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A former Marine Corps sniper, leaves the military after a mission goes bad. After he is reluctantly pressed back into service, he is double-crossed again.$ z! V/ v4 I0 B* z" p4 q |
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- K0 H. V" W: Y/ u◎译 名 生死狙击/辣手枪(港)/狙击生死线(台)/神射手/狙击手. H2 C1 E! r. L, I8 r5 R
◎片 名 Shooter / Double Target+ F* _* K( m5 H6 ^( r# e
◎年 代 2007
( ?# A6 v2 s/ N◎产 地 美国7 ^( F7 w8 W+ ]) ?- u. y
◎类 别 剧情/动作/惊悚7 ~/ {. v2 O" I" |( H2 b1 A
◎语 言 英语7 v s, I" ]* c H. o; B$ E) U/ W
◎上映日期 2007-03-23(美国)/2007-05-12(中国大陆)0 B. O+ [* F6 l8 ~ o
◎IMDb评分 7.2/10 from 327,317 users
6 R1 o3 p' C, ?! k9 S4 B# _◎IMDb链接 https://www.imdb.com/title/tt0822854/
8 \: f5 x' Z8 C$ f3 K◎豆瓣评分 7.8/10 from 141,916 users
6 d" E6 E6 v3 @( M◎豆瓣链接 https://movie.douban.com/subject/1947549/
5 l% W: J$ N: T0 s9 ]. N( V◎文件格式 x265 + DTS
3 e: D+ i+ F1 G6 K- Z; Q7 N◎视频尺寸 3840 x 2160$ [& W. O" U( m( b7 _* u- k
◎文件大小 1DVD 61.51 GiB) {$ }1 {8 x$ s$ I
◎片 长 2:05:40.366 (h:m:s.ms)
( D. F; i1 {3 r# S◎导 演 安东尼·福奎阿 Antoine Fuqua
( F$ o$ N$ u* o% v r4 ^◎编 剧 乔纳森·勒姆金 Jonathan Lemkin, r: r* D, n- B" r( y, G H
◎主 演 马克·沃尔伯格 Mark Wahlberg
3 d9 l+ u) @ C 凯特·玛拉 Kate Mara* X/ c/ m3 m4 `3 `4 d* M& d
迈克尔·佩纳 Michael Peña3 E4 o0 m% A! X" Z/ j7 M" S* N
丹尼·格洛弗 Danny Glover
. w! o4 Y- t: h, R* k4 A5 c 伊莱亚斯·科泰斯 Elias Koteas& ~! U) p& k. i& d6 d, H6 G9 y) i
罗娜·迈特拉 Rhona Mitra
5 I* h6 ~1 y6 O/ a; s+ Q; j 乔纳森·沃克 Jonathan Walker, b8 L& B$ q! S0 A" l9 d
路易斯·费雷拉 Louis Ferreira
/ B! L1 s% j% E# U' b 泰特·多诺万 Tate Donovan
" C2 P" i" z, I 拉德·舍博德兹加 Rade Serbedzija
5 G7 [+ ?, P6 N4 g+ b! _) [, z A·C·彼得森 A.C. Peterson
c7 j. c& W+ G# k 尼德·巴蒂 Ned Beatty
! C$ @$ p( o4 I1 i4 l* B% |0 P 莱恩·加里逊 Lane Garrison
( J' ^0 n5 k/ {4 o) p 扎克·圣蒂亚戈 Zak Santiago
" D1 V0 {8 m( F$ B3 ]' ?; W 布莱恩·马克金森 Brian Markinson
! e$ z0 |. U" h% `- L 汤姆·巴特勒 Tom Butler
/ {9 c D7 F0 f% g Adrian Hughes Adrian Hughes
- ~% v0 T+ b* B7 u& J- k: \1 s 麦肯锡·葛雷 Mackenzie Gray, e5 T7 `1 n% B/ O! C& v5 r
列翁·赫尔姆 Levon Helm) H- w6 k& n! | ?8 c0 z
瑞贝卡·图兰 Rebecca Toolan8 B% ?* C. @% ^ \' Y* n# v! m; t
Trish Allen Trish Allen
. ?2 z; y x- c3 L! X: D 约翰·腾奇 John Tench q# ^( q5 d/ ]$ @ D5 c/ w
布拉德·凯利 Brad Kelly* n4 z" O; u: F; v/ N4 \
戴维·尼尔 David Neale" o, f" r, [2 v- o- T+ h
苏珊·巴内特 Susan Barnett' ^' w: O ^& a: l2 Q
尤基·华盛顿 Ukee Washington
( D# ^; H9 ]# E5 L: P 麦克·多普德 Mike Dopud" K, x5 Z2 s! ]( D+ E# E
乔纳森·埃斯比奥 Jonathan Eusebio) @& A0 n8 E" K' y
Vale Anoai; h/ t0 J% ?5 }7 z0 `% f
Sharon Carpenter-Rose, r* N% d" z3 n8 \ M
大卫·尼尔里姆 David Kneeream" i j7 Z" V/ p t8 B$ y
Holly Eglington( J q4 C! p- G4 }! L
亚历山大·埃默特 Alexander Emmert
% I4 }$ ^4 p- R0 ~! F 利亚姆·费格森 Liam Ferguson
* @$ ]0 ?2 _9 j$ j1 b3 l8 \, @7 Y Patrick Ferguson& _9 @5 v4 l0 k0 K
塔米·吉利斯 Tammy Gillis$ h$ |" n' i6 j) `
劳伦·格莱齐尔 Lauren Glazier# J0 e2 _7 T0 J
科里·卡斯特尔 Cory Kastle, x- W, ]3 q/ R
Roberto Lombardi- [. z7 W7 f+ }' Y1 X1 W5 W' D
麦克·麦克唐纳德 Mac McDonald
" R' O: t+ L- {$ V 李莉 Lil Rhee
# Z9 J/ h3 [9 y$ ~& f6 i# S Roger Sands
1 W, L" e/ o7 I) l Eugene Smith3 \$ K, I% G* W4 z
帕特里克·迈克尔·斯特兰奇 Patrick Michael Strange# L j3 {" k/ m9 H2 X
弗兰克·特雷诺 Frank Traynor
5 z) h' J7 Y d8 @. R* C Sean Traynor A# c# R1 i; x2 F
丹·范·沃特 Dan Van Wert2 w" Z- n; f; W) g% l
托雷尔·文森 Torell Vinson8 n! s6 [1 f8 t
Jamal Weathers, @; e$ T* u" x$ ~, e
唐沃特利 Don Whatley
& @8 [) V8 M( \6 X+ x3 ]9 K 贾斯汀·路易斯 Justin Louis
8 }" V- x" ^ u2 W5 R* Z, ~ 马克·约翰逊 Mark Johnson
; r) o% A2 P3 T' b7 }0 C 洛伦佐·迪·博纳文图拉 Lorenzo di Bonaventura5 }8 ~, I; e c8 U: M4 Y
马克·曼西纳 Mark Mancina
9 T! N9 I3 p" _ k0 }; s! t$ Y H 小彼得·孟席斯 Peter Menzies Jr./ w# w! u! {4 g: c
康拉德·巴夫四世 Conrad Buff IV5 O! D( \; @" _
埃里克·A·西尔斯 Eric A. Sears. Q( E' X3 M' l# e: ^* r v5 g9 F
马里·芬恩 Mali Finn
- O4 @) Y, h9 N4 b: W/ y I J·丹尼斯·华盛顿 J. Dennis Washington' b. J2 t7 c x3 e
Ha Nguyen' r: q6 z3 D1 T& z( H& [
比尔·特雷扎基斯 Bill Terezakis! A# D+ y+ P* A* ]
唐纳德·莫瓦特 Donald Mowat
7 Y: l7 f: a) g! U7 F' a- Y- ` Donna Bis9 s0 {) h+ q% \
Dean Scheck
0 T0 }9 p; v& X! P! @* b! ^ 维多利亚·道恩 Victoria Down! V+ F; U3 I; A2 a* B
吉特·阿克森 Gitte Axen& n6 c7 L2 t6 j
罗伯特·A·潘蒂尼 Robert A. Pandini( M0 ^$ s% I+ `, A3 f) H5 p
Joe Cacciotti
+ l' P% m$ j& k- [' K% r* h. ? Shannon Pratt
. [7 m" e; A1 } n Dan Mansfield
$ t9 Y' O/ b# |2 B% F" F7 h Jeff Habberstad5 |6 e: o, Z. G& |6 p- D
Conte Matal( i2 k+ L2 ]4 E: J. S- J4 \! V
David Sosalla$ V- L4 ^# l. ]. f# C$ v. o8 Z
科林·施特劳斯 Colin Strause. v, \0 k/ B S( }- P4 u
布莱恩·哈纳伯 Brian Hanable- w) D/ D- g/ m' q, {/ s) u( H
埃德森·威廉姆斯 Edson Williams
5 G: I' h- i4 I- c% H& t Johnny Turco
9 Y' @* ]4 ?* H! Y+ J 马克·安德烈·萨姆森 Marc-Andre Samson, r# E! l4 \% g
克里斯·英格索尔 Chris Ingersoll
: y$ P0 V; p$ u% c) T, d/ U0 E9 e Jeff Heusser$ U& f3 Z) t& T1 A+ G8 e S9 t. t
凯西·艾伦 Casey Allen
6 n% y6 Q' o0 Y. S- Q' L& v Jim O'Hagan! t/ C$ i% j2 l% l. U) ]- j
Sean Wallitsch
! c! x& y2 O1 i- o8 [0 W 迪克·费朗 Deak Ferrand& |1 A- Z3 |' H. ?: }% ^+ N
Scott Beverly
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9 S. E+ Y+ p# V8 {+ ~5 D( o. Q◎标 签 动作 | 狙击 | 美国 | 特工 | 战争 | 犯罪 | 悬疑 | 2007
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◎简 介
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这是一部谍中谍式的电影,不过主角换成了狙击手。美国退役优秀狙击手鲍勃(马克·沃尔伯格 Mark Wahlberg 饰)正在阿肯色州享受退役后的休闲时光,不料,平地生波,他的前上司前来拜访他,希望他能接受一项新的任务――在总统街头演讲那天充当隐形狙击手暗中保护总统。虽然十万分不情愿,但禁不住上司的游说,鲍勃最终答应了。总统演讲那天,鲍勃正在仔细观察着四周情况时,突然会场遭到枪手袭击,总统身边的衣索比亚主教被杀。鲍勃被当成暗杀者遭遇警方追捕。心知成了替罪羔羊,鲍勃在身中两枪的情况下奋力逃走了。鲍勃此时唯一的出路就是找出幕后的真凶,为自己洗刷罪名。1 {* A5 ]1 e! F1 b# o
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A marksman living in exile is coaxed back into action after learning of a plot to kill the President. After being double crossed for the attempt and on the run, he sets out for the real killer and the truth.
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- DISC INFO:
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- Disc Title: Shooter.2007.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-CHD
5 X3 K3 H+ l4 d& s) w - Disc Size: 66,049,597,312 bytes
( f" m1 P* {! D5 K) P c - Protection: AACS2. D6 {0 i8 c' m
- Extras: Ultra HD, BD-Java
" G( N# n! V# T- L# l2 Q& c1 ` - BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.6.3)9 h' |7 N+ r, a* J! t
( U- W2 P& l* Z: e l$ t/ ]4 n. W- PLAYLIST REPORT:8 q/ V5 h t" X# Y7 J: }
0 ^6 @* X8 e" o9 G1 K8 r7 K- Name: 00100.MPLS
6 `/ W( ~- t0 D" \ - Length: 2:05:40.366 (h:m:s.ms)
$ Y. P6 E- k6 Z& \' Y6 R4 @3 w" M - Size: 61,268,355,072 bytes+ ~1 P% O. ~6 y. r% T; ?/ K
- Total Bitrate: 65.00 Mbps
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7 K! H! Q: s. F) d7 I: _3 @. D+ B4 T- (*) Indicates included stream hidden by this playlist.7 {" S9 E- i. p+ c& k7 H: o
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- ----- ------- ----------- # U( I% A' R/ g
- MPEG-H HEVC Video 43999 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
6 D" F2 d0 Y+ S8 Z) U1 @: t - * MPEG-H HEVC Video 11077 kbps (20.11%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020
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6 {( k/ X' H! ]) T6 M2 G* S+ r - DTS-HD Master Audio English 3596 kbps 5.1 / 48 kHz / 3596 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
% d+ e7 }( M) z9 J9 h* H" h - Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps8 P& M/ {$ |9 ~; f
- Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps8 E0 Q1 B$ ^/ m2 R" L B
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps' U; S& U) y0 ^3 }
- Dolby Digital Audio Japanese 640 kbps 5.1 / 48 kHz / 640 kbps
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- Presentation Graphics English 34.972 kbps
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# L* x, i* X, F2 j f - Presentation Graphics German 36.247 kbps , N% C# M% M7 n" [6 b" L0 { v
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, L/ f; Y- l% C6 g% Q5 m - Presentation Graphics French 27.029 kbps
1 G" R0 _+ X5 N. i' z1 x5 N- P - Presentation Graphics Italian 33.166 kbps
* I; B9 E" e& |7 Y4 ] - Presentation Graphics Japanese 19.516 kbps
( b% b8 r) o4 R3 K, j0 M/ D - Presentation Graphics Korean 18.825 kbps $ D; a9 K) j9 r+ C* e5 a) I, i& p
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复制代码 Shooter 4K Blu-ray, Video Quality : C( z' ?: M$ |4 f; w" K+ k
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. Z8 I3 u9 D2 T. V: d; SShooter was first released to Blu-ray in what feels like ages ago in 2007 on the still nascent 1080p format sporting an MPEG-2 encoded 1080p transfer that held up well enough at the time. Obviously, this new 2160p/Doby Vision UHD presentation is much its superior. The improvements are immediately evident, including, as far as the Dolby Vision color grading is concerned, brighter, crisper, more stable opening title whites and more beautifully deep and true browns and other natural colors seen as the snipers cover themselves in grasses and other natural camo. Brilliant patriotic reds, whites, and blues dot the scene in the lead-up to the assassination, as do the warm bricks and other architectural accents in a beautiful outdoor sequence. Throughout the film vivid colors abound; there's a depth and grace to the spectrum that marches well beyond the Blu-ray, with oftentimes the extremes -- whites and blacks -- being the most satisfying of beneficiaries.# H; C1 O/ ]0 K. i5 V- n8 a0 x
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The resolution increase does many favors for the film, too. The picture is faithfully filmic. Grain is very light and and complimentary, resulting in a gorgeous watch from beginning to end that shows what this format is capable of and what it is all about. Details are very strong. Close-ups reveal intricate pores and hairs with nary any problem. Clarity abounds throughout the film and practically in every frame. Sharpness approaches maximum throughout the film, including basics like skin and clothes and structural elements but also extending to weapon barrels, stocks, and scopes (especially during the opening sequence). Viewers will not be left wanting any improvements to resolution. Just as important, the image is free of any obvious sign of print degradation and the encode is about perfect, too. This is a winner from Paramount.
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) S1 J/ `! _1 J mShooter 4K Blu-ray, Audio Quality ! s' I2 Y, {; M1 L2 U
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Also receiving a much-needed upgrade is the audio presentation. While there is no Dolby Atmos sound mix, the DTS-HD Master Audio 5.1 lossless presentation certainly improves upon the old Blu-ray's lossy Dolby Digital 5.1 presentation. So, this is the same number of channels but within a superior encode. The track is full and vigorous, impressing from the start with prominent gunfire and mortar shell launches resulting in a chaotic battlefield din that makes use of the full stage and the subwoofer to draw the listener into the chaos. The track enjoys excellent definition to soaring score and additional action elements which include various gunshots, each hitting with appropriate sonic signature and depth. Chaotic crowd din following the assassination is immersive and natural ambience helps pull the listener into various locations, both outdoors and inside various office spaces. Dialogue is clear and well prioritized. It holds ground in the front-center speaker for the duration.* _$ b9 c# S) i2 f7 R1 Q9 [
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