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A boy shoots his father and flies out the window. A man falls in love with a fellow inmate in prison. A doctor accidentally ingests his experimental sex serum, wreaking havoc on the community.
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- O2 h$ m2 z/ o2 O5 _◎译 名 毒药/爱情砒霜0 b. [: |, t- F @! M
◎片 名 Poison
2 O* t+ ^/ }$ |/ M+ w4 @" C* h◎年 代 1991
. n9 |9 o! ^% V; M5 h8 M◎产 地 美国! Q% r3 Y1 \! G7 l4 S: r
◎类 别 剧情/爱情/恐怖/同性
! f( ?% `( n! z0 j2 r7 J◎语 言 英语
9 R5 J8 d! m' p4 s* G/ f◎上映日期 1991-04-05(美国)/1991-08-16(瑞典)" {+ C# c w4 n, k# j2 j o/ R. P
◎IMDb评分 6.4/10 from 4,438 users! E8 z# a6 K0 Z
◎IMDb链接 https://www.imdb.com/title/tt0102687/
8 y5 D6 ~8 u' n$ ^- h◎豆瓣评分 7.3/10 from 989 users; V5 Z9 @2 y7 I% Z
◎豆瓣链接 https://movie.douban.com/subject/1292499/3 b9 V- M/ T f7 i. i
◎文件格式 x264 + DTS ! i( O$ H3 H8 D/ X7 V; h$ q, S
◎视频尺寸 1920 x 1080+ o& n7 J* X1 e3 @& p1 }
◎文件大小 1DVD 23.71GB
! E9 X! E( U+ o$ h' h5 }' n: R◎片 长 1 h 25 min
) J9 \0 k0 w* p◎导 演 托德·海因斯 Todd Haynes* k3 K9 R, J6 p7 A) n
◎编 剧 托德·海因斯 Todd Haynes2 E" @* |/ W2 y) K$ x2 A7 g. H# ]
让·热内 Jean Genet
& ]! _ E- C5 t# A◎演 员 约翰·G·康诺利 John G. Connolly& T: ]" {* H' k+ p( H, p1 ]
Lauren Zalaznick
! P$ U5 |: b. S; A- h Tony Pemberton# L5 F) j+ L) g' {
詹姆斯·夏慕斯 James Schamus6 O+ C( _( z" l8 a
Lauren Zalaznick) \- U" |4 _! `/ y& i1 {
玛丽斯·阿尔伯蒂 Maryse Alberti4 v+ c* o) n" I
托德·海因斯 Todd Haynes' v# V3 j! v% d- k) r* l! R: T% y: F# ^
卡里姆·埃诺兹 Karim Ainouz2 k; M/ T% g# r, g2 Y$ l) d! [
Sarah Stollman
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◎简 介
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爱情可以醇如佳酿,也可毒如砒霜。《毒药》要讲的就是三个离经叛道的荒诞故事。《英雄》中的英雄并非什么占士邦或铁金刚式打不死,而是一个乳臭未乾的黄毛小子。都说不可小覤新新人类的力量──年仅七岁的小主角枪杀无赖老豆,绝不手震。《可怖》向50年代经典恐怖科幻片《变蝇人魔》致敬。科学家成功研究出一个惊世实验,把人类性欲化作液体保存。三个短篇中最引起争议的,是描绘监狱另类春光的《凶毛》。一个终生囚犯不能自拔的迷恋囚友,自虐被虐共冶一炉,引人入「性」。粗犷暴烈的场面赤裸裸地冲击观众底线。三段人生,三种手法。《紫醉金迷》导演托特海恩斯就是凭本片夺得1991年辛丹士影展大奖,一鸣惊人。
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Three intercut stories about outsiders, sex and violence. In "Hero," Richie, at age 7, kills his father and flies away. After the event, a documentary in cheesy lurid colors asks what Richie was like and what led up to the shooting. In the black and white "Horror," a scientist isolates the elixir of human sexuality, drinks it, and becomes a festering, contagious murderer; a female colleague who loves him tries to help, to her peril. In "Homo," a prisoner in Fontenal prison is drawn to an inmate whom he knew some years before, at Baton juvenile institute, and whose humiliations he witnessed. This story is told in dim light, except for the bright flashbacks.
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◎获奖情况 ) |- v3 M- x% n5 `8 a2 O# u
9 V& v5 h3 ]$ j5 d. o 第41届柏林国际电影节 (1991)
9 k; N$ t, x. a" }" a! q 泰迪熊奖 最佳电影# o, ~" V7 Z% o0 _; y
└──托德·海因斯* I/ P' B" i" J; G
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Poison.1991.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT7 e. g: ]& W- t* X o
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Video
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4 } ^. h! F9 E1 v6 c* _ID in the original source medium : 4113 (0x1011)% w- t7 }8 Y9 [: s# _$ ^& G; q
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* i- t# ]9 ?: Z: H4 R5 pFormat/Info : Advanced Video Codec
1 r; r6 G( [; K7 `" O' u! PFormat profile : [email protected]
0 r: t+ A1 E( uFormat settings : CABAC / 4 Ref Frames/ Z& M, [, N, O9 N
Format settings, CABAC : Yes# @; I. B# G) h+ L+ g8 j+ K
Format settings, Reference frames : 4 frames2 G& i- Q% l' t( d( @
Codec ID : V_MPEG4/ISO/AVC
3 d$ ? f J9 UDuration : 1 h 25 min
S- { W4 J: @/ P; A/ p8 V( }Bit rate mode : Constant
% i2 N7 r7 g% y* |' l4 s2 EBit rate : 40.0 Mb/s( d7 I, H" u) c' u
Width : 1 920 pixels
4 g2 |' {5 N: T8 x, U' q# LHeight : 1 080 pixels3 Z7 Q; O1 H! ?5 @- u! i
Display aspect ratio : 16:9
- b2 X6 O# l! a4 [) T+ UFrame rate mode : Constant; F0 b6 `7 j, i; L8 |2 b
Frame rate : 23.976 (24000/1001/189150) FPS
. w7 r7 [ q' y; E# J2 cColor space : YUV
. g. k, }- ~( Q$ D4 t2 |Chroma subsampling : 4:2:0' T5 G l# ]+ ]2 P: E& J+ Y2 \
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0 U3 z2 G/ O) }9 w$ KScan type : Progressive
. h7 \ e& W4 G5 `# Q, nBits/(Pixel*Frame) : 0.804
3 ~; w0 s( D! q Z5 _: A1 IStream size : 22.8 GiB (96%)* l) d% h2 X4 G, R
Language : English1 `; ?( ?! l) Z7 a
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5 B# [% k3 H; G- o# s5 p1 V- EOriginal source medium : Blu-ray
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) J9 ]6 N( I2 X+ Q: _( v5 eID in the original source medium : 4352 (0x1100)
8 A0 V% N- @& M& `/ Y9 B% jFormat : DTS XLL
0 \' Z5 E9 _0 b- TFormat/Info : Digital Theater Systems
" i- k: r$ `3 R% S+ C4 }# HCommercial name : DTS-HD Master Audio7 t1 d/ w$ Y" m
Codec ID : A_DTS7 F2 {! w9 W6 n# N0 v+ p( v
Duration : 1 h 25 min. C; A' A4 b7 Q0 y
Bit rate mode : Variable
6 G& ^$ h+ e: N8 ` Q/ C7 |5 VBit rate : 589 kb/s
- b2 t: d `: Z" U3 MChannel(s) : 2 channels
! T. a! D. `0 X2 AChannel layout : L R
' Y- F. m9 t+ ^7 l7 f5 `Sampling rate : 48.0 kHz
. C s9 _7 M$ t# i% B, W; gFrame rate : 93.750 FPS (512 SPF)
/ h5 x- c/ d6 G3 T" WBit depth : 16 bits
- |! W# P9 a3 m0 W; M$ a! s/ ]Compression mode : Lossless* G: E! {8 Z9 E
Stream size : 361 MiB (1%)
1 I& L. w( R$ Q- Y0 ]7 @0 STitle : DTS-HD MA 2.0' g8 m$ A7 Y a4 O4 x/ g4 j
Language : English; @. |: L/ F; H |6 `, }
Default : Yes7 q0 y( `$ p, g+ s- y2 |# t8 d
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Original source medium : Blu-ray, u; p2 L4 E" [% w, O+ m
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Audio #22 t }, G* d( K5 b
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Format : DTS XLL' A" i: } E% ~# E
Format/Info : Digital Theater Systems
8 E4 O1 r6 ]: C7 ]Commercial name : DTS-HD Master Audio: I6 A4 m- j! E* @* O
Codec ID : A_DTS, H7 {/ s. o, B1 T
Duration : 1 h 25 min
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! X) Z8 o3 \0 r$ IChannel layout : L R; Q Q; ~6 \& j/ Z- I" T6 D3 y6 T
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) {1 e% L( y$ P6 qFrame rate : 93.750 FPS (512 SPF)3 I# V' x3 Q- t2 E3 ]1 c' q
Bit depth : 16 bits* e; a1 B! h5 i. U3 `2 Z' z, F
Compression mode : Lossless
$ h/ r( K- Y( EStream size : 513 MiB (2%)
( L0 \/ n E- c1 z1 t+ H- ~: ]Title : DTS-HD MA 2.0
2 ~% u, U5 N4 G% X, l' c3 G* PLanguage : English& c3 F2 h3 F6 G$ I( ^6 G
Default : No+ J; {1 W1 S5 c, A5 L7 {- ~
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# j+ P" m) ?( Z9 |- R, }7 mOriginal source medium : Blu-ray! L( N" T1 ~! I# x$ h" u" O
' ~7 ]4 X" L$ B/ }# k8 {7 [Text #1
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Codec ID/Info : UTF-8 Plain Text2 `8 ?; {9 b. u4 ~4 ]/ |9 w
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# D) u& M- F2 X6 M, k+ s/ mBit rate : 40 b/s0 Y; J, b# L+ _9 P$ V$ Y [; x
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+ M# {9 {4 E2 n- U0 x9 w7 IDuration : 1 h 21 min% U$ ^+ t! }* R D+ j: ~- N
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$ b6 R4 `( E4 G# d9 l4 L: dCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
, o/ Y1 c8 t0 e0 }Duration : 1 h 21 min* i- K' y5 N! ^6 r' x4 r8 W
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- c6 @5 ^0 m' G3 lCount of elements : 16921 t, t$ X) p. c
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, B* C8 O- M2 a$ u2 i3 ?" v8 YLanguage : English* l2 x9 D) _; F$ N
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Original source medium : Blu-ray# K* P5 l; Q# |0 x* v) d, F
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Menu
5 L; p' t4 A# ~5 w- W% L }00:00:00.000 : en:Chapter 01 y" s5 ~% |9 h
00:08:50.279 : en:Chapter 02# a3 l4 S, s, E* H
00:21:48.307 : en:Chapter 03
! Q7 Z+ \2 f* _. U- Y" s4 |00:30:10.934 : en:Chapter 045 Q$ l7 t/ z7 L7 [1 Y. X* B9 c2 J
00:38:09.453 : en:Chapter 05
" p- Q ?' n6 A! z) r, [00:51:35.509 : en:Chapter 06, S# u% r4 L8 y! \% c4 a
01:00:44.724 : en:Chapter 07( B! {4 v, u0 T: h9 i2 z' o- _
01:08:39.740 : en:Chapter 08- i8 r+ L8 x: \- A! H2 Z
01:18:00.801 : en:Chapter 09, d& D. l1 @" ]; R
01:22:37.369 : en:Chapter 10 Poison Blu-ray, Video Quality 9 o A5 s* K8 T. Y* c$ c5 G$ L
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Zeitgeist Films has given Poison a thirtieth anniversary edition Blu-ray on this MPEG-4 AVC-encoded BD-50 (disc size: 35.51 GB). Zeitgeist's enclosed booklet doesn't contain much information about the film's restoration but Zeitgeist's DVD from a decade prior does. In the latter's 14-page booklet, Zeitgeist has a Criterion-like "About the Transfer": "Shot in 16mm, Poison was blown up to widescreen 35mm for its 1991 theatrical release presentation. This new high definition transfer was created on a Spirit Datacine from the original 35mm internegative, which is the best archival element available for the film. The MTI digital restoration system was also selectively used to remove scratches and stains, while taking care not to 'correct' intentional effects. Telecine colorist: Bill Stokes/DuArt, New York. Digital Correction: Prime Focus New York." Authoring was done by Radius 60, Los Angeles. All the Blu-ray booklet states is that Robert Sweeney, Director of Media Production and Operations at Kino Lorber, produced this Blu-ray, and that Duplitech performed the encoding and authoring of the disc. There's no doubt that Zeitgeist used the same 2K DI prepared from the 35mm internegative for this Blu-ray transfer. (Sundance's John Nein says in one of the extras that Zeitgeist oversaw the color timing for the 35mm print circulated at film festivals for its re-release. It's unknown if and to what degree Haynes and cinematographer Maryse Alberti were involved.)
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The 2011 DVD has age-related film artifacts on its transfer. There are fewer artifacts on this Blu-ray. The film intentionally has coarse grain, very thick textures, and heavy contrast. Two of the stories were filmed in color and the other in B&W. The original theatrical aspect ratio is 1.66:1. The 1999 Fox Lorber DVD cropped the image to 1.33:1 Both the Zeitgeist DVD and Blu-ray are presented in 1.78:1. I've built a graphical comparison of ten screenshots (five apiece) from the two transfers. Zeitgeist has encoded the feature at a mean video bitrate of 39960 kbps.
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. i& m% x5 h7 K% W" k$ I- F. [Screenshots 1-18, 20, 22, & 24 = Zeitgeist Films & Kino Lorber 2021 BD-50! K; p' X3 u! a% ^0 f) T
Screenshots 19, 21, 23, & 25 = Zeitgeist Films 2011 DVD-9! U9 z& V) Z0 w( b2 V/ K6 h0 X
C: V- d4 M1 D2 l* M9 iZeitgeist has provided ten chapters for the 85-minute film. (The '11 DVD has twelve.)
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Poison Blu-ray, Audio Quality / r1 {* M# u% d. G/ Y; s+ O
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Zeitgeist has supplied a DTS-HD Master Audio Dual Mono track (589 kbps, 16-bit). This has to be one of the lowest bitrates ever recorded for a lossless sound mix. Nonetheless, spoken words are comprehensible. All sound f/x are relegated to the front channels. Composer James Bennett (Swoon) wrote an elegiac score made up of mostly melancholic violins, dour celli, and heartrending woodwinds. From the DVD booklet: "The soundtrack was mastered from the original 16mm optical tracks."6 J, G+ W# E7 O4 j6 h
, i" W/ \0 B. c/ V" `) UZeitgeist delivers optional English SDH for the feature.7 h! Z2 D0 K6 K9 |
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