- 积分
- 100262
- 经验
- 32078 点
- 热情
- 19723 点
- 魅力
- 9303 点
- 信誉
- 15072 度
- 金币
- 3759 枚
- 钻石
- 3776 颗
- 蓝光币
- 0 ¥
Post Share
- 金币
- 3759 枚
- 体力
- 29329 点
|
This compassionate documentary offers snapshots of a number of people living productive lives while coping with physical abnormalities.
8 E2 {9 W+ n3 b0 W! l B
7 v; p/ k0 Y" T4 ^
) ]' ~& k4 @5 m0 v4 v
' w" E. M7 c' V& R: h# t) s$ s◎译 名 与众不同/畸形人,我要站起来
1 u# [4 K% \" t* u' P: P4 [% x◎片 名 Being Different& V2 y6 Z3 N# V! f5 c q6 d# \
◎年 代 1981" f5 \1 y& k) n) C
◎产 地 加拿大/美国
" W% M ?) I3 F; V" A# }0 ]◎类 别 纪录片6 _/ O" N7 S% o3 J' v. e# R
◎语 言 英语. m( Y1 U" h& j- o
◎上映日期 1981-08-21(加拿大)/1982-06-10(秘鲁)
6 N! ?+ m- s/ r5 ^: f◎IMDb评分 6.4/10 from 137 users& r T9 Q6 E+ n: B' s0 [6 X
◎IMDb链接 https://www.imdb.com/title/tt0131963/
: X: B3 r6 p6 R+ g- [8 I◎豆瓣评分 0/10 from 0 users
- r/ S2 L* ~1 h) ]1 c4 d6 z◎豆瓣链接 https://movie.douban.com/subject/1300260/
5 o7 o- z2 v; R◎文件格式 x264 + DTS
) C$ [0 ?: w; W b0 I; A◎视频尺寸 1920 x 10809 w! r# n$ {% e/ @ D: g/ p+ G/ w( g D
◎文件大小 1DVD 18.68 GiB
2 H! I3 U) c f/ m) y/ i2 R0 \+ i1 P◎片 长 1 h 42 min
9 ^& i( [# D, E/ d* `◎导 演 哈里·拉斯基 Harry Rasky
( f* Z0 x4 Q% d◎编 剧 哈里·拉斯基 Harry Rasky
$ E4 n% L; C2 P" C* X" z e7 u! T/ U% {◎演 员 克里斯托弗·普卢默 Christopher Plummer
3 q$ R) V6 l0 r) W& u5 I Johann Petursson4 j, j" m7 I' b, W9 m2 `
Ronnie Galyon
, _! r8 y3 d7 T8 s. } 比利·巴蒂 Billy Barty& {, C, U/ v* u# A- s2 b
Donnie Galyon
2 ~" d; H, ~9 O/ l# @! w% D6 @ Sandra Elaine Allen; w! `6 Q) \$ _6 D& H) R8 @
哈里·拉斯基 Harry Rasky
6 G: p9 S' h: X# j5 E4 X3 Y2 a' n4 _7 m0 p0 Z4 S
◎简 介 0 k" ~, r# @8 E4 W7 x
# [7 |. O6 `7 T) R+ _6 ^: s A tribute to the spirit and humanity of people who are physically different from the average: very tall and very large men and women, a bearded woman and her long-time husband, Siamese twins joined at the midsection, and several little people including actor Billy Barty. We meet some at Gibsonton, Florida, where carnival folk winter. They talk about their lives and accomplishments. The camera also goes on the road to visit a grandfather with a distinctive face, a legless mechanic from Kentucky on a second honeymoon in LA, a marathon runner and motivational speaker who has no feet, a karate student with partial limbs, and an armless, down-to-earth mom in Texas. Narrated by Canadian actor Christopher Plummer.
' D+ \6 X8 r8 d! c8 @+ ^% e
' l& q, q( U( [# x. zBeing.Different.1981.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT
, k* K. |/ H3 U$ }4 d- M% I
$ V2 u6 u0 R R; T# D8 q6 yVideo
2 D1 I5 Q0 R: f. }7 k* uID : 1# _1 R2 O; a: P1 o9 H" P0 p1 ~
ID in the original source medium : 4113 (0x1011)# \7 u) Q8 O; B. Y, k& w
Format : AVC
8 R( L" L% v- B% V! Y2 m) J5 \6 J) jFormat/Info : Advanced Video Codec6 m$ B- y Q1 {% A6 t# _ d+ g. `, }
Format profile : [email protected]
$ I1 u s$ ~! U( p* t }Format settings : CABAC / 3 Ref Frames
( P1 M. I6 L8 C {Format settings, CABAC : Yes
+ g( L, }5 K7 e, B$ mFormat settings, Reference frames : 3 frames$ H/ Z* ]! j; ]& w T' a
Format settings, GOP : M=3, N=12
T6 b) V' ?! [, X+ aCodec ID : V_MPEG4/ISO/AVC
7 b Q. w F" j1 C0 a+ L% i) oDuration : 1 h 42 min Y B5 K' k5 |& C
Bit rate mode : Variable
7 T7 l5 k! O f1 G) LBit rate : 24.4 Mb/s' \9 d0 }% \, f s! S% e
Maximum bit rate : 29.4 Mb/s: J. C! p/ X- o0 V( |4 H
Width : 1 920 pixels0 f6 U. o; Y& s8 H& H. J, |
Height : 1 080 pixels
( S& B1 L- f$ h' f6 wDisplay aspect ratio : 16:92 A e; N+ Q6 D! t
Frame rate mode : Constant3 i: a& l1 f% o. v
Frame rate : 23.976 (24000/1001/189150) FPS7 F0 Y, |( l1 M
Standard : NTSC8 B2 D2 f \) {
Color space : YUV
2 f3 e( e; @' [Chroma subsampling : 4:2:0
4 e- v4 c+ a; O& k7 h: rBit depth : 8 bits8 D, o. |& t/ u" V J: J
Scan type : Progressive& W- y ~2 j) u9 J
Bits/(Pixel*Frame) : 0.491
& t: o! h1 ^% [1 f' }# `Stream size : 17.5 GiB (94%)+ O, I0 o/ ^5 H5 \% C
Language : English
3 B& ]. z. k/ ~9 r4 ^' T# U4 ?* oDefault : No5 I- e( k B! O+ O
Forced : No8 Q- F, s0 |/ w" U) j6 @4 m l
Color range : Limited
1 F% c* P! [7 L6 i# ]Color primaries : BT.709; m, q' w3 ?: j L
Transfer characteristics : BT.709
: }- p% C2 W# C' C4 a. V# |% ?' sMatrix coefficients : BT.7097 |9 e2 _: k, P& z
Original source medium : Blu-ray
4 ^& G2 f9 Q t0 {& Q6 c5 d! t" e! a* I
Audio
, @3 k2 P0 P$ N# y! w: q, W4 SID : 2
" o4 F6 o, b1 l c" |- EID in the original source medium : 4352 (0x1100)
3 z: H5 r' e- O: MFormat : DTS XLL4 p! e$ L* \! B* ?0 J
Format/Info : Digital Theater Systems
' l% `$ a- Z' j. o# L* r& u w$ s& [Commercial name : DTS-HD Master Audio5 ~) {: @! {; M5 _
Codec ID : A_DTS& }# R% F9 P) |& ?7 k0 x$ W; _$ ]( t
Duration : 1 h 42 min
* F# u% J( l: m; W% z' ]Bit rate mode : Variable
0 r! {8 K1 A( n- l2 V* UBit rate : 1 602 kb/s$ Q! @: {3 ?% {0 |' ^
Channel(s) : 2 channels; ^% D3 ~1 }7 F
Channel layout : L R2 r7 L' W$ y2 n, R% U# R" K/ k! A- }
Sampling rate : 48.0 kHz) N: ]1 k" I) t4 A" S
Frame rate : 93.750 FPS (512 SPF)/ a) k4 j0 @' q# Y# g
Bit depth : 24 bits; H/ X- K% l' g' R- Z4 W( B
Compression mode : Lossless
# \3 j; P! |( dStream size : 1.15 GiB (6%)
8 [& o G4 y2 [1 J1 `7 n2 o4 m2 k! [Title : DTS-HD MA 2.0( ~; M: r4 r3 ~
Language : English
. ]# s6 E `) Z' B& E5 J5 r2 s2 iDefault : Yes) E* k y H, K) g7 r0 C7 m$ }
Forced : No" o! R7 E& s4 J6 E3 W- M
Original source medium : Blu-ray: _" B8 V9 y9 V/ {; @
6 I' j6 T. y# V, E+ YMenu
; v# Y- D& H* f3 G3 d1 D00:00:00.000 : en:Chapter 01
1 a6 Q* }4 Q# D+ W+ ?' A00:04:30.061 : en:Chapter 02
- h' s: p- S3 a: x' w00:08:10.239 : en:Chapter 033 e7 P: q# f; u- n5 m5 T$ u
00:12:55.649 : en:Chapter 04+ i, p% w$ P. ~+ r) ?) _3 v; c. F
00:16:31.699 : en:Chapter 05
8 q m9 D; C; Q9 @7 | ~$ |; w& a$ x00:21:08.141 : en:Chapter 06
% K; n! d y# Z00:22:56.792 : en:Chapter 079 _& X1 V \2 E1 U; j
00:27:29.898 : en:Chapter 08' Z$ Q {$ l. n; E& W& O6 a
00:34:41.454 : en:Chapter 09. u7 n6 Q+ |2 k$ n- W W- B- t
00:34:42.288 : en:Chapter 10
8 s6 O" Z3 w# g" c ]8 U% U$ ^00:36:22.680 : en:Chapter 11
' {; D; `; `$ i+ z6 W00:36:23.181 : en:Chapter 12
. K% C% ^( M3 u2 e, C1 \7 V/ u00:43:50.628 : en:Chapter 13
3 M" K7 r" j y/ \& n8 s# P00:49:28.131 : en:Chapter 14
0 S* G% x8 P4 a! A, ^# A00:57:45.670 : en:Chapter 15& d3 }4 `" P0 Z" l+ B/ X: i D! E
01:03:29.680 : en:Chapter 16& @0 M; [0 _$ Y4 Q8 ~0 {5 s
01:09:30.708 : en:Chapter 17
0 l7 b( t5 X7 \01:09:31.208 : en:Chapter 18
, [, b( U9 ^# L$ F6 P" Q# }) [01:16:58.780 : en:Chapter 19
3 e' I# o0 O* @: H: h1 K/ Z01:16:59.364 : en:Chapter 203 ~7 l' R J9 f1 _# }
01:25:57.610 : en:Chapter 21% V' m( m& y: l, |4 D
01:41:03.432 : en:Chapter 22 Being Different Blu-ray, Video Quality " m+ f/ V5 g7 s# C% [, i
2 [3 p8 |8 f, |: W A' e# z! |$ G7 i; }6 |* R; m! b5 n2 B
Presented in an aspect ratio of 1.78:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Harry Rasky's Being Different arrives on Blu-ray courtesy of Code Red.
; N, V6 F+ ?* ?# N, \
# ~6 Y* R& T% h" w8 wThe release is sourced from a high-definition remaster struck from original vault elements in 2016. From the look of it, I would say that the vault elements were at least two generations away from the OCN, and maybe a 35mm print of some sort was what was of some was accessed to prepare the remaster. Regardless, density levels are not optimal, though given the nature of the project fluctuations are to be expected. Color saturation can and should be better, but stability is good. Some stains and blemishes remain; a black mark can be spotted as well. However, there are no conventional stability issues. All in all, ideally Being Different could and should look every bit as good as Crumb, but this is still a decent presentation that makes it easy to stay focused on the strange visuals. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your player regardless of your geographical location).
: f8 ?7 |& ^/ k2 z ^$ O3 ?
9 J" U: c3 V, h6 G* dBeing Different Blu-ray, Audio Quality ; `6 O% K6 ~( A7 p
, @' z& H8 K* }6 K
7 Z" I9 w, h( M* N% mThere is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are not provided for the main feature.
: [ d- y5 k6 v
- S/ i) R! R7 \2 g7 W, L; x# CThe audio is stable and clear, always easy to follow. Because there is plenty of 'live' footage some dynamic unevenness is present, but it is quite obvious that it is part of the original mix. On the other other hand, this is certainly the type of film that should transition to Blu-ray with optional English SDH subtitles.6 y" V2 {3 }; C! |/ T2 h) A" J
|
|