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Disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.) e7 y/ r! x/ U* i1 h6 _
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- z4 v$ Z+ Q% z7 [* q! n◎译 名 原子咖啡厅7 _. k4 k" K$ n! s: I- z( ?- b
◎片 名 The Atomic Cafe / Atomic Cafe
) D8 \ O5 a9 Z* k◎年 代 1982
/ Z: S# K6 N% h/ @* q2 @/ O◎产 地 美国, k' I, _# k6 R1 Q. m e
◎类 别 纪录片/历史
; R( Z9 }7 b0 e( \$ N1 J7 g◎语 言 英语. x; ^" B6 |: F( \/ t
◎上映日期 1982-10-29(芬兰)/ J& T1 t: B) I& O: D# e
◎IMDb评分 7.6/10 from 4,174 users' g( J" f0 H6 j$ W! b0 q& A
◎IMDb链接 https://www.imdb.com/title/tt0083590/' z# {4 n' Y8 e: E/ t5 u, q' i
◎豆瓣评分 8.3/10 from 283 users
2 ^8 [/ |( @. i; B◎豆瓣链接 https://movie.douban.com/subject/1755424/
. V! b# G' D: A5 ]4 v, T1 ~◎文件格式 x264 + DTS
M- t: }* ]+ ~( o& i◎视频尺寸 1920 x 1080
, c2 n X9 f3 O9 d' Q◎文件大小 1DVD 23.16 GiB
7 W5 r6 Q* e1 {# q9 b7 R◎片 长 1 h 26 min
2 M* `" W2 u" I7 }6 ]# S( x( L% d◎导 演 Jayne Loader
+ D( F1 W$ ^: s Kevin Rafferty' M% w' Q9 V+ ~0 }6 O
Pierce Rafferty
) e8 V. u9 k' _◎编 剧 Jayne Loader
! g, U3 w% \ I3 B" C◎主 演 保罗·提贝兹 Paul Tibbets
- E; k% O; z9 a# G* d 哈里·S·杜鲁门 Harry S. Truman
) m/ c* F4 j7 o+ b7 L/ u W.H.P. Blandy. K! f9 \5 i) v+ K2 m
阿尔伯特·爱因斯坦 Albert Einstein7 T; z0 Z; w% w X0 @) ~
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◎标 签 纪录片 | 美国 | 黑色幽默 | 历史 | 核子未来 | 社会问题 | Documentary | 美国电影6 x5 ?6 y z# N& p9 l. }: n" b( |
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◎简 介5 I7 U5 q3 r+ Q0 N5 a* J
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20世纪40至50年代,美国政府发布了一系列宣传片,旨在让美国民众相信原子弹不会对他们的生活构成威胁。本片是这些宣传片的一个选集。
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1 T7 l% q3 v' ]7 d2 x; ~ 整部《原子咖啡厅》可说是美国政府对人民说过的关于原子弹的谎言大全,如今看来,政府的无知和愚民手法,一方面让人好笑,一方面也提醒观众,不要太信赖官方说法。
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On its 20-year anniversary, and not a moment too soon, THE ATOMIC CAFE is back to provide us with a much-needed release of comic energy. A dark comedy in the truest sense, this timeless classic took the nation by storm when it first debuted in 1982. Atomic Cafe is a brilliant compilation of archival film clips beginning with the first atomic bomb detonation in the New Mexico desert. The footage, much of it produced as government propaganda, follows the story of the bomb through the two atomic attacks on Japan that ended World War II to the bomb's central role in the cold war. Shown along with the famous "duck and cover" Civil Defense films are lesser-known clips, many of which possess a bizarre black humor when seen today, and it's easy to see why this film, which was produced in the early 1980s, became a cult classic.
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Video
2 C5 x; d @; d! OID : 1
0 {& o2 L U& ~ }) mFormat : AVC
t$ Y; n( A* f9 MFormat/Info : Advanced Video Codec0 L0 q2 z# R. Z( S9 L! w& ]0 ?
Format profile : High@L4.1
8 F9 B" T: J: `, w$ VFormat settings : CABAC / 4 Ref Frames j1 F; G5 v5 k
Format settings, CABAC : Yes H8 w3 O$ F# [$ J
Format settings, ReFrames : 4 frames. m* z/ [' F* p3 \4 L, y D
Codec ID : V_MPEG4/ISO/AVC, o; M1 t2 v2 G
Duration : 1 h 26 min4 U1 @9 g$ k8 n! q9 b' {8 D5 F
Bit rate mode : Variable Q$ f6 v& d r+ K7 W7 P5 u- c
Bit rate : 34.8 Mb/s
5 e4 m- S0 X# N5 v7 MMaximum bit rate : 38.0 Mb/s
1 O% _; w: ?/ Y' Y$ {9 i& V0 J' V4 ?Width : 1 920 pixels
) R/ j9 B0 T* @Height : 1 080 pixels
* a0 q/ O/ c9 P, _, {Display aspect ratio : 16:9
* ?% n: _ j- g- w. U7 FFrame rate mode : Constant
: W+ M( i. w7 X# u, h5 YFrame rate : 23.976 (24000/1001) FPS4 ? E( [7 k' [8 u
Color space : YUV
/ O& N" y, W9 x$ k. q' T: mChroma subsampling : 4:2:0+ N4 g% K0 Q* u
Bit depth : 8 bits0 q4 N/ A4 P% r/ W6 ]
Scan type : Progressive% B' r, l3 E! F. a2 T% H- ]/ j
Bits/(Pixel*Frame) : 0.700/ R2 P7 }* }- y
Stream size : 21.1 GiB (91%)$ c6 w' r8 T' o
Title : The.Atomic.Cafe.1982.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT) @ A- G; t/ a% t0 G
Language : English
1 d! y7 w: x" I' P) }- ^Default : No3 @, E9 F1 X2 t d( x
Forced : No
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Audio #1
3 E9 O8 h( k3 HID : 2+ e) j5 D) S" w. X
Format : DTS XLL
2 D6 a7 D" l8 {2 H. BFormat/Info : Digital Theater Systems0 B4 Y" a4 Z8 j/ f2 g6 b
Commercial name : DTS-HD Master Audio
4 v( i q! j* \- C. `0 v7 x% @Codec ID : A_DTS& Y3 l/ e9 h5 n
Duration : 1 h 26 min
2 J$ g2 X s3 i3 ?* L7 f1 i JBit rate mode : Variable
' S4 g# v+ Q4 g- k+ l% ?4 ~Bit rate : 1 876 kb/s% Z. I, A3 V6 y% e: Z
Channel(s) : 2 channels
3 U' L$ R8 t" g3 ], x2 t' E! {Channel layout : L R9 E4 C7 F$ f3 u/ o- `* @: @
Sampling rate : 48.0 kHz
5 O( _) P0 q) IFrame rate : 93.750 FPS (512 SPF)
. p9 O( P! K4 [6 iBit depth : 24 bits
) J7 q8 ~) ^: Q0 F/ XCompression mode : Lossless
+ j# j( Z) b0 s/ k- GStream size : 1.14 GiB (5%)
& w1 o( X) a/ mTitle : The.Atomic.Cafe.1982.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT5 Q* o4 `( z/ o, y, k* u' W
Language : English
3 m# Y6 F x& I1 IDefault : Yes
& w7 a# \7 \4 y! m" T/ l" DForced : No" p/ ?# ?0 h8 B
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Audio #2
2 K" Y: T2 ]! j1 E' ]: {' Q$ A! SID : 3
" {; i1 |; |' t4 ]3 mFormat : DTS
! t I) P) G+ V1 E8 o1 N# aFormat/Info : Digital Theater Systems4 I A% s0 S" U+ g6 K% r6 R
Codec ID : A_DTS$ }3 i% h C S" R- ?7 ]* [2 _
Duration : 1 h 26 min& d* d I5 G% T; |- m$ L
Bit rate mode : Constant
) e$ [; D) k2 ?: p, iBit rate : 1 509 kb/s" v3 P6 ]0 y- X( R9 m
Channel(s) : 2 channels
1 T2 f1 @' q. j4 \/ dChannel layout : L R
- u# L1 k# r) z, tSampling rate : 48.0 kHz
3 t4 k4 Y( Z m& P9 LFrame rate : 93.750 FPS (512 SPF)+ n$ M3 Z6 g$ C
Bit depth : 24 bits7 t' N+ s! [4 l" e4 K) |- Z
Compression mode : Lossy
) z( v- V, I. w+ a. I! m3 qStream size : 935 MiB (4%)& T9 _, @1 E- R- ^0 T- \! I# Z
Title : The.Atomic.Cafe.1982.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT1 K# P2 V5 G7 b. n: A0 o) g" q; W
Language : English
7 T7 x0 X& I1 y/ c6 KDefault : No' M4 p) Q% o$ q- ?
Forced : No( d. {3 M9 F1 N3 q$ S/ H
4 U1 t+ O$ @& Y0 IText
: w2 b- U& r5 n3 s4 W2 N; M hID : 4
$ C; d5 ^8 A* ]" E8 iFormat : PGS
9 f4 u6 \0 @1 ]& |& H ]" pMuxing mode : zlib
+ O- [1 b" E) b9 zCodec ID : S_HDMV/PGS
9 V7 Q! r T0 r1 u' GCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
9 u0 S9 B& p: y' `Duration : 1 h 24 min" u$ M$ V) }1 E1 K) g
Bit rate : 98.4 kb/s5 R* H% g; y! U: H7 q; B, g+ z
Count of elements : 31582 X+ i1 ~$ j+ u
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Title : English-PGS9 W8 w% M" x+ J; |
Language : English
" o/ D( P' _" s& t+ [) _Default : Yes1 w' |3 K! D: B' R1 Q$ w5 ~; Z
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" Q, A4 s: \+ o# _$ m3 N( ]Menu; P) R3 I( u1 r$ x2 h* Y
00:00:00.000 : en:Chapter 01
! {# f& F5 ~1 ^00:08:40.478 : en:Chapter 02
5 m: \- q7 k$ |- ]2 V1 s5 W00:17:12.656 : en:Chapter 03
0 C0 I. L" h6 i7 r: w; w00:25:52.259 : en:Chapter 04
% x/ A; G2 X; c6 P00:35:09.065 : en:Chapter 05
/ R2 e* R, R0 D% Y2 a, \00:43:58.844 : en:Chapter 06# W$ [1 V$ y* k# P8 q7 D
00:53:44.262 : en:Chapter 07
6 s! Y3 Q& H E7 W7 k: M' L1 S8 ~01:01:52.792 : en:Chapter 08$ D0 O2 p3 F# [" ?
01:09:51.020 : en:Chapter 09( y6 r& [3 b- I' t/ L0 |
01:19:37.606 : en:Chapter 10/ c% y! q8 A+ Q8 Z: N" i. q) E7 ]$ `; t
01:26:39.527 : en:Chapter 11 The Atomic Cafe Blu-ray, Video Quality
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& E) i3 F7 A: L& _5 KThe folks at IndieCollect have restored "The Atomic Café" for future use, offering a 4K scan of the 16mm production. The AVC encoded image (1.34:1 aspect ratio) presentation is working with a collection of archival materials, and the creative goal here is to preserve their older, scratchy appeal, not clean everything up to modern digital standards. Embrace this wear and tear, with clarity decent along the way, giving these obscure offerings of propaganda and news reports fresh life in HD while still preserving the filmic appeal of the original feature. Color is limited but effective, handling saturated primaries, while whites retain their brightness. Delineation is secure.. k: \% o$ h0 @8 S1 a% Z3 L
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The 2.0 DTS-HD MA sound mix isn't built to wow with dimension, remaining simplistic but effective. Elements retain their aged origin, but clarity is never problematic, offering a clear read of short film speechifying and performances, and political footage is also preserved. Music handles with ease, delivering agreeable instrumentation. Sound effects are defined, perhaps too much so, with the sweetening of screams (animals and otherwise) popping out a bit too sharply.$ u7 B, U, n& z# P1 q: O
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