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A stray dog saves two kidnapped children.
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( ~9 |! z) y1 v- G◎译 名 狗侦探/小狗笨吉
' t0 y9 G6 H* T g- M/ y$ _9 p8 w) {◎片 名 Benji 8 W1 x. ~/ E; F
◎年 代 19744 s& r; \; W& |0 \& Z/ V" v
◎产 地 美国) [" t: ^- ? ]( r# O1 F3 m! v
◎类 别 爱情/家庭/冒险
! u+ Y' n% T) l' L7 u7 C◎语 言 英语
0 R+ K- w5 g j! F |◎上映日期 1974-05-31(美国)
. E. z4 f( q0 s) u◎IMDb评分 6.1/10 from 4,801 users
9 J' k( Q" v3 v& z; q0 |) J◎IMDb链接 https://www.imdb.com/title/tt0071206/1 c1 K" R0 V8 W3 ~. @' T
◎豆瓣评分 0/10 from 0 users
" V1 r3 ^7 B% _/ r" Y◎豆瓣链接 https://movie.douban.com/subject/1293742/8 N; y4 S& J8 t
◎文件格式 x264 + LPCM " q% ^1 W- Q* P
◎视频尺寸 1920 x 1080* b3 w0 C+ ~: p) }5 E
◎文件大小 1DVD 19.75 GiB
5 q: j8 n% | {# _( C◎片 长 1 h 25 min
+ B# D( D- f7 w* l( T! m1 p◎导 演 乔·坎普 Joe Camp( D* }9 V4 M; O& ?# P) Q: A4 M
◎编 剧 乔·坎普 Joe Camp
# ~# ?2 S6 X& l# ^( y7 d◎演 员 Patsy Garrett
& v; m4 o) Z9 e4 ^ Allen Fiuzat
, T/ ]" n N5 M# T; [6 E* y- L3 J# H# Q Cynthia Smith
4 O' D2 V+ F/ @9 A$ ~; T% b+ G% r 黛博拉·沃莉 Deborah Walley
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' Y& Q" r3 _& v6 Z' C) I◎标 签 狗狗 | 动物电影 | 美国电影 | 狗 | 家庭 | 家庭動物 | 动物 | 美国; a' ~& h& q5 L0 s6 V! @8 O$ T
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◎简 介 . N9 [. t* ~; \: s
. h# U. D) J1 w W4 \& V 一只流浪狗救出了两个被绑架的孩子。
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The first movie about the famous golden mutt. Benji is a stray who has nonetheless worked his way into the hearts of a number of the townspeople, who give him food and attention whenever he stops by. His particular favorites are a pair of children who feed and play with him against the wishes of their parents. When the children are kidnapped, however, the parents and the police are at a loss to find them. Only Benji can track them down, but will he be in time? If he can save the day, he may just find the permanent home he's been longing for.
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Benji.1974.REMASTERED.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT
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6 ]9 _( a6 D. v+ w( uVideo! A4 P" O; T4 Y0 @2 m G1 ^6 r8 s
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2 H2 N4 ]3 i/ m" {Format/Info : Advanced Video Codec7 f9 f k; O5 e
Format profile : [email protected]# ^! T# U$ a- [
Format settings : CABAC / 4 Ref Frames3 t( G% s/ M9 j! B- |/ ?0 d
Format settings, CABAC : Yes6 b9 @. K& A5 K5 c% X
Format settings, Reference frames : 4 frames0 a _" m `+ F# {
Codec ID : V_MPEG4/ISO/AVC8 G/ O& C7 g6 E" C
Duration : 1 h 25 min
2 a8 T" t4 ~3 X% w- ~. ]Bit rate mode : Constant+ A- h- H0 a; s z5 A
Bit rate : 30.0 Mb/s
* C5 x) g4 j8 L- m4 B5 }Width : 1 920 pixels! o% _- C4 p9 S$ I& _
Height : 1 080 pixels
! n0 v: W& i9 ~8 T/ KDisplay aspect ratio : 16:9' F4 N$ L' \* [7 Q/ n# o
Frame rate mode : Constant
. { \% n& w& Q- SFrame rate : 23.976 (24000/1001/189150) FPS" C H4 k% { W, I# ]8 s7 Y
Standard : NTSC8 f& A7 E) {$ m- [
Color space : YUV
+ @* Y3 J% j/ B5 X0 H- b# `Chroma subsampling : 4:2:0
" e! G$ U6 F9 Q9 c& IBit depth : 8 bits
4 P6 Y9 l7 R8 n- l' U4 {$ CScan type : Progressive
7 O" U' y% Y9 j6 o7 T7 KBits/(Pixel*Frame) : 0.603
. M3 j$ N9 ~! x5 K* S: t5 mStream size : 17.9 GiB (91%)/ d+ d, T; i5 }& z3 p9 z: A
Language : English
) J; y8 u+ J; U2 dDefault : No8 m& q& ?( K& Y, y6 G- m/ @
Forced : No
; I, x4 z! z& y% ?Color range : Limited
! F. d/ R+ T0 IColor primaries : BT.7094 n$ \' x+ p* f! O
Transfer characteristics : BT.709& t" `2 q+ C" Q* V$ n
Matrix coefficients : BT.709
1 x/ R, H1 { n# ^4 m$ lOriginal source medium : Blu-ray
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9 }1 B" l# w1 z9 {6 c: ]% kAudio #1/ p+ n; v. Z8 n J( I; W& ^6 x7 F( T
ID : 2
" L2 @$ R) A" W9 ]1 z9 ]ID in the original source medium : 4352 (0x1100)
2 Y( c7 o) `# K% U f H3 Z$ Q" PFormat : PCM! x# q5 U8 {# C, U" o* L4 u$ J5 h
Format settings : Little / Signed
# \+ m3 V/ B8 k2 C# h( v1 d0 x# LCodec ID : A_PCM/INT/LIT1 C& I- z$ \; _
Duration : 1 h 25 min5 z8 s/ U5 R' j9 \5 U
Bit rate mode : Constant
5 p7 u% y9 r2 j, EBit rate : 1 536 kb/s
$ u3 ^1 Y) v* N- E+ ?8 |3 YChannel(s) : 2 channels' J5 x" K. p. R
Sampling rate : 48.0 kHz+ J& h; f/ n9 J1 ]
Frame rate : 30.000 FPS (1600 SPF)
' N- A) B2 |5 T. d: m( s2 S" fBit depth : 16 bits% F3 n+ g/ P: H, N) v2 b& j. W2 V
Stream size : 942 MiB (5%)
1 W4 M# _4 U$ {: i, w5 e9 vTitle : LPCM 2.0# P7 |2 J6 |+ P( G3 K
Language : English7 l2 Z- m8 q3 p# }
Default : Yes
* e) ~* @9 b3 Q9 m' ?Forced : No
, ?; |" M) T) o5 W. B8 rOriginal source medium : Blu-ray
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Audio #26 Q1 k* s$ s7 V; B8 o/ R
ID : 3
& q* q4 @9 I2 ]7 C4 }3 q& JID in the original source medium : 4353 (0x1101)
# |4 V6 i4 n" S8 F; VFormat : PCM
7 x( J$ V' I8 Q2 u5 B* `6 R- a% V$ vFormat settings : Little / Signed1 A+ ^. Q9 J H4 ~' r
Codec ID : A_PCM/INT/LIT
4 c" D! e% i5 H4 g! h+ e) DDuration : 1 h 25 min
6 o' k! x: M9 S! ABit rate mode : Constant2 [" @6 |; D( \" I' t
Bit rate : 1 536 kb/s- c, x) N( f- E* g
Channel(s) : 2 channels1 K; |# m' E6 [: i/ |- j& ]/ h% c$ i3 l
Sampling rate : 48.0 kHz: j+ |* w1 D1 p2 c8 ?! P3 K4 N
Frame rate : 30.000 FPS (1600 SPF)
3 W5 i. ?/ L7 t; r) xBit depth : 16 bits
* q6 h; K2 }$ ^+ o6 i5 N3 ~3 n2 aStream size : 942 MiB (5%); Z1 n" O' Q/ C4 Z. v0 U8 `) @
Title : LPCM 2.0
+ x- G2 u3 b8 m B% {! dLanguage : English
6 G" P. H6 {9 v: wDefault : No
C; O5 \9 U# l* IForced : No H" t1 b- `+ A# V W
Original source medium : Blu-ray7 y L6 y4 P R* R% m" ~
- x: H, l8 c" {8 RText #1$ r! W1 U2 {; }! E# ?% c
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Codec ID/Info : UTF-8 Plain Text
5 Z( w0 @, I9 ? P) }Duration : 1 h 24 min
A2 S0 J8 k9 f9 H9 l4 b) n/ ?! d: t- oBit rate : 52 b/s2 ~$ a6 s( H6 v. E
Count of elements : 1059
5 K6 w/ x0 Z' U+ i, u/ QStream size : 32.6 KiB (0%)
5 C" i6 e- M$ S* S- \( DLanguage : English) T7 i9 X2 Q6 g, @! [7 \# F6 A
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& {6 m; |- X; [. NStream size : 35.8 KiB (0%)' {& R! Q* Q+ N% _
Title : SDH
1 ]- D' L) U6 U# F! eLanguage : English* V6 ?* M' y Q% P& k7 L! X) D+ w( F
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# A2 j% D; b) L- OText #3
, A& U( H0 u. K7 k' D1 f; DID : 6! N5 _+ R; f% O. U2 }( Q
ID in the original source medium : 4608 (0x1200)' o+ ]/ o) ~& t( v0 D. I% X3 N
Format : PGS
$ B. @3 C7 t9 I, D5 l; A+ hMuxing mode : zlib
( E3 I+ Q) V3 C1 [( Q% a# `& OCodec ID : S_HDMV/PGS
; h1 H X P! r1 J( BCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs- ?- c: d% x) L" c$ l3 e
Duration : 1 h 25 min3 \* P. U4 e7 E2 s7 I+ P3 j# K
Bit rate : 26.2 kb/s
$ U& n c; X" T0 kCount of elements : 2377
& K7 C4 L B# S8 N! ~! T& DStream size : 16.1 MiB (0%)( |9 G# T8 _& g
Language : English
0 U3 }' X6 @) i/ l, C% ^$ l; n& NDefault : No l1 s! ?1 h3 D
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Original source medium : Blu-ray% V; V3 W0 n" K& O+ W9 J
* s: B& T+ J' C5 YMenu
0 a8 M! {* n$ `; P s00:00:00.000 : en:Chapter 01
, S& }0 l1 C3 V. y6 y00:07:53.556 : en:Chapter 02
* T- x0 k5 ^, t4 g00:18:07.878 : en:Chapter 03! u6 W, B' R5 H; O B
00:30:33.957 : en:Chapter 04# a) {7 m, }5 R
00:41:14.972 : en:Chapter 05
4 j8 ?" O8 a+ ]/ d3 Q( m! e00:54:58.837 : en:Chapter 06* E: m. f. h1 R) B" a1 L
01:03:09.118 : en:Chapter 07$ o/ Y4 S3 q \' }$ P. @* q
01:14:21.957 : en:Chapter 08- Y. i/ \0 g4 C2 l
01:24:21.014 : en:Chapter 09 Benji Blu-ray, Video Quality * O: O' K* d; [9 t* A r) F
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Benji's Blu-ray release is the beneficiary of a brand new restoration and transfer sourced from the original 35mm film elements. It's an honest presentation of a low budget, dated film, and while the results are far from perfect, the image largely pleases given the budget nature of the release. Wobble and dirt accompany the opening title sequence, and the clean-up efforts have come up a little short as various signs of print deterioration, including speckling and stray vertical lines, are present throughout the feature. The presentation does retain a largely pleasing grain structure, accentuating the core detailing that's pleasantly sharp and robust, whether considering natural environments and grasses, clothes, faces, or animal fur. Textural definition and sharpness across the board prove satisfying, whether in brightly lit outdoor locations or the slightly murkier interior at the old abandoned house where Benji and the kidnappers stay. Colors enjoy a healthy, robust presentation, yielding positive saturation and intensity in everything from green grass to clothes. Nighttime black levels reveal honest depth and shadow detail while flesh tones appear accurate. Benji's 1080p transfer may not be perfect, but this is a largely satisfying and filmic presentation.& i9 n" ^* D, F f
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Benji Blu-ray, Audio Quality
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% {5 J2 O6 }3 W |Benji's LPCM 2.0 uncompressed soundtrack obviously lacks any big sonic splashes, but listeners can expect a well-realized presentation of a fairly pedestrian original source. Musical clarity is a bit limited, but separation and spacing are fine with instrumentals wider and vocals more localized near the front-center channel. Basic sound effects enjoy adequate distinction and, as applicable, stage width. Dialogue is clear but lip sync does seem a little off in places, perhaps a result of the ADR process. Examples include Mary's dialogue in the film's first scene and the cat lady at the 44:40 mark.
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