公众之敌/大犯罪家/一号公敌 [蓝光原盘] Public Enemies 2009 1080p BluRaycd AVC DTS-HD MA 5.1-FGT 39.01GB

A film inspired by one of the country's most captivating and infamous outlaws - John Dillinger.
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◎译　　名　公众之敌/大犯罪家(港)/一号公敌/头号公敌(台)/公敌
* M6 \8 d; P2 i# F/ r( V◎片　　名　Public Enemies
◎年　　代　2009
◎产　　地　美国/日本
◎类　　别　剧情/传记/历史/犯罪
5 |9 [/ `. Q7 U  G9 ~. F% s/ S◎语　　言　英语
◎上映日期　2009-06-18(芝加哥首映)
◎IMDb评分  7.0/10 from 296,109 users
◎IMDb链接  https://www.imdb.com/title/tt1152836/
◎豆瓣评分　7.4/10 from 63,658 users
◎豆瓣链接　https://movie.douban.com/subject/2369549/
# ]5 B2 `& _& k' ~◎文件格式　x264 + DTS
1 E- d" ^. H. ?◎视频尺寸　1920 x 1080
) L: `$ q2 J/ u3 l9 m1 q7 Q( `◎文件大小　1DVD 39.01 GiB
8 m  N& f6 D9 v+ \# O) u  |/ F: t◎片　　长　2:19:43.375 (h:m:s.ms)
◎导　　演　迈克尔·曼 Michael Mann
◎编　　剧　迈克尔·曼 Michael Mann
　　　　  　安·白德曼 Ann Biderman
　　　　  　布赖恩·布罗 Bryan Burrough
◎主　　演　约翰尼·德普 Johnny Depp
　　　　  　克里斯蒂安·贝尔 Christian Bale
; Z1 x" x9 `5 s+ z; Y$ I, N　　　　  　玛丽昂·歌迪亚 Marion Cotillard
8 [& r( V) W( q* y) @' g7 {　　　　  　比利·克鲁德普 Billy Crudup
　　　　  　吉奥瓦尼·瑞比西 Giovanni Ribisi
/ P+ e. @3 e, f. W* j5 e5 |5 e4 d6 J　　　　  　查宁·塔图姆 Channing Tatum
  [9 P) [) h  v9 L* ]7 ?0 X7 g5 U　　　　  　斯蒂芬·多尔夫 Stephen Dorff
- x( e) \; l/ q2 \　　　　  　凯瑞·穆里根 Carey Mulligan
　　　　  　约翰·胡热那克 John Hoogenakker
5 g3 `  G8 I" z1 q4 k  @　　　　  　丹·莱瑟姆 Dan Latham
3 T1 S( |1 T- u% J4 v/ S3 h　　　　  　斯蒂芬·格拉汉姆 Stephen Graham
　　　　  　大卫·文翰 David Wenham
8 W: D( G1 O) v" W$ q　　　　  　约翰·奥提兹 John Ortiz
0 Z+ w3 B% M  u　　　　  　史蒂芬·朗 Stephen Lang
5 g, t1 o7 x" `! T* _　　　　  　罗利·科奇瑞恩 Rory Cochrane
　　　　  　艾米莉·德瑞文 Emilie de Ravin
! t9 C' Z- j2 ^3 Y% V　　　　  　杰森·克拉克 Jason Clarke
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◎简　　介   
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" g1 ]  F( A0 A　　本片改编自真实事件。1933年，江洋大盗约翰·迪林格（约翰尼·德普 Johnny Depp 饰）与同伙约翰·汉密尔顿（杰森·克拉克 Jason Clark 饰）持械劫狱，从印第安纳州监狱中成功救出抢劫团伙成员，包括“漂亮男孩”弗洛伊德（查宁·塔图 Channing Tatum 饰），“娃娃脸”尼尔森（斯蒂芬·格拉汉姆 Stephen Granham 饰）等，并藏身腐败警察马丁（约翰·迈克·鲍格 John Michael Bolger 饰）的农宅。马丁说服迪林格藏身芝加哥，寻求黑帮保护。在一系列银行抢劫活动中，迪林格爱上了芝加哥女职员比莉·弗雷凯特（玛丽昂·歌迪亚 Marion Cotillard 饰）。与此同时，联邦调查局探员茂文·普维斯（克里斯蒂安·贝尔 Christian Bale 饰）被上司胡佛局长（比利·克鲁德普 Billy Crudup 饰）提升，在美国第一次“打击犯罪战”中誓将迪林格捉拿归案。行动中，随着迪林格的势败，联邦调查局却日益壮大……

  ~" O8 u1 Q) H9 T　　The Feds try to take down notorious American gangsters John Dillinger, Baby Face Nelson and Pretty Boy Floyd during a booming crime wave in the 1930s.

◎获奖情况   
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! B. X! k0 S. b/ C) N- x" b3 Q　　第11届美国青少年选择奖  (2009)
9 |1 C$ P: t- T' Y; Q3 f4 c8 @, ?　　最佳暑期剧情片(提名)
　　最佳暑期电影男演员(提名) 约翰尼·德普

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1. Disc Title:     Public.Enemies.2009.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT
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2. Disc Size:      41 887 434 545 bytes
   
3. Protection:     AACS
   
4. BD-Java:        Yes
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5. BDInfo:         0.5.8
   
6. 
   
7. PLAYLIST REPORT:
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9. Name:                   00000.MPLS
   
10. Length:                 2:19:43.375 (h:m:s.ms)
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11. Size:                   33 584 633 856 bytes
    
12. Total Bitrate:          32,05 Mbps
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19. MPEG-4 AVC Video        966 kbps            480p / 23,976 fps / 16:9 / High Profile 3.2
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20. MPEG-4 AVC Video        1003 kbps           480p / 23,976 fps / 16:9 / High Profile 3.2
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27. Dolby Digital Audio             Portuguese      448 kbps        5.1 / 48 kHz / 448 kbps / DN -4dB
    
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31. DTS Audio                       Polish          768 kbps        5.1 / 48 kHz / 768 kbps / 24-bit
    
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35. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround
    
36. DTS Express                     English         192 kbps        2.0 / 48 kHz / 192 kbps / 24-bit
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37. DTS Express                     English         192 kbps        2.0 / 48 kHz / 192 kbps / 24-bit
    
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Public Enemies Blu-ray, Video Quality   


As he did with Collateral and Miami Vice, Mann shot the majority of Public Enemies with high definition cameras. The resulting image boasts greater detail and more revealing delineation, sure, but it also suffers from a harsh, digitized sheen (rife with shimmering hair and underbrush) that, at times, seems at complete odds with the subjects and era at hand. Still, regardless of one's appreciation or distaste for Mann's decision, it's difficult to deny the quality of Univeral's 1080p/VC-1 transfer. Colors, though regularly bathed in warm oranges and crisp whites, are rich and rewarding, skintones are convincing, and blacks are nearly bottomless. Likewise, textures are incredibly refined (particularly in close-ups) and foreground objects pop, lending the presentation a series of striking, occasionally jaw-dropping showcase shots. It helps that artifacting, banding, and crush are never an issue (well, aside from a lingering red light haunted by macroblocking), and source noise, while a bit more intrusive in some scenes (the worst of which occurs during a late-night shootout and subsequent car chase), isn't a significant problem.

My only legitimate complaint? As seems to be the case with many a Universal transfer, edge enhancement has been applied liberally, cursing high-contrast sequences and wide shots with obvious, sometimes distracting ringing. It certainly doesn't spoil the proceedings, but it does hinder the overall impact of Dante Spinotti's razor-sharp photography, even if ever so slightly. All things considered, the Blu-ray edition of Public Enemies remains quite faithful to Mann's vision and should please fans accordingly.
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  d- R! e- n1 ~, rPublic Enemies Blu-ray, Audio Quality   

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! F  d7 X2 Y7 ~& P) ILet me cut to the chase. Public Enemies storms Blu-ray with a thundering yet nuanced DTS-HD Master Audio 5.1 surround track; one that renders gunfire as deafening and frightening as it should be. Unlike Transformers 2, G.I. Joe, and other Bay-inspired modern mixes, Mann's film draws listeners in with subtly and silence before assaulting them with roaring shotgun blasts and spewing Tommy Guns. The LFE channel is tremendously successful, imbuing everything from shootouts to the swell of Elliot Goldenthal's score with genuine presence. I wouldn't watch this one if anyone in your house is hoping to get some sleep. Even so, dialogue is clean and intelligible, rear speaker activity is involving, and the soundfield continually wraps its burly arms around all those in the vicinity. Pans are just as proficient; effects practically dance from speaker to speaker. Granted, directionality is a tad spotty and several scenes are strangely front-heavy (Dillinger's first press conference is surprisingly two-dimensional), but interior acoustics are, more often than not, believable (especially when it comes to the film's prisons, banks, and hotels). Even though some viewers will need to keep their fingers hovering over the volume buttons on their remotes, it's difficult to deny that Public Enemies sounds fantastic. Enjoy, dear readers, enjoy.

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