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[4K极清电影] 巫术神剑 [4K蓝光原盘] The Sword and the Sorcerer 1982 2160p BluRaycd HEVC DTS-HD MA 5.1-B0MBARDiERS 60.32GB

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卓越贡献勋章

迅雷电影 发表于 2022-3-21 19:33:55 | 显示全部楼层 |阅读模式
A mercenary with a three-bladed sword rediscovers his royal heritage's dangerous future when he is recruited to help a princess foil the designs of a brutal tyrant and a powerful sorcerer in conquering a land.+ \% T9 ?8 J/ g8 X4 ?0 {

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- Y# Q$ w# t9 c$ R, R◎译  名 巫术神剑! Y" C+ m6 h+ T, r
◎片  名 The Sword and the Sorcerer / Talon im Kampf gegen das Imperium
( L1 t3 u$ u( a# N◎年  代 1982. Q0 e/ F3 @! P: s4 m
◎产  地 美国; ?& U* \- k6 Y) n- J1 C3 w
◎类  别 动作/奇幻/冒险/恐怖
, w) F6 _: f7 c; d. r+ [& t◎语  言 英语
! ^. X1 ?) h8 i5 c+ R, h: e◎上映日期 1982-04-30(美国)! q: E& `, U5 F
◎IMDb评分  5.5/10 from 6,114 users5 L& E3 [# v: g$ _
◎IMDb链接  https://www.imdb.com/title/tt0084749/& {3 j7 e3 u, Q2 |2 `
◎豆瓣评分 0/10 from 0 users
2 T" u; i9 q9 j+ i  S3 [◎豆瓣链接 https://movie.douban.com/subject/1296914/# r2 |! `# u8 c4 Y# q
◎文件格式 x265 + DTS  
3 e- e" D, U$ H$ R/ W◎视频尺寸 3840 x 2160; {/ J7 T% r& E/ h! r4 K( l
◎文件大小 1DVD 60.32 GiB0 s& V& O; i- g9 M. V" q5 v
◎片  长 1:39:32.750 (h:m:s.ms)9 o. E( e3 O' C- e# X8 o
◎导  演 阿尔伯特·派恩 Albert Pyun
9 o1 ~: G: o2 E" r◎编  剧 John V. Stuckmeyer' k6 `  ]" M3 ?8 I5 ^) R
       Tom Karnowski
4 e# Z1 b6 S, [* f% n       阿尔伯特·派恩 Albert Pyun
) g8 r/ G4 A! `9 C◎演  员 李·霍斯利 Lee Horsley
( X; G* g6 W) B2 y       凯瑟琳·贝勒 Kathleen Beller; k+ i8 U! s2 }% `
       西蒙·麦考金戴尔 Simon MacCorkindale
6 m4 K8 K$ _1 R2 f       乔治·马海尔斯 George Maharis. Y1 ?( F5 M- m& n9 e0 Z
       理查德·林奇 Richard Lynch
' ^# W( Q1 x7 Z# Z3 a( d       Erik Cord Erik Cord6 ^, T' o; B/ k9 t
       妮娜·范·帕朗特 Nina Van Pallandt
9 p; z' t/ C" d; v       Alvah Stanley
3 i) \- k8 z8 @0 G6 p! Y       Robert Tessier
( p& l0 o/ D3 e1 n       William Watson
2 `6 o% ^6 m2 O+ q, l       艾米丽·杨希 Emily Yancy
$ c, E" J" t# E1 G       Hubie Kerns Jr./ ?: u! a' U0 t8 x
       科里恩·卡尔弗特 Corinne Calvet
0 d! _1 C; k( t! f3 ?  w# I) U       杰伊·鲁宾逊 Jay Robinson! D: G% Q" O: s$ U4 c% D% j
       约瑟夫·拉斯金 Joseph Ruskin
  M# C' N* c- b       小托马斯·罗萨莱斯 Thomas Rosales Jr.$ l7 R6 ], s8 r: d8 z' J" O: b4 c8 P
       莱伯·布朗 Reb Brown7 V+ J' }; s9 m" I, B, d  ~
       彼得·布瑞克 Peter Breck
3 K- A& }! H; N: m' o7 F; Y       JoJo D'Amore
8 q7 k+ r, A7 T, L) ^7 @# Y/ k       Barry Chase" x$ g$ i7 Z' _/ N" z" J% j# N( i
       Christopher Cary
6 _9 ~$ O' f2 l' D% x       科里·伯顿 Corey Burton; c% x) y" z1 P$ \' g
       约翰·戴维斯·钱德勒 John Davis Chandler2 I& D- M: @) S& ^+ Q( f
       乔·雷加尔布托 Joe Regalbuto$ [: s6 T7 Y4 x6 J1 i2 M" y1 f
       Alan Caillou
5 R: H+ v% j8 I/ q' ^/ Q# r) p; ~       杰夫·科里 Jeff Corey* }7 I% f( m# v3 S2 h" Y
       Simmy Bow Simmy Bow
' J' i8 _6 Y4 `+ Z- N       Michael Evans
/ i1 q" x1 @' q! G       乔治·穆德克 George Murdock/ t& X, s1 ^) Y4 C
       Patrick O'Moore$ X, L$ ?; A0 [8 }; u1 P3 W1 O
       Christina Nigra
9 J% W! }- I3 Y/ I2 D9 q       理查德·莫尔 Richard Moll
! p- \# b8 e* J. Y6 ^% O$ X       苏齐·曼德尔 Suzy Mandel
; \; E0 ]# }: S7 u       Russ Marin Russ Marin
: J7 b6 G8 J7 k6 r/ r       Leonard P. Geer Leonard P. Geer* q% s2 Q& [1 k/ z8 }% f6 n
       乔治·费舍尔 George Fisher
2 k, D+ T& J0 l# ^       Anthony De Longis4 t2 q% y5 }9 a% D7 r5 d% p, W4 T
       Greg Finley Greg Finley% c) z" n  y7 z8 r! j
       Tom Karnowski1 a7 w# j4 V6 o/ ~
       John V. Stuckmeyer( c" x8 h2 r5 f' f" n: _9 ~
       Mark L. Rosen( R" W1 l% J0 n) h
       Brandon Chase
) u# @5 v+ S+ W1 B5 {4 O, X: d* {       David Whitaker/ U- b; J7 Z0 Q1 J
       Joseph Mangine
7 W! b; y8 b: K$ b& d( E       Al Onorato Al Onorato
; F& L9 n2 p! w$ a% C2 A       Jerold Franks Jerold Franks
# P4 `9 x. y2 [" K$ _7 q' i9 x       Christine Boyar
% m) D9 z9 C: E' T' x9 B5 K       Pamela Peitzman9 W( v& W% C! q
       Anthony Esposito. F! |7 V8 g. ?
       Francisco X. Pérez7 l/ T6 H% P1 h
       格雷格·卡农 Greg Cannom
" w" x5 C5 g( ~5 [       艾伦 A. 安彭 Allan A. Apone( J' c5 i: p  J% g0 w+ F% A, U
       David B. Miller+ N. |( b' w+ C& G, L
       Kenny Myers
! d+ A7 f: j! i       Robin L. Neal# b" G! L+ Y/ Z
       Ronald W. Smith
& W! u& u- J$ q* B0 ~+ \9 ^       马克·肖斯特罗姆 Mark Shostrom* l8 z' x2 q  G0 a: C
       维·尼尔 Ve Neill2 W$ v& I8 l; d) ~" N0 J
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◎简  介   
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  一位手持三刃剑的雇佣兵被招募来帮助公主挫败残酷的暴君和强大的巫师在征服一片土地的阴谋时,重新发现了他的王室遗产的危险未来。, R& Z/ K1 d. ?/ u( R* n

0 p4 Z/ W# g# |0 M  Meet Talon, a daring mercenary who conquers castles and dungeons alike with his lethal three-bladed sword. But when Talon learns that he is the prince of a kingdom controlled by an evil sorcerer, he is thrust into the wildest fight of his life. Can Talon rescue the beautiful princess and slay the warlock, or will he fall prey to the black magic of medieval mayhem? Lee Horsley, Kathleen Beller, Simon MacCorkindale and Richard Moll star in this action-packed adventure saga, filled with brutal battles, luscious madiens, savage monsters and more!
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  1. DISC INFO:
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  3. Disc Title:     The.Sword.and.the.Sorcerer.1982.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-B0MBARDiERS7 @) K4 T: H" d* {: w
  4. Disc Size:      64,769,168,714 bytes) V' F* r! F9 J
  5. Protection:     AACS2
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  6. Extras:         Ultra HD
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  7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.6.3)
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  9. PLAYLIST REPORT:
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  11. Name:                   00002.MPLS  & k. A" w  K/ y- C
  12. Length:                 1:39:32.750 (h:m:s.ms)" `; o9 _8 p5 q+ Y! o
  13. Size:                   64,358,123,520 bytes
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  14. Total Bitrate:          86.20 Mbps
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  16. (*) Indicates included stream hidden by this playlist.
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  22. MPEG-H HEVC Video       71983 kbps          2160p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.20203 u6 u2 O5 ?! X/ T9 E
  23. * MPEG-H HEVC Video     3944 kbps (5.19%)   1080p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020
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  29. DTS-HD Master Audio             English         2034 kbps       2.0 / 48 kHz / 2034 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)$ w: ^4 L3 c8 a) G
  30. DTS-HD Master Audio             English         3847 kbps       5.1 / 48 kHz / 3847 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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  31. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
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  37. Presentation Graphics           English         25.64 kbps
复制代码
The Sword and the Sorcerer 4K Blu-ray, Video Quality   
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' B( i1 V6 L. Q' W5 U' ~Screencaps are taken from "The Sword and the Sorcerer" Blu-ray.; C$ k6 M3 B! Z. d8 _; ?1 Y
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New to UHD is "The Sword and the Sorcerer," listed on the back cover as a "New 2021 4K scan from the original negative." The Dolby Vision presentation is working uphill with this movie, which features substantial amounts of smoke to create atmosphere, and lighting is limited at best. Blacks remain deep, with shadow play and dungeon events preserved. Grain is quite heavy at times, managing stock footage and limited production resources, but it remains decently resolved, if a bit inconsistent at times. Colors display rich greenery and skintones, with full body displays remaining natural. Costuming retains vivid silvers and animal hues, and red hellscapes are distinct. Highlights are enjoyable, with bright sources of fire and sunlight. Detail explores rough facial particulars on the warriors, along with rubbery creature effects on Xusia. Outfits are textured throughout, dealing with steel and animal skin, and exteriors maintain a decent amount of depth.! p9 g% c% p' n

- b5 t3 q& G7 u% K: g( k4 LThe Sword and the Sorcerer 4K Blu-ray, Audio Quality   
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An information card from Shout Factory is presented before the movie begins:; V' y( u! M/ h. i, W9 ~

2 ^3 t8 W  `6 Y; l; m* j"When getting access to the film elements for 'The Sword and the Sorcerer,' there was almost nothing for audio. We have transferred a lone optical track for the stereo sound. There is some damage we could not fix. The 5.1 track was created by another label and has some directional errors. We think, even with some static, the stereo track of the strongest audio option.": L3 T( l+ h: h* v+ u% l

6 t: j: U) \) ^  s6 ?' X; r( iIndeed, the 2.0 DTS-HD MA mix is the most appealing track on the disc, and yes, damage is present, along with crispier highs. Dialogue exchanges aren't sharply defined but remain appreciable, handling performance choices and abilities with intelligibility. Scoring isn't sharp as well, but large orchestral movements provide adequate support and position, often leading the way for the feature. Sound effects are blunt but serviceable, inherent  to the low-budget nature of the mix.3 J3 E# v4 S$ q5 |: r$ f* ?$ `
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