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A jury holdout attempts to prevent a miscarriage of justice by forcing his colleagues to reconsider the evidence.' o0 c0 k8 ]3 }! y. W, w
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◎译 名 十二怒汉/12怒汉% z0 ^4 m& H I
◎片 名 12 Angry Men* `- I* A4 u; k4 w, } L
◎年 代 19578 k7 Y: ]- S1 n# `
◎产 地 美国* Z3 X1 T$ T7 k2 |+ [. A
◎类 别 剧情/犯罪9 n8 q, } _! e+ `/ U
◎语 言 英语) W! }! u4 |( l" T+ i
◎上映日期 1957-04-13(美国)
5 ?% f" ?: p* T# {% s◎IMDb评分 9.0/10 from 761,531 users
5 n5 ? s" }2 v. S7 U7 x. B◎IMDb链接 https://www.imdb.com/title/tt0050083/
g9 j/ R* e, e◎豆瓣评分 9.4/10 from 429,748 users9 T& P6 L& l. x+ h, [
◎豆瓣链接 https://movie.douban.com/subject/1293182/
% C. V4 z; b. `. x◎文件格式 x264 + LPCM ; R5 f; P1 k% h$ z4 |1 w+ x
◎视频尺寸 1920 x 1080
( ~7 K2 W' h6 M8 [. p' T* F5 v◎文件大小 1DVD 17.03 GiB
( E7 R# E$ \8 X @◎片 长 1 h 36 min3 Q5 ^2 F! ?' I" i2 q+ y
◎导 演 西德尼·吕美特 Sidney Lumet
1 X: _# A6 ~) p0 k9 o◎编 剧 雷金纳德·罗斯 Reginald Rose
" b+ F! U1 [2 ^6 y" @. u) M+ `5 u◎主 演 亨利·方达 Henry Fonda- {7 k' P" c0 i; F* L- O
马丁·鲍尔萨姆 Martin Balsam8 V+ Z9 d1 l' V
约翰·菲德勒 John Fiedler
1 g4 s/ Y9 b" j- }0 S' d2 K 李·科布 Lee J. Cobb
: h9 ?# m; y7 x/ X5 \9 r E.G.马绍尔 E.G. Marshall
+ B7 V( O- p7 n, b7 B4 @ 杰克·克卢格曼 Jack Klugman
, c! v3 \9 X- K0 _7 r 爱德华·宾斯 Edward Binns! {0 {5 q& a! \$ L" v$ J
杰克·瓦尔登 Jack Warden' j E: ^, t# W" l+ t, ]
约瑟夫·史威尼 Joseph Sweeney
& V; Q- y5 b9 M N' q0 |8 m0 c( S8 i 埃德·贝格利 Ed Begley. g, j3 z' W4 M% ]; h& M
乔治·沃斯科维奇 George Voskovec! g$ A7 W! c) W$ |
罗伯特·韦伯 Robert Webber {! m' [/ s! g8 h% A* \+ H) ~
唐·克兰泽 Don Kranze
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◎简 介
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/ k9 Y. U2 b% Z4 d6 A" p 一个在贫民窟长大的18岁少年因为涉嫌杀害自己的父亲被告上法庭,证人言之凿凿,各方面的证据都对他极为不利。十二个不同职业的人组成了这个案件的陪审团,他们要在休息室达成一致的意见,裁定少年是否有罪,如果罪名成立,少年将会被判处死刑。. y# Q, r$ H* P+ u+ F0 W
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十二个陪审团成员各有不同,除了8号陪审员(H enry Fonda 饰)之外,其他人对这个犯罪事实如此清晰的案子不屑一顾,还没有开始讨论就认定了少年有罪。8号陪审员提出了自己的“合理疑点”,耐心地说服其他的陪审员,在这个过程中,他们每个人不同的人生观也在冲突和较量……: ]! E B7 a% o% s6 k [: a- _
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The jury in a New York City murder trial is frustrated by a single member whose skeptical caution forces them to more carefully consider the evidence before jumping to a hasty verdict.$ }. K7 L% M2 k
) r5 x% ^* O/ J! W- m4 P◎获奖情况 % F- P t/ j- i. m9 J. o
. o+ l9 j9 p v( p( s. q 第30届奥斯卡金像奖 (1958)
+ t$ n1 c+ ~( m9 C Q0 G g 最佳影片(提名)1 L9 Q: u9 s9 d7 M
最佳导演(提名)
4 h& g4 k8 r4 l" | └──西德尼·吕美特
" J; L/ r' ]& A6 O3 N( ]0 J 最佳改编剧本(提名)
8 V! ~3 k [0 m. y └──雷金纳德·罗斯
2 C& r. }. {7 I 第7届柏林国际电影节 (1957)9 c1 `9 _% t. l
金熊奖 最佳影片+ C8 z' F8 t: n* f8 o- ^. p9 {& S
└──西德尼·吕美特
' I9 J$ i( X s% Z) z+ l 第15届金球奖 (1958)& @) A' O5 D& f \" F. o
电影类 最佳剧情片(提名)5 B4 ~8 q% g" m7 o5 K; L( }! W
电影类 最佳导演(提名)$ [. O( M0 b: U. ]( i. B
└──西德尼·吕美特 9 B* r1 X: f/ |
电影类 剧情片最佳男主角(提名)
3 b2 z! d9 ]4 J └──亨利·方达 8 l8 X9 y3 C- c
电影类 最佳男配角(提名)
2 v8 h3 S7 v4 \3 Q# b) E2 G) U3 A └──李·科布
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0 U# y1 l9 [' \/ A1 R12.Angry.Men.1957.1080p.BluRayCD.REMUX.AVC.LPCM.1.0-FGT" v- g, r a' n+ H' h( e
: \% r: g3 s" P; b/ ^2 A/ J
Video
& a) |7 j3 p% v; d8 r b7 NID : 1
$ N# C+ g3 [& t. L8 BID in the original source medium : 4113 (0x1011)
( X9 i' L% I2 ZFormat : AVC, i: p* ? c9 Q: u0 n6 E
Format/Info : Advanced Video Codec
1 v, O5 ~6 b [" R! M* d& l4 A1 U2 FFormat profile : [email protected]! F: j% g9 {: h8 h! I) u9 W
Format settings : CABAC / 4 Ref Frames
9 m7 p, c9 _' _6 N' _Format settings, CABAC : Yes- V3 R# _0 v9 O# j. T8 l' b
Format settings, Reference frames : 4 frames
% {0 u# b/ `3 x4 k0 OCodec ID : V_MPEG4/ISO/AVC% k- p0 u6 c! Y
Duration : 1 h 36 min
8 t2 ]3 _2 x) T) l3 n8 L, D5 ?Bit rate mode : Variable
3 N0 s% b8 u- p* @3 P. u% P/ i' EBit rate : 23.9 Mb/s
* `5 A5 q5 c7 Q7 V2 y! `Maximum bit rate : 37.0 Mb/s
) v1 J# Z8 ~& j" B6 X- }Width : 1 920 pixels
' E7 M4 \- v, d1 N3 T. tHeight : 1 080 pixels
/ p+ G' ^. b. M. ^) A" O- yDisplay aspect ratio : 16:9
7 ^: g+ r5 y! P5 E& M, s7 eFrame rate mode : Constant
8 ]* E; u3 X; d2 ], R. i* m! WFrame rate : 23.976 (24000/1001/189150) FPS% l/ Z5 V: s& e- {; q+ t
Color space : YUV
/ c0 {& o/ ~: _! tChroma subsampling : 4:2:02 g+ U( _; A' p! a+ t7 N
Bit depth : 8 bits' q: D5 `) N2 A7 G# B
Scan type : Progressive
' m+ r$ R8 T7 p( @" c- z+ j9 b* P- fBits/(Pixel*Frame) : 0.481
0 q/ _* B2 ^0 j. k; E0 b* oStream size : 16.1 GiB (95%). ^' C1 T! b2 S8 r# N+ Z, j/ z9 m4 n+ s
Language : English3 L! I( N( X m
Default : No" O& L) o6 i: g; H2 Z
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Original source medium : Blu-ray+ H0 g% G2 I$ O8 J: x \9 s8 c
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Audio #1; l! t; ]$ j% H: N. d
ID : 2
0 I: T3 F+ X( y: R5 |6 D. rID in the original source medium : 4352 (0x1100)! e2 r2 C% ^) s4 p0 x6 a
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( n2 Q6 b& L7 G9 LFormat settings : Little / Signed# Z v7 \" U% N, s8 K
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3 \' O& l3 g& k" j; i3 ^Duration : 1 h 36 min
: D/ J1 j% h. F4 |Bit rate mode : Constant' r# A- H6 a+ n0 a5 b' P: |
Bit rate : 1 152 kb/s
# R0 `5 y* K% Y! nChannel(s) : 1 channel
5 C- i6 x' ?* I# Q" b3 {Sampling rate : 48.0 kHz! Q/ k. I% o: U9 l
Frame rate : 30.000 FPS (1600 SPF)
5 G2 ~& y5 r' ?8 hBit depth : 24 bits
# N" O2 W7 g7 O3 I$ ]. bStream size : 794 MiB (5%)9 h8 r8 A( a. J4 C% j
Title : LPCM 1.00 p. U$ Z8 m. R) z7 ~$ |' m
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( d) o/ o V8 A& A* @ {Forced : No. C _! d# z+ I6 q, D3 y0 ^- s
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( }# B6 g. d0 zFormat : AC-3
/ r* {2 i; s9 `+ B+ zFormat/Info : Audio Coding 31 [* [5 _4 G7 x/ P
Commercial name : Dolby Digital
, j; y) u1 D$ ~' [% ] i2 NCodec ID : A_AC3
# H% o2 `6 q) o. sDuration : 1 h 36 min
+ u( Q% p6 d/ n3 \+ I1 ]Bit rate mode : Constant
2 H- v2 e) {+ @3 p; a; M0 C2 DBit rate : 192 kb/s
0 h" K1 k# }3 @9 hChannel(s) : 1 channel
0 C+ z" W% R/ j) A! {& a, o6 pChannel layout : C
% K# W* U# c! ]2 R! bSampling rate : 48.0 kHz( @# Y- C) f, ]* z2 _; Q
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Compression mode : Lossy+ G7 O+ R! V- r: H' ]9 N
Stream size : 132 MiB (1%)" N! l4 I' x5 d0 S. D$ y4 B
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% X$ k8 t5 O: I7 HService kind : Complete Main
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Codec ID/Info : UTF-8 Plain Text
) b& p) E1 j) | h- QDuration : 1 h 33 min
4 H/ ] `! u& l" W# k8 @Bit rate : 110 b/s# s( ]- C$ S7 @, `/ L# J
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& u/ h! U+ h* [1 c0 V% M0 IFormat : PGS
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/ V4 q8 C/ L2 [5 d( U. v5 ICodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
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% H B# f( c( \/ EDefault : No6 s2 \3 K* w# L3 ?% H% U# `/ R
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' D. s, d, [7 M: R hMenu3 e8 A1 W5 e; E/ f6 ]- @
00:00:00.000 : en:Chapter 01
3 \) }1 J/ _8 R00:05:45.345 : en:Chapter 02
, {( ~' E9 j$ f00:11:57.341 : en:Chapter 03
0 a8 G3 v! @3 e* G00:15:20.920 : en:Chapter 041 m+ {4 ~. ^( |7 z J( d
00:18:46.291 : en:Chapter 055 g9 o; i0 ~3 Y! o
00:24:02.065 : en:Chapter 06
( V/ n, ~- F% L- a; v00:30:56.855 : en:Chapter 07
* Z- `" K) Z; m& ?1 _00:34:45.249 : en:Chapter 08
/ o1 \9 y+ G9 F% _; b- l/ Z3 y00:39:33.371 : en:Chapter 09( ]; h% p7 S! q; z
00:48:22.900 : en:Chapter 10
; C7 x7 t9 j) u00:52:04.121 : en:Chapter 11
6 r. ]2 K( e' T4 ?! E, W% C00:53:20.822 : en:Chapter 128 n$ G8 W, G2 `$ V. ~) K, t
00:59:42.078 : en:Chapter 13, f1 f4 s, c5 ^. K4 |
01:08:28.687 : en:Chapter 14
! r( f+ B$ Z7 f01:12:35.517 : en:Chapter 15
. _3 K4 `- b, t2 a% |' o; X/ z( d01:17:56.046 : en:Chapter 16
% k9 \/ k; B0 Y/ E01:21:25.881 : en:Chapter 17# {9 M" B7 O G
01:29:09.886 : en:Chapter 18 12 Angry Men Blu-ray, Video Quality
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Presented in an aspect ratio of 1.67:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Sidney Lumet's 12 Angry Men arrives on Blu-ray courtesy of Criterion.- U) O0 ?# g* D* G( {
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The following text appears inside the booklet provided with this Blu-ray disc:) m3 z* x; k/ u o7 D
# H- B" P0 b' Y$ C; ^; w' K"This new high-definition digital transfer was created on a Spirit 2K from a 35mm fine-grain master positive. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed using MTI's DRS and Pixel Farm's PFClean, while Image Systems' DVNR was used for small dirt, grain, and noise correction.
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7 u. X- Y0 Z9 h. m! k5 j) H# pTelecine colorist: Russell Bishop/Deluxe Digital Media, Los Angeles.
% `* L1 e, A2 a a2 n4 HOriginal audio restoration: Brian San Marco/Chace Audio, Los Angeles."! V2 e. z5 a3 i* @+ B
' M5 [) W/ P. u$ EDirector Lumet's legendary film has never looked this good before. Not only are detail and clarity dramatically improved, but the color-scheme is very impressively balanced, giving the film a fresh and notably crisp look. The blacks appear to have been slightly elevated, but the adjustment is indeed most appropriate as they blend very well with the variety of whites and grays (see screencapture #9). The various close-ups throughout the film also look impressive - textures are well defined and there are no signs of overzealous sharpening. A layer of light and well resolved grain is also present from start to finish. Additionally, excessive noise or edge flicker do not plague the high-definition transfer. There are no serious (frame) transition issues either. The high-definition transfer is also free of large damage marks, cuts, stains, or warps. (Note: This is a Region-A "locked" Blu-ray disc. Therefore, you must have a native Region-A or Region-Free PS3 or SA in order to access its content).
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12 Angry Men Blu-ray, Audio Quality
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There is only one audio track on this Blu-ray disc: English LPCM 1.0. For the record, Criterion have provided optional English SDH subtitles for the main feature.. I. n0 ?- Y S; B+ {* i* i' E! k
; v; H j% b6 D0 q+ A3 D- F4 QThe following text appears inside the booklet provided with this Blu-ray disc:
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"The monaural soundtrack was remastered at 24-bit from a restored 35mm magnetic print. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.": c5 B# ?" I7 y2 |' B8 @* ?
5 m' i$ e: {2 c9 H12 Angry Men is primarily a dialog-driven film. Naturally, the English LPCM 1.0 track has a rather limited dynamic amplitude. However, the dialog has an excellent depth and very good fluidity. Occasionally some light background hiss is easy to detect, but its presence is never distracting. There are no distortions or serious sync issues to report in this review.! Q/ f; a( l; W4 d% J* f1 f2 k% p) U
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