the Preview Cut. My initial impression was that both daylight and darker/nighttime footage looked quite a bit sharper in native 4K -- not sharpened with digital tools, but boasting superior delineation. In some of the daylight footage the difference was especially easy to appreciate, but there were plenty of darker close-ups that looked really, really good as well. (Examples can be seen in screencaptures #10, 13, 28, and 29). Obviously, the inherited density fluctuations looked practically the same in 1080p and native 4K. Furthermore, a lot of highlights are handled better in native 4K, and again the difference is noticeable during daylight and darker/nighttime footage. The Dolby Vision/HDR grade appears to be expanding darker nuances too, though I have to say that the most significant improvements were during indoor footage with sufficient lighting. (Screencapture #21 demonstrates this quite well). Grain exposure is even and consistent, which is one of the key reasons why the visuals look very tight and incredibly attractive. Is grain exposure better in native 4K than in 1080p? Yes, absolutely. Fluidity is excellent, but I don't think that there is a meaningful improvement in native 4K. So, if you have a large TV set or project, you should expect to see the same type of fluidity that you have already experienced in 1080p. The overall quality of the grayscale is outstanding, with balance probably appearing a notch or two better than it is in 1080p. However, I think that the 4K restoration deserves all of the credit, not the new Dolby Vision/HDR grade. A few small blemishes are retained on all versions, but they were visible in 1080p as well. All in all, I think that the folks at Universal Pictures did a tremendous work on the 4K restoration of Touch of Evil, while the folks at Kino Lorber did an equally impressive job presenting it in its native resolution on 4K Blu-ray. (Note: The three 4K Blu-ray discs are Region-Free).

Touch of Evil 4K Blu-ray, Audio Quality   


8 {' y6 `& l  R8 p6 ^Each of the three 4K Blu-ray discs has an English DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit) track. Optional English SDH subtitles are provided for the each version.
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I am going to give the audio a perfect score because I think that even the Region-Free Blu-ray clarity and stability were outstanding. I viewed the Theatrical Cut in native 4K during the day and had the volume turned up a lot, so I can categorically state that the middle and upper registers are as good as you can expect them to be. There isn't even a whiff of age-related instability, which is quite remarkable.
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